The Club of Queer Trades
by
G.K.Chesterton
Part 2 out of 3
erect posture against the door was only an eccentricity of
spinsterhood and an oblivion of my intended departure.
"I said genially, `I am so sorry to disturb you, Miss James, but I
must really be going. I have--er--' I stopped here, for the words
she had uttered in reply, though singularly brief and in tone
extremely business-like, were such as to render that arrest of my
remarks, I think, natural and excusable. I have these words also
noted down. I have not the least idea of their meaning; so I have
only been able to render them phonetically. But she said," and Mr
Shorter peered short-sightedly at his papers, "she said: `Chuck it,
fat 'ead,' and she added something that sounded like `It's a kop',
or (possibly) `a kopt'. And then the last cord, either of my sanity
or the sanity of the universe, snapped suddenly. My esteemed friend
and helper, Miss Brett, standing by the mantelpiece, said: `Put 'is
old 'ead in a bag, Sam, and tie 'im up before you start jawin'.
You'll be kopt yourselves some o' these days with this way of coin'
things, har lar theater.'
"My head went round and round. Was it really true, as I had
suddenly fancied a moment before, that unmarried ladies had some
dreadful riotous society of their own from which all others were
excluded? I remembered dimly in my classical days (I was a scholar
in a small way once, but now, alas! rusty), I remembered the
mysteries of the Bona Dea and their strange female freemasonry. I
remembered the witches' Sabbaths. I was just, in my absurd
lightheadedness, trying to remember a line of verse about Diana's
nymphs, when Miss Mowbray threw her arm round me from behind. The
moment it held me I knew it was not a woman's arm.
"Miss Brett--or what I had called Miss Brett--was standing in front
of me with a big revolver in her hand and a broad grin on her face.
Miss James was still leaning against the door, but had fallen into
an attitude so totally new, and so totally unfeminine, that it gave
one a shock. She was kicking her heels, with her hands in her
pockets and her cap on one side. She was a man. I mean he was a
wo--no, that is I saw that instead of being a woman she--he, I
mean--that is, it was a man."
Mr Shorter became indescribably flurried and flapping in
endeavouring to arrange these genders and his plaid shawl at the
same time. He resumed with a higher fever of nervousness:
"As for Miss Mowbray, she--he, held me in a ring of iron. He had
her arm--that is she had his arm--round her neck--my neck I mean--
and I could not cry out. Miss Brett--that is, Mr Brett, at least Mr
something who was not Miss Brett--had the revolver pointed at me.
The other two ladies--or er--gentlemen, were rummaging in some bag
in the background. It was all clear at last: they were criminals
dressed up as women, to kidnap me! To kidnap the Vicar of Chuntsey,
in Essex. But why? Was it to be Nonconformists?
"The brute leaning against the door called out carelessly, `'Urry
up, 'Arry. Show the old bloke what the game is, and let's get off.'
"`Curse 'is eyes,' said Miss Brett--I mean the man with the
revolver--`why should we show 'im the game?'
"`If you take my advice you bloomin' well will,' said the man at
the door, whom they called Bill. `A man wot knows wet 'e's doin' is
worth ten wot don't, even if 'e's a potty old parson.'
"`Bill's right enough,' said the coarse voice of the man who held
me (it had been Miss Mowbray's). `Bring out the picture, 'Arry.'
"The man with the revolver walked across the room to where the
other two women--I mean men--were turning over baggage, and asked
them for something which they gave him. He came back with it across
the room and held it out in front of me. And compared to the
surprise of that display, all the previous surprises of this awful
day shrank suddenly.
"It was a portrait of myself. That such a picture should be in the
hands of these scoundrels might in any case have caused a mild
surprise; but no more. It was no mild surprise that I felt. The
likeness was an extremely good one, worked up with all the
accessories of the conventional photographic studio. I was leaning
my head on my hand and was relieved against a painted landscape of
woodland. It was obvious that it was no snapshot; it was clear that
I had sat for this photograph. And the truth was that I had never
sat for such a photograph. It was a photograph that I had never had
taken.
"I stared at it again and again. It seemed to me to be touched up a
good deal; it was glazed as well as framed, and the glass blurred
some of the details. But there unmistakably was my face, my eyes,
my nose and mouth, my head and hand, posed for a professional
photographer. And I had never posed so for any photographer.
"`Be'old the bloomin' miracle,' said the man with the revolver,
with ill-timed facetiousness. `Parson, prepare to meet your God.'
And with this he slid the glass out of the frame. As the glass
moved, I saw that part of the picture was painted on it in Chinese
white, notably a pair of white whiskers and a clerical collar. And
underneath was a portrait of an old lady in a quiet black dress,
leaning her head on her hand against the woodland landscape. The
old lady was as like me as one pin is like another. It had required
only the whiskers and the collar to make it me in every hair.
"`Entertainin', ain't it?' said the man described as 'Arry, as he
shot the glass back again. `Remarkable resemblance, parson.
Gratifyin' to the lady. Gratifyin' to you. And hi may hadd,
particlery gratifyin' to us, as bein' the probable source of a
very tolerable haul. You know Colonel Hawker, the man who's come
to live in these parts, don't you?'
"I nodded.
"`Well,' said the man 'Arry, pointing to the picture, `that's 'is
mother. 'Oo ran to catch 'im when 'e fell? She did,' and he flung
his fingers in a general gesture towards the photograph of the old
lady who was exactly like me.
"`Tell the old gent wot 'e's got to do and be done with it,' broke
out Bill from the door. `Look 'ere, Reverend Shorter, we ain't
goin' to do you no 'arm. We'll give you a sov. for your trouble if
you like. And as for the old woman's clothes--why, you'll look
lovely in 'em.'
"`You ain't much of a 'and at a description, Bill,' said the man
behind me. `Mr Shorter, it's like this. We've got to see this man
Hawker tonight. Maybe 'e'll kiss us all and 'ave up the champagne
when 'e sees us. Maybe on the other 'and--'e won't. Maybe 'e'll be
dead when we goes away. Maybe not. But we've got to see 'im. Now as
you know, 'e shuts 'isself up and never opens the door to a soul;
only you don't know why and we does. The only one as can ever get
at 'im is 'is mother. Well, it's a confounded funny coincidence,'
he said, accenting the penultimate, `it's a very unusual piece of
good luck, but you're 'is mother.'
"`When first I saw 'er picture,' said the man Bill, shaking his
head in a ruminant manner, `when I first saw it I said--old
Shorter. Those were my exact words--old Shorter.'
"`What do you mean, you wild creatures?' I gasped. `What am I to
do?'
"`That's easy said, your 'oldness,' said the man with the revolver,
good-humouredly; `you've got to put on those clothes,' and he
pointed to a poke-bonnet and a heap of female clothes in the corner
of the room.
"I will not dwell, Mr Swinburne, upon the details of what followed.
I had no choice. I could not fight five men, to say nothing of a
loaded pistol. In five minutes, sir, the Vicar of Chuntsey was
dressed as an old woman--as somebody else's mother, if you
please--and was dragged out of the house to take part in a crime.
"It was already late in the afternoon, and the nights of winter
were closing in fast. On a dark road, in a blowing wind, we set out
towards the lonely house of Colonel Hawker, perhaps the queerest
cortege that ever straggled up that or any other road. To every
human eye, in every external, we were six very respectable old
ladies of small means, in black dresses and refined but antiquated
bonnets; and we were really five criminals and a clergyman.
"I will cut a long story short. My brain was whirling like a
windmill as I walked, trying to think of some manner of escape. To
cry out, so long as we were far from houses, would be suicidal, for
it would be easy for the ruffians to knife me or to gag me and
fling me into a ditch. On the other hand, to attempt to stop
strangers and explain the situation was impossible, because of the
frantic folly of the situation itself. Long before I had persuaded
the chance postman or carrier of so absurd a story, my companions
would certainly have got off themselves, and in all probability
would have carried me off, as a friend of theirs who had the
misfortune to be mad or drunk. The last thought, however, was an
inspiration; though a very terrible one. Had it come to this, that
the Vicar of Chuntsey must pretend to be mad or drunk? It had come
to this.
"I walked along with the rest up the deserted road, imitating and
keeping pace, as far as I could, with their rapid and yet lady-like
step, until at length I saw a lamp-post and a policeman standing
under it. I had made up my mind. Until we reached them we were all
equally demure and silent and swift. When we reached them I
suddenly flung myself against the railings and roared out: `Hooray!
Hooray! Hooray! Rule Britannia! Get your 'air cut. Hoop-la! Boo!'
It was a condition of no little novelty for a man in my position.
"The constable instantly flashed his lantern on me, or the
draggled, drunken old woman that was my travesty. `Now then, mum,'
he began gruffly.
"`Come along quiet, or I'll eat your heart,' cried Sam in my ear
hoarsely. `Stop, or I'll flay you.' It was frightful to hear the
words and see the neatly shawled old spinster who whispered them.
"I yelled, and yelled--I was in for it now. I screamed comic
refrains that vulgar young men had sung, to my regret, at our
village concerts; I rolled to and fro like a ninepin about to fall.
"`If you can't get your friend on quiet, ladies,' said the
policeman, `I shall have to take 'er up. Drunk and disorderly she
is right enough.'
"I redoubled my efforts. I had not been brought up to this sort of
thing; but I believe I eclipsed myself. Words that I did not know I
had ever heard of seemed to come pouring out of my open mouth.
"`When we get you past,' whispered Bill, `you'll howl louder;
you'll howl louder when we're burning your feet off.'
"I screamed in my terror those awful songs of joy. In all the
nightmares that men have ever dreamed, there has never been
anything so blighting and horrible as the faces of those five men,
looking out of their poke-bonnets; the figures of district visitors
with the faces of devils. I cannot think there is anything so
heart-breaking in hell.
"For a sickening instant I thought that the bustle of my companions
and the perfect respectability of all our dresses would overcome
the policeman and induce him to let us pass. He wavered, so far as
one can describe anything so solid as a policeman as wavering. I
lurched suddenly forward and ran my head into his chest, calling
out (if I remember correctly), `Oh, crikey, blimey, Bill.' It was
at that moment that I remembered most dearly that I was the Vicar
of Chuntsey, in Essex.
"My desperate coup saved me. The policeman had me hard by the back
of the neck.
"`You come along with me,' he began, but Bill cut in with his
perfect imitation of a lady's finnicking voice.
"`Oh, pray, constable, don't make a disturbance with our poor
friend. We will get her quietly home. She does drink too much, but
she is quite a lady--only eccentric.'
"`She butted me in the stomach,' said the policeman briefly.
"`Eccentricities of genius,' said Sam earnestly.
"`Pray let me take her home,' reiterated Bill, in the resumed
character of Miss James, `she wants looking after.' `She does,'
said the policeman, `but I'll look after her.'
"`That's no good,' cried Bill feverishly. `She wants her friends.
She wants a particular medicine we've got.'
"`Yes,' assented Miss Mowbray, with excitement, `no other medicine
any good, constable. Complaint quite unique.'
"`I'm all righ'. Cutchy, cutchy, coo!' remarked, to his eternal
shame, the Vicar of Chuntsey.
"`Look here, ladies,' said the constable sternly, `I don't like the
eccentricity of your friend, and I don't like 'er songs, or 'er
'ead in my stomach. And now I come to think of it, I don't like the
looks of you I've seen many as quiet dressed as you as was wrong
'uns. Who are you?'
"`We've not our cards with us,' said Miss Mowbray, with
indescribable dignity. `Nor do we see why we should be insulted by
any Jack-in-office who chooses to be rude to ladies, when he is
paid to protect them. If you choose to take advantage of the
weakness of our unfortunate friend, no doubt you are legally
entitled to take her. But if you fancy you have any legal right to
bully us, you will find yourself in the wrong box.'
"The truth and dignity of this staggered the policeman for a
moment. Under cover of their advantage my five persecutors turned
for an instant on me faces like faces of the damned and then
swished off into the darkness. When the constable first turned his
lantern and his suspicions on to them, I had seen the telegraphic
look flash from face to face saying that only retreat was possible
now.
"By this time I was sinking slowly to the pavement, in a state of
acute reflection. So long as the ruffians were with me, I dared not
quit the role of drunkard. For if I had begun to talk reasonably
and explain the real case, the officer would merely have thought
that I was slightly recovered and would have put me in charge of my
friends. Now, however, if I liked I might safely undeceive him.
"But I confess I did not like. The chances of life are many, and
it may doubtless sometimes lie in the narrow path of duty for a
clergyman of the Church of England to pretend to be a drunken old
woman; but such necessities are, I imagine, sufficiently rare to
appear to many improbable. Suppose the story got about that I had
pretended to be drunk. Suppose people did not all think it was
pretence!
"I lurched up, the policeman half-lifting me. I went along weakly
and quietly for about a hundred yards. The officer evidently
thought that I was too sleepy and feeble to effect an escape, and
so held me lightly and easily enough. Past one turning, two
turnings, three turnings, four turnings, he trailed me with him,
a limp and slow and reluctant figure. At the fourth turning, I
suddenly broke from his hand and tore down the street like a
maddened stag. He was unprepared, he was heavy, and it was dark.
I ran and ran and ran, and in five minutes' running, found I was
gaining. In half an hour I was out in the fields under the holy
and blessed stars, where I tore off my accursed shawl and bonnet
and buried them in clean earth."
The old gentleman had finished his story and leant back in his
chair. Both the matter and the manner of his narration had, as
time went on, impressed me favourably. He was an old duffer and
pedant, but behind these things he was a country-bred man and
gentleman, and had showed courage and a sporting instinct in the
hour of desperation. He had told his story with many quaint
formalities of diction, but also with a very convincing realism.
"And now--" I began.
"And now," said Shorter, leaning forward again with something like
servile energy, "and now, Mr Swinburne, what about that unhappy
man Hawker. I cannot tell what those men meant, or how far what
they said was real. But surely there is danger. I cannot go to the
police, for reasons that you perceive. Among other things, they
wouldn't believe me. What is to be done?"
I took out my watch. It was already half past twelve.
"My friend Basil Grant," I said, "is the best man we can go to. He
and I were to have gone to the same dinner tonight; but he will
just have come back by now. Have you any objection to taking a
cab?"
"Not at all," he replied, rising politely, and gathering up his
absurd plaid shawl.
A rattle in a hansom brought us underneath the sombre pile of
workmen's flats in Lambeth which Grant inhabited; a climb up a
wearisome wooden staircase brought us to his garret. When I
entered that wooden and scrappy interior, the white gleam of
Basil's shirt-front and the lustre of his fur coat flung on the
wooden settle, struck me as a contrast. He was drinking a glass
of wine before retiring. I was right; he had come back from the
dinner-party.
He listened to the repetition of the story of the Rev. Ellis
Shorter with the genuine simplicity and respect which he never
failed to exhibit in dealing with any human being. When it was
over he said simply:
"Do you know a man named Captain Fraser?"
I was so startled at this totally irrelevant reference to the
worthy collector of chimpanzees with whom I ought to have dined
that evening, that I glanced sharply at Grant. The result was
that I did not look at Mr Shorter. I only heard him answer, in
his most nervous tone, "No."
Basil, however, seemed to find something very curious about his
answer or his demeanour generally, for he kept his big blue eyes
fixed on the old clergyman, and though the eyes were quite quiet
they stood out more and more from his head.
"You are quite sure, Mr Shorter," he repeated, "that you don't
know Captain Fraser?"
"Quite," answered the vicar, and I was certainly puzzled to
find him returning so much to the timidity, not to say the
demoralization, of his tone when he first entered my presence.
Basil sprang smartly to his feet.
"Then our course is clear," he said. "You have not even begun your
investigation, my dear Mr Shorter; the first thing for us to do is
to go together to see Captain Fraser."
"When?" asked the clergyman, stammering.
"Now," said Basil, putting one arm in his fur coat.
The old clergyman rose to his feet, quaking all over.
"I really do not think that it is necessary," he said.
Basil took his arm out of the fur coat, threw it over the chair
again, and put his hands in his pockets.
"Oh," he said, with emphasis. "Oh--you don't think it necessary;
then," and he added the words with great clearness and
deliberation, "then, Mr Ellis Shorter, I can only say that I would
like to see you without your whiskers."
And at these words I also rose to my feet, for the great tragedy
of my life had come. Splendid and exciting as life was in
continual contact with an intellect like Basil's, I had always the
feeling that that splendour and excitement were on the borderland
of sanity. He lived perpetually near the vision of the reason of
things which makes men lose their reason. And I felt of his
insanity as men feel of the death of friends with heart disease.
It might come anywhere, in a field, in a hansom cab, looking at a
sunset, smoking a cigarette. It had come now. At the very moment
of delivering a judgement for the salvation of a fellow creature,
Basil Grant had gone mad.
"Your whiskers," he cried, advancing with blazing eyes. "Give me
your whiskers. And your bald head."
The old vicar naturally retreated a step or two. I stepped
between.
"Sit down, Basil," I implored, "you're a little excited. Finish
your wine."
"Whiskers," he answered sternly, "whiskers."
And with that he made a dash at the old gentleman, who made a dash
for the door, but was intercepted. And then, before I knew where I
was the quiet room was turned into something between a pantomime
and a pandemonium by those two. Chairs were flung over with a
crash, tables were vaulted with a noise like thunder, screens were
smashed, crockery scattered in smithereens, and still Basil Grant
bounded and bellowed after the Rev. Ellis Shorter.
And now I began to perceive something else, which added the last
half-witted touch to my mystification. The Rev. Ellis Shorter, of
Chuntsey, in Essex, was by no means behaving as I had previously
noticed him to behave, or as, considering his age and station, I
should have expected him to behave. His power of dodging, leaping,
and fighting would have been amazing in a lad of seventeen, and in
this doddering old vicar looked like a sort of farcical
fairy-tale. Moreover, he did not seem to be so much astonished as
I had thought. There was even a look of something like enjoyment
in his eyes; so there was in the eye of Basil. In fact, the
unintelligible truth must be told. They were both laughing.
At length Shorter was cornered.
"Come, come, Mr Grant," he panted, "you can't do anything to me.
It's quite legal. And it doesn't do any one the least harm. It's
only a social fiction. A result of our complex society, Mr Grant."
"I don't blame you, my man," said Basil coolly. "But I want your
whiskers. And your bald head. Do they belong to Captain Fraser?"
"No, no," said Mr Shorter, laughing, "we provide them ourselves.
They don't belong to Captain Fraser."
"What the deuce does all this mean?" I almost screamed. "Are you
all in an infernal nightmare? Why should Mr Shorter's bald head
belong to Captain Fraser? How could it? What the deuce has Captain
Fraser to do with the affair? What is the matter with him? You
dined with him, Basil."
"No," said Grant, "I didn't."
"Didn't you go to Mrs Thornton's dinner-party?" I asked, staring.
"Why not?"
"Well," said Basil, with a slow and singular smile, "the fact is I
was detained by a visitor. I have him, as a point of fact, in my
bedroom."
"In your bedroom?" I repeated; but my imagination had reached that
point when he might have said in his coal scuttle or his waistcoat
pocket.
Grant stepped to the door of an inner room, flung it open and
walked in. Then he came out again with the last of the bodily
wonders of that wild night. He introduced into the sitting-room,
in an apologetic manner, and by the nape of the neck, a limp
clergyman with a bald head, white whiskers and a plaid shawl.
"Sit down, gentlemen," cried Grant, striking his hands heartily.
"Sit down all of you and have a glass of wine. As you say, there is
no harm in it, and if Captain Fraser had simply dropped me a hint I
could have saved him from dropping a good sum of money. Not that
you would have liked that, eh?"
The two duplicate clergymen, who were sipping their Burgundy with
two duplicate grins, laughed heartily at this, and one of them
carelessly pulled off his whiskers and laid them on the table.
"Basil," I said, "if you are my friend, save me. What is all this?"
He laughed again.
"Only another addition, Cherub, to your collection of Queer Trades.
These two gentlemen (whose health I have now the pleasure of
drinking) are Professional Detainers."
"And what on earth's that?" I asked.
"It's really very simple, Mr Swinburne," began he who had once
been the Rev. Ellis Shorter, of Chuntsey, in Essex; and it gave
me a shock indescribable to hear out of that pompous and familiar
form come no longer its own pompous and familiar voice, but the
brisk sharp tones of a young city man. "It is really nothing very
important. We are paid by our clients to detain in conversation,
on some harmless pretext, people whom they want out of the way
for a few hours. And Captain Fraser--" and with that he hesitated
and smiled.
Basil smiled also. He intervened.
"The fact is that Captain Fraser, who is one of my best friends,
wanted us both out of the way very much. He is sailing tonight for
East Africa, and the lady with whom we were all to have dined is--
er--what is I believe described as `the romance of his life'. He
wanted that two hours with her, and employed these two reverend
gentlemen to detain us at our houses so as to let him have the
field to himself."
"And of course," said the late Mr Shorter apologetically to me, "as
I had to keep a gentleman at home from keeping an appointment with
a lady, I had to come with something rather hot and strong--rather
urgent. It wouldn't have done to be tame."
"Oh," I said, "I acquit you of tameness."
"Thank you, sir," said the man respectfully, "always very grateful
for any recommendation, sir."
The other man idly pushed back his artificial bald head, revealing
close red hair, and spoke dreamily, perhaps under the influence of
Basil's admirable Burgundy.
"It's wonderful how common it's getting, gentlemen. Our office is
busy from morning till night. I've no doubt you've often knocked
up against us before. You just take notice. When an old bachelor
goes on boring you with hunting stories, when you're burning to be
introduced to somebody, he's from our bureau. When a lady calls on
parish work and stops hours, just when you wanted to go to the
Robinsons', she's from our bureau. The Robinson hand, sir, may be
darkly seen."
"There is one thing I don't understand," I said. "Why you are both
vicars."
A shade crossed the brow of the temporary incumbent of Chuntsey, in
Essex.
"That may have been a mistake, sir," he said. "But it was not our
fault. It was all the munificence of Captain Fraser. He requested
that the highest price and talent on our tariff should be employed
to detain you gentlemen. Now the highest payment in our office goes
to those who impersonate vicars, as being the most respectable and
more of a strain. We are paid five guineas a visit. We have had the
good fortune to satisfy the firm with our work; and we are now
permanently vicars. Before that we had two years as colonels, the
next in our scale. Colonels are four guineas."
Chapter 4
The Singular Speculation of the House-Agent
Lieutenant Drummond Keith was a man about whom conversation always
burst like a thunderstorm the moment he left the room. This arose
from many separate touches about him. He was a light, loose
person, who wore light, loose clothes, generally white, as if he
were in the tropics; he was lean and graceful, like a panther, and
he had restless black eyes.
He was very impecunious. He had one of the habits of the poor,
in a degree so exaggerated as immeasurably to eclipse the most
miserable of the unemployed; I mean the habit of continual change
of lodgings. There are inland tracts of London where, in the very
heart of artificial civilization, humanity has almost become
nomadic once more. But in that restless interior there was no
ragged tramp so restless as the elegant officer in the loose white
clothes. He had shot a great many things in his time, to judge
from his conversation, from partridges to elephants, but his
slangier acquaintances were of opinion that "the moon" had been
not unfrequently amid the victims of his victorious rifle. The
phrase is a fine one, and suggests a mystic, elvish, nocturnal
hunting.
He carried from house to house and from parish to parish a kit
which consisted practically of five articles. Two odd-looking,
large-bladed spears, tied together, the weapons, I suppose, of
some savage tribe, a green umbrella, a huge and tattered copy of
the Pickwick Papers, a big game rifle, and a large sealed jar of
some unholy Oriental wine. These always went into every new
lodging, even for one night; and they went in quite undisguised,
tied up in wisps of string or straw, to the delight of the poetic
gutter boys in the little grey streets.
I had forgotten to mention that he always carried also his old
regimental sword. But this raised another odd question about him.
Slim and active as he was, he was no longer very young. His hair,
indeed, was quite grey, though his rather wild almost Italian
moustache retained its blackness, and his face was careworn under
its almost Italian gaiety. To find a middle-aged man who has left
the Army at the primitive rank of lieutenant is unusual and not
necessarily encouraging. With the more cautious and solid this
fact, like his endless flitting, did the mysterious gentleman no
good.
Lastly, he was a man who told the kind of adventures which win a
man admiration, but not respect. They came out of queer places,
where a good man would scarcely find himself, out of opium dens and
gambling hells; they had the heat of the thieves' kitchens or
smelled of a strange smoke from cannibal incantations. These are
the kind of stories which discredit a person almost equally whether
they are believed or no. If Keith's tales were false he was a liar;
if they were true he had had, at any rate, every opportunity of
being a scamp.
He had just left the room in which I sat with Basil Grant and his
brother Rupert, the voluble amateur detective. And as I say was
invariably the case, we were all talking about him. Rupert Grant
was a clever young fellow, but he had that tendency which youth and
cleverness, when sharply combined, so often produce, a somewhat
extravagant scepticism. He saw doubt and guilt everywhere, and it
was meat and drink to him. I had often got irritated with this
boyish incredulity of his, but on this particular occasion I am
bound to say that I thought him so obviously right that I was
astounded at Basil's opposing him, however banteringly.
I could swallow a good deal, being naturally of a simple turn, but
I could not swallow Lieutenant Keith's autobiography.
"You don't seriously mean, Basil," I said, "that you think that
that fellow really did go as a stowaway with Nansen and pretend to
be the Mad Mullah and--"
"He has one fault," said Basil thoughtfully, "or virtue, as you
may happen to regard it. He tells the truth in too exact and bald
a style; he is too veracious."
"Oh! if you are going to be paradoxical," said Rupert
contemptuously, "be a bit funnier than that. Say, for instance,
that he has lived all his life in one ancestral manor."
"No, he's extremely fond of change of scene," replied Basil
dispassionately, "and of living in odd places. That doesn't
prevent his chief trait being verbal exactitude. What you people
don't understand is that telling a thing crudely and coarsely as
it happened makes it sound frightfully strange. The sort of things
Keith recounts are not the sort of things that a man would make up
to cover himself with honour; they are too absurd. But they are
the sort of things that a man would do if he were sufficiently
filled with the soul of skylarking."
"So far from paradox," said his brother, with something rather
like a sneer, "you seem to be going in for journalese proverbs. Do
you believe that truth is stranger than fiction?"
"Truth must of necessity be stranger than fiction," said Basil
placidly. "For fiction is the creation of the human mind, and
therefore is congenial to it."
"Well, your lieutenant's truth is stranger, if it is truth, than
anything I ever heard of," said Rupert, relapsing into flippancy.
"Do you, on your soul, believe in all that about the shark and the
camera?"
"I believe Keith's words," answered the other. "He is an honest
man."
"I should like to question a regiment of his landladies," said
Rupert cynically.
"I must say, I think you can hardly regard him as unimpeachable
merely in himself," I said mildly; "his mode of life--"
Before I could complete the sentence the door was flung open and
Drummond Keith appeared again on the threshold, his white Panama
on his head.
"I say, Grant," he said, knocking off his cigarette ash against
the door, "I've got no money in the world till next April. Could
you lend me a hundred pounds? There's a good chap."
Rupert and I looked at each other in an ironical silence. Basil,
who was sitting by his desk, swung the chair round idly on its
screw and picked up a quill-pen.
"Shall I cross it?" he asked, opening a cheque-book.
"Really," began Rupert, with a rather nervous loudness, "since
Lieutenant Keith has seen fit to make this suggestion to Basil
before his family, I--"
"Here you are, Ugly," said Basil, fluttering a cheque in the
direction of the quite nonchalant officer. "Are you in a hurry?"
"Yes," replied Keith, in a rather abrupt way. "As a matter of fact
I want it now. I want to see my--er--business man."
Rupert was eyeing him sarcastically, and I could see that it was
on the tip of his tongue to say, inquiringly, "Receiver of stolen
goods, perhaps." What he did say was:
"A business man? That's rather a general description, Lieutenant
Keith."
Keith looked at him sharply, and then said, with something rather
like ill-temper:
"He's a thingum-my-bob, a house-agent, say. I'm going to see him."
"Oh, you're going to see a house-agent, are you?" said Rupert Grant
grimly. "Do you know, Mr Keith, I think I should very much like to
go with you?"
Basil shook with his soundless laughter. Lieutenant Keith started
a little; his brow blackened sharply.
"I beg your pardon," he said. "What did you say?"
Rupert's face had been growing from stage to stage of ferocious
irony, and he answered:
"I was saying that I wondered whether you would mind our strolling
along with you to this house-agent's."
The visitor swung his stick with a sudden whirling violence.
"Oh, in God's name, come to my house-agent's! Come to my bedroom.
Look under my bed. Examine my dust-bin. Come along!" And with a
furious energy which took away our breath he banged his way out of
the room.
Rupert Grant, his restless blue eyes dancing with his detective
excitement, soon shouldered alongside him, talking to him with that
transparent camaraderie which he imagined to be appropriate from
the disguised policeman to the disguised criminal. His
interpretation was certainly corroborated by one particular detail,
the unmistakable unrest, annoyance, and nervousness of the man with
whom he walked. Basil and I tramped behind, and it was not
necessary for us to tell each other that we had both noticed this.
Lieutenant Drummond Keith led us through very extraordinary and
unpromising neighbourhoods in the search for his remarkable
house-agent. Neither of the brothers Grant failed to notice this
fact. As the streets grew closer and more crooked and the roofs
lower and the gutters grosser with mud, a darker curiosity deepened
on the brows of Basil, and the figure of Rupert seen from behind
seemed to fill the street with a gigantic swagger of success. At
length, at the end of the fourth or fifth lean grey street in that
sterile district, we came suddenly to a halt, the mysterious
lieutenant looking once more about him with a sort of sulky
desperation. Above a row of shutters and a door, all indescribably
dingy in appearance and in size scarce sufficient even for a penny
toyshop, ran the inscription: "P. Montmorency, House-Agent."
"This is the office of which I spoke," said Keith, in a cutting
voice. "Will you wait here a moment, or does your astonishing
tenderness about my welfare lead you to wish to overhear everything
I have to say to my business adviser?"
Rupert's face was white and shaking with excitement; nothing on
earth would have induced him now to have abandoned his prey.
"If you will excuse me," he said, clenching his hands behind his
back, "I think I should feel myself justified in--"
"Oh! Come along in," exploded the lieutenant. He made the same
gesture of savage surrender. And he slammed into the office, the
rest of us at his heels.
P. Montmorency, House-Agent, was a solitary old gentleman sitting
behind a bare brown counter. He had an egglike head, froglike jaws,
and a grey hairy fringe of aureole round the lower part of his
face; the whole combined with a reddish, aquiline nose. He wore a
shabby black frock-coat, a sort of semi-clerical tie worn at a very
unclerical angle, and looked, generally speaking, about as unlike a
house-agent as anything could look, short of something like a
sandwich man or a Scotch Highlander.
We stood inside the room for fully forty seconds, and the odd old
gentleman did not look at us. Neither, to tell the truth, odd as he
was, did we look at him. Our eyes were fixed, where his were fixed,
upon something that was crawling about on the counter in front of
him. It was a ferret.
The silence was broken by Rupert Grant. He spoke in that sweet and
steely voice which he reserved for great occasions and practised
for hours together in his bedroom. He said:
"Mr Montmorency, I think?"
The old gentleman started, lifted his eyes with a bland
bewilderment, picked up the ferret by the neck, stuffed it alive
into his trousers pocket, smiled apologetically, and said:
"Sir."
"You are a house-agent, are you not?" asked Rupert.
To the delight of that criminal investigator, Mr Montmorency's eyes
wandered unquietly towards Lieutenant Keith, the only man present
that he knew.
"A house-agent," cried Rupert again, bringing out the word as if it
were "burglar'.
"Yes . . . oh, yes," said the man, with a quavering and almost
coquettish smile. "I am a house-agent . . . oh, yes."
"Well, I think," said Rupert, with a sardonic sleekness, "that
Lieutenant Keith wants to speak to you. We have come in by his
request."
Lieutenant Keith was lowering gloomily, and now he spoke.
"I have come, Mr Montmorency, about that house of mine."
"Yes, sir," said Montmorency, spreading his fingers on the flat
counter. "It's all ready, sir. I've attended to all your
suggestions er--about the br--"
"Right," cried Keith, cutting the word short with the startling
neatness of a gunshot. "We needn't bother about all that. If
you've done what I told you, all right."
And he turned sharply towards the door.
Mr Montmorency, House-Agent, presented a picture of pathos. After
stammering a moment he said: "Excuse me . . . Mr Keith . . . there
was another matter . . . about which I wasn't quite sure. I tried
to get all the heating apparatus possible under the circumstances
. . . but in winter . . . at that elevation . . ."
"Can't expect much, eh?" said the lieutenant, cutting in with
the same sudden skill. "No, of course not. That's all right,
Montmorency. There can't be any more difficulties," and he put
his hand on the handle of the door.
"I think," said Rupert Grant, with a satanic suavity, "that Mr
Montmorency has something further to say to you, lieutenant."
"Only," said the house-agent, in desperation, "what about the
birds?"
"I beg your pardon," said Rupert, in a general blank.
"What about the birds?" said the house-agent doggedly.
Basil, who had remained throughout the procedings in a state of
Napoleonic calm, which might be more accurately described as a
state of Napoleonic stupidity, suddenly lifted his leonine head.
"Before you go, Lieutenant Keith," he said. "Come now. Really,
what about the birds?"
"I'll take care of them," said Lieutenant Keith, still with his
long back turned to us; "they shan't suffer."
"Thank you, sir, thank you," cried the incomprehensible
house-agent, with an air of ecstasy. "You'll excuse my concern,
sir. You know I'm wild on wild animals. I'm as wild as any of
them on that. Thank you, sir. But there's another thing. . ."
The lieutenant, with his back turned to us, exploded with an
indescribable laugh and swung round to face us. It was a laugh,
the purport of which was direct and essential, and yet which one
cannot exactly express. As near as it said anything, verbally
speaking, it said: "Well, if you must spoil it, you must. But you
don't know what you're spoiling."
"There is another thing," continued Mr Montmorency weakly. "Of
course, if you don't want to be visited you'll paint the house
green, but--"
"Green!" shouted Keith. "Green! Let it be green or nothing. I
won't have a house of another colour. Green!" and before we could
realize anything the door had banged between us and the street.
Rupert Grant seemed to take a little time to collect himself; but
he spoke before the echoes of the door died away.
"Your client, Lieutenant Keith, appears somewhat excited," he
said. "What is the matter with him? Is he unwell?"
"Oh, I should think not," said Mr Montmorency, in some confusion.
"The negotiations have been somewhat difficult--the house is
rather--"
"Green," said Rupert calmly. "That appears to be a very important
point. It must be rather green. May I ask you, Mr Montmorency,
before I rejoin my companion outside, whether, in your business,
it is usual to ask for houses by their colour? Do clients write
to a house-agent asking for a pink house or a blue house? Or, to
take another instance, for a green house?"
"Only," said Montmorency, trembling, "only to be inconspicuous."
Rupert had his ruthless smile. "Can you tell me any place on earth
in which a green house would be inconspicuous?"
The house-agent was fidgeting nervously in his pocket. Slowly
drawing out a couple of lizards and leaving them to run on the
counter, he said:
"No; I can't."
"You can't suggest an explanation?"
"No," said Mr Montmorency, rising slowly and yet in such a way as
to suggest a sudden situation, "I can't. And may I, as a busy man,
be excused if I ask you, gentlemen, if you have any demand to make
of me in connection with my business. What kind of house would you
desire me to get for you, sir?"
He opened his blank blue eyes on Rupert, who seemed for the second
staggered. Then he recovered himself with perfect common sense and
answered:
"I am sorry, Mr Montmorency. The fascination of your remarks has
unduly delayed us from joining our friend outside. Pray excuse my
apparent impertinence."
"Not at all, sir," said the house-agent, taking a South American
spider idly from his waistcoat pocket and letting it climb up the
slope of his desk. "Not at all, sir. I hope you will favour me
again."
Rupert Grant dashed out of the office in a gust of anger, anxious
to face Lieutenant Keith. He was gone. The dull, starlit street was
deserted.
"What do you say now?" cried Rupert to his brother. His brother
said nothing now.
We all three strode down the street in silence, Rupert feverish,
myself dazed, Basil, to all appearance, merely dull. We walked
through grey street after grey street, turning corners, traversing
squares, scarcely meeting anyone, except occasional drunken knots
of two or three.
In one small street, however, the knots of two or three began
abruptly to thicken into knots of five or six and then into great
groups and then into a crowd. The crowd was stirring very slightly.
But anyone with a knowledge of the eternal populace knows that if
the outside rim of a crowd stirs ever so slightly it means that
there is madness in the heart and core of the mob. It soon became
evident that something really important had happened in the centre
of this excitement. We wormed our way to the front, with the
cunning which is known only to cockneys, and once there we soon
learned the nature of the difficulty. There had been a brawl
concerned with some six men, and one of them lay almost dead on the
stones of the street. Of the other four, all interesting matters
were, as far as we were concerned, swallowed up in one stupendous
fact. One of the four survivors of the brutal and perhaps fatal
scuffle was the immaculate Lieutenant Keith, his clothes torn to
ribbons, his eyes blazing, blood on his knuckles. One other thing,
however, pointed at him in a worse manner. A short sword, or very
long knife, had been drawn out of his elegant walking-stick, and
lay in front of him upon the stones. It did not, however, appear to
be bloody.
The police had already pushed into the centre with their ponderous
omnipotence, and even as they did so, Rupert Grant sprang forward
with his incontrollable and intolerable secret.
"That is the man, constable," he shouted, pointing at the battered
lieutenant. "He is a suspicious character. He did the murder."
"There's been no murder done, sir," said the policeman, with his
automatic civility. "The poor man's only hurt. I shall only be
able to take the names and addresses of the men in the scuffle
and have a good eye kept on them."
"Have a good eye kept on that one," said Rupert, pale to the lips,
and pointing to the ragged Keith.
"All right, sir," said the policeman unemotionally, and went the
round of the people present, collecting the addresses. When he had
completed his task the dusk had fallen and most of the people not
immediately connected with the examination had gone away. He still
found, however, one eager-faced stranger lingering on the
outskirts of the affair. It was Rupert Grant.
"Constable," he said, "I have a very particular reason for asking
you a question. Would you mind telling me whether that military
fellow who dropped his sword-stick in the row gave you an address
or not?"
"Yes, sir," said the policeman, after a reflective pause; "yes, he
gave me his address."
"My name is Rupert Grant," said that individual, with some pomp.
"I have assisted the police on more than one occasion. I wonder
whether you would tell me, as a special favour, what address?"
The constable looked at him.
"Yes," he said slowly, "if you like. His address is: The Elms,
Buxton Common, near Purley, Surrey."
"Thank you," said Rupert, and ran home through the gathering night
as fast as his legs could carry him, repeating the address to
himself.
Rupert Grant generally came down late in a rather lordly way to
breakfast; he contrived, I don't know how, to achieve always the
attitude of the indulged younger brother. Next morning, however,
when Basil and I came down we found him ready and restless.
"Well," he said sharply to his brother almost before we sat down to
the meal. "What do you think of your Drummond Keith now?"
"What do I think of him?" inquired Basil slowly. "I don't think
anything of him."
"I'm glad to hear it," said Rupert, buttering his toast with an
energy that was somewhat exultant. "I thought you'd come round to
my view, but I own I was startled at your not seeing it from the
beginning. The man is a translucent liar and knave."
"I think," said Basil, in the same heavy monotone as before, "that
I did not make myself clear. When I said that I thought nothing of
him I meant grammatically what I said. I meant that I did not think
about him; that he did not occupy my mind. You, however, seem to me
to think a lot of him, since you think him a knave. I should say he
was glaringly good myself."
"I sometimes think you talk paradox for its own sake," said Rupert,
breaking an egg with unnecessary sharpness. "What the deuce is the
sense of it? Here's a man whose original position was, by our
common agreement, dubious. He's a wanderer, a teller of tall tales,
a man who doesn't conceal his acquaintance with all the blackest
and bloodiest scenes on earth. We take the trouble to follow him to
one of his appointments, and if ever two human beings were plotting
together and lying to every one else, he and that impossible
house-agent were doing it. We followed him home, and the very same
night he is in the thick of a fatal, or nearly fatal, brawl, in
which he is the only man armed. Really, if this is being glaringly
good, I must confess that the glare does not dazzle me."
Basil was quite unmoved. "I admit his moral goodness is of a
certain kind, a quaint, perhaps a casual kind. He is very fond of
change and experiment. But all the points you so ingeniously make
against him are mere coincidence or special pleading. It's true he
didn't want to talk about his house business in front of us. No
man would. It's true that he carries a sword-stick. Any man might.
It's true he drew it in the shock of a street fight. Any man
would. But there's nothing really dubious in all this. There's
nothing to confirm--"
As he spoke a knock came at the door.
"If you please, sir," said the landlady, with an alarmed air,
"there's a policeman wants to see you."
"Show him in," said Basil, amid the blank silence.
The heavy, handsome constable who appeared at the door spoke
almost as soon as he appeared there.
"I think one of you gentlemen," he said, curtly but respectfully,
"was present at the affair in Copper Street last night, and drew
my attention very strongly to a particular man."
Rupert half rose from his chair, with eyes like diamonds, but the
constable went on calmly, referring to a paper.
"A young man with grey hair. Had light grey clothes, very good, but
torn in the struggle. Gave his name as Drummond Keith."
"This is amusing," said Basil, laughing. "I was in the very act of
clearing that poor officer's character of rather fanciful
aspersions. What about him?"
"Well, sir," said the constable, "I took all the men's addresses
and had them all watched. It wasn't serious enough to do more than
that. All the other addresses are all right. But this man Keith
gave a false address. The place doesn't exist."
The breakfast table was nearly flung over as Rupert sprang up,
slapping both his thighs.
"Well, by all that's good," he cried. "This is a sign from heaven."
"It's certainly very extraordinary," said Basil quietly, with
knitted brows. "It's odd the fellow should have given a false
address, considering he was perfectly innocent in the--"
"Oh, you jolly old early Christian duffer," cried Rupert, in a
sort of rapture, "I don't wonder you couldn't be a judge. You
think every one as good as yourself. Isn't the thing plain enough
now? A doubtful acquaintance; rowdy stories, a most suspicious
conversation, mean streets, a concealed knife, a man nearly
killed, and, finally, a false address. That's what we call glaring
goodness."
"It's certainly very extraordinary," repeated Basil. And he
strolled moodily about the room. Then he said: "You are quite
sure, constable, that there's no mistake? You got the address
right, and the police have really gone to it and found it was a
fraud?"
"It was very simple, sir," said the policeman, chuckling. "The
place he named was a well-known common quite near London, and our
people were down there this morning before any of you were awake.
And there's no such house. In fact, there are hardly any houses at
all. Though it is so near London, it's a blank moor with hardly
five trees on it, to say nothing of Christians. Oh, no, sir, the
address was a fraud right enough. He was a clever rascal, and
chose one of those scraps of lost England that people know nothing
about. Nobody could say off-hand that there was not a particular
house dropped somewhere about the heath. But as a fact, there
isn't."
Basil's face during this sensible speech had been growing darker
and darker with a sort of desperate sagacity. He was cornered
almost for the first time since I had known him; and to tell the
truth I rather wondered at the almost childish obstinacy which kept
him so close to his original prejudice in favour of the wildly
questionable lieutenant. At length he said:
"You really searched the common? And the address was really not
known in the district--by the way, what was the address?"
The constable selected one of his slips of paper and consulted it,
but before he could speak Rupert Grant, who was leaning in the
window in a perfect posture of the quiet and triumphant detective,
struck in with the sharp and suave voice he loved so much to use.
"Why, I can tell you that, Basil," he said graciously as he idly
plucked leaves from a plant in the window. "I took the precaution
to get this man's address from the constable last night."
"And what was it?" asked his brother gruffly.
"The constable will correct me if I am wrong," said Rupert,
looking sweetly at the ceiling. "It was: The Elms, Buxton
Common, near Purley, Surrey."
"Right, sir," said the policeman, laughing and folding up his
papers.
There was a silence, and the blue eyes of Basil looked blindly for
a few seconds into the void. Then his head fell back in his chair
so suddenly that I started up, thinking him ill. But before I could
move further his lips had flown apart (I can use no other phrase)
and a peal of gigantic laughter struck and shook the ceiling--
laughter that shook the laughter, laughter redoubled, laughter
incurable, laughter that could not stop.
Two whole minutes afterwards it was still unended; Basil was ill
with laughter; but still he laughed. The rest of us were by this
time ill almost with terror.
"Excuse me," said the insane creature, getting at last to his feet.
"I am awfully sorry. It is horribly rude. And stupid, too. And also
unpractical, because we have not much time to lose if we're to get
down to that place. The train service is confoundedly bad, as I
happen to know. It's quite out of proportion to the comparatively
small distance."
"Get down to that place?" I repeated blankly. "Get down to what
place?"
"I have forgotten its name," said Basil vaguely, putting his hands
in his pockets as he rose. "Something Common near Purley. Has any
one got a timetable?"
"You don't seriously mean," cried Rupert, who had been staring in
a sort of confusion of emotions. "You don't mean that you want to
go to Buxton Common, do you? You can't mean that!"
"Why shouldn't I go to Buxton Common?" asked Basil, smiling.
"Why should you?" said his brother, catching hold again restlessly
of the plant in the window and staring at the speaker.
"To find our friend, the lieutenant, of course," said Basil Grant.
"I thought you wanted to find him?"
Rupert broke a branch brutally from the plant and flung it
impatiently on the floor. "And in order to find him," he said,
"you suggest the admirable expedient of going to the only place
on the habitable earth where we know he can't be."
The constable and I could not avoid breaking into a kind of
assenting laugh, and Rupert, who had family eloquence, was
encouraged to go on with a reiterated gesture:
"He may be in Buckingham Palace; he may be sitting astride the
cross of St Paul's; he may be in jail (which I think most likely);
he may be in the Great Wheel; he may be in my pantry; he may be in
your store cupboard; but out of all the innumerable points of
space, there is only one where he has just been systematically
looked for and where we know that he is not to be found--and that,
if I understand you rightly, is where you want us to go."
"Exactly," said Basil calmly, getting into his great-coat; "I
thought you might care to accompany me. If not, of course, make
yourselves jolly here till I come back."
It is our nature always to follow vanishing things and value them
if they really show a resolution to depart. We all followed Basil,
and I cannot say why, except that he was a vanishing thing, that
he vanished decisively with his great-coat and his stick. Rupert
ran after him with a considerable flurry of rationality.
"My dear chap," he cried, "do you really mean that you see any good
in going down to this ridiculous scrub, where there is nothing but
beaten tracks and a few twisted trees, simply because it was the
first place that came into a rowdy lieutenant's head when he wanted
to give a lying reference in a scrape?"
"Yes," said Basil, taking out his watch, "and, what's worse, we've
lost the train."
He paused a moment and then added: "As a matter of fact, I think
we may just as well go down later in the day. I have some writing
to do, and I think you told me, Rupert, that you thought of going
to the Dulwich Gallery. I was rather too impetuous. Very likely he
wouldn't be in. But if we get down by the 5.15, which gets to
Purley about 6, I expect we shall just catch him."
"Catch him!" cried his brother, in a kind of final anger. "I wish
we could. Where the deuce shall we catch him now?"
"I keep forgetting the name of the common," said Basil, as he
buttoned up his coat. "The Elms--what is it? Buxton Common, near
Purley. That's where we shall find him."
"But there is no such place," groaned Rupert; but he followed his
brother downstairs.
We all followed him. We snatched our hats from the hat-stand and
our sticks from the umbrella-stand; and why we followed him we did
not and do not know. But we always followed him, whatever was the
meaning of the fact, whatever was the nature of his mastery. And
the strange thing was that we followed him the more completely the
more nonsensical appeared the thing which he said. At bottom, I
believe, if he had risen from our breakfast table and said: "I am
going to find the Holy Pig with Ten Tails," we should have followed
him to the end of the world.
I don't know whether this mystical feeling of mine about Basil on
this occasion has got any of the dark and cloudy colour, so to
speak, of the strange journey that we made the same evening. It was
already very dense twilight when we struck southward from Purley.
Suburbs and things on the London border may be, in most cases,
commonplace and comfortable. But if ever by any chance they really
are empty solitudes they are to the human spirit more desolate and
dehumanized than any Yorkshire moors or Highland hills, because the
suddenness with which the traveller drops into that silence has
something about it as of evil elf-land. It seems to be one of the
ragged suburbs of the cosmos half-forgotten by God--such a place
was Buxton Common, near Purley.
There was certainly a sort of grey futility in the landscape
itself. But it was enormously increased by the sense of grey
futility in our expedition. The tracts of grey turf looked
useless, the occasional wind-stricken trees looked useless, but
we, the human beings, more useless than the hopeless turf or the
idle trees. We were maniacs akin to the foolish landscape, for we
were come to chase the wild goose which has led men and left men
in bogs from the beginning. We were three dazed men under the
captaincy of a madman going to look for a man whom we knew was not
there in a house that had no existence. A livid sunset seemed to
look at us with a sort of sickly smile before it died.
Basil went on in front with his coat collar turned up, looking in
the gloom rather like a grotesque Napoleon. We crossed swell after
swell of the windy common in increasing darkness and entire
silence. Suddenly Basil stopped and turned to us, his hands in his
pockets. Through the dusk I could just detect that he wore a broad
grin as of comfortable success.
"Well," he cried, taking his heavily gloved hands out of his
pockets and slapping them together, "here we are at last."
The wind swirled sadly over the homeless heath; two desolate elms
rocked above us in the sky like shapeless clouds of grey. There was
not a sign of man or beast to the sullen circle of the horizon, and
in the midst of that wilderness Basil Grant stood rubbing his hands
with the air of an innkeeper standing at an open door.
"How jolly it is," he cried, "to get back to civilization. That
notion that civilization isn't poetical is a civilised delusion.
Wait till you've really lost yourself in nature, among the devilish
woodlands and the cruel flowers. Then you'll know that there's no
star like the red star of man that he lights on his hearthstone; no
river like the red river of man, the good red wine, which you, Mr
Rupert Grant, if I have any knowledge of you, will be drinking in
two or three minutes in enormous quantities."
Rupert and I exchanged glances of fear. Basil went on heartily, as
the wind died in the dreary trees.
"You'll find our host a much more simple kind of fellow in his own
house. I did when I visited him when he lived in the cabin at
Yarmouth, and again in the loft at the city warehouse. He's really
a very good fellow. But his greatest virtue remains what I said
originally."
"What do you mean?" I asked, finding his speech straying towards a
sort of sanity. "What is his greatest virtue?"
"His greatest virtue," replied Basil, "is that he always tells the
literal truth."
"Well, really," cried Rupert, stamping about between cold and
anger, and slapping himself like a cabman, "he doesn't seem to have
been very literal or truthful in this case, nor you either. Why the
deuce, may I ask, have you brought us out to this infernal place?"
"He was too truthful, I confess," said Basil, leaning against the
tree; "too hardly veracious, too severely accurate. He should have
indulged in a little more suggestiveness and legitimate romance.
But come, it's time we went in. We shall be late for dinner."
Rupert whispered to me with a white face:
"Is it a hallucination, do you think? Does he really fancy he sees
a house?"
"I suppose so," I said. Then I added aloud, in what was meant to be
a cheery and sensible voice, but which sounded in my ears almost as
strange as the wind:
"Come, come, Basil, my dear fellow. Where do you want us to go?"
"Why, up here," cried Basil, and with a bound and a swing he was
above our heads, swarming up the grey column of the colossal tree.
"Come up, all of you," he shouted out of the darkness, with the
voice of a schoolboy. "Come up. You'll be late for dinner."
The two great elms stood so close together that there was scarcely
a yard anywhere, and in some places not more than a foot, between
them. Thus occasional branches and even bosses and boles formed a
series of footholds that almost amounted to a rude natural ladder.
They must, I supposed, have been some sport of growth, Siamese
twins of vegetation.
Why we did it I cannot think; perhaps, as I have said, the mystery
of the waste and dark had brought out and made primary something
wholly mystical in Basil's supremacy. But we only felt that there
was a giant's staircase going somewhere, perhaps to the stars; and
the victorious voice above called to us out of heaven. We hoisted
ourselves up after him.
Half-way up some cold tongue of the night air struck and sobered me
suddenly. The hypnotism of the madman above fell from me, and I saw
the whole map of our silly actions as clearly as if it were
printed. I saw three modern men in black coats who had begun with a
perfectly sensible suspicion of a doubtful adventurer and who had
ended, God knows how, half-way up a naked tree on a naked moorland,
far from that adventurer and all his works, that adventurer who was
at that moment, in all probability, laughing at us in some dirty
Soho restaurant. He had plenty to laugh at us about, and no doubt
he was laughing his loudest; but when I thought what his laughter
would be if he knew where we were at that moment, I nearly let go
of the tree and fell.
"Swinburne," said Rupert suddenly, from above, "what are we doing?
Let's get down again," and by the mere sound of his voice I knew
that he too felt the shock of wakening to reality.
"We can't leave poor Basil," I said. "Can't you call to him or get
hold of him by the leg?"
"He's too far ahead," answered Rupert; "he's nearly at the top
of the beastly thing. Looking for Lieutenant Keith in the rooks'
nests, I suppose."
We were ourselves by this time far on our frantic vertical
journey. The mighty trunks were beginning to sway and shake
slightly in the wind. Then I looked down and saw something which
made me feel that we were far from the world in a sense and to a
degree that I cannot easily describe. I saw that the almost
straight lines of the tall elm trees diminished a little in
perspective as they fell. I was used to seeing parallel lines
taper towards the sky. But to see them taper towards the earth
made me feel lost in space, like a falling star.
"Can nothing be done to stop Basil?" I called out.
"No," answered my fellow climber. "He's too far up. He must get
to the top, and when he finds nothing but wind and leaves he may
go sane again. Hark at him above there; you can just hear him
talking to himself."
"Perhaps he's talking to us," I said.
"No," said Rupert, "he'd shout if he was. I've never known him to
talk to himself before; I'm afraid he really is bad tonight; it's
a known sign of the brain going."
"Yes," I said sadly, and listened. Basil's voice certainly was
sounding above us, and not by any means in the rich and riotous
tones in which he had hailed us before. He was speaking quietly,
and laughing every now and then, up there among the leaves and
stars.
After a silence mingled with this murmur, Rupert Grant suddenly
said, "My God!" with a violent voice.
"What's the matter--are you hurt?" I cried, alarmed.
"No. Listen to Basil," said the other in a very strange voice.
"He's not talking to himself."
"Then he is talking to us," I cried.
"No," said Rupert simply, "he's talking to somebody else."
Great branches of the elm loaded with leaves swung about us in a
sudden burst of wind, but when it died down I could still hear
the conversational voice above. I could hear two voices.
Suddenly from aloft came Basil's boisterous hailing voice as
before: "Come up, you fellows. Here's Lieutenant Keith."
And a second afterwards came the half-American voice we had heard
in our chambers more than once. It called out:
"Happy to see you, gentlemen; pray come in."
Out of a hole in an enormous dark egg-shaped thing, pendent in
the branches like a wasps' nest, was protruding the pale face and
fierce moustache of the lieutenant, his teeth shining with that
slightly Southern air that belonged to him.
Somehow or other, stunned and speechless, we lifted ourselves
heavily into the opening. We fell into the full glow of a lamp-lit,
cushioned, tiny room, with a circular wall lined with books, a
circular table, and a circular seat around it. At this table sat
three people. One was Basil, who, in the instant after alighting
there, had fallen into an attitude of marmoreal ease as if he had
been there from boyhood; he was smoking a cigar with a slow
pleasure. The second was Lieutenant Drummond Keith, who looked
happy also, but feverish and doubtful compared with his granite
guest. The third was the little bald-headed house-agent with the
wild whiskers, who called himself Montmorency. The spears, the
green umbrella, and the cavalry sword hung in parallels on the
wall. The sealed jar of strange wine was on the mantelpiece, the
enormous rifle in the corner. In the middle of the table was a
magnum of champagne. Glasses were already set for us.
The wind of the night roared far below us, like an ocean at the
foot of a light-house. The room stirred slightly, as a cabin might
in a mild sea.
Our glasses were filled, and we still sat there dazed and dumb.
Then Basil spoke.
"You seem still a little doubtful, Rupert. Surely there is no
further question about the cold veracity of our injured host."
"I don't quite grasp it all," said Rupert, blinking still in the
sudden glare. "Lieutenant Keith said his address was--"
"It's really quite right, sir," said Keith, with an open smile.
"The bobby asked me where I lived. And I said, quite truthfully,
that I lived in the elms on Buxton Common, near Purley. So I do.
This gentleman, Mr Montmorency, whom I think you have met before,
is an agent for houses of this kind. He has a special line in
arboreal villas. It's being kept rather quiet at present, because
the people who want these houses don't want them to get too common.
But it's just the sort of thing a fellow like myself, racketing
about in all sorts of queer corners of London, naturally knocks up
against."
"Are you really an agent for arboreal villas?" asked Rupert
eagerly, recovering his ease with the romance of reality.
Mr Montmorency, in his embarrassment, fingered one of his pockets
and nervously pulled out a snake, which crawled about the table.
"W-well, yes, sir," he said. "The fact was--er--my people wanted me
very much to go into the house-agency business. But I never cared
myself for anything but natural history and botany and things like
that. My poor parents have been dead some years now, but--naturally
I like to respect their wishes. And I thought somehow that an
arboreal villa agency was a sort of--of compromise between being a
botanist and being a house-agent."
Rupert could not help laughing. "Do you have much custom?" he asked.
"N-not much," replied Mr Montmorency, and then he glanced at
Keith, who was (I am convinced) his only client. "But what there
is--very select."
"My dear friends," said Basil, puffing his cigar, "always remember
two facts. The first is that though when you are guessing about
any one who is sane, the sanest thing is the most likely; when you
are guessing about any one who is, like our host, insane, the
maddest thing is the most likely. The second is to remember that
very plain literal fact always seems fantastic. If Keith had taken
a little brick box of a house in Clapham with nothing but railings
in front of it and had written `The Elms' over it, you wouldn't
have thought there was anything fantastic about that. Simply
because it was a great blaring, swaggering lie you would have
believed it."
"Drink your wine, gentlemen," said Keith, laughing, "for this
confounded wind will upset it."
We drank, and as we did so, although the hanging house, by a
cunning mechanism, swung only slightly, we knew that the great
head of the elm tree swayed in the sky like a stricken thistle.
Chapter 5
The Noticeable Conduct of Professor Chadd
Basil Grant had comparatively few friends besides myself; yet he
was the reverse of an unsociable man. He would talk to any one
anywhere, and talk not only well but with perfectly genuine concern
and enthusiasm for that person's affairs. He went through the
world, as it were, as if he were always on the top of an omnibus or
waiting for a train. Most of these chance acquaintances, of course,
vanished into darkness out of his life. A few here and there got
hooked on to him, so to speak, and became his lifelong intimates,
but there was an accidental look about all of them as if they were
windfalls, samples taken at random, goods fallen from a goods train
or presents fished out of a bran-pie. One would be, let us say, a
veterinary surgeon with the appearance of a jockey; another, a mild
prebendary with a white beard and vague views; another, a young
captain in the Lancers, seemingly exactly like other captains in
the Lancers; another, a small dentist from Fulham, in all
reasonable certainty precisely like every other dentist from
Fulham. Major Brown, small, dry, and dapper, was one of these;
Basil had made his acquaintance over a discussion in a hotel
cloak-room about the right hat, a discussion which reduced the
little major almost to a kind of masculine hysterics, the compound
of the selfishness of an old bachelor and the scrupulosity of an
old maid. They had gone home in a cab together and then dined with
each other twice a week until they died. I myself was another. I
had met Grant while he was still a judge, on the balcony of the
National Liberal Club, and exchanged a few words about the weather.
Then we had talked for about an hour about politics and God; for
men always talk about the most important things to total strangers.
It is because in the total stranger we perceive man himself; the
image of God is not disguised by resemblances to an uncle or doubts
of the wisdom of a moustache.
One of the most interesting of Basil's motley group of
acquaintances was Professor Chadd. He was known to the ethnological
world (which is a very interesting world, but a long way off this
one) as the second greatest, if not the greatest, authority on the
relations of savages to language. He was known to the neighbourhood
of Hart Street, Bloomsbury, as a bearded man with a bald head,
spectacles, and a patient face, the face of an unaccountable
Nonconformist who had forgotten how to be angry. He went to and fro
between the British Museum and a selection of blameless tea-shops,
with an armful of books and a poor but honest umbrella. He was
never seen without the books and the umbrella, and was supposed (by
the lighter wits of the Persian MS. room) to go to bed with them in
his little brick villa in the neighbourhood of Shepherd's Bush.
There he lived with three sisters, ladies of solid goodness, but
sinister demeanour. His life was happy, as are almost all the lives
of methodical students, but one would not have called it
exhilarating. His only hours of exhilaration occurred when his
friend, Basil Grant, came into the house, late at night, a tornado
of conversation.
Basil, though close on sixty, had moods of boisterous babyishness,
and these seemed for some reason or other to descend upon him
particularly in the house of his studious and almost dingy friend.
I can remember vividly (for I was acquainted with both parties and
often dined with them) the gaiety of Grant on that particular
evening when the strange calamity fell upon the professor.
Professor Chadd was, like most of his particular class and type
(the class that is at once academic and middle-class), a Radical
of a solemn and old-fashioned type. Grant was a Radical himself,
but he was that more discriminating and not uncommon type of
Radical who passes most of his time in abusing the Radical party.
Chadd had just contributed to a magazine an article called "Zulu
Interests and the New Makango Frontier', in which a precise
scientific report of his study of the customs of the people of
T'Chaka was reinforced by a severe protest against certain
interferences with these customs both by the British and the
Germans. He-was sitting with the magazine in front of him, the
lamplight shining on his spectacles, a wrinkle in his forehead,
not of anger, but of perplexity, as Basil Grant strode up and down
the room, shaking it with his voice, with his high spirits and his
heavy tread.
"It's not your opinions that I object to, my esteemed Chadd," he
was saying, "it's you. You are quite right to champion the Zulus,
but for all that you do not sympathize with them. No doubt you
know the Zulu way of cooking tomatoes and the Zulu prayer before
blowing one's nose; but for all that you don't understand them as
well as I do, who don't know an assegai from an alligator. You are
more learned, Chadd, but I am more Zulu. Why is it that the jolly
old barbarians of this earth are always championed by people who
are their antithesis? Why is it? You are sagacious, you are
benevolent, you are well informed, but, Chadd, you are not savage.
Live no longer under that rosy illusion. Look in the glass. Ask
your sisters. Consult the librarian of the British Museum. Look at
this umbrella." And he held up that sad but still respectable
article. "Look at it. For ten mortal years to my certain knowledge
you have carried that object under your arm, and I have no sort of
doubt that you carried it at the age of eight months, and it never
occurred to you to give one wild yell and hurl it like a javelin--
thus--"
And he sent the umbrella whizzing past the professor's bald head,
so that it knocked over a pile of books with a crash and left a
vase rocking.
Professor Chadd appeared totally unmoved, with his face still
lifted to the lamp and the wrinkle cut in his forehead.
"Your mental processes," he said, "always go a little too fast.
And they are stated without method. There is no kind of
inconsistency"--and no words can convey the time he took to get to
the end of the word--"between valuing the right of the aborigines
to adhere to their stage in the evolutionary process, so long as
they find it congenial and requisite to do so. There is, I say, no
inconsistency between this concession which I have just described
to you and the view that the evolutionary stage in question is,
nevertheless, so far as we can form any estimate of values in the
variety of cosmic processes, definable in some degree as an
inferior evolutionary stage."
Nothing but his lips had moved as he spoke, and his glasses still
shone like two pallid moons.
Grant was shaking with laughter as he watched him.
"True," he said, "there is no inconsistency, my son of the red
spear. But there is a great deal of incompatibility of temper. I
am very far from being certain that the Zulu is on an inferior
evolutionary stage, whatever the blazes that may mean. I do not
think there is anything stupid or ignorant about howling at the
moon or being afraid of devils in the dark. It seems to me
perfectly philosophical. Why should a man be thought a sort of
idiot because he feels the mystery and peril of existence itself?
Suppose, my dear Chadd, suppose it is we who are the idiots
because we are not afraid of devils in the dark?"
Professor Chadd slit open a page of the magazine with a bone
paper-knife and the intent reverence of the bibliophile.
"Beyond all question," he said, "it is a tenable hypothesis. I
allude to the hypothesis which I understand you to entertain, that
our civilization is not or may not be an advance upon, and indeed
(if I apprehend you), is or may be a retrogression from states
identical with or analogous to the state of the Zulus. Moreover, I
shall be inclined to concede that such a proposition is of the
nature, in some degree at least, of a primary proposition, and
cannot adequately be argued, in the same sense, I mean, that the
primary proposition of pessimism, or the primary proposition of the
non-existence of matter, cannot adequately be argued. But I do not
conceive you to be under the impression that you have demonstrated
anything more concerning this proposition than that it is tenable,
which, after all, amounts to little more than the statement that it
is not a contradiction in terms."
Basil threw a book at his head and took out a cigar.
"You don't understand," he said, "but, on the other hand, as a
compensation, you don't mind smoking. Why you don't object to that
disgustingly barbaric rite I can't think. I can only say that I
began it when I began to be a Zulu, about the age of ten. What I
maintained was that although you knew more about Zulus in the sense
that you are a scientist, I know more about them in the sense that
I am a savage. For instance, your theory of the origin of language,
something about its having come from the formulated secret language
of some individual creature, though you knocked me silly with facts
and scholarship in its favour, still does not convince me, because
I have a feeling that that is not the way that things happen. If
you ask me why I think so I can only answer that I am a Zulu; and
if you ask me (as you most certainly will) what is my definition of
a Zulu, I can answer that also. He is one who has climbed a Sussex
apple-tree at seven and been afraid of a ghost in an English lane."
"Your process of thought--" began the immovable Chadd, but his
speech was interrupted. His sister, with that masculinity which
always in such families concentrates in sisters, flung open the
door with a rigid arm and said:
"James, Mr Bingham of the British Museum wants to see you again."
The philosopher rose with a dazed look, which always indicates in
such men the fact that they regard philosophy as a familiar thing,
but practical life as a weird and unnerving vision, and walked
dubiously out of the room.
"I hope you do not mind my being aware of it, Miss Chadd," said
Basil Grant, "but I hear that the British Museum has recognized
one of the men who have deserved well of their commonwealth. It is
true, is it not, that Professor Chadd is likely to be made keeper
of Asiatic manuscripts?"
The grim face of the spinster betrayed a great deal of pleasure and
a great deal of pathos also. "I believe it's true," she said. "If
it is, it will not only be great glory which women, I assure you,
feel a great deal, but great relief, which they feel more; relief
from worry from a lot of things. James' health has never been good,
and while we are as poor as we are he had to do journalism and
coaching, in addition to his own dreadful grinding notions and
discoveries, which he loves more than man, woman, or child. I have
often been afraid that unless something of this kind occurred we
should really have to be careful of his brain. But I believe it is
practically settled."
"I am delighted," began Basil, but with a worried face, "but these
red-tape negotiations are so terribly chancy that I really can't
advise you to build on hope, only to be hurled down into
bitterness. I've known men, and good men like your brother, come
nearer than this and be disappointed. Of course, if it is true--"
"If it is true," said the woman fiercely, "it means that people who
have never lived may make an attempt at living."
Even as she spoke the professor came into the room still with the
dazed look in his eyes.
"Is it true?" asked Basil, with burning eyes.
"Not a bit true," answered Chadd after a moment's bewilderment.
"Your argument was in three points fallacious."
"What do you mean?" demanded Grant.
"Well," said the professor slowly, "in saying that you could
possess a knowledge of the essence of Zulu life distinct from--"
"Oh! confound Zulu life," cried Grant, with a burst of laughter. "I
mean, have you got the post?"
"You mean the post of keeper of the Asiatic manuscripts," he said,
opening his eye with childlike wonder. "Oh, yes, I got that. But
the real objection to your argument, which has only, I admit,
occurred to me since I have been out of the room, is that it does
not merely presuppose a Zulu truth apart from the facts, but
infers that the discovery of it is absolutely impeded by the
facts."
"I am crushed," said Basil, and sat down to laugh, while the
professor's sister retired to her room, possibly, possibly not.
It was extremely late when we left the Chadds, and it is an
extremely long and tiresome journey from Shepherd's Bush to
Lambeth. This may be our excuse for the fact that we (for I was
stopping the night with Grant) got down to breakfast next day at a
time inexpressibly criminal, a time, in point of fact, close upon
noon. Even to that belated meal we came in a very lounging and
leisurely fashion. Grant, in particular, seemed so dreamy at table
that he scarcely saw the pile of letters by his plate, and I doubt
if he would have opened any of them if there had not lain on the
top that one thing which has succeeded amid modern carelessness in
being really urgent and coercive--a telegram. This he opened with
the same heavy distraction with which he broke his egg and drank
his tea. When he read it he did not stir a hair or say a word, but
something, I know not what, made me feel that the motionless figure
had been pulled together suddenly as strings are tightened on a
slack guitar. Though he said nothing and did not move, I knew that
he had been for an instant cleared and sharpened with a shock of
cold water. It was scarcely any surprise to me when a man who had
drifted sullenly to his seat and fallen into it, kicked it away
like a cur from under him and came round to me in two strides.
"What do you make of that?" he said, and flattened out the wire
in front of me.
It ran: "Please come at once. James' mental state dangerous.
Chadd."
"What does the woman mean?" I said after a pause, irritably.
"Those women have been saying that the poor old professor was mad
ever since he was born."
"You are mistaken," said Grant composedly. "It is true that all
sensible women think all studious men mad. It is true, for the
matter of that, all women of any kind think all men of any kind
mad. But they don't put it in telegrams, any more than they wire
to you that grass is green or God all-merciful. These things are
truisms, and often private ones at that. If Miss Chadd has written
down under the eye of a strange woman in a post-office that her
brother is off his head you may be perfectly certain that she did
it because it was a matter of life and death, and she can think of
no other way of forcing us to come promptly."
"It will force us of course," I said, smiling.
"Oh, yes," he replied; "there is a cab-rank near."
Basil scarcely said a word as we drove across Westminster Bridge,
through Trafalgar Square, along Piccadilly, and up the Uxbridge
Road. Only as he was opening the gate he spoke.
"I think you will take my word for it, my friend," he said; "this
is one of the most queer and complicated and astounding incidents
that ever happened in London or, for that matter, in any high
civilization."
"I confess with the greatest sympathy and reverence that I don't
quite see it," I said. "Is it so very extraordinary or complicated
that a dreamy somnambulant old invalid who has always walked on
the borders of the inconceivable should go mad under the shock of
great joy? Is it so very extraordinary that a man with a head like
a turnip and a soul like a spider's web should not find his
strength equal to a confounding change of fortunes? Is it, in
short, so very extraordinary that James Chadd should lose his wits
from excitement?"
"It would not be extraordinary in the least," answered Basil,
with placidity. "It would not be extraordinary in the least," he
repeated, "if the professor had gone mad. That was not the
extraordinary circumstance to which I referred."
"What," I asked, stamping my foot, "was the extraordinary thing?"
"The extraordinary thing," said Basil, ringing the bell, "is that
he has not gone mad from excitement."
The tall and angular figure of the eldest Miss Chadd blocked the
doorway as the door opened. Two other Miss Chadds seemed in the
same way to be blocking the narrow passage and the little parlour.
There was a general sense of their keeping something from view.
They seemed like three black-clad ladies in some strange play of
Maeterlinck, veiling the catastrophe from the audience in the
manner of the Greek chorus.
"Sit down, won't you?" said one of them, in a voice that was
somewhat rigid with pain. "I think you had better be told first
what has happened."
Then, with her bleak face looking unmeaningly out of the window,
she continued, in an even and mechanical voice:
"I had better state everything that occurred just as it occurred.
This morning I was clearing away the breakfast things, my sisters
were both somewhat unwell, and had not come down. My brother had
just gone out of the room, I believe, to fetch a book. He came back
again, however, without it, and stood for some time staring at the
empty grate. I said, `Were you looking for anything I could get?'
He did not answer, but this constantly happens, as he is often very
abstracted. I repeated my question, and still he did not answer.
Sometimes he is so wrapped up in his studies that nothing but a
touch on the shoulder would make him aware of one's presence, so I
came round the table towards him. I really do not know how to
describe the sensation which I then had. It seems simply silly, but
at the moment it seemed something enormous, upsetting one's brain.
The fact is, James was standing on one leg."
Grant smiled slowly and rubbed his hands with a kind of care.
"Standing on one leg?" I repeated.
"Yes," replied the dead voice of the woman without an inflection to
suggest that she felt the fantasticality of her statement. "He was
standing on the left leg and the right drawn up at a sharp angle,
the toe pointing downwards. I asked him if his leg hurt him. His
only answer was to shoot the leg straight at right angles to the
other, as if pointing to the other with his toe to the wall. He was
still looking quite gravely at the fireplace.
"`James, what is the matter?' I cried, for I was thoroughly
frightened. James gave three kicks in the air with the right leg,
flung up the other, gave three kicks in the air with it also and
spun round like a teetotum the other way. `Are you mad?' I cried.
`Why don't you answer me?' He had come to a standstill facing me,
and was looking at me as he always does, with his lifted eyebrows
and great spectacled eyes. When I had spoken he remained a second
or two motionless, and then his only reply was to lift his left
foot slowly from the floor and describe circles with it in the air.
I rushed to the door and shouted for Christina. I will not dwell on
the dreadful hours that followed. All three of us talked to him,
implored him to speak to us with appeals that might have brought
back the dead, but he has done nothing but hop and dance and kick
with a solemn silent face. It looks as if his legs belonged to some
one else or were possessed by devils. He has never spoken to us
from that time to this."
"Where is he now?" I said, getting up in some agitation. "We ought
not to leave him alone."
"Doctor Colman is with him," said Miss Chadd calmly. "They are in
the garden. Doctor Colman thought the air would do him good. And he
can scarcely go into the street."
Basil and I walked rapidly to the window which looked out on the
garden. It was a small and somewhat smug suburban garden; the
flower beds a little too neat and like the pattern of a coloured
carpet; but on this shining and opulent summer day even they had
the exuberance of something natural, I had almost said tropical.
In the middle of a bright and verdant but painfully circular lawn
stood two figures. One of them was a small, sharp-looking man with
black whiskers and a very polished hat (I presume Dr Colman), who
was talking very quietly and clearly, yet with a nervous twitch, as
it were, in his face. The other was our old friend, listening with
his old forbearing expression and owlish eyes, the strong sunlight
gleaming on his glasses as the lamplight had gleamed the night
before, when the boisterous Basil had rallied him on his studious
decorum. But for one thing the figure of this morning might have
been the identical figure of last night. That one thing was that
while the face listened reposefully the legs were industriously
dancing like the legs of a marionette. The neat flowers and the
sunny glitter of the garden lent an indescribable sharpness and
incredibility to the prodigy--the prodigy of the head of a hermit
and the legs of a harlequin. For miracles should always happen in
broad daylight. The night makes them credible and therefore
commonplace.
The second sister had by this time entered the room and came
somewhat drearily to the window.
"You know, Adelaide," she said, "that Mr Bingham from the Museum is
coming again at three."
"I know," said Adelaide Chadd bitterly. "I suppose we shall have to
tell him about this. I thought that no good fortune would ever come
easily to us."
Grant suddenly turned round. "What do you mean?" he said. "What
will you have to tell Mr Bingham?"
"You know what I shall have to tell him," said the professor's
sister, almost fiercely. "I don't know that we need give it its
wretched name. Do you think that the keeper of Asiatic manuscripts
will be allowed to go on like that?" And she pointed for an
instant at the figure in the garden, the shining, listening face
and the unresting feet.
Basil Grant took out his watch with an abrupt movement. "When did
you say the British Museum man was coming?" he said.
"Three o'clock," said Miss Chadd briefly.
"Then I have an hour before me," said Grant, and without another
word threw up the window and jumped out into the garden. He did
not walk straight up to the doctor and lunatic, but strolling
round the garden path drew near them cautiously and yet apparently
carelessly. He stood a couple of feet off them, seemingly counting
halfpence out of his trousers pocket, but, as I could see, looking
up steadily under the broad brim of his hat.
Suddenly he stepped up to Professor Chadd's elbow, and said, in a
loud familiar voice, "Well, my boy, do you still think the Zulus
our inferiors?"
The doctor knitted his brows and looked anxious, seeming to be
about to speak. The professor turned his bald and placid head
towards Grant in a friendly manner, but made no answer, idly
flinging his left leg about.
"Have you converted Dr Colman to your views?" Basil continued,
still in the same loud and lucid tone.
Chadd only shuffled his feet and kicked a little with the other
leg, his expression still benevolent and inquiring. The doctor cut
in rather sharply. "Shall we go inside, professor?" he said. "Now
you have shown me the garden. A beautiful garden. A most beautiful
garden. Let us go in," and he tried to draw the kicking
ethnologist by the elbow, at the same time whispering to Grant: "I
must ask you not to trouble him with questions. Most risky. He
must be soothed."
Basil answered in the same tone, with great coolness:
"Of course your directions must be followed out, doctor. I will
endeavour to do so, but I hope it will not be inconsistent with
them if you will leave me alone with my poor friend in this garden
for an hour. I want to watch him. I assure you, Dr Colman, that I
shall say very little to him, and that little shall be as soothing
as--as syrup."
The doctor wiped his eyeglass thoughtfully.
"It is rather dangerous for him," he said, "to be long in the
strong sun without his hat. With his bald head, too."
"That is soon settled," said Basil composedly, and took off his
own big hat and clapped it on the egglike skull of the professor.
The latter did not turn round but danced away with his eyes on the
horizon.
The doctor put on his glasses again, looked severely at the two
for some seconds, with his head on one side like a bird's, and
then saying, shortly, "All right," strutted away into the house,
where the three Misses Chadd were all looking out from the parlour
window on to the garden. They looked out on it with hungry eyes
for a full hour without moving, and they saw a sight which was
more extraordinary than madness itself.
Basil Grant addressed a few questions to the madman, without
succeeding in making him do anything but continue to caper, and
when he had done this slowly took a red note-book out of one
pocket and a large pencil out of another.
He began hurriedly to scribble notes. When the lunatic skipped
away from him he would walk a few yards in pursuit, stop, and
make notes again. Thus they followed each other round and round
the foolish circle of turf, the one writing in pencil with the
face of a man working out a problem, the other leaping and
playing like a child.
After about three-quarters of an hour of this imbecile scene,
Grant put the pencil in his pocket, but kept the note-book open
in his hand, and walking round the mad professor, planted himself
directly in front of him.
Then occurred something that even those already used to that wild
morning had not anticipated or dreamed. The professor, on finding
Basil in front of him, stared with a blank benignity for a few
seconds, and then drew up his left leg and hung it bent in the
attitude that his sister had described as being the first of all
his antics. And the moment he had done it Basil Grant lifted his
own leg and held it out rigid before him, confronting Chadd with
the flat sole of his boot. The professor dropped his bent leg,
and swinging his weight on to it kicked out the other behind,
like a man swimming. Basil crossed his feet like a saltire cross,
and then flung them apart again, giving a leap into the air. Then
before any of the spectators could say a word or even entertain a
thought about the matter, both of them were dancing a sort of jig
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