The Book of Delight and Other Papers
by
Israel Abrahams

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THE BOOK OF DELIGHT

AND

OTHER PAPERS


BY

ISRAEL ABRAHAMS, M.A.

Author of "Jewish Life in the Middle Ages," "Chapters on Jewish
Literature," etc.

1912




PREFACE


The chapters of this volume were almost all spoken addresses. The author
has not now changed their character as such, for it seemed to him that to
convert them into formal essays would be to rob them of any little
attraction they may possess.

One of the addresses--that on "Medieval Wayfaring"--was originally spoken
in Hebrew, in Jerusalem. It was published, in part, in English in the
London _Jewish Chronicle_, and the author is indebted to the conductors of
that periodical for permission to include this, and other material, in the
present collection.

Some others of the chapters have been printed before, but a considerable
proportion of the volume is quite new, and even those addresses that are
reprinted are now given in a fuller and much revised text.

As several of the papers were intended for popular audiences, the author is
persuaded that it would ill accord with his original design to overload the
book with notes and references. These have been supplied only where
absolutely necessary, and a few additional notes are appended at the end of
the volume.

The author realizes that the book can have little permanent value. But as
these addresses seemed to give pleasure to those who heard them, he thought
it possible that they might provide passing entertainment also to those who
are good enough to read them.

ISRAEL ABRAHAMS

CAMBRIDGE, ENG., September, 1911




CONTENTS


I. "THE BOOK OF DELIGHT"

II. A VISIT TO HEBRON

III. THE SOLACE OF BOOKS

IV. MEDIEVAL WAYFARING

V. THE FOX'S HEART

VI. "MARRIAGES ARE MADE IN HEAVEN"

VII. HEBREW LOVE SONGS

VIII. A HANDFUL OF CURIOSITIES

i. George Eliot and Solomon Maimon
ii. How Milton Pronounced Hebrew
iii. The Cambridge Platonists
iv. The Anglo-Jewish Yiddish Literary Society
v. The Mystics and Saints of India
vi. Lost Purim Joys
vii. Jews and Letters
viii. The Shape of Matzoth

NOTES

INDEX

[Transcriber's Note: Index not included in this e-text edition.]




"THE BOOK OF DELIGHT"


Joseph Zabara has only in recent times received the consideration justly
due to him. Yet his "Book of Delight," finished about the year 1200, is
more than a poetical romance. It is a golden link between folk-literature
and imaginative poetry. The style is original, and the framework of the
story is an altogether fresh adaptation of a famous legend. The anecdotes
and epigrams introduced incidentally also partake of this twofold quality.
The author has made them his own, yet they are mostly adapted rather than
invented. Hence, the poem is as valuable to the folklorist as to the
literary critic. For, though Zabara's compilation is similar to such
well-known models as the "Book of Sindbad," the _Kalilah ve-Dimnah_, and
others of the same class, yet its appearance in Europe is half a century
earlier than the translations by which these other products of the East
became part of the popular literature of the Western world. At the least,
then, the "Book of Delight" is an important addition to the scanty store of
the folk-lore records of the early part of the thirteenth century. The
folk-lore interest of the book is, indeed, greater than was known formerly,
for it is now recognized as a variant of the Solomon-Marcolf legend. On
this more will be said below,

As a poet and as a writer of Hebrew, Joseph Zabara's place is equally
significant. He was one of the first to write extended narratives in Hebrew
rhymed prose with interspersed snatches of verse, the form invented by
Arabian poets, and much esteemed as the medium for story-telling and for
writing social satire. The best and best-known specimens of this form of
poetry in Hebrew are Charizi's _Tachkemoni_, and his translation of Hariri.
Zabara has less art than Charizi, and far less technical skill, yet in him
all the qualities are in the bud that Charizi's poems present in the
fullblown flower. The reader of Zabara feels that other poets will develop
his style and surpass him; the reader of Charizi knows of a surety that in
him the style has reached its climax.

Of Joseph Zabara little is known beyond what may be gleaned from a
discriminating study of the "Book of Delight." That this romance is largely
autobiographical in fact, as it is in form, there can be no reasonable
doubt. The poet writes with so much indignant warmth of the dwellers in
certain cities, of their manner of life, their morals, and their culture,
that one can only infer that he is relating his personal experiences.
Zabara, like the hero of his romance, travelled much during the latter
portion of the twelfth century, as is known from the researches of Geiger.
He was born in Barcelona, and returned there to die. In the interval, we
find him an apt pupil of Joseph Kimchi, in Narbonne. Joseph Kimchi, the
founder of the famous Kimchi family, carried the culture of Spain to
Provence; and Joseph Zabara may have acquired from Kimchi his mastery over
Hebrew, which he writes with purity and simplicity. The difficulties
presented in some passages of the "Book of Delight" are entirely due to the
corrupt state of the text. Joseph Kimchi, who flourished in Provence from
1150 to 1170, quotes Joseph Zabara twice, with approval, in explaining
verses in Proverbs. It would thus seem that Zabara, even in his student
days, was devoted to the proverb-lore on which he draws so lavishly in his
maturer work.

Dr. Steinschneider, to whom belongs the credit of rediscovering Zabara in
modern times, infers that the poet was a physician. There is more than
probability in the case; there is certainty. The romance is built by a
doctor; there is more talk of medicine in it than of any other topic of
discussion. Moreover, the author, who denies that he is much of a
Talmudist, accepts the compliment paid to him by his visitor, Enan, that he
is "skilled and well-informed in the science of medicine." There is, too, a
professional tone about many of the quips and gibes in which Zabara
indulges concerning doctors. Here, for instance, is an early form of a
witticism that has been attributed to many recent humorists. "A
philosopher," says Zabara, "was sick unto death, and his doctor gave him
up; yet the patient recovered. The convalescent was walking in the street
when the doctor met him. 'You come,' said he, 'from the other world.'
'Yes,' rejoined the patient, 'I come from there, and I saw there the awful
retribution that falls on doctors; for they kill their patients. Yet, do
not feel alarmed. You will not suffer. I told them on my oath that you are
no doctor.'"

Again, in one of the poetical interludes (found only in the Constantinople
edition) occurs this very professional sneer, "A doctor and the Angel of
Death both kill, but the former charges a fee." Who but a doctor would
enter into a scathing denunciation of the current system of diagnosis, as
Zabara does in a sarcastic passage, which Erter may have imitated
unconsciously? And if further proof be needed that Zabara was a man of
science, the evidence is forthcoming; for Zabara appeals several times to
experiment in proof of his assertions. And to make assurance doubly sure,
the author informs his readers in so many words of his extensive medical
practice in his native place.

If Zabara be the author of the other, shorter poems that accompany the
"Book of Delight" in the Constantinople edition, though they are not
incorporated into the main work, we have a further indication that Zabara
was a medical man. There is a satirical introduction against the doctors
that slay a man before his time. The author, with mock timidity, explains
that he withholds his name, lest the medical profession turn its attention
to him with fatal results. "Never send for a doctor," says the satirist,
"for one cannot expect a miracle to happen." It is important, for our
understanding of another feature in Zabara's work, to observe that his
invective, directed against the practitioners rather than the science of
medicine, is not more curious as coming from a medical man, than are the
attacks on women perpetrated by some Jewish poets (Zabara among them), who
themselves amply experienced, in their own and their community's life, the
tender and beautiful relations that subsist between Jewish mother and son,
Jewish wife and husband.

The life of Joseph ben Meïr Zabara was not happy. He left Barcelona in
search of learning and comfort. He found the former, but the latter eluded
him. It is hard to say from the "Book of Delight" whether he was a
woman-hater, or not. On the one hand, he says many pretty things about
women. The moral of the first section of the romance is: Put your trust in
women; and the moral of the second section of the poem is: A good woman is
the best part of man. But, though this is so, Zabara does undoubtedly quote
a large number of stories full of point and sting, stories that tell of
women's wickedness and infidelity, of their weakness of intellect and
fickleness of will. His philogynist tags hardly compensate for his
misogynist satires. He runs with the hare, but hunts energetically with the
hounds.

It is this characteristic of Zabara's method that makes it open to doubt,
whether the additional stories referred to as printed with the
Constantinople edition did really emanate from our author's pen. These
additions are sharply misogynist; the poet does not even attempt to blunt
their point. They include "The Widow's Vow" (the widow, protesting undying
constancy to her first love, eagerly weds another) and "Woman's
Contentions." In the latter, a wicked woman is denounced with the wildest
invective. She has demoniac traits; her touch is fatal. A condemned
criminal is offered his life if he will wed a wicked woman. "O King," he
cried, "slay me; for rather would I die once, than suffer many deaths every
day." Again, once a wicked woman pursued a heroic man. He met some devils.
"What are you running from?" asked they. "From a wicked woman," he
answered. The devils turned and ran away with him.

One rather longer story may be summarized thus: Satan, disguised in human
shape, met a fugitive husband, who had left his wicked wife. Satan told him
that he was in similar case, and proposed a compact. Satan would enter into
the bodies of men, and the other, pretending to be a skilful physician,
would exorcise Satan. They would share the profits. Satan begins on the
king, and the queen engages the confederate to cure the king within three
days, for a large fee, but in case of failure the doctor is to die. Satan
refuses to come out: his real plan is to get the doctor killed in this way.
The doctor obtains a respite, and collects a large body of musicians, who
make a tremendous din. Satan trembles. "What is that noise?" he asks. "Your
wife is coming," says the doctor. Out sprang Satan and fled to the end of
the earth.

These tales and quips, it is true, are directed against "wicked" women, but
if Zabara really wrote them, it would be difficult to acquit him of
woman-hatred, unless the stories have been misplaced, and should appear, as
part of the "Book of Delight," within the Leopard section, which rounds off
a series of unfriendly tales with a moral friendly to woman. In general,
Oriental satire directed against women must not be taken too seriously. As
Güdemann has shown, the very Jews that wrote most bitterly of women were
loud in praise of their own wives--the women whom alone they knew
intimately. Woman was the standing butt for men to hurl their darts at, and
one cannot help feeling that a good deal of the fun got its point from the
knowledge that the charges were exaggerated or untrue. You find the Jewish
satirists exhausting all their stores of drollery on the subject of
rollicking drunkenness. They roar till their sides creak over the humor of
the wine-bibber. They laugh at him and with him. They turn again and again
to the subject, which shares the empire with women in the Jewish poets. Yet
we know well enough that the writers of these Hebrew Anacreontic lyrics
were sober men, who rarely indulged in overmuch strong drink. In short, the
medieval Jewish satirists were gifted with much of what a little time ago
was foolishly styled "the new humor." Joseph Zabara was a "new" humorist.
He has the quaint subtlety of the author of the "Ingoldsby Legends," and
revelled in the exaggeration of trifles that is the stock-in-trade of the
modern funny man. Woman plays the part with the former that the
mother-in-law played a generation ago with the latter. In Zabara, again,
there is a good deal of mere rudeness, which the author seems to mistake
for cutting repartee. This, I take it, is another characteristic of the
so-called new humor.

The probable explanation of the marked divergence between Zabara's stories
and the moral he draws from them lies, however, a little deeper. The
stories themselves are probably Indian in origin; hence they are marked by
the tone hostile to woman so characteristic of Indian folk-lore. On the
other hand, if Zabara himself was a friendly critic of woman, his own
moralizings in her favor are explained. This theory is not entirely upset
by the presence even of the additional stories, for these, too, are
translations, and Zabara cannot be held responsible for their contents. The
selection of good anecdotes was restricted in his day within very narrow
limits.

Yet Zabara's reading must have been extensive. He knew something of
astronomy, philosophy, the science of physiognomy, music, mathematics, and
physics, and a good deal of medicine. He was familiar with Arabian
collections of proverbs and tales, for he informs his readers several times
that he is drawing on Arabic sources. He knew the "Choice of Pearls," the
Midrashic "Stories of King Solomon," the "Maxims of the Philosophers," the
"Proverbs of the Wise"; but not "Sendabar" in its Hebrew form. His
acquaintance with the language of the Bible was thorough; but he makes one
or two blunders in quoting the substance of Scriptural passages. Though he
disclaimed the title of a Talmudic scholar, he was not ignorant of the
Rabbinic literature. Everyone quotes it: the fox, the woman, Enan, and the
author. He was sufficiently at home in this literature to pun therein. He
also knew the story of Tobit, but, as he introduces it as "a most
marvellous tale," it is clear that this book of the Apocrypha was not
widely current in his day. The story, as Zabara tells it, differs
considerably from the Apocryphal version of it. The incidents are
misplaced, the story of the betrothal is disconnected from that of the
recovery of the money by Tobit, and the detail of the gallows occurs in no
other known text of the story. In one point, Zabara's version strikingly
agrees with the Hebrew and Chaldee texts of Tobit as against the Greek;
Tobit's son is not accompanied by a dog on his journey to recover his
father's long-lost treasure.

One of the tales told by Zabara seems to imply a phenomenon of the
existence of which there is no other evidence. There seems to have been in
Spain a small class of Jews that were secret converts to Christianity. They
passed openly for Jews, but were in truth Christians. The motive for the
concealment is unexplained, and the whole passage may be merely satirical.

It remains for me to describe the texts now extant of the "Book of
Delight." In 1865 the "Book of Delight" appeared, from a fifteenth century
manuscript in Paris, in the second volume of a Hebrew periodical called the
_Lebanon_. In the following year the late Senior Sachs wrote an
introduction to it and to two other publications, which were afterwards
issued together under the title _Yen Lebanon_ (Paris, 1866). The editor was
aware of the existence of another text, but, strange to tell, he did not
perceive the need of examining it. Had he done this, his edition would have
been greatly improved. For the Bodleian Library possesses a copy of another
edition of the "Book of Delight," undated, and without place of issue, but
printed in Constantinople, in 1577. One or two other copies of this edition
are extant elsewhere. The editor was Isaac Akrish, as we gather from a
marginal note to the version of Tobit given by Joseph Zabara. This Isaac
Akrish was a travelling bookseller, who printed interesting little books,
and hawked them about. Dr. Steinschneider points out that the date of Isaac
Akrish's edition can be approximately fixed by the type. The type is that
of the Jaabez Press, established in Constantinople and Salonica in 1560.
This Constantinople edition is not only longer than the Paris edition, it
is, on the whole, more accurate. The verbal variations between the two
editions are extremely numerous, but the greater accuracy of the
Constantinople edition shows itself in many ways. The rhymes are much
better preserved, though the Paris edition is occasionally superior in this
respect. But many passages that are quite unintelligible in the Paris
edition are clear enough in the Constantinople edition.

The gigantic visitor of Joseph, the narrator, the latter undoubtedly the
author himself, is a strange being. Like the guide of Gil Bias on his
adventures, he is called a demon, and he glares and emits smoke and fire.
But he proves amenable to argument, and quotes the story of the
washerwoman, to show how it was that he became a reformed character. This
devil quotes the Rabbis, and is easily convinced that it is unwise for him
to wed an ignorant bride. It would seem as though Zabara were, on the one
hand, hurling a covert attack against some one who had advised him to leave
Barcelona to his own hurt, while, on the other hand, he is satirizing the
current beliefs of Jews and Christians in evil spirits. More than one
passage is decidedly anti-Christian, and it would not be surprising to find
that the framework of the romance had been adopted with polemic intention.

The character of the framework becomes more interesting when it is realized
that Zabara derived it from some version of the legends of which King
Solomon is the hero. The king had various adventures with a being more or
less demoniac in character, who bears several names: Asmodeus, Saturn,
Marcolf, or Morolf. That the model for Zabara's visitor was Solomon's
interlocutor, is not open to doubt. The Solomon legend occurs in many
forms, but in all Marcolf (or whatever other name he bears) is a keen
contester with the king in a battle of wits. No doubt, at first Marcolf
filled a serious, respectable rôle; in course of time, his character
degenerated into that of a clown or buffoon. It is difficult to summarize
the legend, it varies so considerably in the versions. Marcolf in the
best-known forms, which are certainly older than Zabara, is "right rude and
great of body, of visage greatly misshapen and foul." Sometimes he is a
dwarf, sometimes a giant; he is never normal. He appears with his
counterpart, a sluttish wife, before Solomon, who, recognizing him as
famous for his wit and wisdom, challenges him to a trial of wisdom,
promising great rewards as the prize of victory. The two exchange a series
of questions and answers, which may be compared in spirit, though not in
actual content, with the questions and answers to be found in Zabara.
Marcolf succeeds in thoroughly tiring out the king, and though the
courtiers are for driving Marcolf off with scant courtesy, the king
interposes, fulfils his promise, and dismisses his adversary with gifts.
Marcolf leaves the court, according to one version, with the noble remark,
_Ubi non est lex, ibi non est rex_.

This does not exhaust the story, however. In another part of the legend, to
which, again, Zabara offers parallels, Solomon, being out hunting, comes
suddenly on Marcolf's hut, and, calling upon him, receives a number of
riddling answers, which completely foil him, and tor the solution of which
he is compelled to have recourse to the proposer. He departs, however, in
good humor, desiring Marcolf to come to court the next day and bring a pail
of fresh milk and curds from the cow. Marcolf fails, and the king condemns
him to sit up all night in his company, threatening him with death in the
morning, should he fall asleep. This, of course, Marcolf does immediately,
and he snores aloud. Solomon asks, "Sleepest thou?"--And Marcolf replies,
"No, I think."--"What thinkest thou?"--"That there are as many vertebrae in
the hare's tail as in his backbone."--The king, assured that he has now
entrapped his adversary, replies: "If thou provest not this, thou diest in
the morning!" Over and over again Marcolf snores, and is awakened by
Solomon, but he is always _thinking_. He gives various answers during the
night: There are as many white feathers as black in the magpie.--There is
nothing whiter than daylight, daylight is whiter than milk.--Nothing can be
safely entrusted to a woman.--Nature is stronger than education.

Next day Marcolf proves all his statements. Thus, he places a pan of milk
in a dark closet, and suddenly calls the king. Solomon steps into the milk,
splashes himself, and nearly falls. "Son of perdition! what does this
mean?" roars the monarch. "May it please Your Majesty," says Marcolf,
"merely to show you that milk is not whiter than daylight." That nature is
stronger than education, Marcolf proves by throwing three mice, one after
the other, before a cat trained to hold a lighted candle in its paws during
the king's supper; the cat drops the taper, and chases the mice. Marcolf
further enters into a bitter abuse of womankind, and ends by inducing
Solomon himself to join in the diatribe. When the king perceives the trick,
he turns Marcolf out of court, and eventually orders him to be hanged. One
favor is granted to him: he may select his own tree. Marcolf and his guards
traverse the valley of Jehoshaphat, pass to Jericho over Jordan, through
Arabia and the Red Sea, but "never more could Marcolf find a tree that he
would choose to hang on." By this device, Marcolf escapes from Solomon's
hands, returns home, and passes the rest of his days in peace.

The legend, no doubt Oriental in origin, enjoyed popularity in the Middle
Ages largely because it became the frame into which could be placed
collections of proverbial lore. Hence, as happened also with the legend of
the Queen of Sheba and her riddles, the versions vary considerably as to
the actual content of the questions and answers bandied between Solomon and
Marcolf. In the German and English versions, the proverbs and wisdom are
largely Teutonic; in Zabara they are Oriental, and, in particular, Arabic.
Again, Marcolf in the French version of Mauclerc is much more completely
the reviler of woman. Mauclerc wrote almost contemporaneously with Zabara
(about 1216-1220, according to Kemble). But, on the other hand, Mauclerc
has no story, and his Marcolf is a punning clown rather than a cunning
sage. Marcolf, who is Solomon's brother in a German version, has no trust
in a woman even when dead. So, in another version, Marcolf is at once
supernaturally cunning, and extremely skeptical as to the morality and
constancy of woman. But it is unnecessary to enter into the problem more
closely. Suffice it to have established that in Zabara's "Book of Delight"
we have a hitherto unsuspected adaptation of the Solomon-Marcolf legend.
Zabara handles the legend with rare originality, and even ventures to cast
himself for the title rôle in place of the wisest of kings.

In the summary of the book which follows, the rhymed prose of the original
Hebrew is reproduced only in one case. This form of poetry is unsuited to
the English language. What may have a strikingly pleasing effect in
Oriental speech, becomes, in English, indistinguishable from doggerel. I
have not translated at full length, but I have endeavored to render Zabara
accurately, without introducing thoughts foreign to him.

I have not thought it necessary to give elaborate parallels to Zabara's
stories, nor to compare minutely the various details of the Marcolf legend
with Zabara's poem. On the whole, it may be said that the parallel is
general rather than specific. I am greatly mistaken, however, if the
collection of stories that follows does not prove of considerable interest
to those engaged in the tracking of fables to their native lairs. Here, in
Zabara, we have an earlier instance than was previously known in Europe, of
an intertwined series of fables and witticisms, partly Indian, partly
Greek, partly Semitic, in origin, welded together by the Hebrew poet by
means of a framework. The use of the framework by a writer in Europe in the
year 1200 is itself noteworthy. And when it is remembered what the
framework is, it becomes obvious that the "Book of Delight" occupies a
unique position in medieval literature.


THE GIANT GUEST

Once on a night, I, Joseph, lay upon my bed; sleep was sweet upon me, my
one return for all my toil. Things there are which weary the soul and
rest the body, others that weary the body and rest the soul, but sleep
brings calm to the body and the soul at once.... While I slept, I dreamt;
and a gigantic but manlike figure appeared before me, rousing me from my
slumber. "Arise, thou sleeper, rouse thyself and see the wine while it is
red; come, sit thee down and eat of what I provide." It was dawn when I
hastily rose, and I saw before me wine, bread, and viands; and in the
man's hand was a lighted lamp, which cast a glare into every corner. I
said, "What are these, my master?" "My wine, my bread, my viands; come,
eat and drink with me, for I love thee as one of my mother's sons." And I
thanked him, but protested: "I cannot eat or drink till I have prayed to
the Orderer of all my ways; for Moses, the choice of the prophets, and
the head of those called, hath ordained, 'Eat not with the blood';
therefore no son of Israel will eat until he prays for his soul, for the
blood is the soul...."

Then said he, "Pray, if such be thy wish"; and I bathed my hands and
face, and prayed. Then I ate of all that was before me, for my soul loved
him.... Wine I would not drink, though he pressed me sore. "Wine," I
said, "blindeth the eyes, robbeth the old of wisdom and the body of
strength, it revealeth the secrets of friends, and raiseth dissension
between brothers." The man's anger was roused. "Why blasphemest thou
against wine, and bearest false witness against it? Wine bringeth joy;
sorrow and sighing fly before it. It strengtheneth the body, maketh the
heart generous, prolongeth pleasure, and deferreth age; faces it maketh
shine, and the senses it maketh bright."

"Agreed, but let thy servant take the water first, as the ancient
physicians advise; later I will take the wine, a little, without water."

When I had eaten and drunk with him, I asked for his name and his
purpose. "I come," said he, "from a distant land, from pleasant and
fruitful hills, my wisdom is as thine, my laws as thine, my name Enan
Hanatash, the son of Arnan ha-Desh." I was amazed at the name, unlike any
I had ever heard. "Come with me from this land, and I will tell thee all
my secret lore; leave this spot, for they know not here thy worth and thy
wisdom. I will take thee to another place, pleasant as a garden, peopled
by loving men, wise above all others." But I answered: "My lord, I cannot
go. Here are many wise and friendly; while I live, they bear me on the
wing of their love; when I die, they will make my death sweet.... I fear
thee for thy long limbs, and in thy face I see, clear-cut, the marks of
unworthiness; I fear thee, and I will not be thy companion, lest there
befall me what befell the leopard with the fox." And I told him the
story.

In this manner, illustrative tales are introduced throughout the poem.
Zabara displays rare ingenuity in fitting the illustrations into his
framework. He proceeds:


THE FOX AND THE LEOPARD

A leopard once lived in content and plenty; ever he found easy sustenance
for his wife and children. Hard by there dwelt his neighbor and friend,
the fox. The fox felt in his heart that his life was safe only so long as
the leopard could catch other prey, and he planned out a method for
ridding himself of this dangerous friendship. Before the evil cometh, say
the wise, counsel is good. "Let me move him hence," thought the fox; "I
will lead him to the paths of death; for the sages say, 'If one come to
slay thee, be beforehand with him, and slay him instead.'" Next day the
fox went to the leopard, and told him of a spot he had seen, a spot of
gardens and lilies, where fawns and does disported themselves, and
everything was fair. The leopard went with him to behold this paradise,
and rejoiced with exceeding joy. "Ah," thought the fox, "many a smile
ends in a tear." But the leopard was charmed, and wished to move to this
delightful abode; "but, first," said he, "I will go to consult my wife,
my lifelong comrade, the bride of my youth." The fox was sadly
disconcerted. Full well he knew the wisdom and the craft of the leopard's
wife. "Nay," said he, "trust not thy wife. A woman's counsel is evil and
foolish, her heart hard like marble; she is a plague in a house. Yes, ask
her advice, and do the opposite.".... The leopard told his wife that he
was resolved to go. "Beware of the fox," she exclaimed; "two small
animals there are, the craftiest they, by far--the serpent and the fox.
Hast thou not heard how the fox bound the lion and slew him with
cunning?" "How did the fox dare," asked the leopard, "to come near enough
to the lion to do it?"

The wife than takes up the parable, and cites the incident of


THE FOX AND THE LION

Then said the leopard's wife: The lion loved the fox, but the fox had no
faith in him, and plotted his death. One day the fox went to the lion
whining that a pain had seized him in the head. "I have heard," said the
fox, "that physicians prescribe for a headache, that the patient shall be
tied up hand and foot." The lion assented, and bound up the fox with a
cord. "Ah," blithely said the fox, "my pain is gone." Then the lion
loosed him. Time passed, and the lion's turn came to suffer in his head.
In sore distress he went to the fox, fast as a bird to the snare, and
exclaimed, "Bind me up, brother, that I, too, may be healed, as happened
with thee." The fox took fresh withes, and bound the lion up. Then he
went to fetch great stones, which he cast on the lion's head, and thus
crushed him. "Therefore, my dear leopard," concluded his wife, "trust not
the fox, for I fear him and his wiles. If the place he tells of be so
fair, why does not the fox take it for himself?" "Nay," said the leopard,
"thou art a silly prattler. I have often proved my friend, and there is
no dross in the silver of his love."


The leopard would not hearken to his wife's advice, yet he was somewhat
moved by her warning, and he told the fox of his misgiving, adding, that
his wife refused to accompany him. "Ah," replied the fox, "I fear your fate
will be like the silversmith's; let me tell you his story, and you will
know how silly it is to listen to a wife's counsel."


THE SILVERSMITH WHO FOLLOWED HIS WIFE'S COUNSEL

A silversmith of Babylon, skilful in his craft, was one day at work.
"Listen to me," said his wife, "and I will make thee rich and honored.
Our lord, the king, has an only daughter, and he loves her as his life.
Fashion for her a silver image of herself, and I will bear it to her as a
gift." The statue was soon made, and the princess rejoiced at seeing it.
She gave a cloak and earrings to the artist's wife, and she showed them
to her husband in triumph. "But where is the wealth and the honor?" he
asked. "The statue was worth much more than thou hast brought." Next day
the king saw the statue in his daughter's hand, and his anger was
kindled. "Is it not ordered," he cried, "that none should make an image?
Cut off his right hand." The king's command was carried out, and daily
the smith wept, and exclaimed, "Take warning from me, ye husbands, and
obey not the voice of your wives."


The leopard shuddered when he heard this tale; but the fox went on:


THE WOODCUTTER AND THE WOMAN

A hewer of wood in Damascus was cutting logs, and his wife sat spinning
by his side. "My departed father," she said, "was a better workman than
thou. He could chop with both hands: when the right hand was tired, he
used the left." "Nay," said he, "no woodcutter does that, he uses his
right hand, unless he be a left-handed man." "Ah, my dear," she
entreated, "try and do it as my father did." The witless wight raised his
left hand to hew the wood, but struck his right-hand thumb instead.
Without a word he took the axe and smote her on the head, and she died.
His deed was noised about; the woodcutter was seized and stoned for his
crime. Therefore, continued the fox, I say unto thee, all women are
deceivers and trappers of souls. And let me tell you more of these wily
stratagems.


The fox reinforces his argument by relating an episode in which a contrast
is drawn between


MAN'S LOVE AND WOMAN'S

A king of the Arabs, wise and well-advised, was one day seated with his
counsellors, who were loud in the praise of women, lauding their virtues
and their wisdom. "Cut short these words," said the king. "Never since
the world began has there been a good woman. They love for their own
ends." "But," pleaded his sages, "O King, thou art hasty. Women there
are, wise and faithful and spotless, who love their husbands and tend
their children." "Then," said the king, "here is my city before you:
search it through, and find one of the good women of whom you speak."
They sought, and they found a woman, chaste and wise, fair as the moon
and bright as the sun, the wife of a wealthy trader; and the counsellors
reported about her to the king. He sent for her husband, and received him
with favor. "I have something for thy ear," said the king. "I have a good
and desirable daughter: she is my only child; I will not give her to a
king or a prince: let me find a simple, faithful man, who will love her
and hold her in esteem. Thou art such a one; thou shalt have her. But
thou art married: slay thy wife to-night, and to-morrow thou shalt wed my
daughter." "I am unworthy," pleaded the man, "to be the shepherd of thy
flock, much less the husband of thy daughter." But the king would take no
denial. "But how shall I kill my wife? For fifteen years she has eaten of
my bread and drunk of my cup. She is the joy of my heart; her love and
esteem grow day by day." "Slay her," said the king, "and be king
hereafter." He went forth from the presence, downcast and sad, thinking
over, and a little shaken by, the king's temptation. At home he saw his
wife and his two babes. "Better," he cried, "is my wife than a kingdom.
Cursed be all kings who tempt men to sip sorrow, calling it joy." The
king waited his coming in vain; and then he sent messengers to the man's
shop. When he found that the man's love had conquered his lust, he said,
with a sneer, "Thou art no man: thy heart is a woman's."

In the evening the king summoned the woman secretly. She came, and the
king praised her beauty and her wisdom. His heart, he said, was burning
with love for her, but he could not wed another man's wife. "Slay thy
husband to-night, and tomorrow be my queen." With a smile, the woman
consented; and the king gave her a sword made of tin, for he knew the
weak mind of woman. "Strike once," he said to her; "the sword is sharp;
you need not essay a second blow." She gave her husband a choice repast,
and wine to make him drunken. As he lay asleep, she grasped the sword and
struck him on the head; and the tin bent, and he awoke. With some ado she
quieted him, and he fell asleep again. Next morning the king summoned
her, and asked whether she had obeyed his orders. "Yes," said she, "but
thou didst frustrate thine own counsel." Then the king assembled his
sages, and bade her tell all that she had attempted; and the husband,
too, was fetched, to tell his story. "Did I not tell you to cease your
praises of women?" asked the king, triumphantly.


IN DISPRAISE OF WOMAN

The fox follows up these effective narratives with a lengthy string of
well-worn quotations against women, of which the following are a few:
Socrates, the wise and saintly, hated and despised them. His wife was thin
and short. They asked him, "How could a man like you choose such a woman
for your wrife?" "I chose," said Socrates, "of the evil the least possible
amount." "Why, then, do you look on beautiful women?" "Neither," said
Socrates, "from love nor from desire, but to admire the handiwork of God in
their outward form. It is within that they are foul." Once he was walking
by the way, and he saw a woman hanging from a fig-tree. "Would," said
Socrates, "that all the fruit were like this."--A nobleman built a new
house, and wrote over the door, "Let nothing evil pass this way." "Then how
does his wife go in?" asked Diogenes.--"Your enemy is dead," said one to
another. "I would rather hear that he had got married," was the reply.

"So much," said the fox to the leopard, "I have told thee that thou mayest
know how little women are to be trusted. They deceive men in life, and
betray them in death." "But," queried the leopard, "what could my wife do
to harm me after I am dead?" "Listen," rejoined the fox, "and I will tell
thee of a deed viler than any I have narrated hitherto."


THE WIDOW AND HER HUSBAND'S CORPSE

The kings of Rome, when they hanged a man, denied him burial until the
tenth day. That the friends and relatives of the victim might not steal
the body, an officer of high rank was set to watch the tree by night. If
the body was stolen, the officer was hung up in its place. A knight of
high degree once rebelled against the king, and he was hanged on a tree.
The officer on guard was startled at midnight to hear a piercing shriek
of anguish from a little distance; he mounted his horse, and rode towards
the voice, to discover the meaning. He came to an open grave, where the
common people were buried, and saw a weeping woman loud in laments for
her departed spouse. He sent her home with words of comfort, accompanying
her to the city gate. He then returned to his post. Next night the same
scene was repeated, and as the officer spoke his gentle soothings to her,
a love for him was born in her heart, and her dead husband was forgotten.
And as they spoke words of love, they neared the tree, and lo! the body
that the officer was set to watch was gone. "Begone," he said, "and I
will fly, or my life must pay the penalty of my dalliance." "Fear not, my
lord," she said, "we can raise my husband from his grave and hang him
instead of the stolen corpse." "But I fear the Prince of Death. I cannot
drag a man from his grave." "I alone will do it then," said the woman; "I
will dig him out; it is lawful to cast a dead man from the grave, to keep
a live man from being thrown in." "Alas!" cried the officer, when she had
done the fearsome deed, "the corpse I watched was bald, your husband has
thick hair; the change will be detected." "Nay," said the woman, "I will
make him bald," and she tore his hair out, with execrations, and they
hung him on the tree. But a few days passed and the pair were married.


And now the leopard interlude nears it close. Zabara narrates the
_dénouement_ in these terms:


THE LEOPARD'S FATE

The leopard's bones rattled while he listened to this tale. Angrily he
addressed his wife, "Come, get up and follow me, or I will slay thee."
Together they went with their young ones, and the fox was their guide,
and they reached the promised place, and encamped by the waters. The fox
bade them farewell, his head laughing at his tail. Seven days were gone,
when the rains descended, and in the deep of the night the river rose and
engulfed the leopard family in their beds. "Woe is me," sighed the
leopard, "that I did not listen to my wife." And he died before his time.


THE JOURNEY BEGUN BY JOSEPH AND ENAN

The author has now finished his protest against his visitor's design, to
make him join him on a roving expedition. Enan glares, and asks, "Am I a
fox, and thou a leopard, that I should fear thee?" Then his note changes,
and his tone becomes coaxing and bland. Joseph cannot resist his
fascination. Together they start, riding on their asses. Then says Enan
unto Joseph, "Carry thou me, or I will carry thee." "But," continues the
narrator, Joseph, "we were both riding on our asses. 'What dost thou mean?
Our asses carry us both. Explain thy words.'--'It is the story of the
peasant with the king's officer.'"


THE CLEVER GIRL AND THE KING'S DREAM

A king with many wives dreamt that he saw a monkey among them; his face
fell, and his spirit was troubled. "This is none other," said he, "than a
foreign king, who will invade my realm, and take my harem for his spoil."
One of his officers told the king of a clever interpreter of dreams, and
the king despatched him to find out the meaning of his ominous vision. He
set forth on his mule, and met a countryman riding. "Carry me," said the
officer, "or I will carry thee." The peasant was amazed. "But our asses
carry us both," he said. "Thou tiller of the earth," said the officer,
"thou art earth, and eatest earth. There is snow on the hill," continued
the officer, and as the month was Tammuz, the peasant laughed. They
passed a road with wheat growing on each side. "A horse blind in one eye
has passed here," said the officer, "loaded with oil on one side, and
with vinegar on the other." They saw a field richly covered with
abounding corn, and the peasant praised it. "Yes," said the officer, "if
the corn is not already eaten." They went on a little further and saw a
lofty tower. "Well fortified," remarked the peasant. "Fortified without,
if not ruined within," replied the officer. A funeral passed them. "As to
this old man whom they are burying," said the officer, "I cannot tell
whether he is alive or dead." And the peasant thought his companion mad
to make such unintelligible remarks. They neared a village where the
peasant lived, and he invited the officer to stay with him overnight.

The peasant, in the dead of the night, told his wife and daughters of the
foolish things the officer had said, though he looked quite wise. "Nay,"
said the peasant's youngest daughter, a maiden of fifteen years, "the man
is no fool; thou didst not comprehend the depth of his meaning. The
tiller of the earth eats food grown from the earth. By the 'snow on the
hill' is meant thy white beard (on thy head); thou shouldst have
answered, 'Time caused it.' The horse blind in one eye he knew had
passed, because he saw that the wheat was eaten on one side of the way,
and not on the other; and as for its burden, he saw that the vinegar had
parched the dust, while the oil had not. His saying, 'Carry me, or I will
carry thee,' signifies that he who beguiles the way with stories and
proverbs and riddles, carries his companion, relieving him from the
tedium of the journey. The corn of the field you passed," continued the
girl, "was already eaten if the owner was poor, and had sold it before it
was reaped. The lofty and stately tower was in ruins within, if it was
without necessary stores. About the funeral, too, his remark was true. If
the old man left a son, he was still alive; if he was childless, he was,
indeed, dead."

In the morning, the girl asked her father to give the officer the food
she would prepare. She gave him thirty eggs, a dish full of milk, and a
whole loaf. "Tell me," said she, "how many days old the month is; is the
moon new, and the sun at its zenith?" Her father ate two eggs, a little
of the loaf, and sipped some of the milk, and gave the rest to the
officer. "Tell thy daughter," he said, "the sun is not full, neither is
the moon, for the month is two days old." "Ah," laughed the peasant, as
he told his daughter the answers of the officer, "ah, my girl, I told you
he was a fool, for we are now in the middle of the month." "Did you eat
anything of what I gave you?" asked the girl of her father. And he told
her of the two eggs, the morsel of bread, and the sip of milk that he had
taken. "Now I know," said the girl, "of a surety that the man is very
wise." And the officer, too, felt that she was wise, and so he told her
the king's dream. She went back with him to the king, for she told the
officer that she could interpret the vision, but would do so only to the
king in person, not through a deputy. "Search thy harem," said the girl,
"and thou wilt find among thy women a man disguised in female garb." He
searched, and found that her words were true. The man was slain, and the
women, too, and the peasant's daughter became the king's sole queen, for
he never took another wife besides her.


THE NIGHT'S REST

Thus Joseph and the giant Enan journey on, and they stay overnight in a
village inn. Then commences a series of semi-medical wrangles, which fill
up a large portion of the book. Joseph demands food and wine, and Enan
gives him a little of the former and none of the latter. "Be still," says
Enan, "too much food is injurious to a traveller weary from the way. But
you cannot be so very hungry, or you would fall to on the dry bread. But
wine with its exciting qualities is bad for one heated by a long day's
ride." Even their asses are starved, and Joseph remarks sarcastically,
"Tomorrow it will be, indeed, a case of carry-thou-me-or-I-thee, for our
asses will not be able to bear us." They sleep on the ground, without couch
or cover. At dawn Enan rouses him, and when he sees that his ass is still
alive, he exclaims, "Man and beast thou savest, O Lord!" The ass, by the
way, is a lineal descendant of Balaam's animal.

They proceed, and the asses nod and bow as though they knew how to pray.
Enan weeps as they near a town. "Here," says he, "my dear friend died, a
man of wisdom and judgment. I will tell thee a little of his cleverness."


THE DISHONEST SINGER AND THE WEDDING ROBES

A man once came to him crying in distress. His only daughter was
betrothed to a youth, and the bridegroom and his father came to the
bride's house on the eve of the wedding, to view her ornaments and
beautiful clothes. When the bride's parents rose next day, everything had
vanished, jewels and trousseau together. They were in despair, for they
had lavished all their possessions on their daughter. My friend
[continued Enan] went back with the man to examine the scene of the
robbery. The walls of the house were too high to scale. He found but one
place where entry was possible, a crevice in a wall in which an orange
tree grew, and its edge was covered with thorns and prickles. Next door
lived a musician, Paltiel ben Agan [or Adan] by name, and my late friend,
the judge, interviewed him, and made him strip. His body was covered with
cuts and scratches; his guilt was discovered, and the dowry returned to
the last shoe-latchet. "My son," said he, "beware of singers, for they
are mostly thieves; trust no word of theirs, for they are liars; they
dally with women, and long after other people's money. They fancy they
are clever, but they know not their left hand from their right; they
raise their hands all day and call, but know not to whom. A singer stands
at his post, raised above all other men, and he thinks he is as lofty as
his place. He constantly emits sounds, which mount to his brain, and dry
it up; hence he is so witless."

Then Enan tells Joseph another story of his friend the judge's sagacity:


THE NOBLEMAN AND THE NECKLACE

A man lived in Cordova, Jacob by name, the broker; he was a man of tried
honesty. Once a jewelled necklet was entrusted to him for sale by the
judge, the owner demanding five hundred pieces of gold as its price.
Jacob had the chain in his hand when he met a nobleman, one of the king's
intimate friends. The nobleman offered four hundred pieces for the
necklet, which Jacob refused. "Come with me to my house, and I will
consider the price," said the would-be purchaser. The Jew accompanied him
home, and the nobleman went within. Jacob waited outside the gate till
the evening, but no one came out. He passed a sleepless night with his
wife and children, and next morning returned to the nobleman. "Buy the
necklace," said he, "or return it." The nobleman denied all knowledge of
the jewels, so Jacob went to the judge. He sent for the nobles, to
address them as was his wont, and as soon as they had arrived, he said to
the thief's servant, "Take your master's shoe and go to his wife. Show
the shoe and say, Your lord bids me ask you for the necklace he bought
yesterday, as he wishes to exhibit its beauty to his friends." The wife
gave the servant the ornament, the theft was made manifest, and it was
restored to its rightful owner.


And Enan goes on:

THE SON AND THE SLAVE

A merchant of measureless wealth had an only son, who, when he grew up,
said, "Father, send me on a voyage, that I may trade and see foreign
lands, and talk with men of wisdom, to learn from their words." The
father purchased a ship, and sent him on a voyage, with much wealth and
many friends. The father was left at home with his slave, in whom he put
his trust, and who filled his son's place in position and affection.
Suddenly a pain seized him in the heart, and he died without directing
how his property was to be divided. The slave took possession of
everything; no one in the town knew whether he was the man's slave or his
son. Ten years passed, and the real son returned, with his ship laden
with wealth. As they approached the harbor, the ship was wrecked. They
had cast everything overboard, in a vain effort to save it; finally, the
crew and the passengers were all thrown into the sea. The son reached the
shore destitute, and returned to his father's house; but the slave drove
him away, denying his identity. They went before the judge. "Find the
loathly merchant's grave," he said to the slave, "and bring me the dead
man's bones. I shall burn them for his neglect to leave a will, thus
rousing strife as to his property." The slave started to obey, but the
son stayed him. "Keep all," said he, "but disturb not my father's bones."
"Thou art the son," said the judge; "take this other as thy lifelong
slave."


Joseph and Enan pass to the city of Tobiah. At the gate they are accosted
by an old and venerable man, to whom they explain that they have been on
the way for seven days. He invites them to his home, treats them
hospitably, and after supper tells them sweet and pleasant tales, "among
his words an incident wonderful to the highest degree." This wonderful
story is none other than a distorted version of the Book of Tobit. I have
translated this in full, and in rhymed prose, as a specimen of the
original.


THE STORY OF TOBIT

Here, in the days of the saints of old, in the concourse of elders of age
untold, there lived a man upright and true, in all his doings good
fortune he knew. Rich was he and great, his eyes looked ever straight:
Tobiah, the son of Ahiah, a man of Dan, helped the poor, to each gave of
his store; whene'er one friendless died, the shroud he supplied, bore the
corpse to the grave, nor thought his money to save. The men of the place,
a sin-ruled race, slandering, cried, "O King, these Jewish knaves open
our graves! Our bones they burn, into charms to turn, health to earn."
The king angrily spoke: "I will weighten their yoke, and their villainy
repay; all the Jews who, from to-day, die in this town, to the pit take
down, to the pit hurry all, without burial. Who buries a Jew, the hour
shall rue; bitter his pang, on the gallows shall he hang." Soon a
sojourner did die, and no friends were by; but good Tobiah the corpse did
lave, and dress it for the grave. Some sinners saw the deed, to the judge
the word they gave, who Tobiah's death decreed. Forth the saint they
draw, to hang him as by law. But now they near the tree, lo! no man can
see, a blindness falls on all, and Tobiah flies their thrall. Many
friends his loss do weep, but homewards he doth creep, God's mercies to
narrate, and his own surprising fate, "Praise ye the Lord, dear friends,
for His mercy never ends, and to His servants good intends." Fear the
king distressed, his heart beat at his breast, new decrees his fear
expressed. "Whoe'er a Jew shall harm," the king cried in alarm, "touching
his person or personalty, touches the apple of my eye; let no man do this
wrong, or I'll hang him 'mid the throng, high though his rank, and his
lineage long." And well he kept his word, he punished those who erred;
but on the Jews his mercies shone, the while he rilled the throne.

Once lay the saint at rest, and glanced upon the nest of a bird within
his room. Ah! cruel was his doom! Into his eye there went the sparrow's
excrement. Tobiah's sight was gone! He had an only son, whom thus he now
addressed: "When business ventures pressed, I passed from clime to clime.
Well I recall the time, when long I dwelt in Ind, of wealth full stores
to find. But perilous was the road, and entrusted I my load with one of
honest fame, Peër Hazeman his name. And now list, beloved son, go out and
hire thee one, thy steps forthwith to guide unto my old friend's side. I
know his love's full stream, his trust he will redeem; when heareth he my
plight, when seeth he thy sight, then will he do the right." The youth
found whom he sought, a man by travel taught, the ways of Ind he knew; he
knew them through and through, he knew them up and down, as a townsman
knows his town. He brought him to his sire, who straightway did inquire,
"Knowest thou an Indian spot, a city named Tobot?"--"Full well I know the
place, I spent a two years' space in various enterprise; its people all
are wise, and honest men and true."--"What must I give to you," asked
Tobiah of his guest," to take my son in quest?"--"Of pieces pure of
gold, full fifty must be told."--"I'll pay you that with joy; start forth
now with my boy." A script the son did write, which Tobiah did indite,
and on his son bestow a sign his friend would know. The father kissed his
son, "In peace," said he, "get gone; may God my life maintain till thou
art come again." The youth and guide to Tobot hied, and reached anon Peër
Hazeman. "Why askest thou my name?" Straight the answer came, "Tobiah is
my sire, and he doth inquire of thy health and thy household's." Then the
letter he unfolds. The contents Peër espies, every doubt flies, he
regards the token with no word spoken. "'Tis the son of my friend, who
greeting thus doth send. Is it well with him? Say."--"Well, well with him
alway."--"Then dwell thou here a while, and hours sweet beguile with the
tales which thou wilt tell of him I loved so well."--"Nay, I must
forthwith part to soothe my father's heart. I am his only trust, return
at once I must." Peër Hazeman agrees the lad to release; gives him all
his father's loan, and gifts adds of his own, raiment and two slaves. To
music's pleasant staves, the son doth homeward wend. By the shore of the
sea went the lad full of glee, and the wind blew a blast, and a fish was
upward cast. Then hastened the guide to ope the fish's side, took the
liver and the gall, for cure of evil's thrall: liver to give demons
flight, gall to restore men's sight. The youth begged his friend these
specifics to lend, then went he on his way to where his sick sire lay.
Then spake the youth to his father all the truth. "Send not away the
guide without pay." The son sought the man, through the city he ran, but
the man had disappeared. Said Tobiah, "Be not afeared, 'twas Elijah the
seer, whom God sent here to stand by our side, our needs to provide." He
bathed both his eyes with the gall of the prize, and his sight was
restored by the grace of the Lord.

Then said he to his son, "Now God His grace has shown, dost thou not
yearn to do a deed in turn? My niece forthwith wed."--"But her husbands
three are dead, each gave up his life as each made her his wife; to her
shame and to her sorrow, they survived not to the morrow."--"Nay, a demon
is the doer of this harm to every wooer. My son, obey my wish, take the
liver of the fish, and burn it in full fume, at the door of her
room,'twill give the demon his doom." At his father's command, with his
life in his hand, the youth sought the maid, and wedded her unafraid. For
long timid hours his prayer Tobiah pours; but the incense was alight, the
demon took to flight, and safe was all the night. Long and happily wed,
their lives sweetly sped.

Their entertainer tells Joseph and Enan another story of piety connected
with the burial of the dead:


THE PARALYTICS TOUCHSTONE OF VIRTUE

Once upon a time there lived a saintly man, whose abode was on the way to
the graveyard. Every funeral passed his door, and he would ever rise and
join in the procession, and assist those engaged in the burial. In his
old age his feet were paralyzed, and he could not leave his bed; the dead
passed his doors, and he sighed that he could not rise to display his
wonted respect. Then prayed he to the Lord: "O Lord, who givest eyes to
the blind and feet to the lame, hear me from the corner of my sorrowful
bed. Grant that when a pious man is borne to his grave, I may be able to
rise to my feet." An angel's voice in a vision answered him, "Lo, thy
prayer is heard." And so, whenever a pious man was buried, he rose and
prayed for his soul. On a day, there died one who had grown old in the
world's repute, a man of excellent piety, yet the lame man could not rise
as his funeral passed. Next day died a quarrelsome fellow of ill fame for
his notorious sins, and when his body was carried past the lame man's
door, the paralytic was able to stand. Every one was amazed, for hitherto
the lame man's rising or resting had been a gauge of the departed's
virtue. Two sage men resolved to get to the bottom of the mystery. They
interviewed the wife of the fellow who had died second. The wife
confirmed the worst account of him, but added: "He had an old father,
aged one hundred years, and he honored and served him. Every day he
kissed his hand, gave him drink, stripped and dressed him when, from old
age, he could not turn himself on his couch; daily he brought ox and lamb
bones, from which he drew the marrow, and made dainty foods of it." And
the people knew that honoring his father had atoned for his
transgressions. Then the two inquisitors went to the house of the pious
man, before whom the paralytic had been unable to rise. His widow gave
him an excellent character; he was gentle and pious; prayed three times a
day, and at midnight rose and went to a special chamber to say his
prayers. No one had ever seen the room but himself, as he ever kept the
key in his bosom. The two inquisitors opened the door of this chamber,
and found a small box hidden in the window-sill; they opened the box, and
found in it a golden figure bearing a crucifix. Thus the man had been one
of those who do the deeds of Zimri, and expect the reward of Phineas.


TABLE TALK

Joseph and Enan then retire to rest, and their sleep is sweet and long. By
strange and devious ways they continue their journey on the morrow,
starting at dawn. Again they pass the night at the house of one of Enan's
friends, Rabbi Judah, a ripe old sage and hospitable, who welcomes them
cordially, feeds them bountifully, gives them spiced dishes, wine of the
grape and the pomegranate, and then tells stories and proverbs "from the
books of the Arabs."

A man said to a sage, "Thou braggest of thy wisdom, but it came from me."
"Yes," replied the sage, "and it forgot its way back."--Who is the worst
of men? He who is good in his own esteem.--Said a king to a sage, "Sweet
would be a king's reign if it lasted forever." "Had such been your
predecessor's lot," replied the wise man, "how would you have reached the
throne?"--A man laid a complaint before the king; the latter drove the
suppliant out with violence. "I entered with one complaint," sighed the
man, "I leave with two."--What is style? Be brief and do not repeat
yourself.--The king once visited a nobleman's house, and asked the
latter's son, "Whose house is better, your father's or mine?" "My
father's," said the boy, "while the king is in it."--A king put on a new
robe, which did not become him. "It is not good to wear," said a
courtier, "but it is good to put on." The king put the robe on him.--A
bore visited a sick man. "What ails thee?" he asked. "Thy presence," said
the sufferer.--A man of high lineage abused a wise man of lowly birth.
"My lineage is a blot on me," retorted a sage, "thou art a blot on thy
lineage."--To another who reviled him for his lack of noble ancestry, he
retorted, "Thy noble line ends with thee, with me mine begins."--Diogenes
and Dives were attacked by robbers. "Woe is me," said Dives, "if they
recognize me." "Woe is me," said Diogenes, "if they do not recognize
me."--A philosopher sat by the target at which the archers were shooting.
"'Tis the safest spot," said he.--An Arab's brother died. "Why did he
die?" one asked. "Because he lived," was the answer.--"What hast thou
laid up for the cold weather?" they asked a poor fellow. "Shivering," he
answered.--Death is the dread of the rich and the hope of the
poor.--Which is the best of the beasts? Woman.--Hide thy virtues as thou
hidest thy faults.--A dwarf brought a complaint to his king. "No one,"
said the king, "would hurt such a pigmy." "But," retorted the dwarf, "my
injurer is smaller than I am."--A dolt sat on a stone. "Lo, a blockhead
on a block," said the passers-by.--"What prayer make you by night?" they
asked a sage. "Fear God by day, and by night you will sleep, not
pray."--Rather a wise enemy than a foolish friend.--Not everyone who
flees escapes, not everyone who begs has need.--A sage had weak eyes.
"Heal them," said they. "To see what?" he rejoined.--A fool quarrelled
with a sage. Said the former, "For every word of abuse I hear from thee,
I will retort ten." "Nay," replied the other, "for every ten words of
abuse I hear from thee, I will not retort one."--An honest man cannot
catch a thief.--All things grow with time except grief.--The character of
the sent tells the character of the sender.--What is man's best means of
concealment? Speech.--"Why walkest thou so slowly?" asked the lad of the
greybeard. "My years are a chain to my feet: and thy years are preparing
thy chain."--Do not swallow poison because you know an antidote.--The
king heard a woman at prayer. "O God," she said, "remove this king from
us." "And put a better in his stead," added the eavesdropping
monarch.--Take measure for this life as though thou wilt live forever;
prepare for the next world as though thou diest to-morrow.--"He will
die," said the doctor, but the patient recovered. "You have returned from
the other world," said the doctor when he met the man. "Yes," said the
latter, "and the doctors have a bad time there. But fear not. Thou art no
doctor."--Three things weary: a lamp that will not burn, a messenger that
dawdles, a table spread and waiting.

Then follows a string of sayings about _threes_:

Reason rules the body, wisdom is the pilot, law is its light. Might is
the lion's, burdens are the ox's, wisdom is man's; spinning the spider's,
building the bee's, making stores the ant's. In three cases lying is
permissible: in war, in reconciling man to man, in appeasing one's wife.

Their host concludes his lengthy list of sententious remarks thus:

A king had a signet ring, on which were engraved the words, "Thou hast
bored me: rise!" and when a guest stayed too long, he showed the visitor
the ring.-The heir of a wealthy man squandered his money, and a sage saw
him eating bread and salted olives. "Hadst thou thought that this would
be thy food, this would not be thy food."-Marry no widow. She will lament
her first husband's death.


THE CITY OF ENAN

This was the signal for the party to retire to rest.

Next day the wayfarers reach Enan's own city, the place he had all along
desired Joseph to see. He shows Joseph his house; but the latter replies,
"I crave food, not sight-seeing." "Surely," says Enan, "the more hurry the
less speed." At last the table is spread; the cloth is ragged, the dishes
contain unleavened bread, such as there is no pleasure in eating, and there
is a dish of herbs and vinegar. Then ensues a long wrangle, displaying much
medical knowledge, on the physiology of herbs and vegetables, on the eating
of flesh, much and fast. Enan makes sarcastic remarks on Joseph's rapacious
appetite. He tells Joseph, he must not eat this or that. A joint of lamb is
brought on the table, Enan says the head is bad, and the feet, and the
flesh, and the fat; so that Joseph has no alternative but to eat it all. "I
fear that what happened to the king, will befall thee," said Enan. "Let me
feed first," said Joseph; "then you can tell me what happened to the king."


THE PRINCESS AND THE ROSE

A gardener came to his garden in the winter. It was the month of Tebet,
and he found some roses in flower. He rejoiced at seeing them; and he
plucked them, and put them on a precious dish, carried them to the king,
and placed them before him. The king was surprised, and the flowers were
goodly in his sight; and he gave the gardener one hundred pieces of gold.
Then said the king in his heart, "To-day we will make merry, and have a
feast." All his servants and faithful ministers were invited to rejoice
over the joy of the roses. And he sent for his only daughter, then with
child; and she stretched forth her hand to take a rose, and a serpent
that lay in the dish leapt at her and startled her, and she died before
night.


QUESTION AND ANSWER

But Joseph's appetite was not to be stayed by such tales as this. So Enan
tells him of the "Lean Fox and the Hole"; but in vain. "Open not thy mouth
to Satan," says Joseph. "I fear for my appetite, that it become smaller";
and goes on eating.

Now Enan tries another tack: he will question him, and put him through his
paces. But Joseph yawns and protests that he has eaten too much to keep his
eyes open.

"How canst thou sleep," said Enan, "when thou hast eaten everything,
fresh and stale? As I live, thou shalt not seek thy bed until I test thy
wisdom-until I prove whether all this provender has entered the stomach
of a wise man or a fool."

Then follows an extraordinary string of anatomical, medical, scientific,
and Talmudic questions about the optic nerves; the teeth; why a man lowers
his head when thinking over things he has never known, but raises his head
when thinking over what he once knew but has forgotten; the physiology of
the digestive organs, the physiology of laughter; why a boy eats more than
a man; why it is harder to ascend a hill than to go down; why snow is
white; why babies have no teeth; why children's first set of teeth fall
out; why saddest tears are saltest; why sea water is heavier than fresh;
why hail descends in summer; why the sages said that bastards are mostly
clever. To these questions, which Enan pours out in a stream, Joseph
readily gives answers. But now Enan is hoist with his own petard.

"I looked at him," continues the poet, "and sleep entrapped his eyes, and
his eyelids kissed the irides. Ah! I laughed in my heart. Now I will talk
to him, and puzzle him as he has been puzzling me. He shall not sleep, as
he would not let me sleep. 'My lord,' said I, 'let me now question thee.'
'I am sleepy,' said he, 'but ask on.' 'What subject shall I choose?' I
said. 'Any subject,' he replied; 'of all knowledge I know the half.'"
Joseph asks him astronomical, musical, logical, arithmetical questions;
to all of which Enan replies, "I do not know." "But," protests Joseph,
"how couldst thou assert that thou knewest half of every subject, when it
is clear thou knowest nothing?" "Exactly," says Enan, "for Aristotle
says, 'He who says, I do not know, has already attained the half of
knowledge.'"

But he says he knows medicine; so Joseph proceeds to question him. Soon he
discovers that Enan is again deceiving him; and he abuses Enan roundly for
his duplicity.

Enan at length is moved to retort.

"I wonder at thy learning," says Enan, "but more at thy appetite." Then
the lamp goes out, the servant falls asleep, and they are left in
darkness till the morning. Then Joseph demands his breakfast, and goes
out to see his ass. The ass attempts to bite Joseph, who strikes it, and
the ass speaks. "I am one of the family of Balaam's ass," says the
animal. "But I am not Balaam," says Joseph, "to divine that thou hast
eaten nothing all night." The servant asserts that he fed the ass, but
the animal had gobbled up everything, his appetite being equal to his
owner's. But Joseph will not believe this, and Enan is deeply hurt.
"Peace!" he shouts, and his eyes shoot flames, and his nostrils distil
smoke. "Peace, cease thy folly, or, as I live, and my ancestor Asmodeus,
I will seize thee with my little finger, and will show thee the city of
David."

In timid tones Joseph asks him, "Who is this Asmodeus, thy kinsman?"


ENAN REVEALS HIMSELF

"Asmodeus," said Enan, "the great prince who, on his wing, bore Solomon
from his kingdom to a distant strand." "Woe is me," I moaned, "I thought
thee a friend; now thou art a fiend. Why didst thou hide thy nature? Why
didst thou conceal thy descent? Why hast thou taken me from my home in
guile?" "Nay," said Enan, "where was thy understanding? I gave thee my
name, thou shouldst have inverted it" [i.e., transpose _Desh_ to _Shed_.
Enan at the beginning of the tale had announced himself as _ha-Desh_, he
now explains that meant _ha-Shed_ = the demon]. Then Enan gives his
pedigree: "I am Enan, the Satan, son of Arnan the Demon, son of the Place
of Death, son of Rage, son of Death's Shadow, son of Terror, son of
Trembling, son of Destruction, son of Extinction, son of Evil-name, son
of Mocking, son of Plague, son of Deceit, son of Injury, son of
Asmodeus."

Nevertheless Enan quiets Joseph's fears, and promises that no harm shall
befall him. He goes through Enan's city, sees wizards and sorcerers, and
sinners and fools, all giants.


ENAN'S FRIEND AND HIS DAUGHTER

Then Enan introduces his own especial friend. "He is good and wise," said
Enan, "despite his tall stature. He shows his goodness in hating the wise
and loving fools; he is generous, for he will give a beggar a crust of
dry bread, and make him pay for it; he knows medicine, for he can tell
that if a man is buried, he either has been sick, or has had an accident;
he knows astronomy, for he can tell that it is day when the sun shines,
and night when the stars appear; he knows arithmetic, for he can tell
that one and one make two; he knows mensuration, for he can tell how many
handbreadths his belly measures; he knows music, for he can tell the
difference between the barking of a dog and the braying of an ass." "But,
said I," continues Joseph, "how canst thou be the friend of such a one?
Accursed is he, accursed his master." "Nay," answered Enan, "I love him
not; I know his vile nature: 'tis his daughter that binds me to him, for
she, with her raven locks and dove's eyes and lily cheeks, is fair beyond
my power to praise." Yet I warned him against marrying the daughter of an
uneducated man, an Am ha-Arez. Then follows a compilation of passages
directed against ignorance. "Ah!" cries Enan, "your warning moves me. My
love for her is fled. Thou fearest God and lovest me, my friend. What is
a friend? One heart in two bodies. Then find me another wife, one who is
beautiful and good. Worse than a plague is a bad woman. Listen to what
once befell me with such a one."

Thereupon Enan introduces the last of the stories incorporated into the
book:


THE WASHERWOMAN WHO DID THE DEVIL'S WORK

Once upon a time, in my wanderings to and fro upon the earth, I came to a
city whose inhabitants dwelt together, happy, prosperous, and secure. I
made myself well acquainted with the place and the people, but, despite
all my efforts, I was unable to entrap a single one. "This is no place
for me," I said, "I had better return to my own country." I left the
city, and, journeying on, came across a river, at the brink of which I
seated myself. Scarcely had I done so, when a woman appeared bearing her
garments to be washed in the river. She looked at me, and asked, "Art
thou of the children of men or of demons?" "Well," said I, "I have grown
up among men, but I was born among demons." "But what art thou after
here?" "Ah," I replied, "I have spent a whole month in yonder city. And
what have I found? A city full of friends, enjoying every happiness in
common. In vain have I tried to put a little of wickedness among them."
Then the woman, with a supercilious air: "If I am to take thee for a
specimen, I must have a very poor opinion of the whole tribe of demons.
You seem mighty enough, but you haven't the strength of women. Stop here
and keep an eye on the wash; but mind, play me no tricks. I will go back
to the city and kindle therein fire and fury, and pour over it a spirit
of mischief, and thou shalt see how I can manage things." "Agreed!" said
I, "I will stay here and await thy coming, and watch how affairs turn out
in thy hands."

The washerwoman departed, went into the city, called upon one of the
great families there residing, and requested to see the lady of the
house. She asked for a washing order, which she promised to execute to
the most perfect satisfaction. While the housemaid was collecting the
linen, the washerwoman lifted her eyes to the beautiful face of the
mistress, and exclaimed: "Yes, they are a dreadful lot, the men; they are
all alike, a malediction on them! The best of them is not to be trusted.
They love all women but their own wives." "What dost thou mean?" asked
the lady. "Merely this," she answered. "Coming hither from my house, whom
should I meet but thy husband making love to another woman, and such a
hideous creature, too! How he could forsake beauty so rare and exquisite
as thine for such disgusting ugliness, passes my understanding. But do
not weep, dear lady, don't distress thyself and give way. I know a means
by which I shall bring that husband of thine to his senses, so that thou
shalt suffer no reproach, and he shall never love any other woman than
thee. This is what thou must do. When thy husband comes home, speak
softly and sweetly to him; let him suspect nothing; and when he has
fallen asleep, take a sharp razor and cut off three hairs from his beard;
black or white hairs, it matters not. These thou must afterwards give to
me, and with them I will compound such a remedy that his eyes shall be
darkened in their sockets, so that he will look no more upon other lovely
women, but cling to thee alone in mighty and manifest and enduring love."
All this the lady promised, and gifts besides for the washerwoman, should
her plan prosper.

Carrying the garments with her, the woman now sought out the lady's
husband. With every sign of distress in her voice and manner, she told
him that she had a frightful secret to divulge to him. She knew not if
she would have the strength to do so. She would rather die first The
husband was all the more eager to know, and would not be refused. "Well,
then," she said, "I have just been to thy house, where my lady, thy wife,
gave me these garments to wash; and, while I was yet standing there, a
youth, of handsome mien and nobly attired, arrived, and the two withdrew
into an adjoining room: so I inclined mine ear to listen to their speech,
and this is what I overheard: The young man said to thy wife, 'Kill thy
husband, and I will marry thee,' She, however, declared that she was
afraid to do such a dreadful deed. 'O,' answered he, 'with a little
courage it is quite easy. When thy husband is asleep, take a sharp razor
and cut his throat.'" In fierce rage, but suppressing all outward
indication of it, the husband returned home. Pretending to fall asleep,
he watched his wife closely, saw her take a razor to sever the three
hairs for the washerwoman's spell, darted up suddenly, wrested the razor
from her hands, and with it slew his wife on the spot.

The news spread; the relations of the wife united to avenge her death,
and kill the husband. In their turn his relatives resolved to avenge him;
both houses were embroiled, and before the feud was at an end, two
hundred and thirty lives were sacrificed. The city resounded with a great
cry, the like of which had never been heard. "From that day," concluded
Enan, "I decided to injure no man more. Yet for this very reason I fear
to wed an evil woman." "Fear not," returned Joseph, "the girl I recommend
is beautiful and good." And Enan married her, and loved her.

Thus Enan is metamorphosed from a public demon into something of a domestic
saint. Zabara gives us an inverted Faust.


JOSEPH RETURNS HOME TO BARCELONA

"After a while," concludes Joseph, "I said to him, 'I have sojourned long
enough in this city, the ways of which please me not. Ignorance prevails,
and poetry is unknown; the law is despised; the young are set over the old;
they slander and are impudent. Let me go home after my many years of
wandering in a strange land. Fain would I seek the place where dwells the
great prince, Rabbi Sheshet Benveniste, of whom Wisdom says, Thou art my
teacher, and Faith, Thou art my friend.' 'What qualitie,' asked Enan,
'brought him to this lofty place of righteousness and power?' 'His
simplicity and humility, his uprightness and saintliness.'"

And with this eulogy of the aged Rabbi of Barcelona, the poem somewhat
inconsequently ends. It may be that the author left the work without
putting in the finishing touches. This would account for the extra stories,
which, as was seen above, may belong to the book, though not incorporated
into it.

It will be thought, from the summary mode in which I have rendered these
stories, that I take Zabara to be rather a literary curiosity than a poet.
But Zabara's poetical merits are considerable. If I have refrained from
attempting a literal rendering, it is mainly because the rhymed-prose
_genre_ is so characteristically Oriental that its charm is incommunicable
in a Western language. Hence, to those who do not read Zabara in the
original, he is more easily appreciated as a _conteur_ than as an
imaginative writer. To the Hebraist, too, something of the same remark
applies. Rhymed prose is not much more consistent with the genius of Hebrew
than it is with the genius of English. Arabic and Persian seem the only
languages in which rhymed prose assumes a natural and melodious shape. In
the new-Hebrew, rhymed prose has always been an exotic, never quite a
native flower. The most skilful gardeners failed to acclimatize it
thoroughly in European soil. Yet Zabara's humor, his fluent simplicity, his
easy mastery over Hebrew, his invention, his occasional gleams of fancy,
his gift of satire, his unfailing charm, combine to give his poem some
right to the title by which he called it--"The Book of Delight."




A VISIT TO HEBRON


Of a land where every stone has its story, it can hardly be asserted that
any one place has a fuller tale to tell than another. But Hebron has a
peculiar old-world charm as the home of the founder of the Hebrew race.
Moreover, one's youthful imagination associates Hebron with the giants, the
sons of Anak, sons, that is, of the long neck; men of Arba, with broad,
square shoulders. A sight of the place itself revives this memory. Ancient
Hebron stood higher than the present city, but as things now are, though
the hills of Judea reach their greatest elevation in the neighborhood,
Hebron itself rests in a valley. Most towns in Palestine are built on
hills, but Hebron lies low. Yet the surrounding hills are thirty-two
hundred feet above the level of the Mediterranean, and five hundred feet
higher than Mount Olivet. For this reason Hebron is ideally placed for
conveying an impression of the mountainous character of Judea. In Jerusalem
you are twenty-six hundred feet above the sea, but, being high up, you
scarcely realize that you are in a mountain city. The hills about Hebron
tower loftily above you, and seem a fitting abode for the giants whom
Joshua and Caleb overthrew.

Hebron, from yet another point of view, recalls its old-world associations.
Not only is Hebron one of the oldest cities in the world still inhabited,
but it has been far less changed by Western influences than other famous
places. Hebron is almost entirely unaffected by Christian influence. In the
East, Christian influence more or less means European influence, but Hebron
is still completely Oriental. It is a pity that modern travellers no longer
follow the ancient route which passed from Egypt along the coast to Gaza,
and then struck eastwards to Hebron. By this route, the traveller would
come upon Judea in its least modernized aspect. He would find in Hebron a
city without a hotel, and unblessed by an office of the Monarch of the
East, Mr. Cook. There are no modern schools in Hebron; the only institution
of the kind, the Mildmay Mission School, had scarcely any pupils at the
time of my visit. This is but another indication of the slight effect that
European forces are producing; the most useful, so far, has been the
medical mission of the United Free Church of Scotland. But Hebron has been
little receptive of the educational and sanitary boons that are the chief
good--and it is a great good--derived from the European missions in the
East. I am almost reluctant to tell the truth, as I must, of Hebron, and
point out the pitiful plight of our brethren there, lest, perchance, some
philanthropists set about mending the evil, to the loss of the
primitiveness in which Hebron at present revels. This is the pity of it.
When you employ a modern broom to sweep away the dirt of an ancient city,
your are apt to remove something else as well as the dirt.

Besides its low situation and its primitiveness, Hebron has a third
peculiarity. Go where one may in Judea, the ancient places, even when still
inhabited, wear a ruined look. Zion itself is scarcely an exception.
Despite its fifty thousand inhabitants, Jerusalem has a decayed appearance,
for the newest buildings often look like ruins. The cause of this is that
many structures are planned on a bigger scale than can be executed, and
thus are left permanently unfinished, or like the windmill of Sir Moses are
disused from their very birth. Hebron, in this respect again, is unlike the
other cities of Judea. It had few big buildings, hence it has few big
ruins. There are some houses of two stories in which the upper part has
never been completed, but the houses are mostly of one story, with
partially flat and partially domed roofs. The domes are the result both of
necessity and design; of necessity, because of the scarcity of large beams
for rafters; of design, because the dome enables the rain to collect in a
groove, or channel, whence it sinks into a reservoir.

Hebron, then, produces a favorable impression on the whole. It is green and
living, its hills are clad with vines, with plantations of olives,
pomegranates, figs, quinces, and apricots. Nowhere in Judea, except in the
Jordan valley, is there such an abundance of water. In the neighborhood of
Hebron, there are twenty-five springs, ten large perennial wells, and
several splendid pools. Still, as when the huge cluster was borne on two
men's shoulders from Eshkol, the best vines of Palestine grow in and around
Hebron. The only large structure in the city, the mosque which surmounts
the Cave of Machpelah, is in excellent repair, especially since 1894-5,
when the Jewish lads from the _Alliance_ school of Jerusalem renewed the
iron gates within, and supplied fresh rails to the so-called sarcophagi of
the Patriarchs. The ancient masonry built round the cave by King Herod, the
stones of which exactly resemble the masonry of the Wailing Place in
Jerusalem, still stands in its massive strength.

I have said that Hebron ought to be approached from the South or West. The
modern traveller, however, reaches it from the North. You leave Jerusalem
by the Jaffa gate, called by the Mohammedans Bab el-Khalil, _i.e._ Hebron
gate. The Mohammedans call Hebron el-Khalil, City of the Friend of God, a
title applied to Abraham both in Jewish and Mohammedan tradition. Some,
indeed, derive the name Hebron from Chaber, comrade or friend; but Hebron
may mean "confederation of cities," just as its other name, Kiriath-arba,
may possibly mean Tetrapolis. The distance from Jerusalem to Hebron depends
upon the views of the traveller. You can easily get to Hebron in four hours
and a half by the new carriage road, but the distance, though less than
twenty miles, took me fourteen hours, from five in the morning till seven
at night. Most travellers turn aside to the left to see the Pools of
Solomon, and the grave of Rachel lies on the right of the highroad itself.
It is a modern building with a dome, and the most affecting thing is the
rough-hewn block of stone worn smooth by the lips of weeping women. On the
opposite side of the road is Tekoah, the birthplace of Amos; before you
reach it, five miles more to the north, you get a fine glimpse also of
Bethlehem, the White City, cleanest of Judean settlements. Travellers tell
you that the rest of the road is uninteresting. I did not find it so. For
the motive of my journey was just to see those "uninteresting" sites,
Beth-zur, where Judas Maccabeus won such a victory that he was able to
rededicate the Temple, and Beth-zacharias, through whose broad valley-roads
the Syrian elephants wound their heavy way, to drive Judas back on his
precarious base at the capital.

It is somewhat curious that this indifference to the Maccabean sites is not
restricted to Christian tourists. For, though several Jewish travellers
passed from Jerusalem to Hebron in the Middle Ages, none of them mentions
the Maccabean sites, none of them spares a tear or a cheer for Judas
Maccabeus. They were probably absorbed in the memory of the Patriarchs and
of King David, the other and older names identified with this district.
Medieval fancy, besides, was too busy with peopling Hebron with myths to
waste itself on sober facts. Hebron, according to a very old notion, was
the place where Adam and Eve lived after their expulsion from Eden; it was
from Hebron's red earth that the first man was made. The _Pirke di Rabbi
Eliezer_ relate, that when the three angels visited Abraham, and he went to
get a lamb for their meal, the animal fled into a cave. Abraham followed
it, and saw Adam and Eve lying asleep, with lamps burning by their tombs,
and a sweet savor, as of incense, emanating from the dead father and mother
of human-kind. Abraham conceived a love for the Cave, and hence desired it
for Sarah's resting-place.

I suppose that some will hold, that we are not on surer historical ground
when we come to the Biblical statement that connects Abraham with Hebron.
Before arguing whether Abraham lived in Hebron, and was buried in
Machpelah, one ought to prove that Abraham ever lived at all, to be buried
anywhere. But I shall venture to take Abraham's real existence for granted,
as I am not one of those who think that a statement must be false because
it is made in the Book of Genesis. That there was a very ancient shrine in
Hebron, that the great Tree of Mamre was the abode of a local deity, may be
conceded, but to my mind there is no more real figure in history than
Abraham. Especially when one compares the modern legends with the Biblical
story does the substantial truth of the narrative in Genesis manifest
itself. The narrative may contain elements of folk poetry, but the hero
Abraham is a genuine personality.

As I have mentioned the tree, it may be as well to add at once that
Abraham's Oak is still shown at Hebron, and one can well imagine how it was
thought that this magnificent terebinth dated from Bible times. A few years
ago it was a fresh, vigorous giant, but now it is quite decayed. The ruin
began in 1853, when a large branch was broken off by the weight of the
snow. Twelve years ago the Russian Archimandrite of Jerusalem purchased the
land on which the tree stands, and naturally he took much care of the
relic. In fact, he took too much care, for some people think that the low
wall which the Russians erected as a safeguard round the Oak, has been the
cause of the rapid decay that has since set in. Year by year the branches
have dropped off, the snow and the lightning have had their victims. It is
said that only two or three years ago one branch towards the East was still
living, but when I saw it, the trunk was bare and bark-less, full of little
worm-holes, and quite without a spark of vitality. The last remaining
fragment has since fallen, and now the site of the tree is only marked by
the row of young cypresses which have been planted in a circle round the
base of the Oak of Mamre. But who shall prophesy that, a century hence, a
tree will not have acquired sufficient size and antiquity to be foisted
upon uncritical pilgrims as the veritable tree under which Father Abraham
dwelt!

The Jewish tradition does not quite agree with the view that identified
this old tree with Mamre. According to Jewish tradition, the Tree is at the
ruins of Ramet el-Khalil, the High Place of the Friend, _i.e._ of Abraham,
about two miles nearer Jerusalem. Mr. Shaw Caldecott has propounded the
theory that this site is Samuel's Ramah, and that the vast ruins of a
stone-walled enclosure here represent the enclosure within which Samuel's
altar stood. The Talmud has it that Abraham erected a guest-house for the
entertainment of strangers near the Grove of Mamre. There were doors on
every side, so that the traveller found a welcome from whichever direction
he came. There our father made the name of God proclaimed at the mouth of
all wayfarers. How? After they had eaten and refreshed themselves, they
rose to thank him. Abraham answered, "Was the food mine? It is the bounty
of the Creator of the Universe." Then they praised, glorified, and blessed
Him who spake and the world was.

We are on the road now near Hebron, but, before entering, let us recall a
few incidents in its history. After the Patriarchal age, Hebron was noted
as the possession of Caleb. It also figures as a priestly city and as one
of the cities of refuge. David passed much of his life here, and, after
Saul's death, Hebron was the seat of David's rule over Judea. Abner was
slain here by Joab, and was buried here--they still show Abner's tomb in
the garden of a large house within the city. By the pool at Hebron were
slain the murderers of Ishbosheth, and here Absalom assumed the throne.
After his time we hear less of Hebron. Jerusalem overshadowed it in
importance, yet we have one or two mentions. Rehoboam strengthened the
town, and from a stray reference in Nehemiah, we gather that the place long
continued to be called by its older name of Kiriath Arba. For a long period
after the return from the Exile Hebron belonged to the Idumeans. It was the
scene of warfare in the Maccabean period, and also during the rebellion
against Rome. In the market-place at Hebron, Hadrian sold numbers of Jewish
slaves after the fall of Bar-Cochba, in 135 C.E. In the twelfth century
Hebron was in the hands of the Christian Crusaders. The fief of Hebron, or,
as it was called, of Saint Abraham, extended southwards to Beer-sheba. A
bishopric was founded there in 1169, but was abandoned twenty years later.

We hear of many pilgrims in the Middle Ages. The Christians used to eat
some of the red earth of Hebron, the earth from which Adam was made. On
Sunday the seventeenth of October, 1165, Maimonides was in Hebron, passing
the city on his way from Jerusalem to Cairo. Obadiah of Bertinoro, in 1488,
took Hebron on the reverse route. He went from Egypt across the desert to
Gaza, and, though he travelled all day, did not reach Hebron from Gaza till
the second morning. If the text is correct, David Reubeni was four days in
traversing the same road, a distance of about thirty-three miles. To revert
to an earlier time, Nachmanides very probably visited Hebron. Indeed, his
grave is shown to the visitor. But this report is inaccurate. He wrote to
his son, in 1267, from Jerusalem, "Now I intend to go to Hebron, to the
sepulchre of our ancestors, to prostrate myself, and there to dig my
grave." But he must have altered his mind in the last-named particular, for
his tomb is most probably in Acre.

I need not go through the list of distinguished visitors to Hebron. Suffice
it to say that in the fourteenth century there was a large and flourishing
community of Jews in the town; they were weavers and dyers of cotton stuffs
and glass-makers, and the Rabbi was often himself a shepherd in the literal
sense, teaching the Torah while at work in the fields. He must have felt
embarrassed sometimes between his devotion to his metaphorical and to his
literal flock. When I was at Moza, I was talking over some Biblical texts
with Mr. David Yellin, who was with me. The colonists endured this for a
while, but at last they broke into open complaint. One of the colonists
said to me: "It is true that the Mishnah forbids you to turn aside from the
Torah to admire a tree, but you have come all the way from Europe to admire
my trees. Leave the Torah alone for the present." I felt that he was right,
and wondered how the Shepherd Rabbis of Hebron managed in similar
circumstances.

In the century of which I am speaking, the Hebron community consisted
entirely of Sefardim, and it was not till the sixteenth century that
Ashkenazim settled there in large numbers. I have already mentioned the
visit of David Reubeni. He was in Hebron in 1523, when he entered the Cave
of Machpelah on March tenth, at noon. It is of interest to note that his
account of the Cave agrees fully with that of Conder. It is now quite
certain that he was really there in person, and his narrative was not made
up at second hand. The visit of Reubeni, as well as Sabbatai Zebi's, gave
new vogue to the place. When Sabbatai was there, a little before the year
1666, the Jews were awake and up all night, so as not to lose an instant of
the sacred intercourse with the Messiah. But the journey to Hebron was not
popular till our own days. It was too dangerous, the Hebron natives
enjoying a fine reputation for ferocity and brigandage. An anonymous Hebrew
writer writes from Jerusalem in 1495, that a few days before a Jew from
Hebron had been waylaid and robbed. But he adds: "I hear that on Passover
some Jews are coming here from Egypt and Damascus, with the intention of
also visiting Hebron. I shall go with them, if I am still alive."

In Baedeker, Hebron is still given a bad character, the Muslims of the
place being called fanatical and violent. I cannot confirm this verdict.
The children throw stones at you, but they take good care not to hit. As I
have already pointed out, Hebron is completely non-Christian, just as
Bethlehem is completely non-Mohammedan. The Crescent is very disinclined to
admit the Cross into Hebron, the abode of Abraham, a name far more honored
by Jews and Mohammedans than by Christians.

It is not quite just to call the Hebronites fanatical and sullen; they
really only desire to hold Hebron as their own. "Hebron for the Hebronites"
is their cry. The road, at all events, is quite safe. One of the surprises
of Palestine is the huge traffic along the main roads. Orientals not only
make a great bustle about what they do, but they really are very busy
people. Along the roads you meet masses of passengers, people on foot, on
mules and horses, on camels, in wheeled vehicles. You come across groups of
pilgrims, with one mule to the party, carrying the party's goods, the
children always barefooted and bareheaded--the latter fact making you
realize how the little boy in the Bible story falling sick in the field
exclaimed "My head, my head!" Besides the pilgrims, there are the bearers
of goods and produce. You see donkeys carrying large stones for building,
one stone over each saddle. If you are as lucky as I was, you may see a
runaway camel along the Hebron road, scouring alone at break-neck speed,
with laughter-producing gait.

Of Hebron itself I saw little as I entered, because I arrived towards
sunset, and only had time to notice that everyone in the streets carried a
lantern. In Jerusalem only the women carry lights, but in Hebron men had
them as well. I wondered where I was to pass the night. Three friends had
accompanied me from Jerusalem, and they told me not to worry, as we could
stay at the Jewish doctor's. It seemed to me a cool piece of impudence to
billet a party on a man whose name had been previously unknown to me, but
the result proved that they were right. The doctor welcomed us right
heartily; he said that it was a joy to entertain us. Now it was that one
saw the advantages of the Oriental architecture. The chief room in an
Eastern house is surrounded on three sides by a wide stone or wooden divan,
which, in wealthy houses, is richly upholstered. The Hebron doctor was not
rich, but there was the same divan covered with a bit of chintz. On it one
made one's bed, hard, it is true, but yet a bed. You always take your rugs
with you for covering at night, you put your portmanteau under your head as
a pillow, and there you are! You may rely upon one thing. People who, on
their return from Palestine, tell you that they had a comfortable trip,
have seen nothing of the real life of the country. To do that you must
rough it, as I did both at Modin and at Hebron. To return to the latter.
The rooms have stone floors and vaulted roofs, the children walk about with
wooden shoes, and the pitter-patter makes a pleasant music. They throw off
the shoes as they enter the room. My host had been in Hebron for six years,
and he told me overnight what I observed for myself next day, that,
considering the fearful conditions under which the children live, there is
comparatively little sickness. As for providing meals, a genuine communism
prevails. You produce your food, your host adds his store, and you partake
in common of the feast to which both sides contribute. After a good long
talk, I got to sleep easily, thinking, as I dozed off, that I should pass a
pleasant night. I had become impervious to the mosquitoes, but there was
something else which I had forgotten. Was it a dream, an awful nightmare,
or had a sudden descent of Bedouins occurred? Gradually I was awakened by a
noise as of wild beasts let loose, howls of rage and calls to battle. It
was only the dogs. In Jerusalem I had never heard them, as the Jewish hotel
was then well out of the town; it has since been moved nearer in. It is
impossible to convey a sense of the terrifying effect produced by one's
first experience of the night orgies of Oriental dogs, it curdles your
blood to recall it. Seen by daytime, the dogs are harmless enough, as they
go about their scavenger work among the heaps of refuse and filth. But by
night they are howling demons, stampeding about the streets in mad groups,
barking to and at each other, whining piteously one moment, roaring
hoarsely and snapping fiercely another.

The dogs did me one service, they made me get up early. I walked through a
bluish-gray atmosphere. Colors in Judea are bright, yet there is always an
effect as of a thin gauze veil over them. I went, then, into the streets,
and at five o'clock the sun was high, and the bustle of the place had
begun. The air was keen and fresh, and many were already abroad. I saw some
camels start for Jerusalem, laden with straw mats made in Hebron.

Next went some asses carrying poultry for the Holy City, then a family
caravan with its inevitable harem of closely veiled women. Then I saw a man
with tools for hewing stone, camels coming into Hebron, a boy with a large
petroleum can going to fetch water,--they are abandoning the use of the
olden picturesque stone pitchers,--then I saw asses loaded with vine twigs,
one with lime, women with black dresses and long white veils, boys with
bent backs carrying iron stones. I saw, too, some Bethlehemite Christians
hurrying home to the traditional site of the nativity. You can always
distinguish these, for they are the only Christians in Palestine that wear
turbans habitually. And all over the landscape dominated the beautiful
green hills, fresh with the morning dew, a dew so thick that I had what I
had not expected, a real morning bath. I was soaked quite wet by the time I
returned from my solitary stroll. I had a capital breakfast, for which we
supplied the solids, and our host the coffee. Butter is a luxury which we
neither expected nor got. Hebron, none the less, seemed to me a Paradise,
and I applauded the legend that locates Adam and Eve in this spot.

Alas! I had not yet seen Hebron. The doctor lived on the outskirts near the
highroad, where there are many fine and beautiful residences. I was soon to
enter the streets and receive a rude awakening, when I saw the manner in
which the fifteen hundred Jews of Hebron live. Hebron is a ghetto in a
garden; it is worse than even Jerusalem, Jerusalem being clean in
comparison. Dirty, dark, narrow, vaulted, unevenly paved, running with
liquid slime--such are the streets of Hebron. You are constantly in danger
of slipping, unless you wear the flat, heel-less Eastern shoes, and, if you
once fell, not all the perfumes of Araby could make you sweet again.

I should say that, before starting on my round, I had to secure the
attendance of soldiers. Not that it was necessary, but they utilize
Baedeker's assertion, that the people are savage, to get fees out of
visitors--a cunning manner of turning the enemy's libels to profitable
account. I hired two soldiers, but one by one others joined my train, so
that by the time my tour was over, I had a whole regiment of guardians, all
demanding baksheesh. I would only deal with the leader, a ragged warrior
with two daggers, a sword, and a rifle. "How much?" I asked. "We usually
ask a napoleon (_i.e._ 20 francs) for an escort, but we will charge you
only ten francs." I turned to the doctor and asked him, "How much?" "Give
them a beslik between them," he said. A beslik is only five pence. I
offered it in trepidation, but the sum satisfied the whole gang, who
thanked me profusely.

First I visited the prison, a sort of open air cage, in which about a dozen
men were smoking cigarettes. The prison was much nicer than the Mohammedan
school close by. This was a small overcrowded room, with no window in it,
the little boys sitting on the ground, swaying with a sleepy chant. The
teacher's only function was represented by his huge cane, which he plied
often and skilfully. Outside the door was a barber shaving a pilgrim's
head. The pilgrim was a Muslim, going on the Haj to Mecca. These pilgrims
are looked on with mingled feelings; their piety is admired, but also
distrusted. A local saying is, "If thy neighbor has been on the Haj, beware
of him; if he has been twice, have no dealings with him; if he has been
thrice, move into another street." After the pilgrim, I passed a number of
blind weavers, working before large wooden frames.

But now for the Jewish quarter. This is entered by a low wooden door, at
which we had to knock and then stoop to get in. The Jews are no longer
forced to have this door, but they retain it voluntarily. Having got in, we
were in a street so dark that we could not see a foot before us, but we
kept moving, and soon came to a slightly better place, where the sun crept
through in fitful gleams. The oldest synagogue was entered first. Its
flooring was of marble squares, its roof vaulted, and its Ark looked north
towards Jerusalem. There were, as so often in the East, two Arks; when one
is too small, they do not enlarge it, but build another. The Sefardic
Talmud Torah is a small room without window or ventilation, the only light
and air enter by the door. The children were huddled together on an
elevated wooden platform. They could read Hebrew fluently, and most of them
spoke Arabic. The German children speak Yiddish; the custom of using Hebrew
as a living language has not spread here so much as in Jaffa and the
colonies. The Beth ha-Midrash for older children was a little better
equipped; it had a stone floor, but the pupils reclined on couches round
the walls. They learn very little of what we should call secular subjects.
I examined the store of manuscripts, but Professor Schechter had been
before me, and there was nothing left but modern Cabbalistic literature.
The other synagogue is small, and very bare of ornament. The Rabbi was
seated there, "learning," with great Tefillin and Tallith on--a fine,
simple, benevolent soul. To my surprise he spoke English, and turned out to
be none other than Rachmim Joseph Franco, who, as long ago as 1851, when
the earthquake devastated the Jewish quarter, had been sent from Rhodes to
collect relief funds. He was very ailing, and I could not have a long
conversation with him, but he told me that he had known my father, who was
then a boy, in London. Then I entered a typical Jewish dwelling of the
poor. It consisted of a single room, opening on to the dark street, and had
a tiny barred window at the other side. On the left was a broad bed, on the
right a rude cooking stove and a big water pitcher. There was nothing else
in the room, except a deep stagnant mud pool, which filled the centre of
the floor.

Next door they were baking Matzoth in an oven fed by a wood fire. It was a
few days before Passover. The Matzoth were coarse, and had none of the
little holes with which we are familiar. So through streets within streets,
dirt within dirt, room over room, in hopeless intricacy. Then we were
brought to a standstill, a man was coming down the street with a bundle of
wood, and we had to wait till he had gone by, the streets being too narrow
for two persons to pass each other. Another street was impassable for a
different reason, there was quite a river of flowing mud, knee deep. I
asked for a boat, but a man standing by hoisted me on his shoulders, and
carried me across, himself wading through it with the same unconcern as the
boys and girls were wallowing in it, playing and amusing themselves. How
alike children are all the world over!

And yet, with it all, Hebron is a healthy place. There is little of the
intermittent fever prevalent in other parts of Palestine; illness is
common, but not in a bad form. Jerusalem is far more unhealthy, because of
the lack of water. But the Jews of Hebron are miserably poor. How they live
is a mystery. They are not allowed to own land, even if they could acquire
it. There was once a little business to be done in lending money to the
Arabs, but as the Government refuses to help in the collection of debts,
this trade is not flourishing, and a good thing, too. There are, of course,
some industries. First there is the wine. I saw nothing of the vintage, as
my visit was in the spring, but I tasted the product and found it good. The
Arab vine-owners sell the grapes to Jews, who extract the juice. Still
there is room for enterprise here, and it is regrettable that few seem to
think of Hebron when planning the regeneration of Judea. True, I should
regret the loss of primitiveness here, as I said at the outset, but when
the lives of men are concerned, esthetics must go to the wall. The Jewish
quarter was enlarged in 1875, but it is still inadequate. The Society
Lemaan Zion has done a little to introduce modern education, but neither
the Alliance nor the Anglo-Jewish Association has a school here. Lack of
means prevents the necessary efforts from being made. Most deplorable is
the fact connected with the hospital. In a beautiful sunlit road above the
mosque, amid olive groves, is the Jewish hospital, ready for use,
well-built, but though the very beds were there when T saw it, no patients
could be received, as there were no funds. The Jewish doctor was doing a
wonderful work. He had exiled himself from civilized life, as we Westerns
understand it; his children had no school to which to go; he felt himself
stagnating, without intellectual intercourse with his equals, yet active,
kindly, uncomplaining--one of those everyday martyrs whom one meets so
often among the Jews of Judea, men who day by day see their ambitions
vanishing under the weight of a crushing duty. It was sad to see how he
lingered over the farewell when I left him. I said that his house had
seemed an oasis in the desert to me, that I could never forget the time
spent with him. "And what of me?" he answered. "Your visit has been an
oasis in the desert to me, but you go and the desert remains." Surely, the
saddest thing in life is this feeling that one's own uninteresting,
commonplace self should mean so much to others. I call it sad, because so
few of us realize what we may mean to others, being so absorbed in our
selfish thought of what others mean to us.

There are two industries in Hebron besides the vintage. It supplies most of
the skin-bottles used in Judea, and a good deal of glassware, including
lamps, is manufactured there. The Hebron tannery is a picturesque place,
but no Jews are employed in it. Each bottle is made from an entire
goat-skin, from which only the head and feet are removed. The lower
extremities are sewn up, and the neck is drawn together to form the neck of
the water bottle. Some trade is also done here in wool, which the Arabs
bring in and sell at the market held every Friday. In ancient times the
sheep used in the Temple sacrifices were obtained from Hebron. Besides the
tannery, the glass factories are worth a visit. The one which I saw was in
a cavern, lit only by the glow of the central furnace. Seated round the
hearth (I am following Gautier's faithful description of the scene) and
served by two or three boys, were about ten workmen, making many-colored
bracelets and glass rings, which varied in size from small finger rings to
circlets through which you could easily put your arm. The workmen are
provided with two metal rods and a pair of small tongs, and they ply these
primitive instruments with wonderful dexterity. They work very hard, at
least fifteen hours a day, for five days a week.

This is one of the curiosities of the East. Either the men there are
loafers, or they work with extraordinary vigor. There is nothing between
doing too much and doing nothing. The same thing strikes one at Jaffa. The
porters who carry your baggage from the landing stage to the steamer do
more work than three English dock laborers. They carry terrific weights.
When a family moves, a porter carries all the furniture on his back. Yet
side by side with these overworked men, Jaffa is crowded with idlers, who
do absolutely nothing. Such are the contrasts of the surprising Orient.

Many of the beads and rosaries taken to Europe by pious pilgrims are made
in Hebron, just as the mother of pearl relics come chiefly from Bethlehem,
where are made also the tobacco-jars of Dead Sea stone. Hebron does a fair
trade with the Bedouins, but on the whole it is quite unprogressive. At
first sight this may seem rather an unpleasant fact for lovers of peace.
Hebron has for many centuries been absolutely free from the ravages of war,
yet it stagnates. Peace is clearly not enough for progress. As the
Rabbinical phrase well puts it, "Peace is the vessel which holds all other
good"--without peace this other good is spilt, but peace is after all the
containing vessel, not the content of happiness.

I have left out, in the preceding narrative, the visit paid to the Haram
erected over the Cave of Machpelah. The mosque is an imposing structure,
and rises above the houses on the hill to the left as you enter from
Jerusalem. The walls of the enclosure and of the mosque are from time to
time whitewashed, so that the general appearance is somewhat dazzling. It
has already been mentioned that certain repairs were effected in 1894-5.
The work was done by the lads of the Technical School in Jerusalem; they
made an iron gate for Joseph's tomb,--the Moslems believe that Joseph is
buried in Hebron,--and they made one gate for Abraham's tomb, one gate and
three window gratings for Isaac's tomb, and one gate and two window
gratings for Rebekah's tomb. This iron work, it is satisfactory to
remember, was rendered possible by the splendid machinery sent out to the
school from London by the Anglo-Jewish Association. The ordinary Jewish
visitor is not allowed to enter the enclosure at all. I was stopped at the
steps, where the custodian audaciously demanded a tip for not letting me
in. The tombs within are not the real tombs of the Patriarchs; they are
merely late erections over the spots where the Patriarchs lie buried.

No one has ever doubted that Machpelah is actually at this site, but the
building is, of course, not Patriarchal in age. The enclosure is as old as
the Wailing Wall at Jerusalem. It belongs to the age of Herod; we see the
same cyclopean stones, with the same surface draftings as at Jerusalem. Why
Herod built this edifice seems clear. Hebron was the centre of Idumean
influence, and Herod was an Idumean. He had a family interest in the place,
and hence sought to beautify it. No Jew or Christian can enter the
enclosure except by special iradé; even Sir Moses Montefiore was refused
the privilege. Rather, one should say, the Moslem authorities wished to let
Sir Moses in, but they were prevented by the mob from carrying out their
amiable intentions. The late English King Edward VII and the present King
George V were privileged to enter the structure. Mr. Elkan Adler got in at
the time when the _Alliance_ workmen were repairing the gates, but there is
nothing to see of any interest. No one within historical times has
penetrated below the mosque, to the cavern itself. We still do not know
whether it is called Machpelah because the Cave is double vertically or
double horizontally.

The outside is much more interesting than the inside. Half way up the steps
leading into the mosque, there is a small hole or window at which many Jews
pray, and into which, it is said, all sorts of things, including letters to
the Patriarchs, are thrown, especially by women. In the Middle Ages, they
spread at this hole a tender calf, some venison pasties, and some red
pottage, every day, in honor of Abraham, Isaac, and Jacob, and the food was
eaten by the poor. It is commonly reported, though I failed to obtain any
local confirmation of the assertion, that the Jews still write their names
and their requests on strips of paper and thrust them into this hole. The
Moslems let down a lamp through the hole, and also cast money into it,
which is afterwards picked up by little boys as it is required for the
purposes of the mosque and for repairing the numerous tombs of prophets and
saints with which Hebron abounds. If you were to believe the local
traditions, no corpses were left for other cemeteries. The truth is that
much obscurity exists as to the identity even of modern tombs, for Hebron
preserves its old custom, and none of the Jewish tombs to this day bear
epitaphs. What a mass of posthumous hypocrisy would the world be spared if
the Hebron custom were prevalent everywhere! But it is obvious that the
method lends itself to inventiveness, and as the tombs are unnamed, local
guides tell you anything they choose about them, and you do not believe
them even when they are speaking the truth.

There is only one other fact to tell about the Cave. The Moslems have a
curious dread of Isaac and Rebekah, they regard the other Patriarchs as
kindly disposed, but Isaac is irritable, and Rebekah malicious. It is told
of Ibrahim Pasha of Egypt, he who "feared neither man nor devil," that when
he was let down into the Cave by a rope, he surprised Rebekah in the act of
combing her hair. She resented the intrusion, and gave him so severe a box
on the ears that he fell down in a fit, and could be rescued alive only
with much difficulty. It is with equal difficulty that one can depart, with
any reverence left, from the mass of legend and childishness with which one
is crushed in such places. One escapes with the thought of the real
Abraham, his glorious service to humanity, his lifelong devotion to the
making of souls, to the spread of the knowledge of God. One recalls the
Abraham who, in the Jewish tradition, is the type of unselfishness, of
watchfulness on behalf of his descendants, the marks of whose genuine
relationship to the Patriarch are a generous eye and a humble spirit. As
one turns from Hebron, full of such happy memories, one forms the resolve
not to rely solely on an appeal to the Patriarch's merits, but to strive to
do something oneself for the Jewish cause, and thus fulfil the poet's
lines,

Thus shalt thou plant a garden round the tomb,
Where golden hopes may flower, and fruits immortal bloom.




THE SOLACE OF BOOKS


In the year 1190, Judah ibn Tibbon, a famous Provençal Jew, who had
migrated to Southern France from Granada, wrote in Hebrew as follows to his
son:

"Avoid bad society: make thy books thy companions. Let thy bookcases and
shelves be thy gardens and pleasure grounds. Pluck the fruit that grows
therein; gather the roses, the spices, and the myrrh. If thy soul be
satiate and weary, change from garden to garden, from furrow to furrow,
from scene to scene. Then shall thy desire renew itself, and thy soul be
rich with manifold delight."

In this beautiful comparison of a library to a garden, there is one point
missing. The perfection of enjoyment is reached when the library, or at
least a portable part of it, is actually carried into the garden. When
Lightfoot was residing at Ashley (Staffordshire), he followed this course,
as we know from a letter of his biographer. "There he built himself a small
house in the midst of a garden, containing two rooms below, viz. a study
and a withdrawing room, and a lodging chamber above; and there he studied
hard, and laid the foundations of his Rabbinic learning, and took great
delight, lodging there often, though [quaintly adds John Stype] he was then
a married man." Montaigne, whose great-grandfather, be it recalled, was a
Spanish Jew, did not possess a library built in the open air, but he had
the next best thing. He used the top story of a tower, whence, says he, "I
behold under me my garden."

In ancient Athens, philosophers thought out their grandest ideas walking up
and down their groves. Nature sobers us. "When I behold Thy heavens, the
work of Thy fingers, the moon and the stars which Thou hast ordained; what
is man that Thou art mindful of him, and the son of man that Thou visitest
him?" But if nature sobers, she also consoles. As the Psalmist continues:
"Thou hast made him but little lower than the angels, and crownest him with
glory and honor. Thou madest him to have dominion over the works of Thy
hands; Thou hast put all things under his feet." Face to face with nature,
man realizes that he is greater than she. "On earth there is nothing great
but man, in man there is nothing great but mind." So, no doubt, the
Athenian sages gained courage as well as modesty from the contact of mind
with nature. And not they only, for our own Jewish treasure, the Mishnah,
grew up, if not literally, at least metaphorically, in the open air, in the
vineyard of Jamnia. Standing in the sordid little village which to-day
occupies the site of ancient Jamnia, with the sea close at hand and the
plain of Sharon and the Judean lowlands at my feet, I could see Rabbi
Jochanan ben Zakkai and his comrades pacing to and fro, pondering those
great thoughts which live among us now, though the authors of them have
been in their graves for eighteen centuries.

It is curious how often this habit of movement goes with thinking.
Montaigne says: "Every place of retirement requires a Walk. My thoughts
sleep if I sit still; my Fancy does not go by itself, as it goes when my
Legs move it." What Montaigne seems to mean is that we love rhythm. Body
and mind must move together in harmony. So it is with the Mohammedan over
the Koran, and the Rabbi over the Talmud. Jews sway at prayer for the same
reason. Movement of the body is not a mere mannerism; it is part of the
emotion, like the instrumental accompaniment to a song. The child cons his
lesson moving; we foolishly call it "fidgeting." The child is never


 


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