Little Eyolf
Henrik Ibsen

Part 1 out of 2

Produced by Nicole Apostola

By Henrik Ibsen

Translated, With an Introduction, by William Archer


Little Eyolf was written in Christiania during 1894, and published
in Copenhagen on December 11 in that year. By this time Ibsen's
correspondence has become so scanty as to afford us no clue to what
may be called the biographical antecedents of the play. Even of
anecdotic history very little attaches to it. For only one of the
characters has a definite model been suggested. Ibsen himself told
his French translator, Count Prozor, that the original of the
Rat-Wife was "a little old woman who came to kill rats at the
school where he was educated. She carried a little dog in a bag,
and it was said that children had been drowned through following
her." This means that Ibsen did not himself adapt to his uses the
legend so familiar to us in Browning's _Pied Piper of Hamelin_, but
found it ready adapted by the popular imagination of his native
place, Skien. "This idea," Ibsen continued to Count Prozor, "was
just what I wanted for bringing about the disappearance of Little
Eyolf, in whom the infatuation [Note: The French word used by Count
Prozor is "infatuation." I can think of no other rendering for it;
but I do not quite know what it means as applied to Allmers and
Eyolf.] and the feebleness of his father reproduced, but
concentrated, exaggerated, as one often sees them in the son of
such a father." Dr. Elias tells us that a well-known lady-artist,
who in middle life suggested to him the figure of Lona Hessel, was
in later years the model for the Rat-Wife. There is no inconsistency
between these two accounts of the matter. The idea was doubtless
suggested by his recollection of the rat-catcher of Skien, while
traits of manner and physiognomy might be borrowed from the lady
in question.

The verse quoted on pp. 52 and 53 [Transcriber's Note: "There stood the
champagne," etc., in ACT I] is the last line of a very well-known
poem by Johan Sebastian Welhaven, entitled _Republikanerne_, written
in 1839. An unknown guest in a Paris restaurant has been challenged
by a noisy party of young Frenchmen to join them in drinking a health
to Poland. He refuses; they denounce him as a craven and a slave; he
bares his breast and shows the scars of wounds received in fighting
for the country whose lost cause has become a subject for conventional
enthusiasm and windy rhetoric.

"De saae pas hverandre. Han vandred sin vei.
De havde champagne, men rorte den ei."

"They looked at each other. He went on his way. There stood their
champagne, but they did not touch it." The champagne incident leads
me to wonder whether the relation between Rita and Allmers may not
have been partly suggested to Ibsen by the relation between
Charlotte Stieglitz and her weakling of a husband. Their story must
have been known to him through George Brandes's _Young Germany_, if
not more directly. "From time to time," says Dr. Brandes, "there
came over her what she calls her champagne-mood; she grieves that
this is no longer the case with him." [Note: _Main Currents of
Nineteenth Century Literature_, vol. vi. p. 299] Did the germ of
the incident lie in these words?

The first performance of the play in Norway took place at the
Christiania Theatre on January 15, 1895, Fru Wettergren playing
Rita And Fru Dybwad, Asta. In Copenhagen (March 13, 1895) Fru Oda
Nielsen and Fru Hennings played Rita and Asta respectively, while
Emil Poulsen played Allmers. The first German Rita (Deutsches
Theater, Berlin, January 12, 1895) was Frau Agnes Sorma, with
Reicher as Allmers. Six weeks later Frl. Sandrock played Rita at
the Burgtheater, Vienna. In May 1895 the play was acted by M.
Lugne-Poe's company in Paris. The first performance in English took
place at the Avenue Theatre, London, on the afternoon of November
23, 1896, with Miss Janet Achurch as Rita, Miss Elizabeth Robins as
Asta, and Mrs. Patrick Campbell as the Rat-Wife. Miss Achurch's
Rita made a profound impression. Mrs. Patrick Campbell afterwards
played the part in a short series of evening performances. In the
spring of 1895 the play was acted in Chicago by a company of
Scandinavian amateurs, presumably in Norwegian. Fru Oda Nielsen has
recently (I understand) given some performances of it in New York,
and Madame Alla Nazimova has announced it for production during the
coming season (1907-1908).

As the external history of _Little Eyolf_ is so short. I am tempted
to depart from my usual practice, and say a few words as to its
matter and meaning.

George Brandes, writing of this play, has rightly observed that "a
kind of dualism has always been perceptible in Ibsen; he pleads the
cause of Nature, and he castigates Nature with mystic morality;
only sometimes Nature is allowed the first voice, sometimes
morality. In _The Master Builder_ and in _Ghosts_ the lover of
Nature in Ibsen was predominant; here, as in _Brand_ and _The Wild
Duck_, the castigator is in the ascendant." So clearly is this the
case in _Little Eyolf_ that Ibsen seems almost to fall into line
with Mr. Thomas Hardy. To say nothing of analogies of detail
between _Little Eyolf_ and _Jude the Obscure_, there is this
radical analogy, that they are both utterances of a profound
pessimism, both indictments of Nature.

But while Mr. Hardy's pessimism is plaintive and passive, Ibsen's
is stoical and almost bracing. It is true that in this play he is
no longer the mere "indignation pessimist" whom Dr. Brandes quite
justly recognised in his earlier works. His analysis has gone
deeper into the heart of things, and he has put off the satirist
and the iconoclast. But there is in his thought an incompressible
energy of revolt. A pessimist in contemplation, he remains a
meliorist in action. He is not, like Mr. Hardy, content to let the
flag droop half-mast high; his protagonist still runs it up to the
mast-head, and looks forward steadily to the "heavy day of work"
before him. But although the note of the conclusion is resolute,
almost serene, the play remains none the less an indictment of
Nature, or at least of that egoism of passion which is one of her
most potent subtleties. In this view, Allmers becomes a type of
what we may roughly call the "free moral agent"; Eyolf, a type of
humanity conceived as passive and suffering, thrust will-less into
existence, with boundless aspirations and cruelly limited powers;
Rita, a type of the egoistic instinct which is "a consuming fire";
and Asta, a type of the beneficent love which is possible only so
long as it is exempt from "the law of change." Allmers, then, is
self-conscious egoism, egoism which can now and then break its
chains, look in its own visage, realise and shrink from itself;
while Rita, until she has passed through the awful crisis which
forms .the matter of the play, is unconscious, reckless, and
ruthless egoism, exigent and jealous, "holding to its rights," and
incapable even of rising into the secondary stage of maternal love.
The offspring and the victim of these egoisms is Eyolf, "little
wounded warrior," who longs to scale the heights and dive into the
depths, but must remain for ever chained to the crutch of human
infirmity. For years Allmers has been a restless and half-reluctant
slave to Rita's imperious temperament. He has dreamed and theorised
about "responsibility," and has kept Eyolf poring over his books,
in the hope that, despite his misfortune, he may one day minister
to parental vanity. Finally he breaks away from Rita, for the first
time "in all these ten years," goes up "into the infinite
solitudes," looks Death in the face, and returns shrinking from
passion, yearning towards selfless love, and filled with a profound
and remorseful pity for the lot of poor maimed humanity. He will
"help Eyolf to bring his desires into harmony with what lies
attainable before him." He will "create a conscious happiness in
his mind." And here the drama opens.

Before the Rat-Wife enters, let me pause for a moment to point out
that here again Ibsen adopts that characteristic method which, in
writing of _The Lady from the Sea_ and _The Master Builder_, I have
compared to the method of Hawthorne. The story he tells is not
really, or rather not inevitably, supernatural. Everything is
explicable within this limits of nature; but supernatural agency is
also vaguely suggested, and the reader's imagination is stimulated,
without any absolute violence to his sense of reality. On the plane
of everyday life, then, the Rat-Wife is a crazy and uncanny old
woman, fabled by the peasants to be a were-wolf in her leisure
moments, who goes about the country killing vermin. Coming across
an impressionable child, she tells him a preposterous tale, adapted
from the old "Pied Piper" legends, of her method of fascinating her
victims. The child, whose imagination has long dwelt on this
personage, is in fact hypnotised by her, follows her down to the
sea, and, watching her row away, turns dizzy, falls in, and is
drowned. There is nothing impossible, nothing even improbable, in
this. At the same time, there cannot be the least doubt, I think,
that in the, poet's mind the Rat-Wife is the symbol of Death, of
the "still, soft darkness" that is at once so fearful and so
fascinating to humanity. This is clear not only in the text of her
single scene, but in the fact that Allmers, in the last act, treats
her and his "fellow-traveller" of that night among the mountains,
not precisely as identical, but as interchangeable, ideas. To tell
the truth, I have even my own suspicions as to who is meant by "her
sweetheart," whom she "lured" long ago, and who is now "down where
all the rats are." This theory I shall keep to myself; it may be
purely fantastic, and is at best inessential. What is certain is
that death carries off Little Eyolf, and that, of all he was, only
the crutch is left, mute witness to his hapless lot.

He is gone; there was so little to bind him to life that he made
not even a moment's struggle against the allurement of the "long,
sweet sleep." Then, for the first time, the depth of the egoism
which had created and conditioned his little life bursts upon his
parents' horror-stricken gaze. Like accomplices in crime, they turn
upon and accuse each other--"sorrow makes them wicked and hateful."
Allmers, as the one whose eyes were already half opened, is the
first to carry war into the enemy's country; but Rita is not slow
to retort, and presently they both have to admit that their
recriminations are only a vain attempt to drown the voice of
self-reproach. In a sort of fierce frenzy they tear away veil after
veil from their souls, until they realise that Eyolf never existed
at all, so to speak, for his own sake, but only for the sake of
their passions and vanities. "Isn't it curious," says Rita, summing
up the matter, "that we should grieve like this over a little
stranger boy?"

In blind self-absorption they have played with life and death, and
now "the great open eyes" of the stranger boy will be for ever upon
them. Allmers would fain take refuge in a love untainted by the
egoism, and unexposed to the revulsions, of passion. But not only
is Asta's pity for Rita too strong to let her countenance this
desertion: she has discovered that her relation to Allmers is _not_
"exempt from the law of change," and she "takes flight from him--
and from herself." Meanwhile it appears that the agony which
Allmers and Rita have endured in probing their wounds has been, as
Halvard Solness would say, "salutary self-torture." The consuming
fire of passion is now quenched, but "it, has left an empty place
within them," and they feel it common need "to fill it up with
something that is a little like love." They come to remember that
there are other children in the world on whom reckless instinct has
thrust the gift, of 1ife--neglected children, stunted and maimed in
mind if not in body. And now that her egoism is seared to the
quick, the mother-instinct asserts itself in Rita. She will take
these children to her--these children to whom her hand and her
heart have hitherto been closed. They shall be outwardly in Eyolf's
place, and perhaps in time they may fill the place in her heart
that should have been Eyolf's. Thus she will try to "make her peace
with the great open eyes." For now, at last, she has divined the
secret of the unwritten book on "human responsibility" and has
realised that motherhood means--atonement.

So I read this terrible and beautiful work of art. This, I think,
is _a_ meaning inherent in it--not perhaps _the_ meaning, and still
less all the meanings. Indeed, its peculiar fascination for me,
among all Ibsen's works, lies in the fact that it seems to touch
life at so many different points. But I must not be understood as
implying that Ibsen constructed the play with any such definitely
allegoric design as is here set forth. I do not believe that this
creator of men and women ever started from an abstract conception.
He did not first compose his philosophic tune and then set his
puppets dancing to it. The germ in his mind was dramatic, not
ethical; it was only as the drama developed that its meanings
dawned upon him; and he left them implicit and fragmentary, like
the symbolism of life itself, seldom formulated, never worked out
with schematic precision. He simply took a cutting from the tree of
life, and, planting it in the rich soil of his imagination, let it
ramify and burgeon as it would.

Even if one did not know the date of _Little Eyolf_, one could
confidently assign it to the latest period of Ibsen's career, on
noting a certain difference of scale between its foundations and
its superstructure. In his earlier plays, down to and including
_Hedda Gabler_, we feel his invention at work to the very last
moment, often with more intensity in the last act than in the
first; in his later plays he seems to be in haste to pass as early
as possible from invention to pure analysis. In this play, after
the death of Eyolf (surely one of the most inspired "situations" in
all drama) there is practically no external action whatsoever.
Nothing happens save in the souls of the characters; there is no
further invention, but rather what one may perhaps call
inquisition. This does not prevent the second act from being quite
the most poignant or the third act from being one of the most
moving that Ibsen ever wrote. Far from wishing to depreciate the
play, I rate it more highly, perhaps, than most critics--among the
very greatest of Ibsen's achievements. I merely note as a
characteristic of the poet's latest manner this disparity of scale
between the work foreshadowed, so to speak, and the work completed.
We shall find it still more evident in the case of _John Gabriel



ALFRED ALLMERS, landed proprietor and man of letters
formerly a tutor.
MRS. RITA ALLMERS, his wife.
EYOLF, their child, nine years old.
MISS ASTA ALLMERS, Alfred's younger half-sister.

The action takes place on ALLMERS'S property, bordering on the
fjord, twelve or fourteen miles from Christiania.




[A pretty and richly-decorated garden-room, full of furniture,
flowers, and plants. At the back, open glass doors, leading out to
a verandah. An extensive view over the fiord. In the distance,
wooded hillsides. A door in each of the side walls, the one on the
right a folding door, placed far back. In front on the right, a
sofa, with cushions and rugs. Beside the sofa, a small table, and
chairs. In front, on the left, a larger table, with arm-chairs
around it. On the table stands an open hand-bag. It is an early
summer morning, with warm sunshine.]

[Mrs. RITA ALLMERS stands beside the table, facing towards the
left, engaged in unpacking the bag. She is a handsome, rather tall,
well-developed blonde, about thirty years of age, dressed in a
light-coloured morning-gown.]

[Shortly after, Miss ASTA ALLMERS enters by the door on the right,
wearing a light brown summer dress, with hat, jacket, and parasol.
Under her arm she carries a locked portfolio of considerable size.
She is slim, of middle height, with dark hair, and deep, earnest
eyes. Twenty-five years old.]

ASTA. [As she enters.] Good-morning, my dear Rita.

RITA. [Turns her head, and nods to her.] What! is that you, Asta?
Come all the way from town so early?

ASTA. [Takes of her things, and lays them on a chair beside the
door.] Yes, such a restless feeling came over me. I felt I must
come out to-day, and see how little Eyolf was getting on--and you
too. [Lays the portfolio on the table beside the sofa.] So I took
the steamer, and here I am.

RITA. [Smiling to her.] And I daresay you met one or other of your
friends on board? Quite by chance, of course.

ASTA. [Quietly.] No, I did not meet a soul I knew. [Sees the bag.]
Why, Rita, what have you got there?

RITA. [Still unpacking.] Alfred's travelling-bag. Don't you
recognise it?

ASTA. [Joyfully, approaching her.] What! Has Alfred come home?

RITA. Yes, only think--he came quite unexpectedly by the late
train last night.

ASTA. Oh, then that was what my feeling meant! It was that that
drew me out here! And he hadn't written a line to let you know? Not
even a post-card?

RITA. Not a single word.

ASTA. Did he not even telegraph?

RITA. Yes, an hour before he arrived--quite curtly and coldly.
[Laughs.] Don't you think that was like him, Asta?

ASTA. Yes; he goes so quietly about everything.

RITA. But that made it all the more delightful to have him again.

ASTA. Yes, I am sure it would.

RITA. A whole fortnight before I expected him!

ASTA. And is he quite well? Not in low spirits?

RITA. [Closes the bag with a snap, and smiles at her.] He looked
quite transfigured as he stood in the doorway.

ASTA. And was he not the least bit tired either?

RITA. Oh, yes, he seemed to be tired enough--very tired, in fact.
But, poor fellow, he had come on foot the greater part of the way.

ASTA. And then perhaps the high mountain air may have been rather
too keen for him.

RITA. Oh, no; I don't think so at all. I haven't heard him cough

ASTA. Ah, there you see now! It was a good thing, after all, that
the doctor talked him into taking this tour.

RITA. Yes, now that it is safely over.--But I can tell you it has
been a terrible time for me, Asta. I have never cared to talk about
it--and you so seldom came out to see me, too--

ASTA. Yes, I daresay that wasn't very nice of me--but--

RITA. Well, well, well, of course you had your school to attend to
in town. [Smiling.] And then our road-maker friend--of course he
was away too.

ASTA. Oh, don't talk like that, Rita.

RITA. Very well, then; we will leave the road-maker out of the
question.--You can't think how I have been longing for Alfred! How
empty the place seemed! How desolate! Ugh, it felt as if there had
been a funeral in the house!

ASTA. Why, dear me, only six or seven weeks--

RITA. Yes; but you must remember that Alfred has never been away
from me before--never so much as twenty-four hours. Not once in all
these ten years.

ASTA. No; but that is just why I really think it was high time he
should have a little outing this year. He ought to have gone for a
tramp in the mountains every summer--he really ought.

RITA. [Half smiling.] Oh yes, it's all very well fair you to talk.
If I were as--as reasonable its you, I suppose I should have let
him go before--perhaps. But I positively could not, Asta! It seemed
to me I should never get him back again. Surely you can understand

ASTA. No. But I daresay that is because I have no one to lose.

RITA. [With a teasing smile.] Really? No one at all?

ASTA. Not that _I_ know of. [Changing the subject.] But tell me,
Rita, where is Alfred? Is he still asleep?

RITA. Oh, not at all. He got up as early as ever to-day.

ASTA. Then he can't have been so very tired after all.

RITA. Yes, he was last night--when he arrived. But now he has had
little Eyolf with him in his room for a whole hour and more.

ASTA. Poor little white-faced boy! Has he to be for ever at his
lessons again?

RITA. [With a slight shrug.] Alfred will have it so, you know.

ASTA. Yes; but I think you ought to put down your foot about it,

RITA. [Somewhat impatiently.] Oh no; come now, I really cannot
meddle with that. Alfred knows so much better about these things
than I do. And what would you have Eyolf do? He can't run about and
play, you see--like other children.

ASTA. [With decision.] I will talk to Alfred about this.

RITA. Yes, do; I wish you would.--Oh! here he is.

[ALFRED ALLMERS, dressed in light summer clothes, enters by the
door on the left, leading EYOLF by the hand. He is a slim,
lightly-built man of about thirty-six or thirty-seven, with gentle
eyes, and thin brown hair and beard. His expression is serious and
thoughtful. EYOLF wears a suit cut like a uniform, with gold braid
and gilt military buttons. He is lame, and walks with a crutch
under his left arm. His leg is shrunken. He is undersized, and
looks delicate, but has beautiful intelligent eyes.]

ALLMERS. [Drops EYOLF's hand, goes up to ASTA with an expression of
marked pleasure, and holds out both his hands to her.] Asta! My
dearest Asta! To think of your coming! To think of my seeing you
so soon!

ASTA. I felt I must--. Welcome home again!

ALLMERS. [Shaking her hands.] Thank you for coming.

RITA. Doesn't he look well?

ASTA. [Gazes fixedly at him.] Splendid! Quite splendid! His eyes
are so much brighter! And I suppose you have done a great deal of
writing on your travels? [With an outburst of joy.] I shouldn't
wonder if you had finished the whole book, Alfred?

ALLMERS. [Shrugging his shoulders.] The book? Oh, the book--

ASTA. Yes, I was sure you would find it go so easily when once you
got away.

ALLMERS. So I thought too. But, do you know, I didn't find it so at
all. The truth is, I have not written a line of the book.

ASTA. Not a line?

RITA. Oho! I wondered when I found all the paper lying untouched in
your bag.

ASTA. But, my dear Alfred, what have you been doing all this time?

ALLMERS. [Smiling.] Only thinking and thinking and thinking.

RITA. [Putting her arm round his neck.] And thinking a little, too,
of those you had left at home?

ALLMERS. Yes, you may be sure of that. I have thought a great deal
of you--every single day.

RITA. [Taking her arm away.] Ah, that is all I care about.

ASTA. But you haven't even touched the book! And yet you can look
so happy and contented! That is not what you generally do--I mean
when your work is going badly.

ALLMERS. You are right there. You see, I have been such a fool
hitherto. All the best that is in you goes into thinking. What you
put on paper is worth very little.

ASTA. [Exclaiming.] Worth very little!

RITA. [Laughing.] What an absurd thing to say, Alfred.

EYOLF. [Looks confidingly up at him.] Oh yes, Papa, what you write
is worth a great deal!

ALLMERS. [Smiling and stroking his hair.] Well, well, since you say
so.--But I can tell you, some one is coming after me who will do it

EYOLF. Who can that be? Oh, tell me!

ALLMERS. Only wait--you may be sure he will come, and let us hear
of him.

EYOLF. And what will you do then?

ALLMERS. [Seriously.] Then I will go to the mountains again--

RITA. Fie, Alfred! For shame!

ALLMERS. --up to the peaks and the great waste places.

EYOLF. Papa, don't you think I shall soon be well enough for you to
take me with you?

ALLMERS. [With painful emotion.] Oh, yes, perhaps, my little boy.

EYOLF. It would be so splendid, you know, if I could climb the
mountains, like you.

ASTA. [Changing the subject.] Why, how beautifully you are dressed
to-day, Eyolf!

EYOLF. Yes, don't you think so, Auntie?

ASTA. Yes, indeed. Is it in honour of Papa that you have got your
new clothes on?

EYOLF. Yes, I asked Mama to let me. I wanted so to let Papa see me
in them.

ALLMERS. [In a low voice, to RITA.] You shouldn't have given him
clothes like that.

RITA. [In a low voice.] Oh, he has teased me so long about them--he
had set his heart on them. He gave me no peace.

EYOLF. And I forgot to tell you, Papa--Borgheim has bought me a new
bow. And he has taught me how to shoot with it too.

ALLMERS. Ah, there now--that's just the sort of thing for you,

EYOLF. And next time he comes, I shall ask him to teach me to swim,

ALLMERS. To swim! Oh, what makes you want to learn swimming?

EYOLF. Well, you know, all the boys down at the beach can swim. I
am the only one that can't.

ALLMERS. [With emotion, taking him in his arms.] You shall learn
whatever you like--everything you really want to.

EYOLF. Then do you know what I want most of all, Papa?

ALLMERS. No; tell me.

EYOLF. I want most of all to be a soldier.

ALLMERS. Oh, little Eyolf, there are many, many other things that
are better than that.

EYOLF. Ah, but when I grow big, then I shall have to be a soldier.
You know that, don't you?

ALLMERS. [Clenching his hands together.] Well, well, well: we shall

ASTA. [Seating herself at the table on the left.] Eyolf! Come here
to me, and I will tell you something.

EYOLF. [Goes up to her.] What is it, Auntie?

ASTA. What do you think, Eyolf--I have seen the Rat-Wife.

EYOLF. What! Seen the Rat-Wife! Oh, you're only making a fool of

ASTA. No; it's quite true. I saw her yesterday.

EYOLF. Where did you see her?

ASTA. I saw her on the road, outside the town.

ALLMERS. I saw her, too, somewhere up in the country.

RITA. [Who is sitting on the sofa.] Perhaps it will be out turn to
see her next, Eyolf.

EYOLF. Auntie, isn't it strange that she should be called the

ASTA. Oh, people just give her that name because she wanders round
the country driving away all the rats.

ALLMERS. I have heard that her real name is Varg.

EYOLF. Varg! That means a wolf, doesn't it?

ALLMERS. [Patting him on the head.] So you know that, do you?

EYOLF. [Cautiously.] Then perhaps it may be true, after all, that
she is a were-wolf at night. Do you believe that, Papa?

ALLMERS. Oh, no; I don't believe it. Now you ought to go and play a
little in the garden.

EYOLF. Should I not take some books with me?

ALLMERS. No, no books after this. You had better go down to the
beach to the other boys.

EYOLF. [Shyly.] No, Papa, I won't go down to the boys to-day.

ALLMERS. Why not?

EYOLF. Oh, because I have these clothes on.

ALLMERS. [Knitting his brows.] Do you mean that they make fun of--
of your pretty clothes?

EYOLF. [Evasively.] No, they daren't--for then I would thrash them.

ALLMERS. Aha!--then why--?

EYOLF. You see, they are so naughty, these boys. And then they say
I can never be a soldier.

ALLMERS. [With suppressed indignation.] Why do they say that, do
you think?

EYOLF. I suppose they are jealous of me. For you know, Papa, they
are so poor, they have to go about barefoot.

ALLMERS. [Softly, with choking voice.] Oh, Rita--how it wrings my

RITA. [Soothingly, rising.] There, there, there!

ALLMERS. [Threateningly.] But these rascals shall soon find out who
is the master down at the beach!

ASTA. [Listening.] There is some one knocking.

EYOLF. Oh, I'm sure it's Borgheim!

RITA. Come in.

[The RAT-WIFE comes softly and noiselessly in by the door on the
right. She is a thin little shrunken figure, old and grey-haired,
with keen, piercing eyes, dressed in an old-fashioned flowered
gown, with a black hood and cloak. She has in her hand a large red
umbrella, and carries a black bag by a loop over her arm.]

EYOLF. [Softly, taking hold of ASTA's dress.] Auntie! That must
surely be her!

THE RAT-WIFE. [Curtseying at the door.] I humbly beg pardon--but
are your worships troubled with any gnawing things in the house?

ALLMERS. Here? No, I don't think so.

THE RAT-WIFE. For it would be such a pleasure to me to rid your
worships' house of them.

RITA. Yes, yes; we understand. But we have nothing of the sort

THE RAT-WIFE. That's very unlucky, that is; for I just happened to
be on my rounds now, and goodness knows when I may be in these
parts again.--Oh, how tired I am!

ALLMERS. [Pointing to a chair.] Yes, you look tired.

THE RAT-WIFE. I know one ought never to get tired of doing good to
the poor little things that are hated and persecuted so cruelly.
But it takes your strength out of you, it does.

RITA. Won't you sit down and rest a little?

THE RAT-WIFE. I thank your ladyship with all my heart. [Seats
herself on a chair between the door and the sofa.] I have been out
all night at my work.

ALLMERS. Have you indeed?

THE RAT-WIFE. Yes, over on the islands. [With a chuckling laugh.]
The people sent for me, I can assure you. They didn't like it a
bit; but there was nothing else to be done. They had to put a good
face on it, and bite the sour apple. [Looks at EYOLF, and nods.]
The sour apple, little master, the sour apple.

EYOLF. [Involuntarily, a little timidly.] Why did they have to--?


EYOLF. To bite it?

THE RAT-WIFE. Why, because they couldn't keep body and soul
together on account of the rats and all the little rat-children,
you see, young master.

RITA. Ugh! Poor people! Have they so many of them?

THE RAT-WIFE. Yes, it was all alive and swarming with them. [Laughs
with quiet glee.] They came creepy-crawly up into the beds all
night long. They plumped into the milk-cans, and they went
pittering and pattering all over the floor, backwards and forwards,
and up and down.

EYOLF. [Softly, to ASTA.] I shall never go there, Auntie.

THE RAT-WIFE. But then I came--I, and another along with me. And we
took them with us, every one--the sweet little creatures! We made
an end of every one of them.

EYOLF. [With a shriek.] Papa--look! look!

RITA. Good Heavens, Eyolf!

ALLMERS. What's the matter?

EYOLF. [Pointing.] There's something wriggling in the bag!

RITA. [At the extreme left, shrieks.] Ugh! Send her away, Alfred.

THE RAT-WIFE. [Laughing.] Oh, dearest lady, you needn't be
frightened of such a little mannikin.

ALLMERS. But what is the thing?

THE RAT-WIFE. Why, it's only little Mopseman. [Loosening the string
of the bag.] Come up out of the dark, my own little darling friend.

[A little dog with a broad black snout pokes its head out of the

THE RAT-WIFE. [Nodding and beckoning to EYOLF.] Come along, don't
be afraid, my little wounded warrior! He won't bite. Come here!
Come here!

EYOLF. [Clinging to ASTA.] No, I dare not.

THE RAT-WIFE. Don't you think he has a gentle, lovable countenance,
my young master?

EYOLF. [Astonished, pointing.] That thing there?

THE RAT-WIFE. Yes, this thing here.

EYOLF. [Almost under his breath, staring fixedly at the dog.] I
think he has the horriblest--countenance I ever saw.

THE RAT-WIFE. [Closing the bag.] Oh, it will come--it will come,
right enough.

EYOLF. [Involuntarily drawing nearer, at last goes right up to her,
and strokes the bag.] But he is lovely--lovely all the same.

THE RAT-WIFE. [In a tone of caution.] But now he is so tired and
weary, poor thing. He's utterly tired out, he is. [Looks at
ALLMERS.] For it takes the strength out of you, that sort of game,
I can tell you, sir.

ALLMERS. What sort of game do you mean?

THE RAT-WIFE. The luring game.

ALLMERS. Do you mean that it is the dog that lures the rats?

THE RAT-WIFE. [Nodding.] Mopseman and I--we two do it together.
And it goes so smoothly--for all you can see, at any rate. I just
slip a string through his collar, and then I lead him three times
round the house, and play on my Pan's-pipes. When they hear that,
they have got to come up from the cellars, and down from the
garrets, and out of flour boles, all the blessed little creatures.

EYOLF. And does he bite them to death then?

THE RAT-WIFE. Oh, not at all! No, we go down to the boat, he and I
do--and then they follow after us, both the big ones and the little

EYOLF. [Eagerly.] And what then--tell me!

THE RAT-WIFE. Then we push out from the land, and I scull with one
oar, and play on my Pan's-pipes. And Mopseman, he swims behind.
[With glittering eyes.] And all the creepers and crawlers, they
follow and follow us out into the deep, deep waters. Ay, for they
have to.

EYOLF. Why do they have to?

THE RAT-WIFE. Just because they want not to--just because they are
so deadly afraid of the water. That is why they have got to plunge
into it.

EYOLF. Are they drowned, then?

THE RAT-WIFE. Every blessed one. [More softly.] And there it is all
as still, and soft, and dark as their hearts can desire, the lovely
little things. Down there they sleep a long, sweet sleep, with no
one to hate them or persecute them any more. [Rises.] In the old
days, I can tell you, I didn't need any Mopseman. Then I did the
luring myself--I alone.

EYOLF. And what did you lure then?

THE RAT-WIFE. Men. One most of all.

EYOLF. [With eagerness.] Oh, who was that one? Tell me!

THE RAT-WIFE. [Laughing.] It was my own sweetheart, it was, little

EYOLF. And where is he now, then?

THE RAT-WIFE. [Harshly.] Down where all the rats are. [Resuming her
milder tone.] But now I must be off and get to business again.
Always on the move. [To RITA.] So your ladyship has no sort of use
for me to-day? I could finish it all off while I am about it.

RITA. No, thank you; I don't think we require anything.

THE RAT-WIFE. Well, well, your sweet ladyship, you can never tell.
If your ladyship should find that there is anything lure that keeps
nibbling and gnawing, and creeping and crawling, then just see and
get hold of me and Mopseman.--Good-bye, good-bye, a kind good-bye
to you all. [She goes out by the door on the right.]

EYOLF. [Softly and triumphantly, to ASTA.] Only think, Auntie, now
I have seen the Rat-Wife too!

[RITA goes out upon the verandah, and fans herself with her
pocket-handkerchief. Shortly afterwards, EYOLF slips cautiously and
unnoticed out to the right.]

ALLMERS. [Takes up the portfolio from the table by the sofa.] Is
this your portfolio, Asta?

ASTA. Yes. I have some of the old letters in it.

ALLMERS. Ah, the family letters--

ASTA. You know you asked me to arrange them for you while you were

ALLMERS. [Pats her on the head.] And you have actually found time
to do that, dear?

ASTA. Oh, yes. I have done it partly out here and partly at my own
rooms in town.

ALLMERS. Thanks, dear. Did you find anything particular in them?

ASTA. [Lightly.] Oh, you know you always find something or other in
such old papers. [Speaking lower and seriously.] It is the letters
to mother that are in this portfolio.

ALLMERS. Those, of course, you must keep yourself.

ASTA. [With an effort.] No; I am determined that you shall look
through them, too, Alfred. Some time--later on in life. I haven't
the key of the portfolio with me just now.

ALLMERS. It doesn't matter, my dear Asta, for I shall never read
your mother's letters in any case.

ASTA. [Fixing her eyes on him.] Then some time or other--some quiet
evening--I will tell you a little of what is in them.

ALLMERS. Yes, that will be much better. But do you keep your
mother's letters--you haven't so many mementos of her.

[He hands ASTA the portfolio. She takes it, and lays it on the
chair under her outdoor things. RITA comes into the room again.]

RITA. Ugh! I feel as if that horrible old woman had brought a sort
of graveyard smell with her.

ALLMERS. Yes, she was rather horrible.

RITA. I felt almost sick while she was in the room.

ALLMERS. However, I can very well understand the sort of spellbound
fascination that she talked about. The loneliness of the
mountain-peaks and of the great waste places has something of the
same magic about it.

ASTA. [Looks attentively at him.] What is it that has happened to
you, Alfred?

ALLMERS. [Smiling.] To me?

ASTA. Yes, something has happened--something seems almost to have
transformed you. Rita noticed it too.

RITA. Yes, I saw it the moment you came. A change for the better, I
hope, Alfred?

ALLMERS. It ought to be for the better. And it must and shall come
to good.

RITA. [With an outburst.] You have had some adventure on your
journey! Don't deny it! I can see it in your face!

ALLMERS. [Shaking his head.] No adventure in the world--outwardly
at least. But--

RITA. [Eagerly.] But--?

ALLMERS. It is true that within me there has been something of a

RITA. Oh Heavens--!

ALLMERS. [Soothingly, patting her hand.] Only for the better, my
dear Rita. You may be perfectly certain of that.

RITA. [Seats herself on the sofa.] You must tell us all about it,
at once--tell us everything!

ALLMERS. [Turning to ASTA.] Yes, let us sit down, too, Asta. Then I
will try to tell you as well as I can.

[He seats himself on the sofa at RITA's side. ASTA moves a chair
forward, and places herself near him.]

RITA. [Looking at him expectantly.] Well--?

ALLMERS. [Gazing straight before him.] When I look back over my
life--and my fortunes--for the last ten or eleven years, it seems
to me almost like a fairy-tale or a dream. Don't you think so too,

ASTA. Yes, in many ways I think so.

ALLMERS. [Continuing.] When I remember what we two used to be,
Asta--we two poor orphan children--

RITA. [Impatiently.] Oh, that is such an old, old story.

ALLMERS. [Not listening to her.] And now here I am in comfort and
luxury. I have been able to follow my vocation. I have been able to
work and study--just as I had always longed to. [Holds out his
hand.] And all this great--this fabulous good fortune we owe to
you, my dearest Rita.

RITA. [Half playfully, half angrily, slaps his hand.] Oh, I do wish
you would stop talking like that.

ALLMERS. I speak of it only as a sort of introduction.

RITA. Then do skip the introduction!

ALLMERS. Rita,--you must not think it was the doctor's advice that
drove me up to the mountains.

ASTA. Was it not, Alfred?

RITA. What was it, then?

ALLMERS. It was this: I found there was no more peace for me, there
in my study.

RITA. No peace! Why, who disturbed you?

ALLMERS. [Shaking his head.] No one from without. But I felt as
though I were positively abusing--or, say rather, wasting--my best
powers--frittering away the time.

ASTA. [With wide eyes.] When you were writing at your book?

ALLMERS. [Nodding.] For I cannot think that my powers are confined
to that alone. I must surely have it in me to do one or two other
things as well.

RITA. Was that what you sat there brooding over?

ALLMERS. Yes, mainly that.

RITA. And so that is what has made you so discontented with
yourself of late; and with the rest of us as well. For you know you
were discontented, Alfred.

ALLMERS. [Gazing straight before him.] There I sat bent over my
table, day after day, and often half the night too--writing and
writing at the great thick book on "Human Responsibility." H'm!

ASTA. [Laying her hand upon his arm.] But, Alfred--that book is to
be your life-work.

RITA. Yes, you have said so often enough.

ALLMERS. I thought so. Ever since I grew up, I have thought so.
[With an affectionate expression in his eyes.] And it was you that
enabled me to devote myself to it, my dear Rita--

RITA. Oh, nonsense!

ALLMERS. [Smiling to her.]--you, with your gold, and your green

RITA. [Half laughing, half vexed.] If you begin all that rubbish
again, I shall beat you.

ASTA. [Looking sorrowfully at him.] But the book, Alfred?

ALLMERS. It began, as it were, to drift away from me. But I was
more and more beset by the thought of the higher duties that laid
their claims upon me.

RITA. [Beaming, seizes his hand.] Alfred!

ALLMERS. The thought of Eyolf, my dear Rita.

RITA. [Disappointed, drops his hand.] Ah--of Eyolf!

ALLMERS. Poor little Eyolf has taken deeper and deeper hold of me.
After that unlucky fall from the table--and especially since we
have been assured that the injury is incurable--

RITA. [Insistently.] But you take all the care you possibly can of
him, Alfred!

ALLMERS. As a schoolmaster, yes; but not as a father. And it is a
father that I want henceforth to be to Eyolf.

RITA. [Looking at him and shaking her head.] I don't think I quite
understand you.

ALLMERS. I mean that I will try with all my might to make his
misfortune as painless and easy to him as it can possibly be.

RITA. Oh, but, dear--thank Heaven, I don't think he feels it so

ASTA. [With emotion.] Yes, Rita, he does.

ALLMERS. Yes, you may be sure he feels it deeply.

RITA. [Impatiently.] But, Alfred, what more can you do for him?

ALLMERS. I will try to perfect all the rich possibilities that are
dawning in his childish soul. I will foster all the germs of good
in his nature--make them blossom and bear fruit. [With more and
more warmth, rising.] And I will do more than that! I will help him
to bring his desires into harmony with what lies attainable before
him. That is just what at present they are not. All his longings
are for things that must for ever remain unattainable to him. But
I will create a conscious happiness in his mind. [He goes once or
twice up and down the room. ASTA and RITA follow him with their

RITA. You should take these things more quietly, Alfred!

ALLMERS. [Stops beside the table on the left, and looks at them.]
Eyolf shall carry on my life-work--if he wants to. Or he shall
choose one that is altogether his own. Perhaps that would be best.
At all events, I shall let mine rest as it is.

RITA. [Rising.] But, Alfred dear, can you not work both for
yourself and for Eyolf?

ALLMERS. No, I cannot. It is impossible! I cannot divide myself in
this matter--and therefore I efface myself. Eyolf shall be the
complete man of our race. And it shall be my new life-work to make
him the complete man.

ASTA. [Has risen and now goes up to him.] This must have cost you a
terribly hard struggle, Alfred?

ALLMERS. Yes, it has. At home here, I should never have conquered
myself, never brought myself to the point of renunciation. Never at

RITA. Then that was why you went away this summer?

ALLMERS. [With shining eyes.] Yes! I went up into the infinite
solitudes. I saw the sunrise gleaming on the mountain peaks. I felt
myself nearer the stars--I seemed almost to be in sympathy and
communion with them. And then I found the strength for it.

ASTA. [Looking sadly at him.] But you will never write any more
of your book on "Human Responsibility"?

ALLMERS. No, never, Asta. I tell you I cannot split up my life
between two vocations. But I will act out my "human responsibility"--
in my own life.

RITA. [With a smile.] Do you think you can live up to such high
resolves at home here?

ALLMERS. [Taking her hand.] With you to help me, I can. [Holds out
the other hand.] And with you too, Asta.

RITA. [Drawing her hand away.] Ah--with both of us! So, after all,
you can divide yourself.

ALLMERS. Why, my dearest Rita--!

[RITA moves away from him and stands in the garden doorway. A light
and rapid knock is heard at the door on the right. Engineer
BORGHEIM enters quickly. He is a young man of a little over thirty.
His expression is bright and cheerful, and he holds himself erect.]

BORGHEIM. Good morning, Mrs. Allmers. [Stops with an expression of
pleasure on seeing ALLMERS.] Why, what's this? Home again already,
Mr. Allmers?

ALLMERS. [Shaking hands with him.] Yes, I arrived list night.

RITA. [Gaily.] His leave was up, Mr. Borgheim.

ALLMERS. No, you know it wasn't, Rita--

RITA. [Approaching.] Oh yes, but it was, though. His furlough had
run out.

BORGHEIM. I see you hold your husband well in hand, Mrs. Allmers.

RITA. I hold to my rights. And besides, everything must have an

BORGHEIM. Oh, not everything--I hope. Good morning, Miss Allmers!

ASTA. [Holding aloof from him.] Good morning.

RITA. [Looking at BORGHEIM.] Not everything, you say?

BORGHEIM. Oh, I am firmly convinced that there are some things in
the world that will never come to an end.

RITA. I suppose you are thinking of love--and that sort of thing.

BORGHEIM. [Warmly.] I am thinking of all that is lovely!

RITA. And that never comes to an end. Yes, let us think of that,
hope for that, all of us.

ALLMERS. [Coming up to them.] I suppose you will soon have finished
your road-work out here?

BORGHEIM. I have finished it already--finished it yesterday. It has
been a long business, but, thank Heaven, that has come to an end.

RITA. And you are beaming with joy over that?

BORGHEIM. Yes, I am indeed!

RITA. Well, I must say--

BORGHEIM. What, Mrs. Allmers?

RITA. I don't think it is particularly nice of you, Mr. Borgheim.

BORGHEIM. Indeed! Why not?

RITA. Well, I suppose we sha'n't often see you in these parts after

BORGHEIM. No, that is true. I hadn't thought of that.

RITA. Oh well, I suppose you will be able to look in upon us now
and then all the same.

BORGHEIM. No, unfortunately that will be out of my power for a very
long time.

ALLMERS. Indeed! How so?

BORGHEIM. The fact is, I have got a big piece of new work that I
must set about at once.

ALLMERS. Have you indeed?--[Pressing his hand.]--I am heartily glad
to hear it.

RITA. I congratulate you, Mr. Borgheim!

BORGHEIM. Hush, hush--I really ought not to talk openly of it as
yet! But I can't help coming out with it! It is a great piece of
road-making--up in the north--with mountain ranges to cross, and
the most tremendous difficulties to overcome!--[With an outburst of
gladness.]--Oh, what a glorious world this is--and what a joy it is
to be a road-maker in it!

RITA. [Smiling, and looking teasingly at him.] Is it road-making
business that has brought you out here to-day in such wild spirits?

BORGHEIM. No, not that alone. I am thinking of all the bright and
hopeful prospects that are opening out before me.

RITA. Aha, then perhaps you have something still more exquisite in

BORGHEIM. [Glancing towards ASTA.] Who knows! When once happiness
comes to us, it is apt to come like it spring flood. [Turns to
ASTA.] Miss Allmers, would you not like to take a little walk with
me? As we used to?

ASTA. [Quickly.] No--no, thank you. Not now. Not to-day.

BORGHEIM. Oh, do come! Only a little bit of a walk! I have so much
I want to talk to you about before I go.

RITA. Something else, perhaps, that you must not talk openly about
as yet?

BORGHEIM. H'm, that depends--

RITA. But there is nothing to prevent your whispering, you know.
[Half aside.] Asta, you must really go with him.

ASTA. But, my dear Rita--

BORGHEIM. [Imploringly.] Miss Asta--remember it is to be a farewell
walk--the last for many a day.

ASTA. [Takes her hat and parasol.] Very well, suppose we take a
stroll in the garden, then.

BORGHEIM. Oh, thank you, thank you!

ALLMERS. And while you are there you can see what Eyolf is doing.

BORGHEIM. Ah, Eyolf, by the bye! Where is Eyolf to-day? I've got
something for him.

ALLMERS. He is out playing somewhere.

BORGHEIM. Is he really! Then he has begun to play now? He used
always to be sitting indoors over his books.

ALLMERS. There is to be an end of that now. I am going to make a
regular open-air boy of him.

BORGHEIM. Ah, now, that's right! Out into the open air with him,
poor little fellow! Good Lord, what can we possibly do better than
play in this blessed world? For my part, I think all life is one
long playtime!--Come, Miss Asta!

[BORGHEIM and ASTA go out on the verandah and down through the

ALLMERS. [Stands looking after them.] Rita--do you think there is
anything between those two?

RITA. I don't know what to say. I used to think there was. But Asta
has grown so strange to me--so utterly incomprehensible of late.

ALLMERS. Indeed! Has she? While I have been away?

RITA. Yes, within the last week or two.

ALLMERS. And you think she doesn't care very much about him now?

RITA. Not, seriously; not utterly and entirely; not unreservedly--I
am sure she doesn't. [Looks searchingly at him.] Would it displease
you if she did?

ALLMERS. It would not exactly displease me. But it would certainly
be a disquieting thought--

RITA. Disquieting?

ALLMERS. Yes; you must remember that I am responsible for Asta--for
her life's happiness.

RITA. Oh, come--responsible! Surely Asta has come to years of
discretion? I should say she was capable of choosing for herself.

ALLMERS. Yes, we must hope so, Rita.

RITA. For my part, I don't think at all ill of Borgheim.

ALLMERS. No, dear--no more do I--quite the contrary. But all the

RITA. [Continuing.] And I should be very glad indeed if he and Asta
were to make a match of it.

ALLMERS. [Annoyed.] Oh, why should you be?

RITA. [With increasing excitement.] Why, for then she would have to
go far, far away with him! Anal she could never come out here to
us, as she does now.

ALLMERS. [Stares at her in astonishment.] What! Can you really wish
Asta to go away?

RITA. Yes, yes, Alfred!

ALLMERS. Why in all the world--?

RITA. [Throwing her arms passionately round his neck.] For then, at
last, I should have you to myself alone! And yet--not even then!
Not wholly to myself! [Bursts into convulsive weeping.] Oh, Alfred,
Alfred--I cannot give you up!

ALLMERS. [Gently releasing himself.] My dearest Rita, do be

RITA. I don't care a bit about being reasonable! I care only for
you! Only for you in all the world! [Again throwing her arms
round his neck.] For you, for you, for you!

ALLMERS. Let me go, let me go--you are strangling me!

RITA. [Letting him go.] How I wish I could! [Looking at him with
flashing eyes.] Oh, if you knew how I have hated you--!

ALLMERS. Hated me--!

RITA. Yes--when you shut yourself up in your room and brooded
over your work--till long, long into the night. [Plaintively.]
So long, so late, Alfred. Oh, how I hated your work!

ALLMERS. But now I have done with that.

RITA. [With a cutting laugh.] Oh yes! Now you have given yourself
up to something worse.

ALLMERS. [Shocked.] Worse! Do you call our child something worse?

RITA. [Vehemently.] Yes, I do. As he comes between you and me, I
call him so. For the book--the book was not a living being, as the
child is. [With increasing impetuosity.] But I won't endure it,
Alfred! I will not endure it--I tell you so plainly!

ALLMERS. [Looks steadily at her, and says in a low voice.] I am
often almost afraid of you, Rita.

RITA. [Gloomily.] I am often afraid of myself. And for that very
reason you must not awake the evil in me.

ALLMERS. Why, good Heavens, do I do that?

RITA. Yes, you do--when you tear to shreds the holiest bonds
between us.

ALLMERS. [Urgently.] Think what you're saying, Rita. It is your own
child--our only child, that you are speaking of.

RITA. The child is only half mine. [With another outburst.] But you
shall be mine alone! You shall be wholly mine! That I have a right
to demand of you!

ALLMERS. [Shrugging his shoulders.] Oh, my dear Rita, it is of no
use demanding anything. Everything must be freely given.

RITA. [Looks anxiously at him.] And that you cannot do henceforth?

ALLMERS. No, I cannot. I must divide myself between Eyolf and you.

RITA. But if Eyolf had never been born? What then?

ALLMERS. [Evasively.] Oh, that would be another matter. Then I
should have only you to care for.

RITA. [Softly, her voice quivering.] Then I wish he had never been

ALLMERS. [Flashing out.] Rita! You don't know what you are saying!

RITA. [Trembling with emotion.] It was in pain unspeakable that I
brought him into the world. But I bore it all with joy and rapture
for your sake.

ALLMERS. [Warmly.] Oh yes, I know, I know.

RITA. [With decision.] But there it must end. I will live my life--
together with you--wholly with you. I cannot go on being only
Eyolf's mother--only his mother and nothing more. I will not, I
tell you! I cannot! I will be all in all to you! To you, Alfred!

ALLMERS. But that is just what you are, Rita. Through our child--

RITA. Oh--vapid, nauseous phrases--nothing else! No, Alfred, I am
not to be put off like that. I was fitted to become the child's
mother, but not to be a mother to him. You must take me as I am,

ALLMERS. And yet you used to be so fond of Eyolf.

RITA. I was so sorry for him--because you troubled yourself so
little about him. You kept him reading and grinding at books. You
scarcely even saw him.

ALLMERS. [Nodding slowly.] No; I was blind. The time had not yet
come for me--

RITA. [Looking in his face.] But now, I suppose, it has come?

ALLMERS. Yes, at, last. Now I see that the highest task I can have
in the world is to be a true father to Eyolf.

RITA. And to me?--what will you be to me?

ALLMERS. [Gently.] I will always go on caring for you--with calm,
deep tenderness. [ He tries to take her hands.]

RITA. [Evading him.] I don't care a bit for your calm, deep
tenderness. I want you utterly and entirely--and alone! Just as I
had you in the first rich, beautiful days. [Vehemently and
harshly.] Never, never will I consent to be put off with scraps and
leavings, Alfred!

ALLMERS. [In a conciliatory tone.] I should have thought there was
happiness in plenty for all three of us, Rita.

RITA. [Scornfully.] Then you are easy to please. [Seats herself at
the table on the left.] Now listen to me.

ALLMERS. [Approaching.] Well, what is it?

RITA. [Looking up at him with a veiled glow in her eyes.] When I
got your telegram yesterday evening--

ALLMERS. Yes? What then?

RITA. --then I dressed myself in white--

ALLMERS. Yes, I noticed you were in white when I arrived.

RITA. I had let down my hair--

ALLMERS. Your sweet masses of hair--

RITA. --so that it flowed down my neck and shoulders--

ALLMERS. I saw it, I saw it. Oh, how lovely you were, Rita!

RITA. There were rose-tinted shades over both the lamps. And we
were alone, we two--the only waking beings in the whole house. And
there was champagne on the table.

ALLMERS. I did not drink any of it.

RITA. [Looking bitterly at him.] No, that is true. [Laughs
harshly.] "There stood the champagne, but you tasted it not"--as
the poet says.

[She rises from the armchair, goes with an air of weariness over to
the sofa, and seats herself, half reclining, upon it.]

ALLMERS. [Crosses the room and stands before her.] I was so taken
up with serious thoughts. I had made up my mind to talk to you of
our future, Rita--and first and foremost of Eyolf.

RITA. [Smiling.] And so you did--

ALLMERS. No, I had not time to--for you began to undress.

RITA. Yes, and meanwhile you talked about Eyolf. Don't you
remember? You wanted to know all about little Eyolf's digestion.

ALLMERS. [Looking reproachfully at her.] Rita!--

RITA. And then you got into your bed, and slept the sleep of the

ALLMERS. [Shaking his head.] Rita--Rita!

RITA. [Lying at full length and looking up at him.] Alfred?


RITA. "There stood your champagne, but you tasted it not."

ALLMERS. [Almost harshly.] No. I did not taste it.

[He goes away from her and stands in the garden doorway. RITA lies
for some time motionless, with closed eyes.]

RITA. [Suddenly springing up.] But let me tell you one thing,

ALLMERS. [Turning in the doorway.] Well?

RITA. You ought not to feel quite so secure as you do!

ALLMERS. Not secure?

RITA. No, you ought not to be so indifferent! Not certain of your
property in me!

ALLMERS. [Drawing nearer.] What do you mean by that?

RITA. [With trembling lips.] Never in a single thought have I been
untrue to you, Alfred! Never for an instant.

ALLMERS. No, Rita, I know that--I, who know you so well.

RITA. [With sparkling eyes.] But if you disdain me--!

ALLMERS. Disdain! I don't understand what you mean!

RITA. Oh, you don't know all that might rise up within me, if--


RITA. If I should ever see that you did not care for me--that you
did not love me as you used to.

ALLMERS. But, my dearest Rita--years bring a certain change with
them--and that must one day occur even in us--as in every one else.

RITA. Never in me! And I will not hear of any change in you either--
I could not bear it, Alfred. I want to keep you to myself alone.

ALLMERS. [Looking at her with concern.] You have a terribly jealous

RITA. I can't make myself different from what I am. [Threateningly.]
If you go and divide yourself between me and any one else--

ALLMERS. What then--?

RITA. Then I will take my revenge on you, Alfred!

ALLMERS. How "take your revenge"?

RITA. I don't know how.--Oh yes, I do know, well enough!


RITA. I will go and throw myself away--

ALLMERS. Throw yourself away, do you say?

RITA. Yes, that I will. I'll throw myself straight into the arms of
of the first man that comes in my way--

ALLMERS. [Looking tenderly at her and shaking his head.] That you
will never do--my loyal, proud, true-hearted Rita!

RITA. [Putting her arms round his neck.] Oh, you don't know what
I might come to be if you--if you did not love me any more.

ALLMERS. Did not love you, Rita? How can you say such a thing!

RITA. [Half laughing, lets him go.] Why should I not spread my
nets for that--that road-maker man that hangs about here?

ALLMERS. [Relieved.] Oh, thank goodness--you are only joking.

RITA. Not at all. He would do as well as any one else.

ALLMERS. Ah, but I suspect he is more or less taken up already.

RITA. So much the better! For then I should take him away from
some one else; and that is just what Eyolf has done to me.

ALLMERS. Can you say that our little Eyolf has done that?

RITA. [Pointing with her forefinger.] There, you see! You see! The
moment you mention Eyolf's name, you grow tender and your voice
quivers! [Threateningly, clenching her hands.] Oh, you almost tempt
we to wish--

ALLMERS. [Looking at her anxiously.] What do I tempt you to wish,

RITA. [Vehemently, going away from him.] No, no, no--I won't tell
you that! Never!

ALLMERS. [Drawing nearer to her.] Rita! I implore you--for my sake
and for your own--do not let yourself he tempted into evil.

[BORGHEIM and ASTA come up from the garden. They both show signs of
restrained emotion. They look serious and dejected. ASTA remains
out on the verandah. BORGHEIM comes into the room.]

BORGHEIM. So that is over--Miss Allmers and I have had our last
walk together.

RITA. [Looks at him with surprise.] Ah! And there is no longer
journey to follow the walk?

BORGHEIM. Yes, for me.

RITA. For you alone?

BORGHEIM. Yes, for me alone.

RITA. [Glances darkly at ALLMERS.] Do you hear that? [Turns to
BORGHEIM.] I'll wager it is some one with the evil eye that has
played you this trick.

BORGHEIM. [Looks at her.] The evil eye?

RITA. [Nodding.] Yes, the evil eye.

BORGHEIM. Do you believe in the evil eye, Mrs. Allmers?

RITA. Yes. I have begun to believe in the evil eye. Especially in a
child's evil eye.

ALLMERS. [Shocked, whispers.] Rita--how can you--?

RITA. [Speaking low.] It is you that make me so wicked and hateful,

[Confused cries and shrieks are heard in the distance, from the
direction of the fiord.]

BORGHEIM. [Going to the glass door.] What noise is that?

ASTA. [In the doorway.] Look at all those people running down to
the pier!

ALLMERS. What can it be? [Looks out for a moment.] No doubt it's
those street urchins at some mischief again.

BORGHEIM. [Calls, leaning over the verandah railings.] I say, you
boys down there! What's the matter?

[Several voices are heard answering indistinctly and confusedly.]

RITA. What do they say?

BORGHEIM. They say it's a child that's drowned.

ALLMERS. A child drowned?

ASTA. [Uneasily.] A little boy, they say.

ALLMERS. Oh, they can all swim, every one of them.

RITA. [Shrieks in terror.] Where is Eyolf?

ALLMERS. Keep quiet--quiet. Eyolf is down in the garden, playing.

ASTA. No, he wasn't in the garden.

RITA. [With upstretched arms.] Oh, if only it isn't he!

BORGHEIM. [Listens, and calls down.] Whose child is it, do you say?

[Indistinct voices are heard. BORGHEIM and ASTA utter a suppressed
cry, and rush out through the garden.]

ALLMERS. [In an agony of dread.] It isn't Eyolf! It isn't Eyolf,

RITA. [On the verandah, listening.] Hush! Be quiet! Let me hear
what they are saying!

[RITA rushes back with a piercing shriek, into the room.]

ALLMERS. [Following her.] What did they say?

RITA. [Sinking down beside the armchair on the left.] They said:
"The crutch is floating!"

ALLMERS. [Almost paralysed.] No! No! No!

RITA. [Hoarsely.] Eyolf! Eyolf! Oh, but they must save him!

ALLMERS. [Half distracted.] They must, they must! So precious a

[He rushes down through the garden.]


[A little narrow glen by the side of the fiord, on ALLMERS'S
property. On the left, lofty old trees overarch the spot. Down the
slope in the background a brook comes leaping, and loses itself
among the stones on the margin of the wood. A path winds along by
the brook-side. To the right there are only a few single trees,
between which the fiord is visible. In front is seen the corner of
a boat-shed with a boat drawn up. Under the old trees on the left
stands a table with a bench and one or two chairs, all made of thin
birch-staves. It is a heavy, damp day, with driving mist wreaths.]

[ALFRED ALLMERS, dressed as before, sits on the bench, leaning his
arms on the table. His hat lies before him. He gazes absently and
immovably out over the water.]

[Presently ASTA ALLMERS comes down the woodpath. She is carrying an
open umbrella.]

ASTA. [Goes quietly and cautiously up to him.] You ought not to sit
down here in this gloomy weather, Alfred.

ALLMERS. [Nods slowly without answering.]

ASTA. [Closing her umbrella.] I have been searching for you such a
long time.

ALLMERS. [Without expression.] Thank you.

ASTA. [Moves a chair and seats herself close to him.] Have you been
sitting here long? All the time?

ALLMERS. [Does not answer at first. Presently he says.] No, I
cannot grasp it. It seems so utterly impossible.

ASTA. [Laying her hand compassionately on his arm.] Poor Alfred!

ALLMERS. [Gazing at her.] Is it really true then, Asta? Or have I
gone mad? Or am I only dreaming? Oh, if it were only a dream! Just
think, if I were to waken now!

ASTA. Oh, if I could only waken you!

ALLMERS. [Looking out over the water.] How pitiless the fiord looks
to-day, lying so heavy and drowsy--leaden-grey--with splashes of
yellow--and reflecting the rain-clouds.

ASTA. [Imploringly.] Oh, Alfred, don't sit staring out over the

ALLMERS. [Not heeding her.] Over the surface, yes. But in the
depths--there sweeps the rushing undertow--

ASTA. [In terror.] Oh, for God's sake don't think of the depths!

ALLMERS. [Looking gently at her.] I suppose you think he is lying
close outside here? But he is not, Asta. You must not think that.
You must remember how fiercely the current sweeps gut here straight
to the open sea.

ASTA. [Throws herself forward against the table, and, sobbing,
buries her face in her hands.] Oh, God! Oh, God!

ALLMERS. [Heavily.] So you see, little Eyolf has passed so far--far
away from us now.

ASTA. [Looks imploringly up at him.] Oh, Alfred, don't say such

ALLMERS. Why, you can reckon it out for yourself--you that are so
clever. In eight-and-twenty hours--nine-and-twenty hours--Let me
see--! Let me see--!

ASTA. [Shrieking and stopping her ears.] Alfred!

ALLMERS. [Clenching his hand firmly upon the table.] Can you
conceive the meaning of a thing like this?

ASTA. [Looks at him.] Of what?

ALLMERS. Of this that has been done to Rita and me.

ASTA. The meaning of it?

ALLMERS. [Impatiently.] Yes, the meaning, I say. For, after all,
there must be a meaning in it. Life, existence--destiny, cannot be
so utterly meaningless.

ASTA. Oh, who can say anything with certainty about these things,
my dear Alfred?

ALLMERS. [Laughs bitterly.] No, no; I believe you are right there.
Perhaps the whole thing goes simply by hap-hazard--taking its own
course, like a drifting wreck without a rudder. I daresay that is
how it is. At least, it seems very like it.

ASTA. [Thoughtfully.] What if it only seems--?

ALLMERS. [Vehemently.] Ah? Perhaps you can unravel the mystery for
me? I certainly cannot. [More gently.] Here is Eyolf, just entering
upon conscious life: full of such infinite possibilities--splendid
possibilities perhaps: he would have filled my life with pride and
gladness. And then a crazy old woman has only to come this way--and
show a cur in a bag--

ASTA. But we don't in the least know how it really happened.

ALLMERS. Yes, we do. The boys saw her row out over the fiord. They
saw Eyolf standing alone at the very end of the pier. They saw him
gazing after her--and then he seemed to turn giddy. [Quivering.]
And that was how he fell over--and disappeared.

ASTA. Yes, yes. But all the same--

ALLMERS. She has drawn him down into the depths--that you may be
sure of, dear.

ASTA. But, Alfred, why should she?

ALLMERS. Yes, that is just the question! Why should she? There is
no retribution behind it all--no atonement, I mean. Eyolf never did
her any harm. He never called names after her; he never threw
stones at her dog. Why, he had never set eyes either on her or her
dog till yesterday. So there is no retribution; the whole thing is
utterly groundless and meaningless, Asta.--And yet the order of the
world requires it.

ASTA. Have you spoken to Rita of these things?

ALLMERS. [Shakes his head.] I feel as if I can talk better to you
about them. [Drawing a deep breath.] And about everything else as

[ASTA takes serving-materials and a little paper parcel out of her
pocket. ALLMERS sits looking on absently.]

ALLMERS. What leave you got there, Asta?

ASTA. [Taking his hat.] Some black crap.

ALLMERS. Oh, whet is the use of that?

ASTA. Rita asked me to put it on. May I?

ALLMERS. Oh, yes; as far as I'm concerned-- [She sews the crape on
his hat.]

ALLMERS. [Sitting and looking at her.] Where is Rita?

ASTA. She is walking about the garden a little, I think. Borgheim
is with her.

ALLMERS. [Slightly surprised.] Indeed! Is Borgheim out here to-day

ASTA. Yes. He came out by the mid-day train.

ALLMERS. I didn't expect that.

ASTA. [Serving.] He was so fond of Eyolf.

ALLMERS. Borgheim is a faithful soul, Asta.

ASTA. [With quiet warmth.] Yes, faithful he is, indeed. That is

ALLMERS. [Fixing his eyes upon her.] You are really fond of him?

ASTA. Yes, I am.

ALLMERS. And yet you cannot make up your mind to--?

ASTA. [Interrupting.] Oh, my dear Alfred, don't talk of that!

ALLMERS. Yes, yes; tell me why you cannot?

ASTA. Oh, no! Please! You really must not ask me. You see, it's so
painful for me.--There now! The hat is done.

ALLMERS. Thank you.

ASTA. And now for the left arm.

ALLMERS. Am I to have crape on it too?

ASTA. Yes, that is the custom.

ALLMERS. Well--as you please.

[She moves close up to him and begins to sew.]

ASTA. Keep your arm still--then I won't prick you.

ALLMERS. [With a half-smile.] This is like the old days.

ASTA. Yes, don't you think so?

ALLMERS. When you were a little girl you used to sit just like
this, mending my clothes. The first thing you ever sewed for me--
that was black crape, too.

ASTA. Was it?

ALLMERS. Round my student's cap--at the time of father's death.

ASTA. Could I sew then? Fancy, I have forgotten it.

ALLMERS. Oh, you were such a little thing then.

ASTA. Yes, I was little then.

ALLMERS. And then, two years afterwards--when we lost your mother--
then again you sewed a big crape band on my sleeve.

ASTA. I thought it was the right thing to do.

ALLMERS. [Patting her hand.] Yes, yes, it was the right thing to
do, Asta. And then when we were left alone in the world, we two--.
Are you done already?

ASTA. Yes. [Putting together her sewing-materials.] It was really a
beautiful time for us, Alfred. We two alone.

ALLMERS. Yes, it was--though we had to toil so hard.

ASTA. You toiled.

ALLMERS. [With more life.] Oh, you toiled too, in your way, I can
assure you--[smiling]--my dear, faithful--Eyolf.

ASTA. Oh--you mustn't remind me of that stupid nonsense about the

ALLMERS. Well, if you had been a boy, you would have been called

ASTA. Yes, if! But when you began to go to college--. [Smiling
involuntarily.] I wonder how you could be so childish.

ALLMERS. Was it I that was childish?

ASTA. Yes, indeed, I think it was, as I look back upon it all. You
were ashamed of having no brother--only a sister.

ALLMERS. No, no, it was you, dear--you were ashamed.

ASTA. Oh yes, I too, perhaps--a little. And somehow or other I was
sorry for you--

ALLMERS. Yes, I believe you were. And then you hunted up some of
my old boy's clothes--

ASTA. Your fine Sunday clothes--yes. Do you remember the blue
blouse and knickerbockers?

ALLMERS. [His eyes dwelling upon her.] I remember so well how you
looked when you used to wear them.

ASTA. Only when we were at home, alone, though.

ALLMERS. And how serious we were, dear, and how mightily pleased
with ourselves. I always called you Eyolf.

ASTA. Oh, Alfred, I hope you have never told Rita this?

ALLMERS. Yes, I believe I did once tell her.

ASTA. Oh, Alfred, how could you do that?

ALLMERS. Well, you see--one tells one's wife everything--very

ASTA. Yes, I suppose one does.

ALLMERS. [As if awakening, clutches at his forehead and starts up.]
Oh, how can I sit here and--

ASTA. [Rising, looks sorrowfully at him.] What is the matter?

ALLMERS. He had almost passed away from me. He had passed quite

ASTA. Eyolf!

ALLMERS. Here I sat, living in these recollections--and he had no
part in them.

ASTA. Yes, Alfred--little Eyolf was behind it all.

ALLMERS. No, he was not. He slipped out of my memory--out of my
thoughts. I did not see him for a moment as we sat here talking. I
utterly forgot him all that time.

ASTA. But surely you must take some rest in your sorrow.

ALLMERS. No, no, no; that is just what I will not do! I must not--I
have no right--and no heart for it, either. [Going in great
excitement towards the right.] All my thoughts must be out there,
where he lies drifting in the depths!

ASTA. [Following him and holding him back.] Alfred--Alfred! Don't
go to the fiord.

ALLMERS. I must go out to him! Let me go, Asta! I will take the

ASTA. [In terror.] Don't go to the fiord, I say!

ALLMERS. [Yielding.] No, no--I will not. Only let me alone.

ASTA. [Leading him back to the table.] You must rest from your
thoughts, Alfred. Come here and sit down.

ALLMERS. [Making as if to seat himself on the bench.] Well, well--
as you please.

ASTA. No, I won't let you sit there.

ALLMERS. Yes, let me.

ASTA. No, don't. For then you will only sit looking out-- [Forces
him down upon a chair, with his back to the right.] There now. Now
that's right. [Seats herself upon the bench.] And now we can talk a
little again.

ALLMERS. [Drawing a deep breath audibly.] It was good to deaden the
sorrow and heartache for a moment.


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