BEASTS AND SUPER-BEASTS - H. H. MUNRO ("SAKI")Part 5 out of 5mounted fittings, but, on the other hand, he might give me Baedeker's Switzerland, or `Skiing without Tears,' or something of that sort." "He would be more likely to say: 'She'll be going to lots of dances, a fan will be sure to be useful.' " "Yes, and I've got tons of fans, so you see where the danger and anxiety lies. Now if there is one thing more than another that I really urgently want it is furs. I simply haven't any. I'm told that Davos is full of Russians, and they are sure to wear the most lovely sables and things. To be among people who are smothered in furs when one hasn't any oneself makes one want to break most of the Commandments." "If it's furs that you're out for," said Eleanor, "you will have to superintend the choice of them in person. You can't be sure that your cousin knows the difference between silver-fox and ordinary squirrel." "There are some heavenly silver-fox stoles at Goliath and Mastodon's," said Suzanne, with a sigh; "if I could only inveigle Bertram into their building and take him for a stroll through the fur department!" "He lives somewhere near there, doesn't he?" said Eleanor. "Do you know what his habits are? Does he take a walk at any particular time of day?" "He usually walks down to his club about three o'clock, if it's a fine day. That takes him right past Goliath and Mastodon's." "Let us two meet him accidentally at the street corner to-morrow," said Eleanor; "we can walk a little way with him, and with luck we ought to be able to side- track him into the shop. You can say you want to get a hair-net or something. When we're safely there I can say: 'I wish you'd tell me what you want for your birthday.' Then you'll have everything ready to hand - the rich cousin, the fur department, and the topic of birthday presents." "It's a great idea," said Suzanne; "you really are a brick. Come round to-morrow at twenty to three; don't be late, we must carry out our ambush to the minute." At a few minutes to three the next afternoon the fur-trappers walked warily towards the selected corner. In the near distance rose the colossal pile of Messrs. Goliath and Mastodon's famed establishment. The afternoon was brilliantly fine, exactly the sort of weather to tempt a gentleman of advancing years into the discreet exercise of a leisurely walk. "I say, dear, I wish you'd do something for me this evening," said Eleanor to her companion; "just drop in after dinner on some pretext or other, and stay on to make a fourth at bridge with Adela and the aunts. Otherwise I shall have to play, and Harry Scarisbrooke is going to come in unexpectedly about nine-fifteen, and I particularly want to be free to talk to him while the others are playing." "Sorry, my dear, no can do," said Suzanne; "ordinary bridge at threepence a hundred, with such dreadfully slow players as your aunts, bores me to tears. I nearly go to sleep over it." "But I most particularly want an opportunity to talk with Harry," urged Eleanor, an angry glint coming into her eyes. "Sorry, anything to oblige, but not that," said Suzanne cheerfully; the sacrifices of friendship were beautiful in her eyes as long as she was not asked to make them. Eleanor said nothing further on the subject, but the corners of her mouth rearranged themselves. "There's our man!" exclaimed Suzanne suddenly; "hurry!" Mr. Bertram Kneyght greeted his cousin and her friend with genuine heartiness, and readily accepted their invitation to explore the crowded mart that stood temptingly at their elbow. The plate-glass doors swung open and the trio plunged bravely into the jostling throng of buyers and loiterers. "Is it always as full as this?" asked Bertram of Eleanor. "More or less, and autumn sales are on just now," she replied. Suzanne, in her anxiety to pilot her cousin to the desired haven of the fur department, was usually a few paces ahead of the others, coming back to them now and then if they lingered for a moment at some attractive counter, with the nervous solicitude of a parent rook encouraging its young ones on their first flying expedition. "It's Suzanne's birthday on Wednesday next," confided Eleanor to Bertram Kneyght at a moment when Suzanne had left them unusually far behind; "my birthday comes the day before, so we are both on the look-out for something to give each other." "Ah," said Bertram. "Now, perhaps you can advise me on that very point. I want to give Suzanne something, and I haven't the least idea what she wants." "She's rather a problem," said Eleanor. "She seems to have everything one can think of, lucky girl. A fan is always useful; she'll be going to a lot of dances at Davos this winter. Yes, I should think a fan would please her more than anything. After our birthdays are over we inspect each other's muster of presents, and I always feel dreadfully humble. She gets such nice things, and I never have anything worth showing. You see, none of my relations or any of the people who give me presents are at all well off, so I can't expect them to do anything more than just remember the day with some little trifle. Two years ago an uncle on my mother's side of the family, who had come into a small legacy, promised me a silver-fox stole for my birthday. I can't tell you how excited I was about it, how I pictured myself showing it off to all my friends and enemies. Then just at that moment his wife died, and, of course, poor man, he could not be expected to think of birthday presents at such a time. He has lived abroad ever since, and I never got my fur. Do you know, to this day I can scarcely look at a silver-fox pelt in a shop window or round anyone's neck without feeling ready to burst into tears. I suppose if I hadn't had the prospect of getting one I shouldn't feel that way. Look, there is the fan counter, on your left; you can easily slip away in the crowd. Get her as nice a one as you can see - she is such a dear, dear girl." "Hullo, I thought I had lost you," said Suzanne, making her way through an obstructive knot of shoppers. "Where is Bertram?" "I got separated from him long ago. I thought he was on ahead with you," said Eleanor. "We shall never find him in this crush." Which turned out to be a true prediction. "All our trouble and forethought thrown away," said Suzanne sulkily, when they had pushed their way fruitlessly through half a dozen departments. "I can't think why you didn't grab him by the arm," said Eleanor; "I would have if I'd known him longer, but I'd only just been introduced. It's nearly four now, we'd better have tea." Some days later Suzanne rang Eleanor up on the telephone. "Thank you very much for the photograph frame. It was just what I wanted. Very good of you. I say, do you know what that Kneyght person has given me? Just what you said he would - a wretched fan. What? Oh yes, quite a good enough fan in its way, but still . . ." "You must come and see what he's given me," came in Eleanor's voice over the 'phone. "You! Why should he give you anything?" "Your cousin appears to be one of those rare people of wealth who take a pleasure in giving good presents," came the reply. "I wondered why he was so anxious to know where she lived," snapped Suzanne to herself as she rang off. A cloud has arisen between the friendships of the two young women; as far as Eleanor is concerned the cloud has a silver-fox lining. THE PHILANTHROPIST AND THE HAPPY CAT JOCANTHA BESSBURY was in the mood to be serenely and graciously happy. Her world was a pleasant place, and it was wearing one of its pleasantest aspects. Gregory had managed to get home for a hurried lunch and a smoke afterwards in the little snuggery; the lunch had been a good one, and there was just time to do justice to the coffee and cigarettes. Both were excellent in their way, and Gregory was, in his way, an excellent husband. Jocantha rather suspected herself of making him a very charming wife, and more than suspected herself of having a first-rate dressmaker. "I don't suppose a more thoroughly contented personality is to be found in all Chelsea," observed Jocantha in allusion to herself; "except perhaps Attab," she continued, glancing towards the large tabby-marked cat that lay in considerable ease in a corner of the divan. "He lies there, purring and dreaming, shifting his limbs now and then in an ecstasy of cushioned comfort. He seems the incarnation of everything soft and silky and velvety, without a sharp edge in his composition, a dreamer whose philosophy is sleep and let sleep; and then, as evening draws on, he goes out into the garden with a red glint in his eyes and slays a drowsy sparrow." "As every pair of sparrows hatches out ten or more young ones in the year, while their food supply remains stationary, it is just as well that the Attabs of the community should have that idea of how to pass an amusing afternoon," said Gregory. Having delivered himself of this sage comment he lit another cigarette, bade Jocantha a playfully affectionate good-bye, and departed into the outer world. "Remember, dinner's a wee bit earlier to-night, as we're going to the Haymarket," she called after him. Left to herself, Jocantha continued the process of looking at her life with placid, introspective eyes. If she had not everything she wanted in this world, at least she was very well pleased with what she had got. She was very well pleased, for instance, with the snuggery, which contrived somehow to be cosy and dainty and expensive all at once. The porcelain was rare and beautiful, the Chinese enamels took on wonderful tints in the firelight, the rugs and hangings led the eye through sumptuous harmonies of colouring. It was a room in which one might have suitably entertained an ambassador or an archbishop, but it was also a room in which one could cut out pictures for a scrap-book without feeling that one was scandalising the deities of the place with one's litter. And as with the snuggery, so with the rest of the house, and as with the house, so with the other departments of Jocantha's life; she really had good reason for being one of the most contented women in Chelsea. From being in a mood of simmering satisfaction with her lot she passed to the phase of being generously commiserating for those thousands around her whose lives and circumstances were dull, cheap, pleasureless, and empty. Work girls, shop assistants and so forth, the class that have neither the happy-go-lucky freedom of the poor nor the leisured freedom of the rich, came specially within the range of her sympathy. It was sad to think that there were young people who, after a long day's work, had to sit alone in chill, dreary bedrooms because they could not afford the price of a cup of coffee and a sandwich in a restaurant, still less a shilling for a theatre gallery. Jocantha's mind was still dwelling on this theme when she started forth on an afternoon campaign of desultory shopping; it would be rather a comforting thing, she told herself, if she could do something, on the spur of the moment, to bring a gleam of pleasure and interest into the life of even one or two wistful- hearted, empty-pocketed workers; it would add a good deal to her sense of enjoyment at the theatre that night. She would get two upper circle tickets for a popular play, make her way into some cheap tea-shop, and present the tickets to the first couple of interesting work girls with whom she could casually drop into conversation. She could explain matters by saying that she was unable to use the tickets herself and did not want them to be wasted, and, on the other hand, did not want the trouble of sending them back. On further reflection she decided that it might be better to get only one ticket and give it to some lonely-looking girl sitting eating her frugal meal by herself; the girl might scrape acquaintance with her next-seat neighbour at the theatre and lay the foundations of a lasting friendship. With the Fairy Godmother impulse strong upon her, Jocantha marched into a ticket agency and selected with immense care an upper circle seat for the "Yellow Peacock," a play that was attracting a considerable amount of discussion and criticism. Then she went forth in search of a tea-shop and philanthropic adventure, at about the same time that Attab sauntered into the garden with a mind attuned to sparrow stalking. In a corner of an A.B.C. shop she found an unoccupied table, whereat she promptly installed herself, impelled by the fact that at the next table was sitting a young girl, rather plain of feature, with tired, listless eyes, and a general air of uncomplaining forlornness. Her dress was of poor material, but aimed at being in the fashion, her hair was pretty, and her complexion bad; she was finishing a modest meal of tea and scone, and she was not very different in her way from thousands of other girls who were finishing, or beginning, or continuing their teas in London tea-shops at that exact moment. The odds were enormously in favour of the supposition that she had never seen the "Yellow Peacock"; obviously she supplied excellent material for Jocantha's first experiment in haphazard benefaction. Jocantha ordered some tea and a muffin, and then turned a friendly scrutiny on her neighbour with a view to catching her eye. At that precise moment the girl's face lit up with sudden pleasure, her eyes sparkled, a flush came into her cheeks, and she looked almost pretty. A young man, whom she greeted with an affectionate "Hullo, Bertie," came up to her table and took his seat in a chair facing her. Jocantha looked hard at the new- comer; he was in appearance a few years younger than herself, very much better looking than Gregory, rather better looking, in fact, than any of the young men of her set. She guessed him to be a well-mannered young clerk in some wholesale warehouse, existing and amusing himself as best he might on a tiny salary, and commanding a holiday of about two weeks in the year. He was aware, of course, of his good looks, but with the shy self- consciousness of the Anglo-Saxon, not the blatant complacency of the Latin or Semite. He was obviously on terms of friendly intimacy with the girl he was talking to, probably they were drifting towards a formal engagement. Jocantha pictured the boy's home, in a rather narrow circle, with a tiresome mother who always wanted to know how and where he spent his evenings. He would exchange that humdrum thraldom in due course for a home of his own, dominated by a chronic scarcity of pounds, shillings, and pence, and a dearth of most of the things that made life attractive or comfortable. Jocantha felt extremely sorry for him. She wondered if he had seen the "Yellow Peacock"; the odds were enormously in favour of the supposition that he had not. The girl had finished her tea and would shortly be going back to her work; when the boy was alone it would be quite easy for Jocantha to say: "My husband has made other arrangements for me this evening; would you care to make use of this ticket, which would otherwise be wasted?" Then she could come there again one afternoon for tea, and, if she saw him, ask him how he liked the play. If he was a nice boy and improved on acquaintance he could be given more theatre tickets, and perhaps asked to come one Sunday to tea at Chelsea. Jocantha made up her mind that he would improve on acquaintance, and that Gregory would like him, and that the Fairy Godmother business would prove far more entertaining than she had originally anticipated. The boy was distinctly presentable; he knew how to brush his hair, which was possibly an imitative faculty; he knew what colour of tie suited him, which might be intuition; he was exactly the type that Jocantha admired, which of course was accident. Altogether she was rather pleased when the girl looked at the clock and bade a friendly but hurried farewell to her companion. Bertie nodded "good-bye," gulped down a mouthful of tea, and then produced from his overcoat pocket a paper-covered book, bearing the title "Sepoy and Sahib, a tale of the great Mutiny." The laws of tea-shop etiquette forbid that you should offer theatre tickets to a stranger without having first caught the stranger's eye. It is even better if you can ask to have a sugar basin passed to you, having previously concealed the fact that you have a large and well-filled sugar basin on your own table; this is not difficult to manage, as the printed menu is generally nearly as large as the table, and can be made to stand on end. Jocantha set to work hopefully; she had a long and rather high-pitched discussion with the waitress concerning alleged defects in an altogether blameless muffin, she made loud and plaintive inquiries about the tube service to some impossibly remote suburb, she talked with brilliant insincerity to the tea-shop kitten, and as a last resort she upset a milk-jug and swore at it daintily. Altogether she attracted a good deal of attention, but never for a moment did she attract the attention of the boy with the beautifully-brushed hair, who was some thousands of miles away in the baking plains of Hindostan, amid deserted bungalows, seething bazaars, and riotous barrack squares, listening to the throbbing of tom-toms and the distant rattle of musketry. Jocantha went back to her house in Chelsea, which struck her for the first time as looking dull and over- furnished. She had a resentful conviction that Gregory would be uninteresting at dinner, and that the play would be stupid after dinner. On the whole her frame of mind showed a marked divergence from the purring complacency of Attab, who was again curled up in his corner of the divan with a great peace radiating from every curve of his body. But then he had killed his sparrow. ON APPROVAL OF all the genuine Bohemians who strayed from time to time into the would-be Bohemian circle of the Restaurant Nuremberg, Owl Street, Soho, none was more interesting and more elusive than Gebhard Knopfschrank. He had no friends, and though he treated all the restaurant frequenters as acquaintances he never seemed to wish to carry the acquaintanceship beyond the door that led into Owl Street and the outer world. He dealt with them all rather as a market woman might deal with chance passers-by, exhibiting her wares and chattering about the weather and the slackness of business, occasionally about rheumatism, but never showing a desire to penetrate into their daily lives or to dissect their ambitions. He was understood to belong to a family of peasant farmers, somewhere in Pomerania; some two years ago, according to all that was known of him, he had abandoned the labours and responsibilities of swine tending and goose rearing to try his fortune as an artist in London. "Why London and not Paris or Munich?" he had been asked by the curious. Well, there was a ship that left Stolpmunde for London twice a month, that carried few passengers, but carried them cheaply; the railway fares to Munich or Paris were not cheap. Thus it was that he came to select London as the scene of his great adventure. The question that had long and seriously agitated the frequenters of the Nuremberg was whether this goose- boy migrant was really a soul-driven genius, spreading his wings to the light, or merely an enterprising young man who fancied he could paint and was pardonably anxious to escape from the monotony of rye bread diet and the sandy, swine-bestrewn plains of Pomerania. There was reasonable ground for doubt and caution; the artistic groups that foregathered at the little restaurant contained so many young women with short hair and so many young men with long hair, who supposed themselves to be abnormally gifted in the domain of music, poetry, painting, or stagecraft, with little or nothing to support the supposition, that a self-announced genius of any sort in their midst was inevitably suspect. On the other hand, there was the ever-imminent danger of entertaining, and snubbing, an angel unawares. There had been the lamentable case of Sledonti, the dramatic poet, who had been belittled and cold-shouldered in the Owl Street hall of judgment, and had been afterwards hailed as a master singer by the Grand Duke Constantine Constantinovitch - "the most educated of the Romanoffs," according to Sylvia Strubble, who spoke rather as one who knew every individual member of the Russian imperial family; as a matter of fact, she knew a newspaper correspondent, a young man who ate BORTSCH with the air of having invented it. Sledonti's "Poems of Death and Passion" were now being sold by the thousand in seven European languages, and were about to be translated into Syrian, a circumstance which made the discerning critics of the Nuremberg rather shy of maturing their future judgments too rapidly and too irrevocably. As regards Knopfschrank's work, they did not lack opportunity for inspecting and appraising it. However resolutely he might hold himself aloof from the social life of his restaurant acquaintances, he was not minded to hide his artistic performances from their inquiring gaze. Every evening, or nearly every evening, at about seven o'clock, he would make his appearance, sit himself down at his accustomed table, throw a bulky black portfolio on to the chair opposite him, nod round indiscriminately at his fellow-guests, and commence the serious business of eating and drinking. When the coffee stage was reached he would light a cigarette, draw the portfolio over to him, and begin to rummage among its contents. With slow deliberation he would select a few of his more recent studies and sketches, and silently pass them round from table to table, paying especial attention to any new diners who might be present. On the back of each sketch was marked in plain figures the announcement "Price ten shillings." If his work was not obviously stamped with the hall- mark of genius, at any rate it was remarkable for its choice of an unusual and unvarying theme. His pictures always represented some well-known street or public place in London, fallen into decay and denuded of its human population, in the place of which there roamed a wild fauna, which, from its wealth of exotic species, must have originally escaped from Zoological Gardens and travelling beast shows. "Giraffes drinking at the fountain pools, Trafalgar Square," was one of the most notable and characteristic of his studies, while even more sensational was the gruesome picture of "Vultures attacking dying camel in Upper Berkeley Street." There were also photographs of the large canvas on which he had been engaged for some months, and which he was now endeavouring to sell to some enterprising dealer or adventurous amateur. The subject was "Hyaenas asleep in Euston Station," a composition that left nothing to be desired in the way of suggesting unfathomed depths of desolation. "Of course it may be immensely clever, it may be something epoch-making in the realm of art," said Sylvia Strubble to her own particular circle of listeners, "but, on the other hand, it may be merely mad. One mustn't pay too much attention to the commercial aspect of the case, of course, but still, if some dealer would make a bid for that hyaena picture, or even for some of the sketches, we should know better how to place the man and his work." "We may all be cursing ourselves one of these days," said Mrs. Nougat-Jones, "for not having bought up his entire portfolio of sketches. At the same time, when there is so much real talent going about, one does not feel like planking down ten shillings for what looks like a bit of whimsical oddity. Now that picture that he showed us last week, 'Sand-grouse roosting on the Albert Memorial,' was very impressive, and of course I could see there was good workmanship in it and breadth of treatment; but it didn't in the least convey the Albert Memorial to me, and Sir James Beanquest tells me that sand-grouse don't roost, they sleep on the ground." Whatever talent or genius the Pomeranian artist might possess, it certainly failed to receive commercial sanction. The portfolio remained bulky with unsold sketches, and the "Euston Siesta," as the wits of the Nuremberg nicknamed the large canvas, was still in the market. The outward and visible signs of financial embarrassment began to be noticeable; the half-bottle of cheap claret at dinner-time gave way to a small glass of lager, and this in turn was displaced by water. The one- and-sixpenny set dinner receded from an everyday event to a Sunday extravagance; on ordinary days the artist contented himself with a sevenpenny omelette and some bread and cheese, and there were evenings when he did not put in an appearance at all. On the rare occasions when he spoke of his own affairs it was observed that he began to talk more about Pomerania and less about the great world of art. "It is a busy time there now with us," he said wistfully; "the schwines are driven out into the fields after harvest, and must be looked after. I could be helping to look after if I was there. Here it is difficult to live; art is not appreciate." "Why don't you go home on a visit?" some one asked tactfully. "Ah, it cost money! There is the ship passage to Stolpmunde, and there is money that I owe at my lodgings. Even here I owe a few schillings. If I could sell some of my sketches - " "Perhaps," suggested Mrs. Nougat-Jones, "if you were to offer them for a little less, some of us would be glad to buy a few. Ten shillings is always a consideration, you know, to people who are not over well off. Perhaps if you were to ask six or seven shillings - " Once a peasant, always a peasant. The mere suggestion of a bargain to be struck brought a twinkle of awakened alertness into the artist's eyes, and hardened the lines of his mouth. "Nine schilling nine pence each," he snapped, and seemed disappointed that Mrs. Nougat-Jones did not pursue the subject further. He had evidently expected her to offer seven and fourpence. The weeks sped by, and Knopfschrank came more rarely to the restaurant in Owl Street, while his meals on those occasions became more and more meagre. And then came a triumphal day, when he appeared early in the evening in a high state of elation, and ordered an elaborate meal that scarcely stopped short of being a banquet. The ordinary resources of the kitchen were supplemented by an imported dish of smoked goosebreast, a Pomeranian delicacy that was luckily procurable at a firm of DELIKATESSEN merchants in Coventry Street, while a long-necked bottle of Rhine wine gave a finishing touch of festivity and good cheer to the crowded table. "He has evidently sold his masterpiece," whispered Sylvia Strubble to Mrs. Nougat-Jones, who had come in late. "Who has bought it?" she whispered back. "Don't know; he hasn't said anything yet, but it must be some American. Do you see, he has got a little American flag on the dessert dish, and he has put pennies in the music box three times, once to play the 'Star- spangled Banner,' then a Sousa march, and then the 'Star- spangled Banner' again. It must be an American millionaire, and he's evidently got a very big price for it; he's just beaming and chuckling with satisfaction." "We must ask him who has bought it," said Mrs. Nougat-Jones. "Hush! no, don't. Let's buy some of his sketches, quick, before we are supposed to know that he's famous; otherwise he'll be doubling the prices. I am so glad he's had a success at last. I always believed in him, you know." For the sum of ten shillings each Miss Strubble acquired the drawings of the camel dying in Upper Berkeley Street and of the giraffes quenching their thirst in Trafalgar Square; at the same price Mrs. Nougat-Jones secured the study of roosting sand-grouse. A more ambitious picture, "Wolves and wapiti fighting on the steps of the Athenaeum Club," found a purchaser at fifteen shillings. "And now what are your plans?" asked a young man who contributed occasional paragraphs to an artistic weekly. "I go back to Stolpmunde as soon as the ship sails," said the artist, "and I do not return. Never." "But your work? Your career as painter?" "Ah, there is nossing in it. One starves. Till to- day I have sold not one of my sketches. To-night you have bought a few, because I am going away from you, but at other times, not one." "But has not some American - ?" "Ah, the rich American," chuckled the artist. "God be thanked. He dash his car right into our herd of schwines as they were being driven out to the fields. Many of our best schwines he killed, but he paid all damages. He paid perhaps more than they were worth, many times more than they would have fetched in the market after a month of fattening, but he was in a hurry to get on to Dantzig. When one is in a hurry one must pay what one is asked. God be thanked for rich Americans, who are always in a hurry to get somewhere else. My father and mother, they have now so plenty of money; they send me some to pay my debts and come home. I start on Monday for Stolpmunde and I do not come back. Never." "But your picture, the hyaenas?" "No good. It is too big to carry to Stolpmunde. I burn it." In time he will be forgotten, but at present Knopfschrank is almost as sore a subject as Sledonti with some of the frequenters of the Nuremberg Restaurant, Owl Street, Soho.
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