Eve's Diary, Part 3
Mark Twain (Samuel Clemens)

Produced by David Widger and Cindy Rosenthal


By Mark Twain

Illustrated by Lester Ralph

Translated from the Original

Part 3.


Perhaps I ought to remember that she is very young, a mere girl and make
allowances. She is all interest, eagerness, vivacity, the world is to
her a charm, a wonder, a mystery, a joy; she can't speak for delight
when she finds a new flower, she must pet it and caress it and smell it
and talk to it, and pour out endearing names upon it. And she is
color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky;
the pearl of the dawn, the purple shadows on the mountains, the golden
islands floating in crimson seas at sunset, the pallid moon sailing
through the shredded cloud-rack, the star-jewels glittering in the
wastes of space--none of them is of any practical value, so far as I can
see, but because they have color and majesty, that is enough for her,
and she loses her mind over them. If she could quiet down and keep still
a couple minutes at a time, it would be a reposeful spectacle. In that
case I think I could enjoy looking at her; indeed I am sure I could, for
I am coming to realize that she is a quite remarkably comely creature
--lithe, slender, trim, rounded, shapely, nimble, graceful; and once
when she was standing marble-white and sun-drenched on a boulder, with
her young head tilted back and her hand shading her eyes, watching the
flight of a bird in the sky, I recognized that she was beautiful.

MONDAY NOON.--If there is anything on the planet that she is not
interested in it is not in my list. There are animals that I am
indifferent to, but it is not so with her. She has no discrimination,
she takes to all of them, she thinks they are all treasures, every new
one is welcome.

When the mighty brontosaurus came striding into camp, she regarded it as
an acquisition, I considered it a calamity; that is a good sample of the
lack of harmony that prevails in our views of things. She wanted to
domesticate it, I wanted to make it a present of the homestead and move
out. She believed it could be tamed by kind treatment and would be a
good pet; I said a pet twenty-one feet high and eighty-four feet long
would be no proper thing to have about the place, because, even with the
best intentions and without meaning any harm, it could sit down on the
house and mash it, for any one could see by the look of its eye that it
was absent-minded.

Still, her heart was set upon having that monster, and she couldn't give
it up. She thought we could start a dairy with it, and wanted me to
help milk it; but I wouldn't; it was too risky. The sex wasn't right,
and we hadn't any ladder anyway. Then she wanted to ride it, and look
at the scenery. Thirty or forty feet of its tail was lying on the
ground, like a fallen tree, and she thought she could climb it, but she
was mistaken; when she got to the steep place it was too slick and down
she came, and would have hurt herself but for me.

Was she satisfied now? No. Nothing ever satisfies her but
demonstration; untested theories are not in her line, and she won't have
them. It is the right spirit, I concede it; it attracts me; I feel the
influence of it; if I were with her more I think I should take it up
myself. Well, she had one theory remaining about this colossus: she
thought that if we could tame it and make him friendly we could stand in
the river and use him for a bridge. It turned out that he was already
plenty tame enough--at least as far as she was concerned--so she tried
her theory, but it failed: every time she got him properly placed in
the river and went ashore to cross over him, he came out and followed
her around like a pet mountain. Like the other animals. They all do

Tuesday--Wednesday--Thursday--and today: all without seeing him. It is
a long time to be alone; still, it is better to be alone than unwelcome.

FRIDAY--I HAD to have company--I was made for it, I think--so I made
friends with the animals. They are just charming, and they have the
kindest disposition and the politest ways; they never look sour, they
never let you feel that you are intruding, they smile at you and wag
their tail, if they've got one, and they are always ready for a romp or
an excursion or anything you want to propose. I think they are perfect
gentlemen. All these days we have had such good times, and it hasn't
been lonesome for me, ever.

Lonesome! No, I should say not. Why, there's always a swarm of them
around--sometimes as much as four or five acres--you can't count them;
and when you stand on a rock in the midst and look out over the furry
expanse it is so mottled and splashed and gay with color and frisking
sheen and sun-flash, and so rippled with stripes, that you might think
it was a lake, only you know it isn't; and there's storms of sociable
birds, and hurricanes of whirring wings; and when the sun strikes all
that feathery commotion, you have a blazing up of all the colors you can
think of, enough to put your eyes out.

We have made long excursions, and I have seen a great deal of the world;
almost all of it, I think; and so I am the first traveler, and the only
one. When we are on the march, it is an imposing sight--there's nothing
like it anywhere. For comfort I ride a tiger or a leopard, because it
is soft and has a round back that fits me, and because they are such
pretty animals; but for long distance or for scenery I ride the
elephant. He hoists me up with his trunk, but I can get off myself;
when we are ready to camp, he sits and I slide down the back way.

The birds and animals are all friendly to each other, and there are no
disputes about anything. They all talk, and they all talk to me, but it
must be a foreign language, for I cannot make out a word they say; yet
they often understand me when I talk back, particularly the dog and the
elephant. It makes me ashamed. It shows that they are brighter than I
am, for I want to be the principal Experiment myself--and I intend to
be, too.

I have learned a number of things, and am educated, now, but I wasn't at
first. I was ignorant at first. At first it used to vex me because,
with all my watching, I was never smart enough to be around when the
water was running uphill; but now I do not mind it. I have experimented
and experimented until now I know it never does run uphill, except in
the dark. I know it does in the dark, because the pool never goes dry,
which it would, of course, if the water didn't come back in the night.
It is best to prove things by actual experiment; then you KNOW; whereas
if you depend on guessing and supposing and conjecturing, you never get

Some things you CAN'T find out; but you will never know you can't by
guessing and supposing: no, you have to be patient and go on
experimenting until you find out that you can't find out. And it is
delightful to have it that way, it makes the world so interesting. If
there wasn't anything to find out, it would be dull. Even trying to
find out and not finding out is just as interesting as trying to find
out and finding out, and I don't know but more so. The secret of the
water was a treasure until I GOT it; then the excitement all went away,
and I recognized a sense of loss.

By experiment I know that wood swims, and dry leaves, and feathers, and
plenty of other things; therefore by all that cumulative evidence you
know that a rock will swim; but you have to put up with simply knowing
it, for there isn't any way to prove it--up to now. But I shall find a
way--then THAT excitement will go. Such things make me sad; because by
and by when I have found out everything there won't be any more
excitements, and I do love excitements so! The other night I couldn't
sleep for thinking about it.

At first I couldn't make out what I was made for, but now I think it was
to search out the secrets of this wonderful world and be happy and thank
the Giver of it all for devising it. I think there are many things to
learn yet--I hope so; and by economizing and not hurrying too fast I
think they will last weeks and weeks. I hope so. When you cast up a
feather it sails away on the air and goes out of sight; then you throw
up a clod and it doesn't. It comes down, every time. I have tried it and
tried it, and it is always so. I wonder why it is? Of course it
DOESN'T come down, but why should it SEEM to? I suppose it is an optical
illusion. I mean, one of them is. I don't know which one. It may be
the feather, it may be the clod; I can't prove which it is, I can only
demonstrate that one or the other is a fake, and let a person take his

By watching, I know that the stars are not going to last. I have seen
some of the best ones melt and run down the sky. Since one can melt,
they can all melt; since they can all melt, they can all melt the same
night. That sorrow will come--I know it. I mean to sit up every night
and look at them as long as I can keep awake; and I will impress those
sparkling fields on my memory, so that by and by when they are taken
away I can by my fancy restore those lovely myriads to the black sky and
make them sparkle again, and double them by the blur of my tears.

After the Fall

When I look back, the Garden is a dream to me. It was beautiful,
surpassingly beautiful, enchantingly beautiful; and now it is lost, and
I shall not see it any more.

The Garden is lost, but I have found HIM, and am content. He loves me as
well as he can; I love him with all the strength of my passionate
nature, and this, I think, is proper to my youth and sex. If I ask
myself why I love him, I find I do not know, and do not really much care
to know; so I suppose that this kind of love is not a product of
reasoning and statistics, like one's love for other reptiles and
animals. I think that this must be so. I love certain birds because of
their song; but I do not love Adam on account of his singing--no, it is
not that; the more he sings the more I do not get reconciled to it. Yet
I ask him to sing, because I wish to learn to like everything he is
interested in. I am sure I can learn, because at first I could not stand
it, but now I can. It sours the milk, but it doesn't matter; I can get
used to that kind of milk.

It is not on account of his brightness that I love him--no, it is not
that. He is not to blame for his brightness, such as it is, for he did
not make it himself; he is as God make him, and that is sufficient.
There was a wise purpose in it, THAT I know. In time it will develop,
though I think it will not be sudden; and besides, there is no hurry; he
is well enough just as he is.

It is not on account of his gracious and considerate ways and his
delicacy that I love him. No, he has lacks in this regard, but he is
well enough just so, and is improving.

It is not on account of his industry that I love him--no, it is not
that. I think he has it in him, and I do not know why he conceals it
from me. It is my only pain. Otherwise he is frank and open with me,
now. I am sure he keeps nothing from me but this. It grieves me that he
should have a secret from me, and sometimes it spoils my sleep, thinking
of it, but I will put it out of my mind; it shall not trouble my
happiness, which is otherwise full to overflowing.

It is not on account of his education that I love him--no, it is not
that. He is self-educated, and does really know a multitude of things,
but they are not so.

It is not on account of his chivalry that I love him--no, it is not
that. He told on me, but I do not blame him; it is a peculiarity of sex,
I think, and he did not make his sex. Of course I would not have told
on him, I would have perished first; but that is a peculiarity of sex,
too, and I do not take credit for it, for I did not make my sex.

Then why is it that I love him? MERELY BECAUSE HE IS MASCULINE, I

At bottom he is good, and I love him for that, but I could love him
without it. If he should beat me and abuse me, I should go on loving
him. I know it. It is a matter of sex, I think.

He is strong and handsome, and I love him for that, and I admire him and
am proud of him, but I could love him without those qualities. If he
were plain, I should love him; if he were a wreck, I should love him;
and I would work for him, and slave over him, and pray for him, and
watch by his bedside until I died.

Yes, I think I love him merely because he is MINE and is MASCULINE.
There is no other reason, I suppose. And so I think it is as I first
said: that this kind of love is not a product of reasonings and
statistics. It just COMES--none knows whence--and cannot explain
itself. And doesn't need to.

It is what I think. But I am only a girl, the first that has examined
this matter, and it may turn out that in my ignorance and inexperience I
have not got it right.

Forty Years Later

It is my prayer, it is my longing, that we may pass from this life
together--a longing which shall never perish from the earth, but shall
have place in the heart of every wife that loves, until the end of time;
and it shall be called by my name.

But if one of us must go first, it is my prayer that it shall be I; for
he is strong, I am weak, I am not so necessary to him as he is to me
--life without him would not be life; how could I endure it? This prayer
is also immortal, and will not cease from being offered up while my race
continues. I am the first wife; and in the last wife I shall be

At Eve's Grave

ADAM: Wheresoever she was, THERE was Eden.


***** This file should be named 8528.txt or 8528.zip *****
This and all associated files of various formats will be found in:

Produced by David Widger and Cindy Rosenthal

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial



(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at

and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

agree to be bound by the terms of this agreement. There are a few
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement

Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
Gutenberg-tm mission of promoting free access to electronic works by
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United

1.E.1. The following sentence, with active links to, or other immediate
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or

posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
through 1.E.7 or obtain permission for the use of the work and the

must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other

1.E.7. Do not charge a fee for access to, viewing, displaying,

1.E.8. You may charge a reasonable fee for copies of or providing

- You pay a royalty fee of 20% of the gross profits you derive from
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
forth in this agreement, you must obtain permission in writing from
Foundation as set forth in Section 3 below.


works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal

defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
that arise directly or indirectly from any of the following which you do

including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director

increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate

with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:


Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.


Back to Full Books