Crucial Instances
by
Edith Wharton
Part 3 out of 3
found the portrait had been removed from the library and placed in a small
study up-stairs, to which he had transferred his desk and a few books. He
told me he always sat there when he was alone, keeping the library for his
Sunday visitors. Those who missed the portrait of course made no comment on
its absence, and the few who were in his secret respected it. Gradually all
his old friends had gathered about him and our Sunday afternoons regained
something of their former character; but Claydon never reappeared among us.
As I look back now I see that Grancy must have been failing from the time
of his return home. His invincible spirit belied and disguised the signs of
weakness that afterward asserted themselves in my remembrance of him. He
seemed to have an inexhaustible fund of life to draw on, and more than one
of us was a pensioner on his superfluity.
Nevertheless, when I came back one summer from my European holiday and
heard that he had been at the point of death, I understood at once that we
had believed him well only because he wished us to.
I hastened down to the country and found him midway in a slow
convalescence. I felt then that he was lost to us and he read my thought at
a glance.
"Ah," he said, "I'm an old man now and no mistake. I suppose we shall have
to go half-speed after this; but we shan't need towing just yet!"
The plural pronoun struck me, and involuntarily I looked up at Mrs.
Grancy's portrait. Line by line I saw my fear reflected in it. It was the
face of a woman who knows that her husband is dying. My heart stood still
at the thought of what Claydon had done.
Grancy had followed my glance. "Yes, it's changed her," he said quietly.
"For months, you know, it was touch and go with me--we had a long fight of
it, and it was worse for her than for me." After a pause he added: "Claydon
has been very kind; he's so busy nowadays that I seldom see him, but when I
sent for him the other day he came down at once."
I was silent and we spoke no more of Grancy's illness; but when I took
leave it seemed like shutting him in alone with his death-warrant.
The next time I went down to see him he looked much better. It was a Sunday
and he received me in the library, so that I did not see the portrait
again. He continued to improve and toward spring we began to feel that, as
he had said, he might yet travel a long way without being towed.
One evening, on returning to town after a visit which had confirmed my
sense of reassurance, I found Claydon dining alone at the club. He asked me
to join him and over the coffee our talk turned to his work.
"If you're not too busy," I said at length, "you ought to make time to go
down to Grancy's again."
He looked up quickly. "Why?" he asked.
"Because he's quite well again," I returned with a touch of cruelty. "His
wife's prognostications were mistaken."
Claydon stared at me a moment. "Oh, _she_ knows," he affirmed with a
smile that chilled me.
"You mean to leave the portrait as it is then?" I persisted.
He shrugged his shoulders. "He hasn't sent for me yet!"
A waiter came up with the cigars and Claydon rose and joined another group.
It was just a fortnight later that Grancy's housekeeper telegraphed for me.
She met me at the station with the news that he had been "taken bad" and
that the doctors were with him. I had to wait for some time in the deserted
library before the medical men appeared. They had the baffled manner of
empirics who have been superseded by the great Healer; and I lingered only
long enough to hear that Grancy was not suffering and that my presence
could do him no harm.
I found him seated in his arm-chair in the little study. He held out his
hand with a smile.
"You see she was right after all," he said.
"She?" I repeated, perplexed for the moment.
"My wife." He indicated the picture. "Of course I knew she had no hope from
the first. I saw that"--he lowered his voice--"after Claydon had been here.
But I wouldn't believe it at first!"
I caught his hands in mine. "For God's sake don't believe it now!" I
adjured him.
He shook his head gently. "It's too late," he said. "I might have known
that she knew."
"But, Grancy, listen to me," I began; and then I stopped. What could I say
that would convince him? There was no common ground of argument on which we
could meet; and after all it would be easier for him to die feeling that
she _had_ known. Strangely enough, I saw that Claydon had missed his
mark....
V
Grancy's will named me as one of his executors; and my associate, having
other duties on his hands, begged me to assume the task of carrying out our
friend's wishes. This placed me under the necessity of informing Claydon
that the portrait of Mrs. Grancy had been bequeathed to him; and he replied
by the next post that he would send for the picture at once. I was staying
in the deserted house when the portrait was taken away; and as the door
closed on it I felt that Grancy's presence had vanished too. Was it his
turn to follow her now, and could one ghost haunt another?
After that, for a year or two, I heard nothing more of the picture, and
though I met Claydon from time to time we had little to say to each other.
I had no definable grievance against the man and I tried to remember that
he had done a fine thing in sacrificing his best picture to a friend; but
my resentment had all the tenacity of unreason.
One day, however, a lady whose portrait he had just finished begged me
to go with her to see it. To refuse was impossible, and I went with the
less reluctance that I knew I was not the only friend she had invited.
The others were all grouped around the easel when I entered, and after
contributing my share to the chorus of approval I turned away and began
to stroll about the studio. Claydon was something of a collector and his
things were generally worth looking at. The studio was a long tapestried
room with a curtained archway at one end. The curtains were looped back,
showing a smaller apartment, with books and flowers and a few fine bits of
bronze and porcelain. The tea-table standing in this inner room proclaimed
that it was open to inspection, and I wandered in. A _bleu poudre_
vase first attracted me; then I turned to examine a slender bronze
Ganymede, and in so doing found myself face to face with Mrs. Grancy's
portrait. I stared up at her blankly and she smiled back at me in all
the recovered radiance of youth. The artist had effaced every trace of
his later touches and the original picture had reappeared. It throned
alone on the panelled wall, asserting a brilliant supremacy over its
carefully-chosen surroundings. I felt in an instant that the whole room was
tributary to it: that Claydon had heaped his treasures at the feet of the
woman he loved. Yes--it was the woman he had loved and not the picture; and
my instinctive resentment was explained.
Suddenly I felt a hand on my shoulder.
"Ah, how could you?" I cried, turning on him.
"How could I?" he retorted. "How could I _not_? Doesn't she belong to
me now?"
I moved away impatiently.
"Wait a moment," he said with a detaining gesture. "The others have gone
and I want to say a word to you.--Oh, I know what you've thought of me--I
can guess! You think I killed Grancy, I suppose?"
I was startled by his sudden vehemence. "I think you tried to do a cruel
thing," I said.
"Ah--what a little way you others see into life!" he murmured. "Sit down a
moment--here, where we can look at her--and I'll tell you."
He threw himself on the ottoman beside me and sat gazing up at the picture,
with his hands clasped about his knee.
"Pygmalion," he began slowly, "turned his statue into a real woman;
_I_ turned my real woman into a picture. Small compensation, you
think--but you don't know how much of a woman belongs to you after you've
painted her!--Well, I made the best of it, at any rate--I gave her the best
I had in me; and she gave me in return what such a woman gives by merely
being. And after all she rewarded me enough by making me paint as I shall
never paint again! There was one side of her, though, that was mine alone,
and that was her beauty; for no one else understood it. To Grancy even
it was the mere expression of herself--what language is to thought. Even
when he saw the picture he didn't guess my secret--he was so sure she was
all his! As though a man should think he owned the moon because it was
reflected in the pool at his door--
"Well--when he came home and sent for me to change the picture it was like
asking me to commit murder. He wanted me to make an old woman of her--of
her who had been so divinely, unchangeably young! As if any man who really
loved a woman would ask her to sacrifice her youth and beauty for his sake!
At first I told him I couldn't do it--but afterward, when he left me alone
with the picture, something queer happened. I suppose it was because I was
always so confoundedly fond of Grancy that it went against me to refuse
what he asked. Anyhow, as I sat looking up at her, she seemed to say, 'I'm
not yours but his, and I want you to make me what he wishes." And so I did
it. I could have cut my hand off when the work was done--I daresay he told
you I never would go back and look at it. He thought I was too busy--he
never understood....
"Well--and then last year he sent for me again--you remember. It was after
his illness, and he told me he'd grown twenty years older and that he
wanted her to grow older too--he didn't want her to be left behind. The
doctors all thought he was going to get well at that time, and he thought
so too; and so did I when I first looked at him. But when I turned to
the picture--ah, now I don't ask you to believe me; but I swear it was
_her_ face that told me he was dying, and that she wanted him to know
it! She had a message for him and she made me deliver it."
He rose abruptly and walked toward the portrait; then he sat down beside me
again.
"Cruel? Yes, it seemed so to me at first; and this time, if I resisted,
it was for _his_ sake and not for mine. But all the while I felt her
eyes drawing me, and gradually she made me understand. If she'd been there
in the flesh (she seemed to say) wouldn't she have seen before any of us
that he was dying? Wouldn't he have read the news first in her face? And
wouldn't it be horrible if now he should discover it instead in strange
eyes?--Well--that was what she wanted of me and I did it--I kept them
together to the last!" He looked up at the picture again. "But now she
belongs to me," he repeated....
THE CONFESSIONAL
When I was a young man I thought a great deal of local color. At that
time it was still a pigment of recent discovery, and supposed to have
a peculiarly stimulating effect on the mental eye. As an aid to the
imagination its value was perhaps overrated; but as an object of pursuit
to that vagrant faculty, it had all the merits claimed for it. I certainly
never hunted any game better worth my powder; and to a young man with rare
holidays and long working hours, its value was enhanced by the fact that
one might bring it down at any turn, if only one kept one's eye alert and
one's hand on the trigger.
Even the large manufacturing city where, for some years, my young
enthusiasms were chained to an accountant's desk, was not without its
romantic opportunities. Many of the mill-hands at Dunstable were Italians,
and a foreign settlement had formed itself in that unsavory and unsanitary
portion of the town known as the Point. The Point, like more aristocratic
communities, had its residential and commercial districts, its church, its
theatre and its restaurant. When the craving for local color was on me it
was my habit to resort to the restaurant, a low-browed wooden building with
the appetizing announcement:
"_Aristiu di montone_"
pasted in one of its fly-blown window-panes. Here the consumption of tough
macaroni or of an ambiguous _frittura_ sufficed to transport me to the
Cappello d'Oro in Venice, while my cup of coffee and a wasp-waisted cigar
with a straw in it turned my greasy table-cloth into the marble top of
one of the little round tables under the arcade of the Caffe Pedrotti at
Padua. This feat of the imagination was materially aided by Agostino, the
hollow-eyed and low-collared waiter, whose slimy napkin never lost its
Latin flourish and whose zeal for my comfort was not infrequently displayed
by his testing the warmth of my soup with his finger. Through Agostino I
became acquainted with the inner history of the colony, heard the details
of its feuds and vendettas, and learned to know by sight the leading
characters in these domestic dramas.
The restaurant was frequented by the chief personages of the community:
the overseer of the Italian hands at the Meriton Mills, the doctor, his
wife the _levatrice_ (a plump Neapolitan with greasy ringlets, a plush
picture-hat, and a charm against the evil-eye hanging in a crease of her
neck) and lastly by Don Egidio, the _parocco_ of the little church
across the street. The doctor and his wife came only on feast days, but
the overseer and Don Egidio were regular patrons. The former was a quiet
saturnine-looking man, of accomplished manners but reluctant speech, and I
depended for my diversion chiefly on Don Egidio, whose large loosely-hung
lips were always ajar for conversation. The remarks issuing from them
were richly tinged by the gutturals of the Bergamasque dialect, and it
needed but a slight acquaintance with Italian types to detect the Lombard
peasant under the priest's rusty cassock. This inference was confirmed
by Don Egidio's telling me that he came from a village of Val Camonica,
the radiant valley which extends northward from the lake of Iseo to
the Adamello glaciers. His step-father had been a laborer on one of
the fruit-farms of a Milanese count who owned large estates in the Val
Camonica; and that gentleman, taking a fancy to the lad, whom he had seen
at work in his orchards, had removed him to his villa on the lake of Iseo
and had subsequently educated him for the Church.
It was doubtless to this picturesque accident that Don Egidio owed the
mingling of ease and simplicity that gave an inimitable charm to his
stout shabby presence. It was as though some wild mountain-fruit had been
transplanted to the Count's orchards and had mellowed under cultivation
without losing its sylvan flavor. I have never seen the social art carried
farther without suggestion of artifice. The fact that Don Egidio's
amenities were mainly exercised on the mill-hands composing his parish
proved the genuineness of his gift. It is easier to simulate gentility
among gentlemen than among navvies; and the plain man is a touchstone who
draws out all the alloy in the gold.
Among his parishioners Don Egidio ruled with the cheerful despotism of the
good priest. On cardinal points he was inflexible, but in minor matters he
had that elasticity of judgment which enables the Catholic discipline to
fit itself to every inequality of the human conscience. There was no appeal
from his verdict; but his judgment-seat was a revolving chair from which he
could view the same act at various angles. His influence was acknowledged
not only by his flock, but by the policeman at the corner, the "bar-keep'"
in the dive, the ward politician in the corner grocery. The general verdict
of Dunstable was that the Point would have been hell without the priest.
It was perhaps not precisely heaven with him; but such light of the upper
sky as pierced its murky atmosphere was reflected from Don Egidio's
countenance. It is hardly possible for any one to exercise such influence
without taking pleasure in it; and on the whole the priest was probably
a contented man; though it does not follow that he was a happy one. On
this point the first stages of our acquaintance yielded much food for
conjecture. At first sight Don Egidio was the image of cheerfulness. He had
all the physical indications of a mind at ease: the leisurely rolling gait,
the ready laugh, the hospitable eye of the man whose sympathies are always
on the latch. It took me some time to discover under his surface garrulity
the impenetrable reticence of his profession, and under his enjoyment of
trifles a levelling melancholy which made all enjoyment trifling. Don
Egidio's aspect and conversation were so unsuggestive of psychological
complexities that I set down this trait to poverty or home-sickness. There
are few classes of men more frugal in tastes and habit than the village
priest in Italy; but Don Egidio, by his own account, had been introduced,
at an impressionable age, to a way of living that must have surpassed his
wildest dreams of self-indulgence. To whatever privations his parochial
work had since accustomed him, the influences of that earlier life were
too perceptible in his talk not to have made a profound impression on his
tastes; and he remained, for all his apostolic simplicity, the image of the
family priest who has his seat at the rich man's table.
It chanced that I had used one of my short European holidays to explore
afoot the romantic passes connecting the Valtelline with the lake of Iseo;
and my remembrance of that enchanting region made it seem impossible
that Don Egidio should ever look without a reminiscent pang on the grimy
perspective of his parochial streets. The transition was too complete, too
ironical, from those rich glades and Titianesque acclivities to the brick
hovels and fissured sidewalks of the Point.
This impression was confirmed when Don Egidio, in response to my urgent
invitation, paid his first visit to my modest lodgings. He called one
winter evening, when a wood-fire in its happiest humor was giving a
factitious lustre to my book-shelves and bringing out the values of the one
or two old prints and Chinese porcelains that accounted for the perennial
shabbiness of my wardrobe.
"Ah," said he with a murmur of satisfaction, as he laid aside his shiny hat
and bulging umbrella, "it is a long time since I have been in a _casa
signorile_."
My remembrance of his own room (he lodged with the doctor and the
_levatrice_) saved this epithet from the suggestion of irony and kept
me silent while he sank into my arm-chair with the deliberation of a tired
traveller lowering himself gently into a warm bath.
"Good! good!" he repeated, looking about him. "Books, porcelains, objects
of _virtu_--I am glad to see that there are still such things in the
world!" And he turned a genial eye on the glass of Marsala that I had
poured out for him.
Don Egidio was the most temperate of men and never exceeded his one glass;
but he liked to sit by the hour puffing at my Cabanas, which I suspected
him of preferring to the black weed of his native country. Under the
influence of my tobacco he became even more blandly garrulous, and I
sometimes fancied that of all the obligations of his calling none could
have placed such a strain on him as that of preserving the secrets of the
confessional. He often talked of his early life at the Count's villa, where
he had been educated with his patron's two sons till he was of age to be
sent to the seminary; and I could see that the years spent in simple and
familiar intercourse with his benefactors had been the most vivid chapter
in his experience. The Italian peasant's inarticulate tenderness for the
beauty of his birthplace had been specialized in him by contact with
cultivated tastes, and he could tell me not only that the Count had a
"stupendous" collection of pictures, but that the chapel of the villa
contained a sepulchral monument by Bambaja, and that the art-critics were
divided as to the authenticity of the Leonardo in the family palace at
Milan.
On all these subjects he was inexhaustibly voluble; but there was one point
which he always avoided, and that was his reason for coming to America. I
remember the round turn with which he brought me up when I questioned him.
"A priest," said he, "is a soldier and must obey orders like a soldier."
He set down his glass of Marsala and strolled across the room. "I had not
observed," he went on, "that you have here a photograph of the Sposalizio
of the Brera. What a picture! _E stupendo_!" and he turned back to his
seat and smilingly lit a fresh cigar.
I saw at once that I had hit on a point where his native garrulity was
protected by the chain-mail of religious discipline that every Catholic
priest wears beneath his cassock. I had too much respect for my friend
to wish to penetrate his armor, and now and then I almost fancied he was
grateful to me for not putting his reticence to the test.
Don Egidio must have been past sixty when I made his acquaintance; but it
was not till the close of an exceptionally harsh winter, some five or six
years after our first meeting, that I began to think of him as an old man.
It was as though the long-continued cold had cracked and shrivelled him. He
had grown bent and hollow-chested and his lower lip shook like an unhinged
door. The summer heat did little to revive him, and in September, when I
came home from my vacation, I found him just recovering from an attack of
pneumonia. That autumn he did not care to venture often into the night air,
and now and then I used to go and sit with him in his little room, to which
I had contributed the unheard-of luxuries of an easy-chair and a gas-stove.
My engagements, however, made these visits infrequent, and several weeks
had elapsed without my seeing the _parocco_ when, one snowy November
morning, I ran across him in the railway-station. I was on my way to New
York for the day and had just time to wave a greeting to him as I jumped
into the railway-carriage; but a moment later, to my surprise, I saw him
stiffly clambering into the same train. I found him seated in the common
car, with his umbrella between his knees and a bundle done up in a red
cotton handkerchief on the seat at his side. The caution with which, at my
approach, he transferred this bundle to his arms caused me to glance at it
in surprise; and he answered my look by saying with a smile:
"They are flowers for the dead--the most exquisite flowers--from the
greenhouses of Mr. Meriton--_si figuri_!" And he waved a descriptive
hand. "One of my lads, Gianpietro, is employed by the gardener there, and
every year on this day he brings me a beautiful bunch of flowers--for such
a purpose it is no sin," he added, with the charming Italian pliancy of
judgment.
"And why are you travelling in this snowy weather, _signor parocco_?"
I asked, as he ended with a cough.
He fixed me gravely with his simple shallow eye. "Because it is the day of
the dead, my son," he said, "and I go to place these on the grave of the
noblest man that ever lived."
"You are going to New York?"
"To Brooklyn--"
I hesitated a moment, wishing to question him, yet uncertain whether his
replies were curtailed by the persistency of his cough or by the desire to
avoid interrogation.
"This is no weather to be travelling with such a cough," I said at length.
He made a deprecating gesture.
"I have never missed the day--not once in eighteen years. But for me he
would have no one!" He folded his hands on his umbrella and looked away
from me to hide the trembling of his lip.
I resolved on a last attempt to storm his confidence. "Your friend is
buried in Calvary cemetery?"
He signed an assent.
"That is a long way for you to go alone, _signor parocco_. The streets
are sure to be slippery and there is an icy wind blowing. Give me your
flowers and let me send them to the cemetery by a messenger. I give you my
word they shall reach their destination safely."
He turned a quiet look on me. "My son, you are young," he said, "and you
don't know how the dead need us." He drew his breviary from his pocket and
opened it with a smile. "_Mi scusi?_" he murmured.
The business which had called me to town obliged me to part from him as
soon as the train entered the station, and in my dash for the street I
left his unwieldy figure laboring far behind me through the crowd on the
platform. Before we separated, however, I had learned that he was returning
to Dunstable by the four o'clock train, and had resolved to despatch my
business in time to travel home with him. When I reached Wall Street I was
received with the news that the man I had appointed to meet was ill and
detained in the country. My business was "off" and I found myself with
the rest of the day at my disposal. I had no difficulty in deciding how
to employ my time. I was at an age when, in such contingencies, there is
always a feminine alternative; and even now I don't know how it was that,
on my way to a certain hospitable luncheon-table, I suddenly found myself
in a cab which was carrying me at full-speed to the Twenty-third Street
ferry. It was not till I had bought my ticket and seated myself in the
varnished tunnel of the ferry-boat that I was aware of having been diverted
from my purpose by an overmastering anxiety for Don Egidio. I rapidly
calculated that he had not more than an hour's advance on me, and that,
allowing for my greater agility and for the fact that I had a cab at my
call, I was likely to reach the cemetery in time to see him under shelter
before the gusts of sleet that were already sweeping across the river had
thickened to a snow-storm.
At the gates of the cemetery I began to take a less sanguine view of my
attempt. The commemorative anniversary had filled the silent avenues
with visitors, and I felt the futility of my quest as I tried to fix the
gatekeeper's attention on my delineation of a stout Italian priest with a
bad cough and a bunch of flowers tied up in a red cotton handkerchief. The
gate-keeper showed that delusive desire to oblige that is certain to send
its victims in the wrong direction; but I had the presence of mind to go
exactly contrary to his indication, and thanks to this precaution I came,
after half an hour's search, on the figure of my poor _parocco_,
kneeling on the wet ground in one of the humblest by-ways of the great
necropolis. The mound before which he knelt was strewn with the spoils of
Mr. Meriton's conservatories, and on the weather-worn tablet at its head I
read the inscription:
IL CONTE SIVIANO
DA MILANO.
_Super flumina Babylonis, illic sedimus et flevimus._
So engrossed was Don Egidio that for some moments I stood behind him
unobserved; and when he rose and faced me, grief had left so little room
for any minor emotion that he looked at me almost without surprise.
"Don Egidio," I said, "I have a carriage waiting for you at the gate. You
must come home with me."
He nodded quietly and I drew his hand through my arm.
He turned back to the grave. "One moment, my son," he said. "It may be for
the last time." He stood motionless, his eyes on the heaped-up flowers
which were already bruised and blackened by the cold. "To leave him
alone--after sixty years! But God is everywhere--" he murmured as I led him
away.
On the journey home he did not care to talk, and my chief concern was to
keep him wrapped in my greatcoat and to see that his bed was made ready as
soon as I had restored him to his lodgings. The _levatrice_ brought a
quilted coverlet from her own room and hovered over him as gently as though
he had been of the sex to require her services; while Agostino, at my
summons, appeared with a bowl of hot soup that was heralded down the
street by a reviving waft of garlic. To these ministrations I left the
_parocco_, intending to call for news of him the next evening; but an
unexpected pressure of work kept me late at my desk, and the following day
some fresh obstacle delayed me.
On the third afternoon, as I was leaving the office, an agate-eyed infant
from the Point hailed me with a message from the doctor. The _parocco_
was worse and had asked for me. I jumped into the nearest car and ten
minutes later was running up the doctor's greasy stairs.
To my dismay I found Don Egidio's room cold and untenanted; but I was
reassured a moment later by the appearance of the _levatrice_, who
announced that she had transferred the blessed man to her own apartment,
where he could have the sunlight and a good bed to lie in. There in fact
he lay, weak but smiling, in a setting which contrasted oddly enough with
his own monastic surroundings: a cheerful grimy room, hung with anecdotic
chromos, photographs of lady-patients proudly presenting their offspring
to the camera, and innumerable Neapolitan _santolini_ decked out with
shrivelled palm-leaves.
The _levatrice_ whispered that the good man had the pleurisy, and
that, as she phrased it, he was nearing his last mile-stone. I saw that he
was in fact in a bad way, but his condition did not indicate any pressing
danger, and I had the presentiment that he would still, as the saying is,
put up a good fight. It was clear, however, that he knew what turn the
conflict must take, and the solemnity with which he welcomed me showed that
my summons was a part of that spiritual strategy with which the Catholic
opposes the surprise of death.
"My son," he said, when the _levatrice_ had left us, "I have a favor
to ask you. You found me yesterday bidding good-bye to my best friend."
His cough interrupted him. "I have never told you," he went on, "the name
of the family in which I was brought up. It was Siviano, and that was
the grave of the Count's eldest son, with whom I grew up as a brother.
For eighteen years he has lain in that strange ground--_in terra
aliena_--and when I die, there will be no one to care for his grave."
I saw what he waited for. "I will care for it, _signor parocco_."
"I knew I should have your promise, my child; and what you promise you
keep. But my friend is a stranger to you--you are young and at your age
life is a mistress who kisses away sad memories. Why should you remember
the grave of a stranger? I cannot lay such a claim on you. But I will tell
you his story--and then I think that neither joy nor grief will let you
forget him; for when you rejoice you will remember how he sorrowed; and
when you sorrow the thought of him will be like a friend's hand in yours."
II
You tell me (Don Egidio began) that you know our little lake; and if you
have seen it you will understand why it always used to remind me of the
"garden enclosed" of the Canticles.
_Hortus inclusus; columba mea in foraminibus petrae_: the words used
to come back to me whenever I returned from a day's journey across the
mountains, and looking down saw the blue lake far below, hidden in its
hills like a happy secret in a stern heart. We were never envious of
the glory of the great lakes. They are like the show pictures that some
nobleman hangs in his public gallery; but our Iseo is the treasure that
he hides in his inner chamber.
You tell me you saw it in summer, when it looks up like a saint's eye,
reflecting the whole of heaven. It was then too that I first saw it.
My future friend, the old Count, had found me at work on one of his
fruit-farms up the valley, and hearing that I was ill-treated by my
step-father--a drunken pedlar from the Val Mastellone, whom my poor mother
a year or two earlier had come across at the fair of Lovere--he had taken
me home with him to Iseo. I used to serve mass in our hill-village of
Cerveno, and the village children called me "the little priest" because
when my work was done I often crept back to the church to get away from
my step-father's blows and curses. "I will make a real priest of him,"
the Count declared; and that afternoon, perched on the box of his
travelling-carriage, I was whirled away from the dark scenes of my
childhood into a world, where, as it seemed to me, every one was as happy
as an angel on a _presepio_.
I wonder if you remember the Count's villa? It lies on the shore of the
lake, facing the green knoll of Monte Isola, and overlooked by the village
of Siviano and by the old parish-church where I said mass for fifteen happy
years. The village hangs on a ledge of the mountain; but the villa dips its
foot in the lake, smiling at its reflection like a bather lingering on the
brink. What Paradise it seemed to me that day! In our church up the valley
there hung an old brown picture, with a Saint Sabastian in the foreground;
and behind him the most wonderful palace, with terraced gardens adorned
with statues and fountains, where fine folk in resplendent dresses walked
up and down without heeding the blessed martyr's pangs. The Count's villa,
with its terraces, its roses, its marble steps descending to the lake,
reminded me of that palace; only instead of being inhabited by wicked
people engrossed in their selfish pleasures it was the home of the kindest
friends that ever took a poor lad by the hand.
The old Count was a widower when I first knew him. He had been twice
married, and his first wife had left him two children, a son and a
daughter. The eldest, Donna Marianna, was then a girl of twenty, who
kept her father's house and was a mother to the two lads. She was not
handsome or learned, and had no taste for the world; but she was like the
lavender-plant in a poor man's window--just a little gray flower, but a
sweetness that fills the whole house. Her brother, Count Roberto, had been
ailing from his birth, and was a studious lad with a melancholy musing face
such as you may see in some of Titian's portraits of young men. He looked
like an exiled prince dressed in mourning. There was one child by the
second marriage, Count Andrea, a boy of my own age, handsome as a Saint
George, but not as kind as the others. No doubt, being younger, he was less
able to understand why an uncouth peasant lad should have been brought to
his father's table; and the others were so fearful of hurting my feelings
that, but for his teasing, I might never have mended my clumsy manners or
learned how to behave in the presence of my betters. Count Andrea was not
sparing in such lessons, and Count Roberto, in spite of his weak arms,
chastised his brother roundly when he thought the discipline had been too
severe; but for my part it seemed to me natural enough that such a godlike
being should lord it over a poor clodhopper like myself.
Well--I will not linger over the beginning of my new life for my story has
to do with its close. Only I should like to make you understand what the
change meant to me--an ignorant peasant lad, coming from hard words and
blows and a smoke-blackened hut in the hills to that great house full of
rare and beautiful things, and of beings who seemed to me even more rare
and beautiful. Do you wonder I was ready to kiss the ground they trod, and
would have given the last drop of my blood to serve them?
In due course I was sent to the seminary at Lodi; and on holidays I used
to visit the family in Milan. Count Andrea was growing up to be one of
the handsomest young men imaginable, but a trifle wild; and the old Count
married him in haste to the daughter of a Venetian noble, who brought as
her dower a great estate in Istria. The Countess Gemma, as this lady was
called, was as light as thistledown and had an eye like a baby's; but while
she was cooing for the moon her pretty white hands were always stealing
toward something within reach that she had not been meant to have. The old
Count was not alert enough to follow these manoeuvres; and the Countess hid
her designs under a torrent of guileless chatter, as pick-pockets wear long
sleeves to conceal their movements. Her only fault, he used to say, was
that one of her aunts had married an Austrian; and this event having taken
place before she was born he laughingly acquitted her of any direct share
in it. She confirmed his good opinion of her by giving her husband two
sons; and Roberto showing no inclination to marry, these boys naturally
came to be looked on as the heirs of the house.
Meanwhile I had finished my course of studies, and the old Count, on my
twenty-first birthday, had appointed me priest of the parish of Siviano. It
was the year of Count Andrea's marriage and there were great festivities at
the villa. Three years later the old Count died, to the sorrow of his two
eldest children. Donna Marianna and Count Roberto closed their apartments
in the palace at Milan and withdrew for a year to Siviano. It was then
that I first began to know my friend. Before that I had loved him without
understanding him; now I learned of what metal he was made. His bookish
tastes inclined him to a secluded way of living; and his younger brother
perhaps fancied that he would not care to assume the charge of the estate.
But if Andrea thought this he was disappointed. Roberto resolutely took up
the tradition of his father's rule, and, as if conscious of lacking the
old Count's easy way with the peasants, made up for it by a redoubled zeal
for their welfare. I have seen him toil for days to adjust some trifling
difficulty that his father would have set right with a ready word; like the
sainted bishop who, when a beggar asked him for a penny, cried out: "Alas,
my brother, I have not a penny in my purse; but here are two gold pieces,
if they can be made to serve you instead!" We had many conferences over
the condition of his people, and he often sent me up the valley to look
into the needs of the peasantry on the fruit-farms. No grievance was too
trifling for him to consider it, no abuse too deep-seated for him to root
it out; and many an hour that other men of his rank would have given to
books or pleasure was devoted to adjusting a quarrel about boundary-lines
or to weighing the merits of a complaint against the tax-collector. I
often said that he was as much his people's priest as I; and he smiled and
answered that every landowner was a king and that in old days the king was
always a priest.
Donna Marianna was urgent with him to marry, but he always declared that
he had a family in his tenantry, and that, as for a wife, she had never
let him feel the want of one. He had that musing temper which gives a man
a name for coldness; though in fact he may all the while be storing fuel
for a great conflagration. But to me he whispered another reason for not
marrying. A man, he said, does not take wife and rejoice while his mother
is on her death-bed; and Italy, his mother, lay dying, with the foreign
vultures waiting to tear her apart.
You are too young to know anything of those days, my son; and how can any
one understand them who did not live through them? Italy lay dying indeed;
but Lombardy was her heart, and the heart still beat, and sent the faint
blood creeping to her cold extremities. Her torturers, weary of their
work, had allowed her to fall into a painless stupor; but just as she was
sinking from sleep to death, heaven sent Radetsky to scourge her back to
consciousness; and at the first sting of his lash she sprang maimed and
bleeding to her feet.
Ah, those days, those days, my son! Italy--Italy--was the word on our
lips; but the thought in our hearts was just _Austria_. We clamored
for liberty, unity, the franchise; but under our breath we prayed only to
smite the white-coats. Remove the beam from our eye, we cried, and we shall
see our salvation clearly enough! We priests in the north were all liberals
and worked with the nobles and the men of letters. Gioberti was our
breviary and his Holiness the new Pope was soon to be the Tancred of our
crusade. But meanwhile, mind you, all this went on in silence, underground
as it were, while on the surface Lombardy still danced, feasted, married,
and took office under the Austrian. In the iron-mines up our valley there
used to be certain miners who stayed below ground for months at a time;
and, like one of these, Roberto remained buried in his purpose, while life
went its way overhead. Though I was not in his confidence I knew well
enough where his thoughts were, for he went among us with the eye of a
lover, the visionary look of one who hears a Voice. We all heard that
Voice, to be sure, mingling faintly with the other noises of life; but to
Roberto it was already as the roar of mighty waters, drowning every other
sound with its thunder.
On the surface, as I have said, things looked smooth enough. An Austrian
cardinal throned in Milan and an Austrian-hearted Pope ruled in Rome. In
Lombardy, Austria couched like a beast of prey, ready to spring at our
throats if we stirred or struggled. The Moderates, to whose party Count
Roberto belonged, talked of prudence, compromise, the education of the
masses; but if their words were a velvet sheath their thought was a dagger.
For many years, as you know, the Milanese had maintained an outward show of
friendliness with their rulers. The nobles had accepted office under the
vice-roy, and in the past there had been frequent intermarriage between
the two aristocracies. But now, one by one, the great houses had closed
their doors against official society. Though some of the younger and more
careless, those who must dance and dine at any cost, still went to the
palace and sat beside the enemy at the opera, fashion was gradually taking
sides against them, and those who had once been laughed at as old fogeys
were now applauded as patriots. Among these, of course, was Count Roberto,
who for several years had refused to associate with the Austrians, and
had silently resented his easy-going brother's disregard of political
distinctions. Andrea and Gemma belonged to the moth tribe, who flock to
the brightest light; and Gemma's Istrian possessions, and her family's
connection with the Austrian nobility, gave them a pretext for fluttering
about the vice-regal candle. Roberto let them go their way, but his own
course was a tacit protest against their conduct. They were always welcome
at the palazzo Siviano; but he and Donna Marianna withdrew from society in
order to have an excuse for not showing themselves at the Countess Gemma's
entertainments. If Andrea and Gemma were aware of his disapproval they were
clever enough to ignore it; for the rich elder brother who paid their debts
and never meant to marry was too important a person to be quarrelled with
on political grounds. They seemed to think that if he married it would be
only to spite them; and they were persuaded that their future depended on
their giving him no cause to take such reprisals. I shall never be more
than a plain peasant at heart and I have little natural skill in discerning
hidden motives; but the experience of the confessional gives every priest
a certain insight into the secret springs of action, and I often wondered
that the worldly wisdom of Andrea and Gemma did not help them to a clearer
reading of their brother's character. For my part I knew that, in Roberto's
heart, no great passion could spring from a mean motive; and I had always
thought that if he ever loved any woman as he loved Italy, it must be from
his country's hand that he received his bride. And so it came about.
Have you ever noticed, on one of those still autumn days before a storm,
how here and there a yellow leaf will suddenly detach itself from the bough
and whirl through the air as though some warning of the gale had reached
it? So it was then in Lombardy. All round was the silence of decay; but now
and then a word, a look, a trivial incident, fluttered ominously through
the stillness. It was in '45. Only a year earlier the glorious death of the
Bandiera brothers had sent a long shudder through Italy. In the Romagna,
Renzi and his comrades had tried to uphold by action the protest set forth
in the "Manifesto of Rimini"; and their failure had sowed the seed which
d'Azeglio and Cavour were to harvest. Everywhere the forces were silently
gathering; and nowhere was the hush more profound, the least reverberation
more audible, than in the streets of Milan.
It was Count Roberto's habit to attend early mass in the Cathedral; and one
morning, as he was standing in the aisle, a young girl passed him with her
father. Roberto knew the father, a beggarly Milanese of the noble family of
Intelvi, who had cut himself off from his class by accepting an appointment
in one of the government offices. As the two went by he saw a group of
Austrian officers looking after the girl, and heard one of them say: "Such
a choice morsel as that is too good for slaves;" and another answer with a
laugh: "Yes, it's a dish for the master's table!"
The girl heard too. She was as white as a wind-flower and he saw the words
come out on her cheek like the red mark from a blow. She whispered to
her father, but he shook his head and drew her away without so much as
a glance at the Austrians. Roberto heard mass and then hastened out and
placed himself in the porch of the Cathedral. A moment later the officers
appeared, and they too stationed themselves near the doorway. Presently the
girl came out on her father's arm. Her admirers stepped forward to greet
Intelvi; and the cringing wretch stood there exchanging compliments with
them, while their insolent stare devoured his daughter's beauty. She,
poor thing, shook like a leaf, and her eyes, in avoiding theirs, suddenly
encountered Roberto's. Her look was a wounded bird that flew to him for
shelter. He carried it away in his breast and its live warmth beat against
his heart. He thought that Italy had looked at him through those eyes; for
love is the wiliest of masqueraders and has a thousand disguises at his
command.
Within a month Faustina Intelvi was his wife. Donna Marianna and I
rejoiced; for we knew he had chosen her because he loved her, and she
seemed to us almost worthy of such a choice. As for Count Andrea and his
wife, I leave you to guess what ingredients were mingled in the kiss with
which they welcomed the bride. They were all smiles at Roberto's marriage,
and had only words of praise for his wife. Donna Marianna, who had
sometimes taxed me with suspecting their motives, rejoiced in this fresh
proof of their magnanimity; but for my part I could have wished to see them
a little less kind. All such twilight fears, however, vanished in the flush
of my friend's happiness. Over some natures love steals gradually, as the
morning light widens across a valley; but it had flashed on Roberto like
the leap of dawn to a snow-peak. He walked the world with the wondering
step of a blind man suddenly restored to sight; and once he said to me with
a laugh: "Love makes a Columbus of every one of us!"
And the Countess--? The Countess, my son, was eighteen, and her husband was
forty. Count Roberto had the heart of a poet, but he walked with a limp and
his skin was sallow. Youth plucks the fruit for its color rather than its
flavor; and first love does not serenade its mistress on a church-organ. In
Italy girls are married as land is sold; if two estates adjoin two lives
are united. As for the portionless girl, she is a knick-knack that goes to
the highest bidder. Faustina was handed over to her purchaser as if she
had been a picture for his gallery; and the transaction doubtless seemed
as natural to her as to her parents. She walked to the altar like an
Iphigenia; but pallor becomes a bride, and it looks well for a daughter to
weep on leaving her mother. Perhaps it would have been different if she had
guessed that the threshold of her new home was carpeted with love and its
four corners hung with tender thoughts of her; but her husband was a silent
man, who never called attention to his treasures.
The great palace in Milan was a gloomy house for a girl to enter. Roberto
and his sister lived in it as if it had been a monastery, going nowhere and
receiving only those who labored for the Cause. To Faustina, accustomed to
the easy Austrian society, the Sunday evening receptions at the palazzo
Siviano must have seemed as dreary as a scientific congress. It pleased
Roberto to regard her as a victim of barbarian insolence, an embodiment of
his country desecrated by the desire of the enemy; but though, like any
handsome penniless girl, Faustina had now and then been exposed to a free
look or a familiar word, I doubt if she connected such incidents with the
political condition of Italy. She knew, of course, that in marrying Siviano
she was entering a house closed against the Austrian. One of Siviano's
first cares had been to pension his father-in-law, with the stipulation
that Intelvi should resign his appointment and give up all relations with
the government; and the old hypocrite, only too glad to purchase idleness
on such terms, embraced the liberal cause with a zeal which left his
daughter no excuse for half-heartedness. But he found it less easy than he
had expected to recover a footing among his own people. In spite of his
patriotic bluster the Milanese held aloof from him; and being the kind of
man who must always take his glass in company he gradually drifted back
to his old associates. It was impossible to forbid Faustina to visit her
parents; and in their house she breathed an air that was at least tolerant
of Austria.
But I must not let you think that the young Countess appeared ungrateful or
unhappy. She was silent and shy, and it needed a more enterprising temper
than Roberto's to break down the barrier between them. They seemed to talk
to one another through a convent-grating, rather than across a hearth; but
if Roberto had asked more of her than she could give, outwardly she was
a model wife. She chose me at once as her confessor and I watched over
the first steps of her new life. Never was younger sister tenderer to her
elder than she to Donna Marianna; never was young wife more mindful of her
religious duties, kinder to her dependents, more charitable to the poor;
yet to be with her was like living in a room with shuttered windows. She
was always the caged bird, the transplanted flower: for all Roberto's care
she never bloomed or sang.
Donna Marianna was the first to speak of it. "The child needs more light
and air," she said.
"Light? Air?" Roberto repeated. "Does she not go to mass every morning?
Does she not drive on the Corso every evening?"
Donna Marianna was not called clever, but her heart was wiser than most
women's heads.
"At our age, brother," said she, "the windows of the mind face north and
look out on a landscape full of lengthening shadows. Faustina needs another
outlook. She is as pale as a hyacinth grown in a cellar."
Roberto himself turned pale and I saw that she had uttered his own thought.
"You want me to let her go to Gemma's!" he exclaimed.
"Let her go wherever there is a little careless laughter."
"Laughter--now!" he cried, with a gesture toward the sombre line of
portraits above his head.
"Let her laugh while she can, my brother."
That evening after dinner he called Faustina to him.
"My child," he said, "go and put on your jewels. Your sister Gemma gives a
ball to-night and the carriage waits to take you there. I am too much of a
recluse to be at ease in such scenes, but I have sent word to your father
to go with you."
Andrea and Gemma welcomed their young sister-in-law with effusion, and from
that time she was often in their company. Gemma forbade any mention of
politics in her drawing-room, and it was natural that Faustina should be
glad to escape from the solemn conclaves of the palazzo Siviano to a house
where life went as gaily as in that villa above Florence where Boccaccio's
careless story-tellers took refuge from the plague. But meanwhile the
political distemper was rapidly spreading, and in spite of Gemma's Austrian
affiliations it was no longer possible for her to receive the enemy openly.
It was whispered that her door was still ajar to her old friends; but
the rumor may have risen from the fact that one of the Austrian cavalry
officers stationed at Milan was her own cousin, the son of the aunt on
whose misalliance the old Count had so often bantered her. No one could
blame the Countess Gemma for not turning her own flesh and blood out of
doors; and the social famine to which the officers of the garrison were
reduced made it natural that young Welkenstern should press the claims of
consanguinity.
All this must have reached Roberto's ears; but he made no sign and his wife
came and went as she pleased. When they returned the following year to the
old dusky villa at Siviano she was like the voice of a brook in a twilight
wood: one could not look at her without ransacking the spring for new
similes to paint her freshness. With Roberto it was different. I found him
older, more preoccupied and silent; but I guessed that his preoccupations
were political, for when his eye rested on his wife it cleared like the
lake when a cloud-shadow lifts from it.
Count Andrea and his wife occupied an adjoining villa; and during the
_villeggiatura_ the two households lived almost as one family.
Roberto, however, was often absent in Milan, called thither on business of
which the nature was not hard to guess. Sometimes he brought back guests to
the villa; and on these occasions Faustina and Donna Marianna went to Count
Andrea's for the day. I have said that I was not in his confidence; but
he knew my sympathies were with the liberals and now and then he let fall
a word of the work going on underground. Meanwhile the new Pope had been
elected, and from Piedmont to Calabria we hailed in him the Banner that was
to lead our hosts to war.
So time passed and we reached the last months of '47. The villa on Iseo had
been closed since the end of August. Roberto had no great liking for his
gloomy palace in Milan, and it had been his habit to spend nine months
of the year at Siviano; but he was now too much engrossed in his work to
remain away from Milan, and his wife and sister had joined him there as
soon as the midsummer heat was over. During the autumn he had called me
once or twice to the city to consult me on business connected with his
fruit-farms; and in the course of our talks he had sometimes let fall a
hint of graver matters. It was in July of that year that a troop of Croats
had marched into Ferrara, with muskets and cannon loaded. The lighted
matches of their cannon had fired the sleeping hate of Austria, and the
whole country now echoed the Lombard cry: "Out with the barbarian!" All
talk of adjustment, compromise, reorganization, shrivelled on lips that
the live coal of patriotism had touched. Italy for the Italians, and
then--monarchy, federation, republic, it mattered not what!
The oppressor's grip had tightened on our throats and the clear-sighted
saw well enough that Metternich's policy was to provoke a rebellion and
then crush it under the Croat heel. But it was too late to cry prudence in
Lombardy. With the first days of the new year the tobacco riots had drawn
blood in Milan. Soon afterward the Lions' Club was closed, and edicts were
issued forbidding the singing of Pio Nono's hymn, the wearing of white and
blue, the collecting of subscriptions for the victims of the riots. To each
prohibition Milan returned a fresh defiance. The ladies of the nobility put
on mourning for the rioters who had been shot down by the soldiery. Half
the members of the Guardia Nobile resigned and Count Borromeo sent back
his Golden Fleece to the Emperor. Fresh regiments were continually pouring
into Milan and it was no secret that Radetsky was strengthening the
fortifications. Late in January several leading liberals were arrested and
sent into exile, and two weeks later martial law was proclaimed in Milan.
At the first arrests several members of the liberal party had hastily left
Milan, and I was not surprised to hear, a few days later, that orders had
been given to reopen the villa at Siviano. The Count and Countess arrived
there early in February.
It was seven months since I had seen the Countess, and I was struck with
the change in her appearance.
She was paler than ever, and her step had lost its lightness. Yet she
did not seem to share her husband's political anxieties; one would have
said that she was hardly aware of them. She seemed wrapped in a veil of
lassitude, like Iseo on a still gray morning, when dawn is blood-red on the
mountains but a mist blurs its reflection in the lake. I felt as though her
soul were slipping away from me, and longed to win her back to my care; but
she made her ill-health a pretext for not coming to confession, and for the
present I could only wait and carry the thought of her to the altar. She
had not been long at Siviano before I discovered that this drooping mood
was only one phase of her humor. Now and then she flung back the cowl of
melancholy and laughed life in the eye; but next moment she was in shadow
again, and her muffled thoughts had given us the slip. She was like the
lake on one of those days when the wind blows twenty ways and every
promontory holds a gust in ambush.
Meanwhile there was a continual coming and going of messengers between
Siviano and the city. They came mostly at night, when the household slept,
and were away again with the last shadows; but the news they brought stayed
and widened, shining through every cranny of the old house. The whole of
Lombardy was up. From Pavia to Mantua, from Como to Brescia, the streets
ran blood like the arteries of one great body. At Pavia and Padua the
universities were closed. The frightened vice-roy was preparing to withdraw
from Milan to Verona, and Radetsky continued to pour his men across the
Alps, till a hundred thousand were massed between the Piave and the Ticino.
And now every eye was turned to Turin. Ah, how we watched for the blue
banner of Piedmont on the mountains! Charles Albert was pledged to our
cause; his whole people had armed to rescue us, the streets echoed with
_avanti, Savoia!_ and yet Savoy was silent and hung back. Each day was
a life-time strained to the cracking-point with hopes and disappointments.
We reckoned the hours by rumors, the very minutes by hearsay. Then
suddenly--ah, it was worth living through!--word came to us that Vienna
was in revolt. The points of the compass had shifted and our sun had risen
in the north. I shall never forget that day at the villa. Roberto sent for
me early, and I found him smiling and resolute, as becomes a soldier on
the eve of action. He had made all his preparations to leave for Milan and
was awaiting a summons from his party. The whole household felt that great
events impended, and Donna Marianna, awed and tearful, had pleaded with
her brother that they should all receive the sacrament together the next
morning. Roberto and his sister had been to confession the previous day,
but the Countess Faustina had again excused herself. I did not see her
while I was with the Count, but as I left the house she met me in the
laurel-walk. The morning was damp and cold, and she had drawn a black scarf
over her hair, and walked with a listless dragging step; but at my approach
she lifted her head quickly and signed to me to follow her into one of the
recesses of clipped laurel that bordered the path.
"Don Egidio," she said, "you have heard the news?"
I assented.
"The Count goes to Milan to-morrow?"
"It seems probable, your excellency."
"There will be fighting--we are on the eve of war, I mean?"
"We are in God's hands, your excellency."
"In God's hands!" she murmured. Her eyes wandered and for a moment we stood
silent; then she drew a purse from her pocket. "I was forgetting," she
exclaimed. "This is for that poor girl you spoke to me about the other
day--what was her name? The girl who met the Austrian soldier at the fair
at Peschiera--"
"Ah, Vannina," I said; "but she is dead, your excellency."
"Dead!" She turned white and the purse dropped from her hand. I picked it
up and held it out to her, but she put back my hand. "That is for masses,
then," she said; and with that she moved away toward the house.
I walked on to the gate; but before I had reached it I heard her step
behind me.
"Don Egidio!" she called; and I turned back.
"You are coming to say mass in the chapel to-morrow morning?"
"That is the Count's wish."
She wavered a moment. "I am not well enough to walk up to the village this
afternoon," she said at length. "Will you come back later and hear my
confession here?"
"Willingly, your excellency."
"Come at sunset then." She looked at me gravely. "It is a long time since I
have been to confession," she added.
"My child, the door of heaven is always unlatched."
She made no answer and I went my way.
I returned to the villa a little before sunset, hoping for a few words
with Roberto. I felt with Faustina that we were on the eve of war, and the
uncertainty of the outlook made me treasure every moment of my friend's
company. I knew he had been busy all day, but hoped to find that his
preparations were ended and that he could spare me a half hour. I was not
disappointed; for the servant who met me asked me to follow him to the
Count's apartment. Roberto was sitting alone, with his back to the door, at
a table spread with maps and papers. He stood up and turned an ashen face
on me.
"Roberto!" I cried, as if we had been boys together.
He signed to me to be seated.
"Egidio," he said suddenly, "my wife has sent for you to confess her?"
"The Countess met me on my way home this morning and expressed a wish to
receive the sacrament to-morrow morning with you and Donna Marianna, and I
promised to return this afternoon to hear her confession."
Roberto sat silent, staring before him as though he hardly heard. At length
he raised his head and began to speak.
"You have noticed lately that my wife has been ailing?" he asked.
"Every one must have seen that the Countess is not in her usual health. She
has seemed nervous, out of spirits--I have fancied that she might be
anxious about your excellency."
He leaned across the table and laid his wasted hand on mine. "Call me
Roberto," he said.
There was another pause before he went on. "Since I saw you this morning,"
he said slowly, "something horrible has happened. After you left I sent for
Andrea and Gemma to tell them the news from Vienna and the probability of
my being summoned to Milan before night. You know as well as I that we have
reached a crisis. There will be fighting within twenty-four hours, if I
know my people; and war may follow sooner than we think. I felt it my duty
to leave my affairs in Andrea's hands, and to entrust my wife to his care.
Don't look startled," he added with a faint smile. "No reasonable man goes
on a journey without setting his house in order; and if things take the
turn I expect it may be some months before you see me back at Siviano.--But
it was not to hear this that I sent for you." He pushed his chair aside and
walked up and down the room with his short limping step. "My God!" he broke
out wildly, "how can I say it?--When Andrea had heard me, I saw him
exchange a glance with his wife, and she said with that infernal sweet
voice of hers, 'Yes, Andrea, it is our duty.'
"'Your duty?' I asked. 'What is your duty?'
"Andrea wetted his lips with his tongue and looked at her again; and her
look was like a blade in his hand.
"'Your wife has a lover,' he said.
"She caught my arm as I flung myself on him. He is ten times stronger than
I, but you remember how I made him howl for mercy in the old days when he
used to bully you.
"'Let me go,' I said to his wife. 'He must live to unsay it.'
"Andrea began to whimper. 'Oh, my poor brother, I would give my heart's
blood to unsay it!'
"'The secret has been killing us,' she chimed in.
"'The secret? Whose secret? How dare you--?'
"Gemma fell on her knees like a tragedy actress. 'Strike me--kill me--it is
I who am the offender! It was at my house that she met him--'
"'Him?'
"'Franz Welkenstern--my cousin,' she wailed.
"I suppose I stood before them like a stunned ox, for they repeated the
name again and again, as if they were not sure of my having heard it.--Not
hear it!" he cried suddenly, dropping into a chair and hiding his face in
his hands. "Shall I ever on earth hear anything else again?"
He sat a long time with his face hidden and I waited. My head was like a
great bronze bell with one thought for the clapper.
After a while he went on in a low deliberate voice, as though his words
were balancing themselves on the brink of madness. With strange composure
he repeated each detail of his brother's charges: the meetings in the
Countess Gemma's drawing-room, the innocent friendliness of the two
young people, the talk of mysterious visits to a villa outside the Porta
Ticinese, the ever-widening circle of scandal that had spread about their
names. At first, Andrea said, he and his wife had refused to listen to the
reports which reached them. Then, when the talk became too loud, they had
sent for Welkenstern, remonstrated with him, implored him to exchange into
another regiment; but in vain. The young officer indignantly denied the
reports and declared that to leave his post at such a moment would be
desertion.
With a laborious accuracy Roberto went on, detailing one by one each
incident of the hateful story, till suddenly he cried out, springing from
his chair--"And now to leave her with this lie unburied!"
His cry was like the lifting of a grave-stone from my breast. "You must not
leave her!" I exclaimed.
He shook his head. "I am pledged."
"This is your first duty."
"It would be any other man's; not an Italian's."
I was silent: in those days the argument seemed unanswerable.
At length I said: "No harm can come to her while you are away. Donna
Marianna and I are here to watch over her. And when you come back--"
He looked at me gravely. "_If_ I come back--"
"Roberto!"
"We are men, Egidio; we both know what is coming. Milan is up already; and
there is a rumor that Charles Albert is moving. This year the spring rains
will be red in Italy."
"In your absence not a breath shall touch her!"
"And if I never come back to defend her? They hate her as hell hates,
Egidio!--They kept repeating, 'He is of her own age and youth draws
youth--.' She is in their way, Egidio!"
"Consider, my son. They do not love her, perhaps; but why should they hate
her at such cost? She has given you no child."
"No child!" He paused. "But what if--? She has ailed lately!" he cried, and
broke off to grapple with the stabbing thought.
"Roberto! Roberto!" I adjured him.
He jumped up and gripped my arm.
"Egidio! You believe in her?"
"She's as pure as a lily on the altar!"
"Those eyes are wells of truth--and she has been like a daughter to
Marianna.--Egidio! do I look like an old man?"
"Quiet yourself, Roberto," I entreated.
"Quiet myself? With this sting in my blood? A lover--and an Austrian lover!
Oh, Italy, Italy, my bride!"
"I stake my life on her truth," I cried, "and who knows better than I? Has
her soul not lain before me like the bed of a clear stream?"
"And if what you saw there was only the reflection of your faith in her?"
"My son, I am a priest, and the priest penetrates to the soul as the angel
passed through the walls of Peter's prison. I see the truth in her heart as
I see Christ in the host!"
"No, no, she is false!" he cried.
I sprang up terrified. "Roberto, be silent!"
He looked at me with a wild incredulous smile. "Poor simple man of God!" he
said.
"I would not exchange my simplicity for yours--the dupe of envy's first
malicious whisper!"
"Envy--you think that?"
"Is it questionable?"
"You would stake your life on it?"
"My life!"
"Your faith?"
"My faith!"
"Your vows as a priest?"
"My vows--" I stopped and stared at him. He had risen and laid his hand on
my shoulder.
"You see now what I would be at," he said quietly. "I must take your place
presently--"
"My place--?"
"When my wife comes down. You understand me."
"Ah, now you are quite mad!" I cried breaking away from him.
"Am I?" he returned, maintaining his strange composure. "Consider a moment.
She has not confessed to you before since our return from Milan--"
"Her ill-health--"
He cut me short with a gesture. "Yet to-day she sends for you--"
"In order that she may receive the sacrament with you on the eve of your
first separation."
"If that is her only reason her first words will clear her. I must hear
those words, Egidio!"
"You are quite mad," I repeated.
"Strange," he said slowly. "You stake your life on my wife's innocence, yet
you refuse me the only means of vindicating it!"
"I would give my life for any one of you--but what you ask is not mine to
give."
"The priest first--the man afterward?" he sneered.
"Long afterward!"
He measured me with a contemptuous eye. "We laymen are ready to give the
last shred of flesh from our bones, but you priests intend to keep your
cassocks whole."
"I tell you my cassock is not mine," I repeated.
"And, by God," he cried, "you are right; for it's mine! Who put it on your
back but my father? What kept it there but my charity? Peasant! beggar!
Hear his holiness pontificate!" "Yes," I said, "I was a peasant and a
beggar when your father found me; and if he had left me one I might have
been excused for putting my hand to any ugly job that my betters required
of me; but he made me a priest, and so set me above all of you, and laid on
me the charge of your souls as well as mine."
He sat down shaken with dreadful tears. "Ah," he broke out, "would you have
answered me thus when we were boys together, and I stood between you and
Andrea?"
"If God had given me the strength."
"You call it strength to make a woman's soul your stepping-stone to
heaven?"
"Her soul is in my care, not yours, my son. She is safe with me."
"She? But I? I go out to meet death, and leave a worse death behind me!"
He leaned over and clutched my arm. "It is not for myself I plead but for
her--for her, Egidio! Don't you see to what a hell you condemn her if I
don't come back? What chance has she against that slow unsleeping hate?
Their lies will fasten themselves to her and suck out her life. You and
Marianna are powerless against such enemies."
"You leave her in God's hands, my son."
"Easily said--but, ah, priest, if you were a man! What if their poison
works in me and I go to battle thinking that every Austrian bullet may be
sent by her lover's hand? What if I die not only to free Italy but to free
my wife as well?"
I laid my hand on his shoulder. "My son, I answer for her. Leave your faith
in her in my hands and I will keep it whole."
He stared at me strangely. "And what if your own fail you?"
"In her? Never. I call every saint to witness!"
"And yet--and yet--ah, this is a blind," he shouted; "you know all and
perjure yourself to spare me!"
At that, my son, I felt a knife in my breast. I looked at him in anguish
and his gaze was a wall of metal. Mine seemed to slip away from it, like a
clawless thing struggling up the sheer side of a precipice.
"You know all," he repeated, "and you dare not let me hear her!"
"I dare not betray my trust."
He waved the answer aside.
"Is this a time to quibble over church discipline? If you believed in her
you would save her at any cost!"
I said to myself, "Eternity can hold nothing worse than this for me--" and
clutched my resolve again like a cross to my bosom.
Just then there was a hand on the door and we heard Donna Marianna.
"Faustina has sent to know if the _signar parocco_ is here."
"He is here. Bid her come down to the chapel." Roberta spoke quietly, and
closed the door on her so that she should not see his face. We heard her
patter away across the brick floor of the _salone_.
Roberto turned to me. "Egidio!" he said; and all at once I was no more than
a straw on the torrent of his will.
The chapel adjoined the room in which we sat. He opened the door, and in
the twilight I saw the light glimmering before the Virgin's shrine and the
old carved confessional standing like a cowled watcher in its corner. But
I saw it all in a dream; for nothing in heaven or earth was real to me but
the iron grip on my shoulder.
"Quick!" he said and drove me forward. I heard him shoot back the bolt of
the outer door and a moment later I stood alone in the garden. The sun had
set and the cold spring dusk was falling. Lights shone here and there in
the long front of the villa; the statues glimmered gray among the thickets.
Through the window-pane of the chapel I caught the faint red gleam of the
Virgin's lamp; but I turned my back on it and walked away.
* * * * *
All night I lay like a heretic on the fire. Before dawn there came a call
from the villa. The Count had received a second summons from Milan and was
to set out in an hour. I hurried down the cold dewy path to the lake. All
was new and hushed and strange as on the day of resurrection; and in the
dark twilight of the garden alleys the statues stared at me like the
shrouded dead.
In the _salone_, where the old Count's portrait hung, I found the
family assembled. Andrea and Gemma sat together, a little pinched, I
thought, but decent and self-contained, like mourners who expect to
inherit. Donna Marianna drooped near them, with something black over her
head and her face dim with weeping. Roberto received me calmly and then
turned to his sister.
"Go fetch my wife," he said.
While she was gone there was silence. We could hear the cold drip of the
garden-fountain and the patter of rats in the wall. Andrea and his wife
stared out of window and Roberto sat in his father's carved seat at the
head of the long table. Then the door opened and Faustina entered.
When I saw her I stopped breathing. She seemed no more than the shell of
herself, a hollow thing that grief has voided. Her eyes returned our images
like polished agate, but conveyed to her no sense of our presence. Marianna
led her to a seat, and she crossed her hands and nailed her dull gaze on
Roberto. I looked from one to another, and in that spectral light it seemed
to me that we were all souls come to judgment and naked to each other as to
God. As to my own wrongdoing, it weighed on me no more than dust. The only
feeling I had room for was fear--a fear that seemed to fill my throat and
lungs and bubble coldly over my drowning head.
Suddenly Roberto began to speak. His voice was clear and steady, and I
clutched at his words to drag myself above the surface of my terror. He
touched on the charge that had been made against his wife--he did not say
by whom--the foul rumor that had made itself heard on the eve of their
first parting. Duty, he said, had sent him a double summons; to fight for
his country and for his wife. He must clear his wife's name before he was
worthy to draw sword for Italy. There was no time to tame the slander
before throttling it; he had to take the shortest way to its throat. At
this point he looked at me and my soul shook. Then he turned to Andrea and
Gemma.
"When you came to me with this rumor," he said quietly, "you agreed to
consider the family honor satisfied if I could induce Don Egidio to let me
take his place and overhear my wife's confession, and if that confession
convinced me of her innocence. Was this the understanding?"
Andrea muttered something and Gemma tapped a sullen foot.
"After you had left," Roberto continued, "I laid the case before Don Egidio
and threw myself on his mercy." He looked at me fixedly. "So strong was his
faith in my wife's innocence that for her sake he agreed to violate the
sanctity of the confessional. I took his place."
Marianna sobbed and crossed herself and a strange look flitted over
Faustina's face.
There was a moment's pause; then Roberto, rising, walked across the room to
his wife and took her by the hand.
"Your seat is beside me, Countess Siviano," he said, and led her to the
empty chair by his own.
Gemma started to her feet, but her husband pulled her down again.
"Jesus! Mary!" We heard Donna Marianna moan.
Roberto raised his wife's hand to his lips. "You forgive me," he said, "the
means I took to defend you?" And turning to Andrea he added slowly: "I
declare my wife innocent and my honor satisfied. You swear to stand by my
decision?"
What Andrea stammered out, what hissing serpents of speech Gemma's clinched
teeth bit back, I never knew--for my eyes were on Faustina, and her face
was a wonder to behold.
She had let herself be led across the room like a blind woman, and had
listened without change of feature to her husband's first words; but as
he ceased her frozen gaze broke and her whole body seemed to melt against
his breast. He put his arm out, but she slipped to his feet and Marianna
hastened forward to raise her up. At that moment we heard the stroke
of oars across the quiet water and saw the Count's boat touch the
landing-steps. Four strong oarsmen from Monte Isola were to row him down
to Iseo, to take horse for Milan, and his servant, knapsack on shoulder,
knocked warningly at the terrace window.
"No time to lose, excellency!" he cried.
Roberto turned and gripped my hand. "Pray for me," he said low; and with a
brief gesture to the others ran down the terrace to the boat.
Marianna was bathing Faustina with happy tears.
"Look up, dear! Think how soon he will come back! And there is the
sunrise--see!"
Andrea and Gemma had slunk away like ghosts at cock-crow, and a red dawn
stood over Milan.
* * * * *
If that sun rose red it set scarlet. It was the first of the Five Days in
Milan--the Five Glorious Days, as they are called. Roberto reached the city
just before the gates closed. So much we knew--little more. We heard of him
in the Broletto (whence he must have escaped when the Austrians blew in
the door) and in the Casa Vidiserti, with Casati, Cattaneo and the rest;
but after the barricading began we could trace him only as having been
seen here and there in the thick of the fighting, or tending the wounded
under Bertani's orders. His place, one would have said, was in the
council-chamber, with the soberer heads; but that was an hour when every
man gave his blood where it was most needed, and Cernuschi, Dandolo,
Anfossi, della Porta fought shoulder to shoulder with students, artisans
and peasants. Certain it is that he was seen on the fifth day; for among
the volunteers who swarmed after Manara in his assault on the Porta Tosa
was a servant of palazzo Siviano; and this fellow swore he had seen his
master charge with Manara in the last assault--had watched him, sword
in hand, press close to the gates, and then, as they swung open before
the victorious dash of our men, had seen him drop and disappear in the
inrushing tide of peasants that almost swept the little company off its
feet. After that we heard nothing. There was savage work in Milan in those
days, and more than one well-known figure lay lost among the heaps of dead
hacked and disfeatured by Croat blades.
At the villa, we waited breathless. News came to us hour by hour: the very
wind seemed to carry it, and it was swept to us on the incessant rush of
the rain. On the twenty-third Radetsky had fled from Milan, to face Venice
rising in his path. On the twenty-fourth the first Piedmontese had crossed
the Ticino, and Charles Albert himself was in Pavia on the twenty-ninth.
The bells of Milan had carried the word from Turin to Naples, from Genoa to
Ancona, and the whole country was pouring like a flood-tide into Lombardy.
Heroes sprang up from the bloody soil as thick as wheat after rain, and
every day carried some new name to us; but never the one for which we
prayed and waited. Weeks passed. We heard of Pastrengo, Goito, Rivoli; of
Radetsky hemmed into the Quadrilateral, and our troops closing in on him
from Rome, Tuscany and Venetia. Months passed--and we heard of Custozza. We
saw Charles Albert's broken forces flung back from the Mincio to the Oglio,
from the Oglio to the Adda. We followed the dreadful retreat from Milan,
and saw our rescuers dispersed like dust before the wind. But all the while
no word came to us of Roberto.
These were dark days in Lombardy; and nowhere darker than in the old villa
on Iseo. In September Donna Marianna and the young Countess put on black,
and Count Andrea and his wife followed their example. In October the
Countess gave birth to a daughter. Count Andrea then took possession of the
palazzo Siviano, and the two women remained at the villa. I have no heart
to tell you of the days that followed. Donna Marianna wept and prayed
incessantly, and it was long before the baby could snatch a smile from her.
As for the Countess Faustina, she went among us like one of the statues in
the garden. The child had a wet-nurse from the village, and it was small
wonder there was no milk for it in that marble breast. I spent much of
my time at the villa, comforting Donna Marianna as best I could; but
sometimes, in the long winter evenings, when we three sat in the dimly-lit
_salone_, with the old Count's portrait overhead, and I looked up and
saw the Countess Faustina in the tall carved seat beside her husband's
empty chair, my spine grew chill and I felt a cold wind in my hair.
The end of it was that in the spring I went to see my bishop and laid my
sin before him. He was a saintly and merciful old man, and gave me a
patient hearing.
"You believed the lady innocent?" he asked when I had ended.
"Monsignore, on my soul!"
"You thought to avert a great calamity from the house to which you owed
more than your life?"
"It was my only thought."
He laid his hand on my shoulder.
"Go home, my son. You shall learn my decision."
Three months later I was ordered to resign my living and go to America,
where a priest was needed for the Italian mission church in New York. I
packed my possessions and set sail from Genoa. I knew no more of America
than any peasant up in the hills. I fully expected to be speared by naked
savages on landing; and for the first few months after my arrival I wished
at least once a day that such a blessed fate had befallen me. But it is
no part of my story to tell you what I suffered in those early days. The
Church had dealt with me mercifully, as is her wont, and her punishment
fell far below my deserts....
I had been some four years in New York, and no longer thought of looking
back from the plough, when one day word was brought me that an Italian
professor lay ill and had asked for a priest. There were many Italian
refugees in New York at that time, and the greater number, being
well-educated men, earned a living by teaching their language, which was
then included among the accomplishments of fashionable New York. The
messenger led me to a poor boarding-house and up to a small bare room on
the top floor. On the visiting-card nailed to the door I read the name "De
Roberti, Professor of Italian." Inside, a gray-haired haggard man tossed on
the narrow bed. He turned a glazed eye on me as I entered, and I recognized
Roberto Siviano.
I steadied myself against the door-post and stood staring at him without a
word.
"What's the matter?" asked the doctor who was bending over the bed. I
stammered that the sick man was an old friend.
"He wouldn't know his oldest friend just now," said the doctor. "The
fever's on him; but it will go down toward sunset."
I sat down at the head of the bed and took Roberto's hand in mine.
"Is he going to die?" I asked.
"I don't believe so; but he wants nursing."
"I will nurse him."
The doctor nodded and went out. I sat in the little room, with Roberto's
burning hand in mine. Gradually his skin cooled, the fingers grew quiet,
and the flush faded from his sallow cheek-bones. Toward dusk he looked up
at me and smiled.
"Egidio," he said quietly.
I administered the sacrament, which he received with the most fervent
devotion; then he fell into a deep sleep.
During the weeks that followed I had no time to ask myself the meaning of
it all. My one business was to keep him alive if I could. I fought the
fever day and night, and at length it yielded. For the most part he raved
or lay unconscious; but now and then he knew me for a moment, and whispered
"Egidio" with a look of peace.
I had stolen many hours from my duties to nurse him; and as soon as the
danger was past I had to go back to my parish work. Then it was that I
began to ask myself what had brought him to America; but I dared not face
the answer.
On the fourth day I snatched a moment from my work and climbed to his
room. I found him sitting propped against his pillows, weak as a child but
clear-eyed and quiet. I ran forward, but his look stopped me.
"_Signor parocco_," he said, "the doctor tells me that I owe my life
to your nursing, and I have to thank you for the kindness you have shown to
a friendless stranger."
"A stranger?" I gasped.
He looked at me steadily. "I am not aware that we have met before," he
said.
For a moment I thought the fever was on him; but a second glance convinced
me that he was master of himself.
"Roberto!" I cried, trembling.
"You have the advantage of me," he said civilly. "But my name is Roberti,
not Roberto."
The floor swam under me and I had to lean against the wall.
"You are not Count Roberto Siviano of Milan?"
"I am Tommaso de Roberti, professor of Italian, from Modena."
"And you have never seen me before?"
"Never that I know of."
"Were you never at Siviano, on the lake of Iseo?" I faltered.
He said calmly: "I am unacquainted with that part of Italy."
My heart grew cold and I was silent.
"You mistook me for a friend, I suppose?" he added.
"Yes," I cried, "I mistook you for a friend;" and with that I fell on my
knees by his bed and cried like a child.
Suddenly I felt a touch on my shoulder. "Egidio," said he in a broken
voice, "look up."
I raised my eyes, and there was his old smile above me, and we clung to
each other without a word. Presently, however, he drew back, and put me
quietly aside.
"Sit over there, Egidio. My bones are like water and I am not good for much
talking yet."
"Let us wait, Roberto. Sleep now--we can talk tomorrow."
"No. What I have to say must be said at once." He examined me thoughtfully.
"You have a parish here in New York?"
I assented.
"And my work keeps me here. I have pupils. It is too late to make a
change."
"A change?"
He continued to look at me calmly. "It would be difficult for me," he
explained, "to find employment in a new place."
"But why should you leave here?"
"I shall have to," he returned deliberately, "if you persist in recognizing
in me your former friend Count Siviano."
"Roberto!"
He lifted his hand. "Egidio," he said, "I am alone here, and without
friends. The companionship, the sympathy of my parish priest would be a
consolation in this strange city; but it must not be the companionship of
the _parocco_ of Siviano. You understand?"
"Roberto," I cried, "it is too dreadful to understand!"
"Be a man, Egidio," said he with a touch of impatience. "The choice lies
with you, and you must make it now. If you are willing to ask no questions,
to name no names, to make no allusions to the past, let us live as friends
together, in God's name! If not, as soon as my legs can carry me I must be
off again. The world is wide, luckily--but why should we be parted?"
I was on my knees at his side in an instant. "We must never be parted!" I
cried. "Do as you will with me. Give me your orders and I obey--have I not
always obeyed you?"
I felt his hand close sharply on mine. "Egidio!" he admonished me.
"No--no--I shall remember. I shall say nothing--"
"Think nothing?"
"Think nothing," I said with a last effort.
"God bless you!" he answered.
My son, for eight years I kept my word to him. We met daily almost, we ate
and walked and talked together, we lived like David and Jonathan--but
without so much as a glance at the past. How he had escaped from Milan--how
he had reached New York--I never knew. We talked often of Italy's
liberation--as what Italians would not?--but never touched on his share in
the work. Once only a word slipped from him; and that was when one day he
asked me how it was that I had been sent to America. The blood rushed to my
face, and before I could answer he had raised a silencing hand.
"I see," he said; "it was _your_ penance too."
During the first years he had plenty of work to do, but he lived so
frugally that I guessed he had some secret use for his earnings. It was
easy to conjecture what it was. All over the world Italian exiles were
toiling and saving to further the great cause. He had political friends in
New York, and sometimes he went to other cities to attend meetings and make
addresses. His zeal never slackened; and but for me he would often have
gone hungry that some shivering patriot might dine. I was with him heart
and soul, but I had the parish on my shoulders, and perhaps my long
experience of men had made me a little less credulous than Christian
charity requires; for I could have sworn that some of the heroes who hung
on him had never had a whiff of Austrian blood, and would have fed out of
the same trough with the white-coats if there had been polenta enough to go
round. Happily my friend had no such doubts. He believed in the patriots as
devoutly as in the cause; and if some of his hard-earned dollars travelled
no farther than the nearest wine-cellar or cigar-shop, he never suspected
the course they took.
His health was never the same after the fever; and by and by he began to
lose his pupils, and the patriots cooled off as his pockets fell in. Toward
the end I took him to live in my shabby attic. He had grown weak and had a
troublesome cough, and he spent the greater part of his days indoors. Cruel
days they must have been to him, but he made no sign, and always welcomed
me with a cheerful word. When his pupils dropped off, and his health made
it difficult for him to pick up work outside, he set up a letter-writer's
sign, and used to earn a few pennies by serving as amanuensis to my poor
parishioners; but it went against him to take their money, and half the
time he did the work for nothing. I knew it was hard for him to live on
charity, as he called it, and I used to find what jobs I could for him
among my friends the _negozianti_, who would send him letters to copy,
accounts to make up and what not; but we were all poor together, and the
master had licked the platter before the dog got it.
So lived that just man, my son; and so, after eight years of exile, he died
one day in my arms. God had let him live long enough to see Solferino and
Villa-franca; and was perhaps never more merciful than in sparing him Monte
Rotondo and Mentana. But these are things of which it does not become me to
speak. The new Italy does not wear the face of our visions; but it is
written that God shall know His own, and it cannot be that He shall misread
the hearts of those who dreamed of fashioning her in His image.
As for my friend, he is at peace, I doubt not; and his just life and holy
death intercede for me, who sinned for his sake alone.
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