The Complete Poems of Sir Thomas Moore
by
Thomas Moore et al
Part 8 out of 33
Like you, 'tis fair and bright;
Like you, too bright and fair
To let wild passion write
One wrong wish there.
Haply, when from those eyes
Far, far away I roam.
Should calmer thoughts arise
Towards you and home;
Fancy may trace some line,
Worthy those eyes to meet,
Thoughts that not burn, but shine,
Pure, calm, and sweet.
And as, o'er ocean, far,
Seamen their records keep,
Led by some hidden star
Thro' the cold deep;
So may the words I write
Tell thro' what storms I stray--
_You_ still the unseen light,
Guiding my way.
THE LEGACY.
When in death I shall calmly recline,
O bear my heart to my mistress dear;
Tell her it lived upon smiles and wine
Of the brightest hue, while it lingered here.
Bid her not shed one tear of sorrow
To sully a heart so brilliant and light;
But balmy drops of the red grape borrow,
To bathe the relic from morn till night.
When the light of my song is o'er,
Then take my harp to your ancient hall;
Hang it up at that friendly door,
Where weary travellers love to call.[1]
Then if some bard, who roams forsaken,
Revive its soft note in passing along,
Oh! let one thought of its master waken
Your warmest smile for the child of song.
Keep this cup, which is now o'er-flowing,
To grace your revel, when I'm at rest;
Never, oh! never its balm bestowing
On lips that beauty has seldom blest.
But when some warm devoted lover
To her he adores shall bathe its brim,
Then, then my spirit around shall hover,
And hallow each drop that foams for him.
[1] "In every house was one or two harps, free to all travellers, who were
the more caressed, the more they excelled in music."--_O'Halloran_.
HOW OFT HAS THE BANSHEE CRIED.
How oft has the Banshee cried,
How oft has death untied
Bright links that Glory wove,
Sweet bonds entwined by Love!
Peace to each manly soul that sleepeth;
Rest to each faithful eye that weepeth;
Long may the fair and brave
Sigh o'er the hero's grave.
We're fallen upon gloomy days![1]
Star after star decays,
Every bright name, that shed
Light o'er the land, is fled.
Dark falls the tear of him who mourneth
Lost joy, or hope that ne'er returneth;
But brightly flows the tear,
Wept o'er a hero's bier.
Quenched are our beacon lights--
Thou, of the Hundred Fights![2]
Thou, on whose burning tongue
Truth, peace, and freedom hung!
Both mute,--but long as valor shineth,
Or Mercy's soul at war repineth,
So long shall Erin's pride
Tell how they lived and died.
[1] I have endeavored here, without losing that Irish character, which it
is my object to preserve throughout this work, to allude to the sad and
ominous fatality, by which England has been deprived of so many great and
good men, at a moment when she most requires all the aids of talent and
integrity.
[2] This designation, which has been before applied to Lord Nelson, is the
title given to a celebrated Irish Hero, in a Poem by O'Guive, the bard of
O'Niel, which is quoted in the "Philosophical Survey of the South of
Ireland," page 433. "Con, of the hundred Fights, sleep in thy grass-grown
tomb, and upbraid not our defeats with thy victories."
WE MAY ROAM THROUGH THIS WORLD.
We may roam thro' this world, like a child at a feast,
Who but sips of a sweet, and then flies to the rest;
And, when pleasure begins to grow dull in the east,
We may order our wings and be off to the west;
But if hearts that feel, and eyes that smile,
Are the dearest gifts that heaven supplies,
We never need leave our own green isle,
For sensitive hearts, and for sun-bright eyes.
Then remember, wherever your goblet is crowned,
Thro' this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile which adorns her at home.
In England, the garden of Beauty is kept
By a dragon of prudery placed within call;
But so oft this unamiable dragon has slept,
That the garden's but carelessly watched after all.
Oh! they want the wild sweet-briery fence,
Which round the flowers of Erin dwells;
Which warns the touch, while winning the sense,
Nor charms us least when it most repels.
Then remember, wherever your goblet is crowned,
Thro' this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile that adorns her at home.
In France, when the heart of a woman sets sail,
On the ocean of wedlock its fortune to try,
Love seldom goes far in a vessel so frail,
But just pilots her off, and then bids her good-by.
While the daughters of Erin keep the boy,
Ever smiling beside his faithful oar,
Thro' billows of woe, and beams of joy,
The same as he looked when he left the shore.
Then remember, wherever your goblet is crowned,
Thro' this world, whether eastward or westward you roam,
When a cup to the smile of dear woman goes round,
Oh! remember the smile that adorns her at home.
EVELEEN'S BOWER.
Oh! weep for the hour,
When to Eveleen's bower
The Lord of the Valley with false vows came;
The moon hid her light
From the heavens that night.
And wept behind her clouds o'er the maiden's shame.
The clouds past soon
From the chaste cold moon,
And heaven smiled again with her vestal flame:
But none will see the day,
When the clouds shall pass away,
Which that dark hour left upon Eveleen's fame.
The white snow lay
On the narrow path-way,
When the Lord of the Valley crost over the moor;
And many a deep print
On the white snow's tint
Showed the track of his footstep to Eveleen's door.
The next sun's ray
Soon melted away
Every trace on the path where the false Lord came;
But there's a light above,
Which alone can remove
That stain upon the snow of fair Eveleen's fame.
LET ERIN REMEMBER THE DAYS OF OLD.
Let Erin remember the days of old.
Ere her faithless sons betrayed her;
When Malachi wore the collar of gold,[1]
Which he won from her proud invader.
When her kings, with standard of green unfurled,
Led the Red-Branch Knights to danger;[2]
Ere the emerald gem of the western world
Was set in the crown of a stranger.
On Lough Neagh's bank as the fisherman strays,
When the clear cold eve's declining,
He sees the round towers of other days
In the wave beneath him shining:
Thus shall memory often, in dreams sublime,
Catch a glimpse of the days that are over;
Thus, sighing, look thro' the waves of time
For the long-faded glories they cover.[3]
[1] "This brought on an encounter between Malachi (the Monarch of Ireland
in the tenth century) and the Danes, in which Malachi defeated two of
their champions, whom he encountered successively, hand to hand, taking a
collar of gold from the neck of one, and carrying off the sword of the
other, as trophies of his victory."--_Warner's "History of Ireland,"_
vol. i. book ix.
[2] "Military orders of knights were very early established in Ireland;
long before the birth of Christ we find an hereditary order of Chivalry in
Ulster, called _Curaidhe na Craiobhe ruadh_, or the Knights of the
Red Branch, from their chief seat in Emania, adjoining to the palace of
the Ulster kings, called _Teagh na Craiobhe ruadh_, or the Academy of
the Red Branch; and contiguous to which was a large hospital, founded for
the sick knights and soldiers, called _Bronbhearg_, or the House of
the Sorrowful Soldier."--_O'Halloran's Introduction_, etc., part 1,
chap. 5.
[3] It was an old tradition, in the time of Giraldus, that Lough Neagh had
been originally a fountain, by whose sudden overflowing the country was
inundated, and a whole region, like the Atlantis of Plato, overwhelmed. He
says that the fishermen, in clear weather, used to point out to strangers
the tall ecclesiastical towers under the water.
THE SONG OF FIONNUALA.[1]
Silent, oh Moyle, be the roar of thy water,
Break not, ye breezes, your chain of repose,
While, murmuring mournfully, Lir's lonely daughter
Tells to the night-star her tale of woes.
When shall the swan, her death-note singing,
Sleep, with wings in darkness furled?
When will heaven, its sweet bell ringing,
Call my spirit from this stormy world?
Sadly, oh Moyle, to thy winter wave weeping,
Fate bids me languish long ages away;
Yet still in her darkness doth Erin lie sleeping,
Still doth the pure light its dawning delay.
When will that day-star, mildly springing,
Warm our isle with peace and love?
When will heaven, its sweet bell ringing,
Call my spirit to the fields above?
[1] To make this story intelligible in a song would require a much greater
number of verses than any one is authorized to inflict upon an audience at
once; the reader must therefore be content to learn, in a note, that
Fionnuala, the daughter of Lir, was, by some supernatural power,
transformed into a swan, and condemned to wander, for many hundred years,
over certain lakes and rivers in Ireland, till the coming of Christianity,
when the first sound of the mass-bell was to be the signal of her
release,--I found this fanciful fiction among some manuscript translations
from the Irish, which were begun under the direction of that enlightened
friend of Ireland, the late Countess of Moira.
COME, SEND ROUND THE WINE.
Come, send round the wine, and leave points of belief
To simpleton sages, and reasoning fools;
This moment's a flower too fair and brief,
To be withered and stained by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are filled from the same bright bowl,
The fool, who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly,
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valor, or love, by a standard like this!
SUBLIME WAS THE WARNING.
Sublime was the warning that Liberty spoke,
And grand was the moment when Spaniards awoke
Into life and revenge from the conqueror's chain.
Oh, Liberty! let not this Spirit have rest,
Till it move, like a breeze, o'er the waves of the west--
Give the light of your look to each sorrowing spot,
Nor, oh, be the Shamrock of Erin forgot
While you add to your garland the Olive of Spain!
If the fame of our fathers, bequeathed with their rights,
Give to country its charm, and to home its delights,
If deceit be a wound, and suspicion a stain,
Then, ye men of Iberia; our cause is the same!
And oh! may his tomb want a tear and a name,
Who would ask for a nobler, a holier death,
Than to turn his last sigh into victory's breath,
For the Shamrock of Erin and Olive of Spain!
Ye Blakes and O'Donnels, whose fathers resigned
The green hills of their youth, among strangers to find
That repose which, at home, they had sighed for in vain,
Join, join in our hope that the flame, which you light,
May be felt yet in Erin, as calm, and as bright,
And forgive even Albion while blushing she draws,
Like a truant, her sword, in the long-slighted cause
Of the Shamrock of Erin and Olive of Spain!
God prosper the cause!--oh, it cannot but thrive,
While the pulse of one patriot heart is alive.
Its devotion to feel, and its rights to maintain;
Then, how sainted by sorrow, its martyrs will die!
The finger of Glory shall point where they lie;
While, far from the footstep of coward or slave.
The young spirit of Freedom shall shelter their grave
Beneath Shamrocks of Erin and Olives of Spain!
BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS.
Believe me, if all those endearing young charms,
Which I gaze on so fondly today,
Were to change by to-morrow, and fleet in my arms,
Like fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art.
Let thy loveliness fade as it will.
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheeks unprofaned by a tear,
That the fervor and faith of a soul can be known,
To which time will but make thee more dear;
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sun-flower turns on her god, when he sets,
The same look which she turned when he rose.
ERIN, OH ERIN.
Like the bright lamp, that shone in Kildare's holy fane,[1]
And burn'd thro' long ages of darkness and storm,
Is the heart that sorrows have frowned on in vain,
Whose spirit outlives them, unfading and warm.
Erin, oh Erin, thus bright thro' the tears
Of a long night of bondage, thy spirit appears.
The nations have fallen, and thou still art young,
Thy sun is but rising, when others are set;
And tho' slavery's cloud o'er thy morning hath hung,
The full noon of freedom shall beam round thee yet.
Erin, oh Erin, tho' long in the shade,
Thy star will shine out when the proudest shall fade.
Unchilled by the rain, and unwaked by the wind,
The lily lies sleeping thro' winter's cold hour,
Till Spring's light touch her fetters unbind,
And daylight and liberty bless the young flower.
Thus Erin, oh Erin, _thy_ winter is past,
And the hope that lived thro' it shall blossom at last.
[1] The inextinguishable fire of St. Bridget, at Kildare, which Giraldus
mentions.
DRINK TO HER.
Drink to her, who long,
Hath waked the poet's sigh.
The girl, who gave to song
What gold could never buy.
Oh! woman's heart was made
For minstrel hands alone;
By other fingers played,
It yields not half the tone.
Then here's to her, who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
At Beauty's door of glass,
When Wealth and Wit once stood,
They asked her '_which_ might pass?"
She answered, "he, who could."
With golden key Wealth thought
To pass--but 'twould not do:
While Wit a diamond brought,
Which cut his bright way through.
So here's to her, who long
Hath waked the poet's sigh,
The girl, who gave to song
What gold could never buy.
The love that seeks a home
Where wealth or grandeur shines,
Is like the gloomy gnome,
That dwells in dark gold mines.
But oh! the poet's love
Can boast a brighter sphere;
Its native home's above,
Tho' woman keeps it here.
Then drink to her, who long
Hath waked the poet's sigh,
The girl, who gave to song
What gold could never buy.
OH! BLAME NOT THE BARD.[1]
Oh! blame not the bard, if he fly to the bowers,
Where Pleasure lies, carelessly smiling at Fame;
He was born for much more, and in happier hours
His soul might have burned with a holier flame.
The string, that now languishes loose o'er the lyre,
Might have bent a proud bow to the warrior's dart;[2]
And the lip, which now breathes but the song of desire,
Might have poured the full tide of a patriot's heart.
But alas for his country!--her pride is gone by,
And that spirit is broken, which never would bend;
O'er the ruin her children in secret must sigh,
For 'tis treason to love her, and death to defend.
Unprized are her sons, till they've learned to betray;
Undistinguished they live, if they shame not their sires;
And the torch, that would light them thro' dignity's way,
Must be caught from the pile, where their country expires.
Then blame not the bard, if in pleasure's soft dream,
He should try to forget, what he never can heal:
Oh! give but a hope--let a vista but gleam
Thro' the gloom of his country, and mark how he'll feel!
That instant, his heart at her shrine would lay down
Every passion it nurst, every bliss it adored;
While the myrtle, now idly entwined with his crown,
Like the wreath of Harmodius, should cover his sword.
But tho' glory be gone, and tho' hope fade away,
Thy name, loved Erin, shall live in his songs;
Not even in the hour, when his heart is most gay,
Will he lose the remembrance of thee and thy wrongs.
The stranger shall hear thy lament on his plains;
The sigh of thy harp shall be sent o'er the deep,
Till thy masters themselves, as they rivet thy chains,
Shall pause at the song of their captive, and weep!
[1] We may suppose this apology to have been uttered by one of those
wandering bards, whom Spenser so severely, and perhaps, truly, describes
in his State of Ireland, and whose poems, he tells us, "were sprinkled
with some pretty flowers of their natural device, which have good grace
and comeliness unto them, the which it is great pity to see abused to the
gracing of wickedness and vice, which, with good usage, would serve to
adorn and beautify virtue."
[2] It is conjectured by Wormius, that the name of Ireland is derived from
Yr, the Runic for a _bow_ in the use of which weapon the Irish were once
very expert. This derivation is certainly more creditable to us than the
following: "So that Ireland, called the land of _Ire_, from the constant
broils therein for 400 years, was now become the land of concord."
_Lloyd's "State Worthies_," art. _The Lord Grandison_.
WHILE GAZING ON THE MOON'S LIGHT.
While gazing on the moon's light,
A moment from her smile I turned,
To look at orbs, that, more bright,
In lone and distant glory burned.
But _too_ far
Each proud star,
For me to feel its warming flame;
Much more dear
That mild sphere.
Which near our planet smiling came;
Thus, Mary, be but thou my own;
While brighter eyes unheeded play,
I'll love those moonlight looks alone,
That bless my home and guide my way.
The day had sunk in dim showers,
But midnight now, with lustre meet.
Illumined all the pale flowers,
Like hope upon a mourner's cheek.
I said (while
The moon's smile
Played o'er a stream, in dimpling bliss,)
"The moon looks
"On many brooks,
"The brook can see no moon but this;"[1]
And thus, I thought, our fortunes run,
For many a lover looks to thee,
While oh! I feel there is but _one_,
_One_ Mary in the world for me.
[1] This image was suggested by the following thought, which occurs
somewhere In Sir William Jones's works: "The moon looks upon many night-
flowers, the night flower sees but one moon."
ILL OMENS.
When daylight was yet sleeping under the billow,
And stars in the heavens still lingering shone.
Young Kitty, all blushing, rose up from her pillow,
The last time she e'er was to press it alone.
For the youth! whom she treasured her heart and her soul in,
Had promised to link the last tie before noon;
And when once the young heart of a maiden is stolen
The maiden herself will steal after it soon.
As she looked in the glass, which a woman ne'er misses.
Nor ever wants time for a sly glance or two,
A butterfly,[1] fresh from the night-flower's kisses.
Flew over the mirror, and shaded her view.
Enraged with the insect for hiding her graces,
She brushed him--he fell, alas; never to rise:
"Ah! such," said the girl, "is the pride of our faces,
"For which the soul's innocence too often dies."
While she stole thro' the garden, where heart's-ease was growing,
She culled some, and kist off its night-fallen dew;
And a rose, further on, looked so tempting and glowing,
That, spite of her haste, she must gather it too:
But while o'er the roses too carelessly leaning,
Her zone flew in two, and the
heart's-ease was lost:
"Ah! this means," said the girl
(and she sighed at its meaning),
"That love is scarce worth the
repose it will cost!"
[1] An emblem of the soul.
BEFORE THE BATTLE.
By the hope within us springing,
Herald of to-morrow's strife;
By that sun, whose light is bringing
Chains or freedom, death or life--
Oh! remember life can be
No charm for him, who lives not free!
Like the day-star in the wave,
Sinks a hero in his grave,
Midst the dew-fall of a nation's tears.
Happy is he o'er whose decline
The smiles of home may soothing shine
And light him down the steep of years:--
But oh, how blest they sink to rest,
Who close their eyes on victory's breast!
O'er his watch-fire's fading embers
Now the foeman's cheek turns white,
When his heart that field remembers,
Where we tamed his tyrant might.
Never let him bind again
A chain; like that we broke from then.
Hark! the horn of combat calls--
Ere the golden evening falls,
May we pledge that horn in triumph round![1]
Many a heart that now beats high,
In slumber cold at night shall lie,
Nor waken even at victory's sound--
But oh, how blest that hero's sleep,
O'er whom a wondering world shall weep!
[1] "The Irish Corna was not entirely devoted to martial purposes. In the
heroic ages, our ancestors quaffed Meadh out of them, as the Danish
hunters do their beverage at this day."--_Walker_.
AFTER THE BATTLE.
Night closed around the conqueror's way,
And lightnings showed the distant hill,
Where those who lost that dreadful day,
Stood few and faint, but fearless still.
The soldier's hope, the patriot's zeal,
For ever dimmed, for ever crost--
Oh! who shall say what heroes feel,
When all but life and honor's lost?
The last sad hour of freedom's dream,
And valor's task, moved slowly by,
While mute they watcht, till morning's beam
Should rise and give them light to die.
There's yet a world, where souls are free,
Where tyrants taint not nature's bliss;--
If death that world's bright opening be,
Oh! who would live a slave in this?
'TIS SWEET TO THINK.
'Tis sweet to think, that, where'er we rove,
We are sure to find something blissful and dear.
And that, when we're far from the lips we love,
We've but to make love to the lips, we are near.
The heart, like a tendril, accustomed to cling,
Let it grow where it will, can not flourish alone,
But will lean to the nearest and loveliest thing
It can twine with itself and make closely its own.
Then oh! what pleasure, where'er we rove,
To be sure to find something still that is dear,
And to know, when far from the lips we love,
We've but to make love to the lips we are near.
'Twere a shame, when flowers around us rise.
To make light of the rest, if the rose isn't there;
And the world's so rich in resplendent eyes,
'Twere a pity to limit one's love to a pair.
Love's wing and the peacock's are nearly alike,
They are both of them bright, but they're changeable too,
And, wherever a new beam of beauty can strike,
It will tincture Love's plume with a different hue.
Then oh! what pleasure, where'er we rove,
To be sure to find something still that is dear,
And to know, when far from the lips we love,
We've but to make love to the lips we are near.
THE IRISH PEASANT TO HIS MISTRESS.[1]
Thro' grief and thro' danger thy smile hath cheered my way,
Till hope seemed to bud from each thorn that round me lay;
The darker our fortune, the brighter our pure love burned,
Till shame into glory, till fear into zeal was turned;
Yes, slave as I was, in thy arms my spirit felt free,
And blest even the sorrows that made me more dear to thee.
Thy rival was honored, while thou wert wronged and scorned,
Thy crown was of briers, while gold her brows adorned;
She wooed me to temples, while thou lay'st hid in caves,
Her friends were all masters, while thine, alas! were slaves;
Yet cold in the earth, at thy feet, I would rather be,
Than wed what I loved not, or turn one thought from thee.
They slander thee sorely, who say thy vows are frail--
Hadst thou been a false one, thy cheek had looked less pale.
They say, too, so long thou hast worn those lingering chains,
That deep in thy heart they have printed their servile stains--
Oh! foul is the slander,--no chain could that soul subdue--
Where shineth _thy_ spirit, there liberty shineth too![2]
[1] Meaning, allegorically, the ancient Church of Ireland.
[2] "Where the Spirit of the Lord is, there is liberty"--_St. Paul's
Corinthians_ ii., l7.
ON MUSIC.
When thro' life unblest we rove,
Losing all that made life dear,
Should some notes we used to love,
In days of boyhood, meet our ear,
Oh! how welcome breathes the strain!
Wakening thoughts that long have slept;
Kindling former smiles again
In faded eyes that long have wept.
Like the gale, that sighs along
Beds of oriental flowers,
Is the grateful breath of song,
That once was heard in happier hours;
Filled with balm, the gale sighs on,
Tho' the flowers have sunk in death;
So, when pleasure's dream is gone,
Its memory lives in Music's breath.
Music, oh how faint, how weak,
Language fades before thy spell!
Why should Feeling ever speak,
When thou canst breathe her soul so well?
Friendship's balmy words may feign,
Love's are even more false than they;
Oh! 'tis only music's strain
Can sweetly soothe, and not betray.
IT IS NOT THE TEAR AT THIS MOMENT SHED.[1]
It is not the tear at this moment shed,
When the cold turf has just been laid o'er him,
That can tell how beloved was the friend that's fled,
Or how deep in our hearts we deplore him.
'Tis the tear, thro' many a long day wept,
'Tis life's whole path o'ershaded;
'Tis the one remembrance, fondly kept,
When all lighter griefs have faded.
Thus his memory, like some holy light,
Kept alive in our hearts, will improve them,
For worth shall look fairer, and truth more bright,
When we think how we lived but to love them.
And, as fresher flowers the sod perfume
Where buried saints are lying,
So our hearts shall borrow a sweetening bloom
From the image he left there in dying!
[1] These lines were occasioned by the loss of a very near and
dear relative, who had died lately at Madeira.
THE ORIGIN OF THE HARP.
'Tis believed that this Harp, which I wake now for thee,
Was a Siren of old, who sung under the sea;
And who often, at eve, thro' the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep;
Till heaven looked with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair--still her cheeks smiled the same--
While her sea-beauties gracefully formed the light frame;
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till _thou_ didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
LOVE'S YOUNG DREAM.
Oh! the days are gone, when Beauty bright
My heart's chain wove;
When my dream of life, from morn till night,
Was love, still love.
New hope may bloom,
And days may come,
Of milder, calmer beam,
But there's nothing half so sweet in life
As love's young dream;
No, there's nothing half so sweet in life
As love's young dream.
Tho' the bard to purer fame may soar,
When wild youth's past;
Tho' he win the wise, who frowned before,
To smile at last;
He'll never meet
A joy so sweet,
In all his noon of fame,
As when first he sung to woman's ear
His soul-felt flame,
And, at every close, she blushed to hear
The one lov'd name.
No,--that hallowed form is ne'er forgot
Which first love traced;
Still it lingering haunts the greenest spot
On memory's waste.
'Twas odor fled
As soon as shed;
'Twas morning's winged dream;
'Twas a light, that ne'er can shine again
On life's dull stream:
Oh! 'twas light that ne'er can shine again
On life's dull stream.
THE PRINCE'S DAY.[1]
Tho' dark are our sorrows, to-day we'll forget them,
And smile thro' our tears, like a sunbeam in showers:
There never were hearts, if our rulers would let them,
More formed to be grateful and blest than ours.
But just when the chain
Has ceased to pain,
And hope has enwreathed it round with flowers,
There comes a new link
Our spirits to sink--
Oh! the joy that we taste, like the light of the poles,
Is a flash amid darkness, too brilliant to stay;
But, tho' 'twere the last little spark in our souls,
We must light it up now, on our Prince's Day.
Contempt on the minion, who calls you disloyal!
Tho' fierce to your foe, to your friends you are true;
And the tribute most high to a head that is royal,
Is love from a heart that loves liberty too.
While cowards, who blight
Your fame, your right,
Would shrink from the blaze of the battle array,
The Standard of Green
In front would be seen,--
Oh, my life on your faith! were you summoned this minute,
You'd cast every bitter remembrance away,
And show what the arm of old Erin has in it,
When roused by the foe, on her Prince's Day.
He loves the Green Isle, and his love is recorded
In hearts, which have suffered too much to forget;
And hope shall be crowned, and attachment rewarded,
And Erin's gay jubilee shine out yet.
The gem may be broke
By many a stroke,
But nothing can cloud its native ray:
Each fragment will cast
A light, to the last,--
And thus, Erin, my country tho' broken thou art,
There's a lustre within thee that ne'er will decay;
A spirit, which beams thro' each suffering part,
And now smiles at all pain on the Prince's Day.
[1] This song was written for a _fete_ in honor of the Prince of
Wales's Birthday, given by my friend, Major Bryan, at his seat in the
county of Kilkenny.
WEEP ON, WEEP ON.
Weep on, weep on, your hour is past;
Your dreams of pride are o'er;
The fatal chain is round you cast,
And you are men no more.
In vain the hero's heart hath bled;
The sage's tongue hath warned in vain;--
Oh, Freedom! once thy flame hath fled,
It never lights again.
Weep on--perhaps in after days,
They'll learn to love your name;
When many a deed may wake in praise
That long hath slept in blame.
And when they tread the ruined isle,
Where rest, at length, the lord and slave,
They'll wondering ask, how hands so vile
Could conquer hearts so brave?
"'Twas fate," they'll say, "a wayward fate
"Your web of discord wove;
"And while your tyrants joined in hate,
"You never joined in love.
"But hearts fell off, that ought to twine,
"And man profaned what God had given;
"Till some were heard to curse the shrine,
"Where others knelt to heaven!"
LESBIA HATH A BEAMING EYE.
Lesbia hath a beaming eye,
But no one knows for whom it beameth;
Right and left its arrows fly,
But what they aim at no one dreameth.
Sweeter 'tis to gaze upon
My Nora's lid that seldom rises;
Few its looks, but every one,
Like unexpected light, surprises!
Oh, My Nora Creina, dear,
My gentle, bashful Nora Creina,
Beauty lies
In many eyes,
But love in yours, My Nora Creina.
Lesbia wears a robe of gold,
But all so close the nymph hath laced it,
Not a charm of beauty's mould
Presumes to stay where nature placed it.
Oh! my Nora's gown for me,
That floats as wild as mountain breezes,
Leaving every beauty free
To sink or swell as Heaven pleases.
Yes, my Nora Creina, dear.
My simple, graceful Nora Creina,
Nature's dress
Is loveliness--
The dress _you_ wear, my Nora Creina.
Lesbia hath a wit refined,
But, when its points are gleaming round us,
Who can tell if they're designed
To dazzle merely, or to wound us?
Pillowed on my Nora's heart,
In safer slumber Love reposes--
Bed of peace! whose roughest part
Is but the crumpling of the roses.
Oh! my Nora Creina dear,
My mild, my artless Nora Creina,
Wit, though bright,
Hath no such light,
As warms your eyes, my Nora Creina.
I SAW THY FORM IN YOUTHFUL PRIME.
I saw thy form in youthful prime,
Nor thought that pale decay
Would steal before the steps of Time,
And waste its bloom away, Mary!
Yet still thy features wore that light,
Which fleets not with the breath;
And life ne'er looked more truly bright
Than in thy smile of death, Mary!
As streams that run o'er golden mines,
Yet humbly, calmly glide,
Nor seem to know the wealth that shines
Within their gentle tide, Mary!
So veiled beneath the simplest guise,
Thy radiant genius shone,
And that, which charmed all other eyes,
Seemed worthless in thy own, Mary!
If souls could always dwell above,
Thou ne'er hadst left that sphere;
Or could we keep the souls we love,
We ne'er had lost thee here, Mary!
Though many a gifted mind we meet,
Though fairest forms we see,
To live with them is far less sweet,
Than to remember thee, Mary!
BY THAT LAKE, WHOSE GLOOMY SHORE.[1]
By that Lake, whose gloomy shore
Sky-lark never warbles o'er,[2]
Where the cliff hangs high and steep,
Young St. Kevin stole to sleep.
"Here, at least," he calmly said,
"Woman ne'er shall find my bed."
Ah! the good Saint little knew
What that wily sex can do."
'Twas from Kathleen's eyes he flew,--
Eyes of most unholy blue!
She had loved him well and long
Wished him hers, nor thought it wrong.
Wheresoe'er the Saint would fly,
Still he heard her light foot nigh;
East or west, where'er he turned,
Still her eyes before him burned.
On the bold cliff's bosom cast,
Tranquil now, he sleeps at last;
Dreams of heaven, nor thinks that e'er
Woman's smile can haunt him there.
But nor earth nor heaven is free,
From her power, if fond she be:
Even now, while calm he sleeps,
Kathleen o'er him leans and weeps.
Fearless she had tracked his feet
To this rocky, wild retreat;
And when morning met his view,
Her mild glances met it, too.
Ah, your Saints have cruel hearts!
Sternly from his bed he starts,
And with rude, repulsive shock,
Hurls her from the beetling rock.
Glendalough, thy gloomy wave
Soon was gentle Kathleen's grave!
Soon the Saint (yet ah! too late,)
Felt her love, and mourned her fate.
When he said, "Heaven rest her soul!"
Round the Lake light music stole;
And her ghost was seen to glide,
Smiling o'er the fatal tide.
[1] This ballad is founded upon one of the many stories related of St.
Kevin, whose bed in the rock is to be seen at Glendalough, a most gloomy
and romantic spot in the county of Wicklow.
[2] There are many other curious traditions concerning this Lake, which
may be found in Giraldus, Colgan, etc.
SHE IS FAR FROM THE LAND.
She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.
She sings the wild song of her dear native plains,
Every note which he loved awaking;--
Ah! little they think who delight in her strains,
How the heart of the Minstrel is breaking.
He had lived for his love, for his country he died,
They were all that to life had entwined him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.
Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They'll shine o'er her sleep, like a smile from the West,
From her own loved island of sorrow.
NAY, TELL ME NOT, DEAR.
Nay, tell me not, dear, that the goblet drowns
One charm of feeling, one fond regret;
Believe me, a few of thy angry frowns
Are all I've sunk in its bright wave yet.
Ne'er hath a beam
Been lost in the stream
That ever was shed from thy form or soul;
The spell of those eyes,
The balm of thy sighs,
Still float on the surface, and hallow my bowl,
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts that awaken the pilgrim's zeal,
The bowl but brightens my love for thee.
They tell us that love in his fairy bower,
Had two blush-roses of birth divine;
He sprinkled the one with a rainbow shower,
But bathed the other with mantling wine.
Soon did the buds,
That drank of the floods
Distilled by the rainbow, decline and fade;
While those which the tide
Of ruby had dyed
All blushed into beauty, like thee, sweet maid!
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts, that awaken the pilgrim's zeal,
The bowl but brightens my love for thee.
AVENGING AND BRIGHT.
Avenging and bright fall the swift sword of Erin[1]
On him who the brave sons of Usna betrayed!
For every fond eye he hath wakened a tear in,
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,[2]
When Ulad's[3] three champions lay sleeping in gore--
By the billows of war, which so often, high swelling,
Have wafted these heroes to victory's shore--
We swear to revenge them!--no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute and our fields shall lie wasted,
Till vengeance is wreaked on the murderer's head.
Yes, monarch! tho' sweet are our home recollections,
Tho' sweet are the tears that from tenderness fall;
Tho' sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
[1] The words of this song were suggested by the very ancient Irish story
called "Deirdri, or the Lamentable Fate of the Sons of Usnach." The
treachery of Conor, King of Ulster, in putting to death the three sons of
Usna, was the cause of a desolating war against Ulster, which terminated
in the destruction of Eman.
[2] "Oh Nasi! view that cloud that I here see in the sky! I see over
Eman-green a chilling cloud of blood-tinged red."--_Deirdri's Song_.
[3] Ulster.
WHAT THE BEE IS TO THE FLOWERET.
HE.
What the bee is to the floweret,
When he looks for honey-dew,
Thro' the leaves that close embower it,
That, my love, I'll be to you.
SHE.
What the bank, with verdure glowing,
Is to waves that wander near,
Whispering kisses, while they're going,
That I'll be to you, my dear.
SHE.
But they say, the bee's a rover,
Who will fly, when sweets are gone;
And, when once the kiss is over,
Faithless brooks will wander on.
HE.
Nay, if flowers _will_ lose their looks,
If sunny banks _will_ wear away,
Tis but right that bees and brooks
Should sip and kiss them while they may.
LOVE AND THE NOVICE.
"Here we dwell, in holiest bowers,
"Where angels of light o'er our orisons bend;
"Where sighs of devotion and breathings of flowers
"To heaven in mingled odor ascend.
"Do not disturb our calm, oh Love!
"So like is thy form to the cherubs above,
"It well might deceive such hearts as ours."
Love stood near the Novice and listened,
And Love is no novice in taking a hint;
His laughing blue eyes soon with piety glistened;
His rosy wing turned to heaven's own tint.
"Who would have thought," the urchin cries,
"That Love could so well, so gravely disguise
"His wandering wings and wounding eyes?"
Love now warms thee, waking and sleeping,
Young Novice, to him all thy orisons rise.
_He_ tinges the heavenly fount with his weeping,
_He_ brightens the censer's flame with his sighs.
Love is the Saint enshrined in thy breast,
And angels themselves would admit such a guest,
If he came to them clothed in Piety's vest.
THIS LIFE IS ALL CHECKERED WITH PLEASURES AND WOES
This life is all checkered with pleasures and woes,
That chase one another like waves of the deep,--
Each brightly or darkly, as onward it flows,
Reflecting our eyes, as they sparkle or weep.
So closely our whims on our miseries tread,
That the laugh is awaked ere the tear can be dried;
And, as fast as the rain-drop of Pity is shed.
The goose-plumage of Folly can turn it aside.
But pledge me the cup--if existence would cloy,
With hearts ever happy, and heads ever wise,
Be ours the light Sorrow, half-sister to Joy,
And the light, brilliant Folly that flashes and dies.
When Hylas was sent with his urn to the fount,
Thro' fields full of light, and with heart full of play,
Light rambled the boy, over meadow and mount,
And neglected his task for the flowers on the way.
Thus many, like me, who in youth should have tasted
The fountain that runs by Philosophy's shrine,
Their time with the flowers on the margin have wasted,
And left their light urns all as empty as mine.
But pledge me the goblet;--while Idleness weaves
These flowerets together, should Wisdom but see
One bright drop or two that has fallen on the leaves
From her fountain divine, 'tis sufficient for me.
OH THE SHAMROCK.
Thro' Erin's Isle,
To sport awhile,
As Love and Valor wandered,
With Wit, the sprite,
Whose quiver bright
A thousand arrows squandered.
Where'er they pass,
A triple grass[1]
Shoots up, with dew-drops streaming.
As softly green
As emeralds seen
Thro' purest crystal gleaming.
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf.
Of Bard and Chief,
Old Erin's native Shamrock!
Says Valor, "See,
"They spring for me,
"Those leafy gems of morning!"--
Says Love, "No, no,
"For _me_ they grow,
"My fragrant path adorning."
But Wit perceives
The triple leaves,
And cries, "Oh! do not sever
"A type, that blends
"Three godlike friends,
"Love, Valor, Wit, for ever!"
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin's native Shamrock!
So firmly fond
May last the bond,
They wove that morn together,
And ne'er may fall
One drop of gall
On Wit's celestial feather.
May Love, as twine
His flowers divine.
Of thorny falsehood weed 'em;
May Valor ne'er
His standard rear
Against the cause of Freedom!
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin's native Shamrock!
[1] It is said that St. Patrick, when preaching the Trinity to the Pagan
Irish, used to illustrate his subject by reference to that species of
trefoil called in Ireland by the name of the Shamrock; and hence, perhaps,
the Island of Saints adopted this plant as her national emblem. Hope,
among the ancients, was sometimes represented as a beautiful child,
standing upon tiptoes, and a trefoil or three-colored grass in her hand.
AT THE MID HOUR OF NIGHT
At the mid hour of night, when stars are weeping, I fly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air,
To revisit past scenes of delight, thou wilt come to me there,
And tell me our love is remembered, even in the sky.
Then I sing the wild song 'twas once such pleasure to hear
When our voices commingling breathed, like one, on the ear;
And, as Echo far off thro' the vale my sad orison rolls,
I think, oh my love! 'tis thy voice from the Kingdom of Souls,[1]
Faintly answering still the notes that once were so dear.
[1] "There are countries." says Montaigne, "where they believe the souls
of the happy live in all manner of liberty, in delightful fields; and
there it is those souls, repeating the words we utter, which we call
Echo."
ONE BUMPER AT PARTING.
One bumper at parting!--tho' many
Have circled the board since we met,
The fullest, the saddest of any
Remains to be crowned by us yet.
The sweetness that pleasure hath in it,
Is always so slow to come forth,
That seldom, alas, till the minute
It dies, do we know half its worth.
But come,--may our life's happy measure
Be all of such moments made up;
They're born on the bosom of Pleasure,
They die midst the tears of the cup.
'Tis onward we journey, how pleasant
To pause and inhabit awhile
Those few sunny spots, like the present,
That mid the dull wilderness smile!
But Time, like a pitiless master,
Cries "Onward!" and spurs the gay hours--
Ah, never doth Time travel faster,
Than when his way lies among flowers.
But come--may our life's happy measure
Be all of such moments made up;
They're born on the bosom of Pleasure,
They die midst the tears of the cup.
We saw how the sun looked in sinking,
The waters beneath him how bright;
And now, let our farewell of drinking
Resemble that farewell of light.
You saw how he finished, by darting
His beam o'er a deep billow's brim--
So, fill up, let's shine at our parting,
In full liquid glory, like him.
And oh! may our life's happy measure
Of moments like this be made up,
'Twas born on the bosom of Pleasure,
It dies mid the tears of the cup.
'TIS THE LAST ROSE OF SUMMER.
'Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,
Or give sigh for sigh.
I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping.
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.
So soon may _I_ follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?
THE YOUNG MAY MOON.
The young May moon is beaming, love,
The glow-worm's lamp is gleaming, love,
How sweet to rove
Through Morna's grove,
When the drowsy world is dreaming, love!
Then awake!--the heavens look bright, my dear,
'Tis never too late for delight, my dear,
And the best of all ways
To lengthen our days,
Is to steal a few hours from the night, my dear!
Now all the world is sleeping, love,
But the Sage, his star-watch keeping, love,
And I, whose star,
More glorious far,
Is the eye from that casement peeping, love.
Then awake!--till rise of sun, my dear,
The Sage's glass we'll shun, my dear,
Or, in watching the flight
Of bodies of light,
He might happen to take thee for one, my dear.
THE MINSTREL-BOY.
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on.
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Tho' all the world betrays thee,
"_One_ sword, at least, thy rights shall guard,
"_One_ faithful harp shall praise thee!"
The Minstrel fell!--but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
"Thou soul of love and bravery!
"Thy songs were made for the pure and free,
"They shall never sound in slavery."
THE SONG OF O'RUARK,
PRINCE OF BREFFNI.[1]
The valley lay smiling before me,
Where lately I left her behind;
Yet I trembled, and something hung o'er me,
That saddened the joy of my mind.
I looked for the lamp which, she told me,
Should shine, when her Pilgrim returned;
But, tho' darkness began to infold me,
No lamp from the battlements burned!
I flew to her chamber--'twas lonely,
As if the loved tenant lay dead;--
Ah, would it were death, and death only!
But no, the young false one had fled.
And there hung the lute that could soften
My very worst pains into bliss;
While the hand, that had waked it so often,
Now throbbed to a proud rival's kiss.
There _was_ a time, falsest of women,
When Breffni's good sword would have sought
That man, thro' a million of foe-men,
Who dared but to wrong thee _in thought_!
While now--oh degenerate daughter
Of Erin, how fallen is thy fame!
And thro' ages of bondage and slaughter,
Our country shall bleed for thy shame.
Already, the curse is upon her,
And strangers her valleys profane;
They come to divide, to dishonor,
And tyrants they long will remain.
But onward!--the green banner rearing,
Go, flesh every sword to the hilt;
On _our_ side is Virtue and Erin,
On _theirs_ is the Saxon and Guilt.
[1] These stanzas are founded upon an event of most melancholy importance
to Ireland; if, as we are told by our Irish historians, it gave England
the first opportunity of profiting by our divisions and subduing us. The
following are the circumstances, as related by O'Halloran:--"The king of
Leinster had long conceived a violent affection for Dearbhorgil, daughter
to the king of Meath, and though she had been for some time married to
O'Ruark, prince of Breffni, yet it could not restrain his passion. They
carried on a private correspondence, and she informed him that O'Ruark,
intended soon to go on a pilgrimage (an act of piety frequent in those
days), and conjured him to embrace that opportunity of conveying her from
a husband she detested to a lover she adored. MacMurchad too punctually
obeyed the summons, and had the lady conveyed to his capital of Ferns."--
The monarch Roderick espoused the cause of O'Ruark, while MacMurchad fled
to England, and obtained the assistance of Henry II.
"Such," adds Giraldus Cambrensis (as I find him in an old translation)
"is the variable and fickle nature of woman, by whom all mischief in the
world (for the most part) do happen and come, as may appear by Marcus
Antonius, and by the destruction of Troy."
OH! HAD WE SOME BRIGHT LITTLE ISLE OF OUR OWN.
Oh! had we some bright little isle of our own,
In a blue summer ocean, far off and alone,
Where a leaf never dies in the still blooming bowers,
And the bee banquets on thro' a whole year of flowers;
Where the sun loves to pause
With so fond a delay,
That the night only draws
A thin veil o'er the day;
Where simply to feel that we breathe, that we live,
Is worth the best joy that life elsewhere can give.
There, with souls ever ardent and pure as the clime,
We should love, as they loved in the first golden time;
The glow of the sunshine, the balm of the air,
Would steal to our hearts, and make all summer there.
With affection as free
From decline as the bowers,
And, with hope, like the bee,
Living always on flowers,
Our life should resemble a long day of light,
And our death come on, holy and calm as the night.
FAREWELL!--BUT WHENEVER YOU WELCOME THE HOUR.
Farewell!--but whenever you welcome the hour.
That awakens the night-song of mirth in your bower,
Then think of the friend who once welcomed it too,
And forgot his own griefs to be happy with you.
His griefs may return, not a hope may remain
Of the few that have brightened his pathway of pain.
But he ne'er will forget the short vision, that threw
Its enchantment around him, while lingering with you.
And still on that evening, when pleasure fills up
To the highest top sparkle each heart and each cup,
Where'er my path lies, be it gloomy or bright,
My soul, happy friends, shall be with you that night;
Shall join in your revels, your sports, and your wiles,
And return to me, beaming all o'er with your smiles--
Too blest, if it tells me that, mid the gay cheer
Some kind voice had murmured, "I wish he were here!"
Let Fate do her worst, there are relics of joy,
Bright dreams of the past, which she cannot destroy;
Which come in the night-time of sorrow and care,
And bring back the features that joy used to wear.
Long, long be my heart with such memories filled!
Like the vase, in which roses have once been distilled--
You may break, you may shatter the vase, if you will,
But the scent of the roses will hang round it still.
OH! DOUBT ME NOT.
Oh! doubt me not--the season
Is o'er, when Folly made me rove,
And now the vestal, Reason,
Shall watch the fire awaked by love.
Altho' this heart was early blown,
And fairest hands disturbed the tree,
They only shook some blossoms down,
Its fruit has all been kept for thee.
Then doubt me not--the season
Is o'er, when Folly made me rove,
And now the vestal, Reason,
Shall watch the fire awaked by Love.
And tho' my lute no longer
May sing of Passion's ardent spell,
Yet, trust me, all the stronger
I feel the bliss I do not tell.
The bee thro' many a garden roves,
And hums his lay of courtship o'er,
But when he finds the flower he loves,
He settles there, and hums no more.
Then doubt me not--the season
Is o'er, when Folly kept me free,
And now the vestal, Reason,
Shall guard the flame awaked by thee.
YOU REMEMBER ELLEN.
You remember Ellen, our hamlet's pride,
How meekly she blest her humble lot,
When the stranger, William, had made her his bride,
And love was the light of their lowly cot.
Together they toiled through winds and rains,
Till William, at length, in sadness said,
"We must seek our fortune on other plains;"--
Then, sighing, she left her lowly shed.
They roamed a long and a weary way,
Nor much was the maiden's heart at ease,
When now, at close of one stormy day,
They see a proud castle among the trees.
"To-night," said the youth, "we'll shelter there;
"The wind blows cold, the hour is late:"
So he blew the horn with a chieftain's air,
And the Porter bowed, as they past the gate.
"Now, welcome, Lady," exclaimed the youth,--
"This castle is thine, and these dark woods all!"
She believed him crazed, but his words were truth,
For Ellen is Lady of Rosna Hall!
And dearly the Lord of Rosna loves
What William the stranger wooed and wed;
And the light of bliss, in these lordly groves,
Shines pure as it did in the lowly shed.
I'D MOURN THE HOPES.
I'd mourn the hopes that leave me,
If thy smiles had left me too;
I'd weep when friends deceive me,
If thou wert, like them, untrue.
But while I've thee before me,
With heart so warm and eyes so bright,
No clouds can linger o'er me,
That smile turns them all to light.
'Tis not in fate to harm me,
While fate leaves thy love to me;
'Tis not in joy to charm me,
Unless joy be shared with thee.
One minute's dream about thee
Were worth a long, an endless year
Of waking bliss without thee,
My own love, my only dear!
And tho' the hope be gone, love,
That long sparkled o'er our way,
Oh! we shall journey on, love,
More safely, without its ray.
Far better lights shall win me
Along the path I've yet to roam:--
The mind that burns within me,
And pure smiles from thee at home.
Thus, when the lamp that lighted
The traveller at first goes out,
He feels awhile benighted.
And looks round in fear and doubt.
But soon, the prospect clearing,
By cloudless starlight on he treads,
And thinks no lamp so cheering
As that light which Heaven sheds.
COME O'ER THE SEA.
Come o'er the sea,
Maiden, with me,
Mine thro' sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Let fate frown on, so we love and part not;
'Tis life where _thou_ art, 'tis death where thou art not.
Then come o'er the sea,
Maiden, with me,
Come wherever the wild wind blows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Was not the sea
Made for the Free,
Land for courts and chains alone?
Here we are slaves,
But, on the waves,
Love and Liberty's all our own.
No eye to watch, and no tongue to wound us,
All earth forgot, and all heaven around us--
Then come o'er the sea,
Maiden, with me,
Mine thro' sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
HAS SORROW THY YOUNG DAYS SHADED.
Has sorrow thy young days shaded,
As clouds o'er the morning fleet?
Too fast have those young days faded,
That, even in sorrow, were sweet?
Does Time with his cold wing wither
Each feeling that once was dear?--
Then, child of misfortune, come hither,
I'll weep with thee, tear for tear.
Has love to that soul, so tender,
Been like our Lagenian mine,[1]
Where sparkles of golden splendor
All over the surface shine--
But, if in pursuit we go deeper,
Allured by the gleam that shone,
Ah! false as the dream of the sleeper,
Like Love, the bright ore is gone.
Has Hope, like the bird in the story,[2]
That flitted from tree to tree
With the talisman's glittering glory--
Has Hope been that bird to thee?
On branch after branch alighting,
The gem did she still display,
And, when nearest and most inviting.
Then waft the fair gem away?
If thus the young hours have fleeted,
When sorrow itself looked bright;
If thus the fair hope hath cheated,
That led thee along so light;
If thus the cold world now wither
Each feeling that once was dear:--
Come, child of misfortune, come hither,
I'll weep with thee, tear for tear.
[1] Our Wicklow Gold Mines, to which this verse alludes, deserve, I fear,
but too well the character here given of them.
[2] "The bird, having got its prize, settled not far off, with the
talisman in his mouth. The prince drew near it, hoping it would drop it:
but as he approached, the bird took wing, and settled again,"
etc.--"_Arabian Nights_."
NO, NOT MORE WELCOME.
No, not more welcome the fairy numbers
Of music fall on the sleeper's ear,
When half-awaking from fearful slumbers,
He thinks the full choir of heaven is near,--
Than came that voice, when, all forsaken.
This heart long had sleeping lain,
Nor thought its cold pulse would ever waken
To such benign, blessed sounds again.
Sweet voice of comfort! 'twas like the stealing
Of summer wind thro' some wreathed shell--
Each secret winding, each inmost feeling
Of my soul echoed to its spell.
'Twas whispered balm--'twas sunshine spoken!--
I'd live years of grief and pain
To have my long sleep of sorrow broken
By such benign, blessed sounds again.
WHEN FIRST I MET THEE.
When first I met thee, warm and young,
There shone such truth about thee.
And on thy lip such promise hung,
I did not dare to doubt thee.
I saw the change, yet still relied,
Still clung with hope the fonder,
And thought, tho' false to all beside,
From me thou couldst not wander.
But go, deceiver! go,
The heart, whose hopes could make it
Trust one so false, so low,
Deserves that thou shouldst break it.
When every tongue thy follies named,
I fled the unwelcome story;
Or found, in even the faults they blamed,
Some gleams of future glory.
_I_ still was true, when nearer friends
Conspired to wrong, to slight thee;
The heart that now thy falsehood rends,
Would then have bled to right thee,
But go, deceiver! go,--
Some day, perhaps, thou'lt waken
From pleasure's dream, to know
The grief of hearts forsaken.
Even now, tho' youth its bloom has shed,
No lights of age adorn thee:
The few, who loved thee once, have fled,
And they who flatter scorn thee.
Thy midnight cup is pledged to slaves,
No genial ties enwreath it;
The smiling there, like light on graves,
Has rank cold hearts beneath it.
Go--go--tho' worlds were thine,
I would not now surrender
One taintless tear of mine
For all thy guilty splendor!
And days may come, thou false one! yet,
When even those ties shall sever;
When thou wilt call, with vain regret,
On her thou'st lost for ever;
On her who, in thy fortune's fall,
With smiles had still received thee,
And gladly died to prove thee all
Her fancy first believed thee.
Go--go--'tis vain to curse,
'Tis weakness to upbraid thee;
Hate cannot wish thee worse
Than guilt and shame have made thee.
WHILE HISTORY'S MUSE.
While History's Muse the memorial was keeping
Of all that the dark hand of Destiny weaves,
Beside her the Genius of Erin stood weeping,
For hers was the story that blotted the leaves.
But oh! how the tear in her eyelids grew bright,
When, after whole pages of sorrow and shame,
She saw History write,
With a pencil of light
That illumed the whole volume, her Wellington's name.
"Hail, Star of my Isle!" said the Spirit, all sparkling
With beams, such as break from her own dewy skies--
"Thro' ages of sorrow, deserted and darkling,
"I've watched for some glory like thine to arise.
"For, tho' heroes I've numbered, unblest was their lot,
"And unhallowed they sleep in the crossways of Fame;--
"But oh! there is not
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