The Home Book of Verse, Volume 1
by
Burton Egbert Stevenson
Part 8 out of 12
For mother dogs, and little acts of courtesy to cats.
O connoisseur of pebbles, colored leaves and trickling rills,
Whom seasons fit as do the sheaths that wrap the daffodils,
Whose eyes' divine expectancy foretells some starry goal,
You taught me here docility - and how to save my soul.
Helen Parry Eden [18
TO A LITTLE GIRL
Her eyes are like forget-me-nots,
So loving, kind and true;
Her lips are like a pink sea-shell
Just as the sun shines through;
Her hair is like the waving grain
In summer's golden light;
And, best of all, her little soul
Is, like a lily, white.
Gustav Kobbe [1857-1918]
A PARENTAL ODE TO MY SON
Aged Three Years And Five Months
Thou happy, happy elf!
(But stop, - first let me kiss away that tear!)
Thou tiny image of myself!
(My love, he's poking peas into his ear!)
Thou merry, laughing sprite,
With spirits feather-light,
Untouched by sorrow, and unsoiled by sin, -
(My dear, the child is swallowing a pin!)
Thou little tricksy Puck!
With antic toys so funnily bestuck,
Light as the singing bird that wings the air, -
(The door! the door! he'll tumble down the stair!)
Thou darling of thy sire!
(Why, Jane, he'll set his pinafore afire!)
Thou imp of mirth and joy!
In Love's dear chain so strong and bright a link,
Thou idol of thy parents, - (Drat the boy!
There goes my ink!)
Thou cherub, - but of earth;
Fit playfellow for Fays, by moonlight pale,
In harmless sport and mirth,
(That dog will bite him, if he pulls its tail!)
Thou human humming-bee, extracting honey
From every blossom in the world that blows,
Singing in youth's Elysium ever sunny. -
(Another tumble! That's his precious nose!)
Thy father's pride and hope!
(He'll break the mirror with that skipping-rope!)
With pure heart newly stamped from nature's mint,
(Where did he learn that squint?)
Thou young domestic dove!
(He'll have that jug off with another shove!)
Dear nursling of the hymeneal nest!
(Are these torn clothes his best?)
Little epitome of man!
(He'll climb upon the table, that's his plan!)
Touched with the beauteous tints of dawning life, -
(He's got a knife!)
Thou enviable being!
No storms, no clouds, in thy blue sky foreseeing,
Play on, play on,
My elfin John!
Toss the light ball, bestride the stick, -
(I knew so many cakes would make him sick!)
With fancies, buoyant as the thistle-down,
Prompting the face grotesque, and antic brisk,
With many a lamb-like frisk!
(He's got the scissors, snipping at your gown!)
Thou pretty opening rose!
(Go to your mother, child, and wipe your nose!)
Balmy and breathing music like the South, -
(He really brings my heart into my mouth!)
Fresh as the morn, and brilliant as its star, -
(I wish that window had an iron bar!)
Bold as the hawk, yet gentle as the dove; -
(I'll tell you what, my love,
I cannot write unless he's sent above.)
Thomas Hood [1799-1845]
A NEW POET
I write. He sits beside my chair,
And scribbles, too, in hushed delight,
He dips his pen in charmed air:
What is it he pretends to write?
He toils and toils; the paper gives
No clue to aught he thinks. What then?
His little heart is glad; he lives
The poems that he cannot pen.
Strange fancies throng that baby brain.
What grave, sweet looks! What earnest eyes!
He stops - reflects - and now again
His unrecording pen he plies.
It seems a satire on myself, -
These dreamy nothings scrawled in air,
This thought, this work! Oh tricksy elf,
Wouldst drive thy father to despair?
Despair! Ah, no; the heart, the mind
Persists in hoping, - schemes and strives
That there may linger with our kind
Some memory of our little lives.
Beneath his rock in the early world
Smiling the naked hunter lay,
And sketched on horn the spear he hurled,
The urus which he made his prey.
Like him I strive in hope my rhymes
May keep my name a little while, -
O child, who knows how many times
We two have made the angels smile!
William Canton [1845-
TO LAURA W--, TWO YEARS OLD
Bright be the skies that cover thee,
Child of the sunny brow, -
Bright as the dream flung over thee
By all that meets thee now, -
Thy heart is beating joyously,
Thy voice is like a bird's,
And sweetly breaks the melody
Of thy imperfect words.
I know no fount that gushes out
As gladly as thy tiny shout.
I would that thou might'st ever be
As beautiful as now,
That time might ever leave as free
Thy yet unwritten brow.
I would life were all poetry
To gentle measure set,
That naught but chastened melody
Might stain thine eye of jet,
Nor one discordant note be spoken,
Till God the cunning harp hath broken.
I would - but deeper things than these
With woman's lot are wove:
Wrought of intensest sympathies,
And nerved by purest love;
By the strong spirit's discipline,
By the fierce wrong forgiven,
By all that wrings the heart of sin,
Is woman won to heaven.
"Her lot is on thee," lovely child -
God keep thy spirit undefiled!
I fear thy gentle loveliness,
Thy witching tone and air,
Thine eye's beseeching earnestness
May be to thee a snare.
The silver stars may purely shine,
The waters taintless flow:
But they who kneel at woman's shrine
Breathe on it as they bow.
Peace may fling back the gift again,
But the crushed flower will leave a stain.
What shall preserve thee, beautiful child?
Keep thee as thou art now?
Bring thee, a spirit undefiled,
At God's pure throne to bow?
The world is but a broken reed,
And life grows early dim -
Who shall be near thee in thy need,
To lead thee up to Him?
He who himself was "undefiled?"
With Him we trust thee, beautiful child!
Nathaniel Parker Willis [1806-1867]
TO ROSE
Rose, when I remember you,
Little lady, scarcely two,
I am suddenly aware
Of the angels in the air.
All your softly gracious ways
Make an island in my days
Where my thoughts fly back to be
Sheltered from too strong a sea.
All your luminous delight
Shines before me in the night
When I grope for sleep and find
Only shadows in my mind.
Rose, when I remember you,
White and glowing, pink and new,
With so swift a sense of fun
Although life has just begun;
With so sure a pride of place
In your very infant face,
I should like to make a prayer
To the angels in the air:
"If an angel ever brings
Me a baby in her wings,
Please be certain that it grows
Very, very much like Rose."
Sara Teasdale [1884-1933]
TO CHARLOTTE PULTENEY
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please;
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song,
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandoned to thy will,
Yet imagining no ill,
Yet too innocent to blush;
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy pretty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest: -
This thy present happy lot,
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
Ambrose Philips [1675?-1749]
THE PICTURE OF LITTLE T. C. IN A PROSPECT OF FLOWERS
See with what simplicity
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What color best becomes them, and what smell.
Who can foretell for what high cause
This darling of the gods was born?
Yet this is she whose chaster laws
The wanton Love shall one day fear,
And, under her command severe,
See his bow broke, and ensigns torn.
Happy who can
Appease this virtuous enemy of man!
O then let me in time compound
And parley with those conquering eyes,
Ere they have tried their force to wound,
Ere with their glancing wheels they drive
In triumph over hearts that strive,
And them that yield but more despise:
Let me be laid
Where I may see the glories from some shade.
Meantime, whilst every verdant thing
Itself does at thy beauty charm,
Reform the errors of the Spring;
Make that the tulips may have share
Of sweetness, seeing they are fair,
And roses of their thorns disarm
But most procure
That violets may a longer age endure.
But O young beauty of the woods,
Whom Nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Do quickly make the example yours;
And, ere we see,
Nip, in the blossom, all our hopes and thee.
Andrew Marvell [1621-1678]
TO HARTLEY COLERIDGE
Six Years Old
O thou! whose fancies from afar are brought:
Who of thy words dost make a mock apparel,
And fittest to unutterable thought
The breeze-like motion and the self-born carol;
Thou fairy voyager! that dost float
In such clear water, that thy boat
May rather seem
To brood on air than on an earthly stream;
Suspended in a stream as clear as sky,
Where earth and heaven do make one imagery:
O blessed vision! happy child!
Thou art so exquisitely wild,
I think of thee with many fears
For what may be thy lot in future years.
I thought of times when Pain might be thy guest,
Lord of thy house and hospitality;
And Grief, uneasy lover! never rest
But when she sate within the touch of thee.
O too industrious folly!
O vain and causeless melancholy!
Nature will either end thee quite;
Or, lengthening out thy season of delight,
Preserve for thee, by individual right,
A young lamb's heart among the full-grown flocks.
What hast thou to do with sorrow,
Or the injuries of to-morrow?
Thou art a dew-drop, which the morn brings forth,
Ill-fitted to sustain unkindly shocks,
Or to be trailed along the soiling earth;
A gem that glitters while it lives,
And no forewarning gives;
But, at the touch of wrong, without a strife,
Slips in a moment out of life.
William Wordsworth [1770-1850]
TO A CHILD OF QUALITY
Five Years Old, 1704, The Author Then Forty
Lords, knights, and squires, the numerous band
That wear the fair Miss Mary's fetters,
Were summoned by her high command
To show their passions by their letters.
My pen amongst the rest I took,
Lest those bright eyes, that cannot read,
Should dart their kindling fires, and look
The power they have to be obeyed.
Nor quality, nor reputation,
Forbids me yet my flame to tell;
Dear Five-years-old befriends my passion,
And I may write till she can spell.
For, while she makes her silkworms' beds
With all the tender things I swear;
Whilst all the house my passion reads,
In papers round her baby's hair;
She may receive and own my flame;
For, though the strictest prudes should know it,
She'll pass for a most virtuous dame,
And I for an unhappy poet.
Then too, alas! when she shall tear
The rhymes some younger rival sends,
She'll give me leave to write, I fear,
And we shall still continue friends.
For, as our different ages move,
'Tis so ordained (would Fate but mend it!),
That I shall be past making love
When she begins to comprehend it.
Matthew Prior [1664-1721]
EX ORE INFANTIUM
Little Jesus, wast Thou shy
Once, and just so small as I?
And what did it feel like to be
Out of Heaven, and just like me?
Didst Thou sometimes think of there,
And ask where all the angels were?
I should think that I would cry
For my house all made of sky;
I would look about the air,
And wonder where my angels were;
And at waking 'twould distress me -
Not an angel there to dress me!
Hadst Thou ever any toys,
Like us little girls and boys?
And didst Thou play in Heaven with all
The angels, that were not too tall,
With stars for marbles? Did the things
Play Can you see me? through their wings?
Didst Thou kneel at night to pray,
And didst Thou join Thy hands, this way?
And did they tire sometimes, being young,
And make the prayer seem very long?
And dost Thou like it best, that we
Should join our hands to pray to Thee?
I used to think, before I knew,
The prayer not said unless we do.
And did Thy Mother at the night
Kiss Thee, and fold the clothes in right?
And didst Thou feel quite good in bed,
Kissed, and sweet, and Thy prayers said?
Thou canst not have forgotten all
That it feels like to be small:
And Thou know'st I cannot pray
To Thee in my father's way -
When Thou wast so little, say,
Could'st Thou talk Thy Father's way? -
So, a little Child, come down
And hear a child's tongue like Thy own;
Take me by the hand and walk,
And listen to my baby-talk.
To Thy Father show my prayer
(He will look, Thou art so fair),
And say: "O Father, I, Thy Son,
Bring the prayer of a little one."
And He will smile, that children's tongue
Has not changed since Thou wast young!
Francis Thompson [1859-1907]
OBITUARY
Finding Francesca full of tears, I said,
"Tell me thy trouble." "Oh, my dog is dead!
Murdered by poison! - no one knows for what! -
Was ever dog born capable of that?"
"Child," - I began to say, but checked my thought, -
"A better dog can easily be bought."
For no - what animal could him replace?
Those loving eyes! That fond, confiding face!
Those dear, dumb touches! Therefore I was dumb.
From word of mine could any comfort come?
A bitter sorrow 'tis to lose a brute
Friend, dog or horse, for grief must then be mute, -
So many smile to see the rivers shed
Of tears for one poor, speechless creature dead.
When parents die there's many a word to say -
Kind words, consoling_- one can always pray;
When children die 'tis natural to tell
Their mother, "Certainly, with them 'tis well!"
But for a dog, 'twas all the life he had,
Since death is end of dogs, or good or bad.
This was his world; he was contented here;
Imagined nothing better, naught more dear,
Than his young mistress; sought no brighter sphere;
Having no sin, asked not to be forgiven;
Ne'er guessed at God nor ever dreamed of heaven.
Now he has passed away, so much of love
Goes from our life, without one hope above!
When a dog dies there's nothing to be said
But - kiss me, darling! - dear old Smiler's dead.
Thomas William Parsons [1819-1892]
THE CHILD'S HERITAGE
On, there are those, a sordid clan,
With pride in gaud and faith in gold,
Who prize the sacred soul of man
For what his hands have sold.
And these shall deem thee humbly bred:
They shall not hear, they shall not see
The kings among the lordly dead
Who walk and talk with thee!
A tattered cloak may be thy dole,
And thine the roof that Jesus had:
The broidered garment of the soul
Shall keep thee purple-clad!
The blood of men hath dyed its brede,
And it was wrought by holy seers
With sombre dream and golden deed,
And pearled with women's tears.
With Eld thy chain of days is one:
The seas are still Homeric seas;
Thy skies shall glow with Pindar's sun,
The stars of Socrates!
Unaged the ancient tide shall surge,
The old Spring burn along the bough:
For thee, new and old converge
In one eternal Now!
I give thy feet the hopeful sod,
Thy mouth, the priceless boon of breath;
The glory of the search for God
Be thine in life and death!
Unto thy flesh, the soothing dust;
Thy soul, the gift of being free:
The torch my fathers gave in trust,
Thy father gives to thee!
John G. Neihardt [1881-
A GIRL OF POMPEII
A public haunt they found her in:
She lay asleep, a lovely child;
The only thing left undefiled
Where all things else bore taint of sin.
Her supple outlines fixed in clay
The universal law suspend,
And turn Time's chariot back, and blend
A thousand years with yesterday.
A sinless touch, austere yet warm,
Around her girlish figure pressed,
Caught the sweet imprint of her breast,
And held her, surely clasped, from harm.
Truer than work of sculptor's art
Comes this dear maid of long ago,
Sheltered from woeful chance, to show
A spirit's lovely counterpart,
And bid mistrustful men be sure
That form shall fate of flesh escape,
And, quit of earth's corruptions, shape
Itself, imperishably pure.
Edward Sandford Martin [1856-
ON THE PICTURE OF A "CHILD TIRED OF PLAY"
Tired of play! Tired of play!
What hast thou done this live-long day!
The bird is silent and so is the bee,
The shadow is creeping up steeple and tree;
The doves have flown to the sheltering eaves,
And the nests are dark with the drooping leaves;
Twilight gathers, and day is done, -
How hast thou spent it, restless one?
Playing! And what hast thou done beside
To tell thy mother at eventide?
What promise of morn is left unbroken?
What kind word to thy playmate spoken?
Whom hast thou pitied, and whom forgiven?
How with thy faults has duty striven?
What hast thou learned by field and hill,
By greenwood path and by singing rill?
There will come an eve to a longer day
That will find thee tired, - but not with play!
And thou wilt learn, as thou learnest now,
With wearied limbs and aching brow,
And wish the shadows would faster creep
And long to go to thy quiet sleep.
Well will it be for thee then if thou
Art as free from sin and shame as now!
Well for thee if thy tongue can tell
A tale like this, of a day spent well!
If thine open hand hath relieved distress,
And thy pity hath sprung to wretchedness -
If thou hast forgiven the sore offence
And humbled thy heart with penitence;
If Nature's voices have spoken to thee
With her holy meanings, eloquently -
If every creature hath won thy love,
From the creeping worm to the brooding dove -
If never a sad, low-spoken word
Hath plead with thy human heart unheard -
Then, when the night steals on, as now
It will bring relief to thine aching brow,
And, with joy and peace at the thought of rest,
Thou wilt sink to sleep on thy mother's breast.
Nathaniel Parker Willis [1806-1867]
THE REVERIE OF POOR SUSAN
At the corner of Wood Street, when daylight appears,
Hangs a Thrush that sings loud, it has sung for three years:
Poor Susan has passed by the spot, and has heard
In the silence of morning the song of the Bird.
'Tis a note of enchantment; what ails her? She sees
A mountain ascending, a vision of trees;
Bright volumes of vapor through Lothbury glide,
And a river flows on through the vale of Cheapside.
Green pastures she views in the midst of the dale,
Down which she so often has tripped with her pail;
And a single small cottage, a nest like a dove's,
The one only dwelling on earth that she loves.
She looks, and her heart is in heaven: but they fade,
The mist and the river, the hill and the shade:
The stream will not flow, and the hill will not rise,
And the colors have all passed away from her eyes!
William Wordsworth [1770-1850]
CHILDREN'S SONG
Sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we'd like to know
Why the weather alters so.
When the weather's really good
We go nutting in the wood;
When it rains we stay at home,
And then sometimes other some
Of the neighbors' children come.
Sometimes we have jam and meat,
All the things we like to eat;
Sometimes we make do with bread
And potatoes boiled instead.
Once when we were put to bed
We had nowt and mother cried,
But that was after father died.
So, sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we'd like to know
If things will always alter so.
Ford Madox Ford [1873-
THE MITHERLESS BAIRN
When a' other bairnies are hushed to their hame
By aunty, or cousin, or frecky grand-dame,
Wha stands last and lanely, an' naebody carin'?
'Tis the puir doited loonie, - the mitherless bairn!
The mitherless bairn gangs to his lane bed;
Nane covers his cauld back, or haps his bare head;
His wee hackit heelies are hard as the airn,
An' litheless the lair o' the mitherless bairn.
Aneath his cauld brow siccan dreams hover there,
O' hands that wont kindly to kame his dark hair;
But mornin' brings clutches, a' reckless an' stern,
That lo'e na the locks o' the mitherless bairn!
Yon sister that sang o'er his saftly rocked bed
Now rests in the mools where her mammie is laid;
The father toils sair their wee bannock to earn,
An' kens na the wrangs o' his mitherless bairn.
Her spirit, that passed in yon hour o' his birth,
Still watches his wearisome wanderings on earth;
Recording in heaven the blessings they earn
Wha couthilie deal wi' the mitherless bairn!
O, speak him na harshly, - he trembles the while,
He bends to your bidding, and blesses your smile;
In their dark hour o' anguish the heartless shall learn
That God deals the blow, for the mitherless bairn!
William Thom [1798?-1848]
THE CRY OF THE CHILDREN
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west -
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.
Do you question the young children in the sorrow,
Why their tears are falling so?
The old man may weep for his to-morrow
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?
They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's hoary anguish draws and presses
Down the cheeks of infancy;
"Your old earth," they say, "is very dreary;
Our young feet" they say, "are very weak;
Few paces have we taken, yet are weary -
Our grave-rest is very far to seek:
Ask the aged why they weep, and not the children
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old.
"True," say the children, "it may happen
That we die before our time:
Little Alice died last year - her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying, 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens," say the children,
"That we die before our time."
Alas, alas, the children! they are seeking
Death in life, as best to have!
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow cowslips pretty;
Laugh aloud, to feel your fingers let them through!
But they answer, "Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!
"For oh," say the children, "we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring,
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.
"For, all day, the wheels are droning, turning;
Their wind comes in our faces,
Till our hearts turn, our heads, with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling:
All are turning, all the day, and we with all.
And all day, the iron wheels are droning;
And sometimes we could pray,
'O ye wheels, (breaking out in a mad moaning)
'Stop! be silent for to-day!'"
Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.
Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, "Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?
"Two words, indeed, of praying we remember,
And at midnight's hour of harm,
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within his right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'
"But no!" say the children, weeping faster,
"He is speechless as a stone;
And they tell us, of His image is the master
Who commands us to work on.
Go to!" say the children, - "Up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving:
We look up for God, but tears have made us blind."
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving,
And the children doubt of each.
And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man's despair, without its calm;
Are slaves, without the liberty in Christdom,
Are martyrs, by the pang without the palm:
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap, -
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!
They look up, with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity.
"How long," they say, "how long, O cruel nation,
Will you stand, to move the world, on a child's heart, -
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And your purple shows your path;
But the child's sob in the silence curses deeper
Than the strong man in his wrath!"
Elizabeth Barrett Browning [1806-1861]
THE SHADOW-CHILD
Why do the wheels go whirring round,
Mother, mother?
Oh, mother, are they giants bound,
And will they growl forever?
Yes, fiery giants underground,
Daughter, little daughter,
Forever turn the wheels around,
And rumble-grumble ever.
Why do I pick the threads all day,
Mother, mother?
While sunshine children are at play?
And must I work forever?
Yes, shadow-child; the live-long day,
Daughter, little daughter,
Your hands must pick the threads away,
And feel the sunshine never.
Why do the birds sing in the sun,
Mother, mother?
If all day long I run and run,
Run with the wheels forever?
The birds may sing till day is done,
Daughter, little daughter,
But with the wheels your feet must run -
Run with the wheels forever.
Why do I feel so tired each night,
Mother, mother?
The wheels are always buzzing bright;
Do they grow sleepy never?
Oh, baby thing, so soft and white,
Daughter, little daughter,
The big wheels grind us in their might,
And they will grind forever.
And is the white thread never spun,
Mother, mother?
And is the white cloth never done,
For you and me done never?
Oh, yes, our thread will all be spun,
Daughter, little daughter,
When we lie down out in the sun,
And work no more forever.
And when will come that happy day,
Mother, mother?
Oh, shall we laugh and sing and play
Out in the sun forever?
Nay, shadow-child, we'll rest all day,
Daughter, little daughter,
Where green grass grows and roses gay,
There in the sun forever.
Harriet Monroe [1860-1936]
MOTHER WEPT
Mother wept, and father sighed;
With delight aglow
Cried the lad, "To-morrow," cried,
"To the pit I go."
Up and down the place he sped, -
Greeted old and young;
Far and wide the tidings spread;
Clapt his hands and sung.
Came his cronies; some to gaze
Wrapped in wonder; some
Free with counsel; some with praise:
Some with envy dumb.
"May he," many a gossip cried,
"Be from peril kept."
Father hid his face and sighed,
Mother turned and wept.
Joseph Skipsey [1832-1903]
DUTY
So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, "Thou must,"
The youth replies, "I can."
Ralph Waldo Emerson [1803-1882]
LUCY GRAY
Or Solitude
Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see, at break of day,
The solitary child.
No mate, no comrade Lucy knew;
She dwelt on a wide moor,
The sweetest thing that ever grew
Beside a human door!
You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night, -
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow."
"That, Father, will I gladly do:
'Tis scarcely afternoon, -
The minster-clock has just struck two,
And yonder is the moon!"
At this the Father raised his hook,
And snapped a fagot-brand.
He plied his work; - and Lucy took
The lantern in her hand.
Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.
The storm came on before its time:
She wandered up and down:
And many a hill did Lucy climb:
But never reached the town.
The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At daybreak on the hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.
They wept, - and, turning homeward, cried,
"In heaven we all shall meet;"
When in the snow the mother spied
The print of Lucy's feet.
Then downwards from the steep hill's edge
They tracked the footmarks small:
And through the broken hawthorn-hedge,
And by the low stone-wall;
And then an open field they crossed -
The marks were still the same -
They tracked them on, nor ever lost;
And to the bridge they came.
They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!
- Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
William Wordsworth [1770-1850]
IN THE CHILDREN'S HOSPITAL
Emmie
Our doctor had called in another, I never had seen him before,
But he sent a chill to my heart when I saw him come in at the door,
Fresh from the surgery-schools of France and of other lands -
Harsh red hair, big voice, big chest, big merciless hands!
Wonderful cures he had done, O yes, but they said too of him
He was happier using the knife than in trying to save the limb,
And that I can well believe, for he looked so coarse and so red,
I could think he was one of those who would break their jests on the dead,
And mangle the living dog that had loved him and fawned at his knee -
Drenched with the hellish oorali - that ever such things should be!
Here was a boy - I am sure that some of our children would die
But for the voice of love, and the smile, and the comforting eye -
Here was a boy in the ward, every bone seemed out of its place -
Caught in a mill and crushed - it was all but a hopeless case:
And he handled him gently enough; but his voice and his face were not kind,
And it was but a hopeless case, he had seen it and made up his mind,
And he said to me roughly "The lad will need little more of your care."
"All the more need," I told him, "to seek the Lord Jesus in prayer;
They are all His children here, and I pray for them all as my own:"
But he turned to me, "Ay, good woman, can prayer set a broken bone?"
Then he muttered half to himself, but I know that I heard him say,
"All very well - but the good Lord Jesus has had his day."
Had? has it come? It has only dawned. It will come by and by.
O, how could I serve in the wards if the hope of the world were a lie?
How could I bear with the sights and the loathsome smells of disease
But that He said "Ye do it to me, when ye do it to these"?
So he went. And we passed to this ward where the younger children are laid:
Here is the cot of our orphan, our darling, our meek little maid;
Empty you see just now! We have lost her who loved her so much -
Patient of pain though as quick as a sensitive plant to the touch;
Hers was the prettiest prattle, it often moved me to tears,
Hers was the gratefullest heart I have found in a child of her years -
Nay you remember our Emmie; you used to send her the flowers;
How she would smile at 'em, play with 'em, talk to 'em hours after hours!
They that can wander at will where the works of the Lord are revealed
Little guess what joy can be got from a cowslip out of the field;
Flowers to these "spirits in prison" are all they can know of the spring,
They freshen and sweeten the wards like the waft of an angel's wing;
And she lay with a flower in one hand and her thin hands crossed on
her breast -
Wan, but as pretty as heart can desire, and we thought her at rest,
Quietly sleeping - so quiet, our doctor said, "Poor little dear,
Nurse, I must do it to-morrow; she'll never live through it, I fear."
I walked with our kindly old doctor as far as the head of the stair,
Then I returned to the ward; the child didn't see I was there.
Never since I was nurse, had I been so grieved and so vexed!
Emmie had heard him. Softly she called from her cot to the next,
"He says I shall never live through it; O Annie, what shall I do?"
Annie considered. "If I," said the wise little Annie, "was you,
I should cry to the dear Lord Jesus to help me, for, Emmie, you see,
It's all in the picture there: 'Little children should come to Me.'" -
(Meaning the print that you gave us, I find that it always can please
Our children, the dear Lord Jesus with children about His knees.)
"Yes, and I will," said Emmie, "but then if I call to the Lord,
How should He know that it's me? such a lot of beds in the ward?"
That was a puzzle for Annie. Again she considered and said:
"Emmie, you put out your arms, and you leave 'em outside on the bed -
The Lord has so much to see to! but, Emmie, you tell it Him plain,
It's the little girl with her arms lying out on the counterpane."
I had sat three nights by the child - I could not watch her for four -
My brain had begun to reel - I felt I could do it no more.
That was my sleeping-night, but I thought that it never would pass.
There was a thunderclap once, and a clatter of hail on the glass,
And there was a phantom cry that I heard as I tossed about,
The motherless bleat of a lamb in the storm and the darkness without;
My sleep was broken besides with dreams of the dreadful knife
And fears for our delicate Emmie who scarce would escape with her life;
Then in the gray of the morning it seemed she stood by me and smiled,
And the doctor came at his hour, and we went to see the child.
He had brought his ghastly tools: we believed her asleep again -
Her dear, long, lean, little arms lying out on the counterpane; -
Say that His day is done! Ah, why should we care what they say?
The Lord of the children had heard her, and Emmie had passed away.
Alfred Tennyson [1809-1892]
"IF I WERE DEAD"
"If I were dead, you'd sometimes say, Poor Child!"
The dear lips quivered as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!
Coventry Patmore [1823-1896]
THE TOYS
My little Son, who looked from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobeyed,
I struck him, and dismissed
With hard words and unkissed,
- His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darkened eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-veined stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I prayed
To God, I wept, and said:
Ah, when at last we lie with tranced breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
"I will be sorry for their childishness."
Coventry Patmore [1823-1896]
A SONG OF TWILIGHT
Oh, to come home once more, when the dusk is falling,
To see the nursery lighted and the children's table spread;
"Mother, mother, mother!" the eager voices calling,
"The baby was so sleepy that he had to go to bed!"
Oh, to come home once more, and see the smiling faces,
Dark head, bright head, clustered at the pane;
Much the years have taken, when the heart its path retraces,
But until time is not for me, the image will remain.
Men and women now they are, standing straight and steady,
Grave heart, gay heart, fit for life's emprise;
Shoulder set to shoulder, how should they be but ready!
The future shines before them with the light of their own eyes.
Still each answers to my call; no good has been denied me,
My burdens have been fitted to the little strength that's mine,
Beauty, pride and peace have walked by day beside me,
The evening closes gently in, and how can I repine?
But oh, to see once more, when the early dusk is falling,
The nursery windows glowing and the children's table spread;
"Mother, mother, mother!" the high child voices calling,
"He couldn't stay awake for you, he had to go to bed!"
Unknown
LITTLE BOY BLUE
The little toy dog is covered with dust,
But sturdy and stanch he stands;
And the little toy soldier is red with rust,
And his musket moulds in his hands.
Time was when the little toy dog was new,
And the soldier was passing fair;
And that was the time when our Little Boy Blue
Kissed them and put them there.
"Now, don't you go till I come," he said,
"And don't you make any noise!"
So, toddling off to his trundle-bed,
He dreamt of the pretty toys;
And, as he was dreaming, an angel song
Awakened our Little Boy Blue -
Oh! the years are many, the years are long,
But the little toy friends are true!
Ay, faithful to Little Boy Blue they stand,
Each in the same old place,
Awaiting the touch of a little hand,
The smile of a little face;
And they wonder, as waiting the long years through
In the dust of that little chair,
What has become of our Little Boy Blue,
Since he kissed them and put them there.
Eugene Field [1850-1895]
THE DISCOVERER
I have a little kinsman
Whose earthly summers are but three,
And yet a voyager is he
Greater then Drake or Frobisher,
Than all their peers together!
He is a brave discoverer,
And, far beyond the tether
Of them who seek the frozen Pole,
Has sailed where the noiseless surges roll.
Ay, he has travelled whither
A winged pilot steered his bark
Through the portals of the dark,
Past hoary Mimir's well and tree,
Across the unknown sea.
Suddenly, in his fair young hour,
Came one who bore a flower,
And laid it in his dimpled hand
With this command:
"Henceforth thou art a rover!
Thou must make a voyage far,
Sail beneath the evening star,
And a wondrous land discover."
- With his sweet smile innocent
Our little kinsman went.
Since that time no word
From the absent has been heard.
Who can tell
How he fares, or answer well
What the little one has found
Since he left us, outward bound?
Would that he might return!
Then should we learn
From the pricking of his chart
How the skyey roadways part.
Hush! does not the baby this way bring,
To lay beside this severed curl,
Some starry offering
Of chrysolite or pearl?
Ah, no! not so!
We may follow on his track,
But he comes not back.
And yet I dare aver
He is a brave discoverer
Of climes his elders do not know.
He has more learning than appears
On the scroll of twice three thousand years,
More than in the groves is taught,
Or from furthest Indies brought;
He knows, perchance, how spirits fare, -
What shapes the angels wear,
What is their guise and speech
In those lands beyond our reach, -
And his eyes behold
Things that shall never, never be to mortal hearers told.
Edmund Clarence Stedman [1833-1908]
A CHRYSALIS
My little Madchen found one day
A curious something in her play,
That was not fruit, nor flower, nor seed;
It was not anything that grew,
Or crept, or climbed, or swam, or flew;
Had neither legs nor wings, indeed;
And yet she was not sure, she said,
Whether it was alive or dead.
She brought in her tiny hand
To see if I would understand,
And wondered when I made reply,
"You've found a baby butterfly."
"A butterfly is not like this,"
With doubtful look she answered me.
So then I told her what would be
Some day within the chrysalis;
How, slowly, in the dull brown thing
Now still as death, a spotted wing,
And then another, would unfold,
Till from the empty shell would fly
A pretty creature, by and by,
All radiant in blue and gold.
"And will it, truly?" questioned she -
Her laughing lips and eager eyes
All in a sparkle of surprise -
"And shall your little Madchen see?"
"She shall! I said. How could I tell
That ere the worm within its shell
Its gauzy, splendid wings had spread,
My little Madchen would be dead?
To-day the butterfly has flown, -
She was not here to see it fly, -
And sorrowing I wonder why
The empty shell is mine alone.
Perhaps the secret lies in this:
I too had found a chrysalis,
And Death that robbed me of delight
Was but the radiant creature's flight!
Mary Emily Bradley [1835-1898]
MATER DOLOROSA
I'd a dream to-night
As I fell asleep,
O! the touching sight
Makes me still to weep:
Of my little lad,
Gone to leave me sad,
Ay, the child I had,
But was not to keep.
As in heaven high,
I my child did seek,
There in train came by
Children fair and meek,
Each in lily white,
With a lamp alight;
Each was clear to sight,
But they did not speak.
Then, a little sad,
Came my child in turn,
But the lamp he had,
O it did not burn!
He, to clear my doubt,
Said, half-turned about,
"Your tears put it out;
Mother, never mourn."
William Barnes [1801-1886]
THE LITTLE GHOST
The stars began to peep
Gone was the bitter day.
She heard the milky ewes
Bleat to their lambs astray.
Her heart cried for her lamb
Lapped cold in the churchyard sod,
She could not think on the happy children
At play with the Lamb of God.
She heard the calling ewes
And the lambs' answer, alas!
She heard her heart's blood drip in the night
As the ewes' milk on the grass.
Her tears that burnt like fire
So bitter and slow ran down
She could not think on the new-washed children
Playing by Mary's gown.
Oh who is this comes in
Over her threshold stone?
And why is the old dog wild with joy
Who all day long made moan?
This fair little radiant ghost,
Her one little son of seven,
New 'scaped from the band of merry children
In the nurseries of Heaven.
He was all clad in white
Without a speck or stain;
His curls had a ring of light
That rose and fell again.
"Now come with me, my own mother,
And you shall have great ease,
For you shall see the lost children
Gathered to Mary's knees."
Oh, lightly sprang she up
Nor waked her sleeping man,
And hand in hand with the little ghost
Through the dark night she ran.
She is gone swift as a fawn,
As a bird homes to its nest,
She has seen them lie, the sleepy children
Twixt Mary's arm and breast.
At morning she came back;
Her eyes were strange to see.
She will not fear the long journey,
However long it be.
As she goes in and out
She sings unto hersel';
For she has seen the mothers' children
And knows that it is well.
Katherine Tynan Hinkson [1861-1931]
MOTHERHOOD
The night throbs on; O, let me pray, dear lad!
Crush off his name a moment from my mouth.
To Thee my eyes would turn, but they go back,
Back to my arm beside me, where he lay -
So little, Lord, so little and so warm!
I cannot think that Thou hadst need of him!
He was so little, Lord, he cannot sing,
He cannot praise Thee; all his life had learned
Was to hold fast my kisses in the night.
Give him to me - he is not happy there!
He had not felt this life; his lovely eyes
Just knew me for his mother, and he died.
Hast Thou an angel there to mother him?
I say be loves me best - if he forgets,
If Thou allow it that my child forgets
And runs not out to meet me when I come -
What are my curses to Thee? Thou hast heard
The curse of Abel's mother, and since then
We have not ceased to threaten at Thy throne,
To threat and pray Thee that Thou hold them still
In memory of us.
See Thou tend him well,
Thou God of all the mothers. If he lack
One of his kisses - ah, my heart, my heart,
Do angels kiss in heaven? Give him back!
Forgive me, Lord, but I am sick with grief,
And tired of tears, and cold to comforting.
Thou art wise, I know, and tender, aye, and good,
Thou hast my child, and he is safe in Thee,
And I believe -
Ah, God, my child shall go
Orphaned among the angels! All alone.
So little and alone! He knows not Thee,
He only knows his mother - give him back.
Josephine Daskam Bacon [1876-
THE MOTHER'S PRAYER
The good Lord gave, the Lord has taken from me,
Blessed be His name, His holy will be done.
The mourners all have gone, all save I, his mother,
The little grave lies lonely in the sun.
Nay! I would not follow, though they did beseech me,
For the angels come now waiting for my dead.
Heaven's door is open, so my whispers soar there,
While the gentle angels lift him from his bed.
Oh Lord, when Thou gavest he was weak and helpless,
Could not rise nor wander from my shielding arm;
Lovely is he now and strong with four sweet summers,
Laughing, running, tumbling, hard to keep from harm.
If some tender mother, whose babe on earth is living,
Takes his little hand to guide his stranger feet
'Mid the countless hosts that cross the floor of heaven,
Thou wilt not reprove her for Thy pity sweet.
If upon her breast she holds his baby beauty,
All his golden hair will fall about her hand,
Laughing let her fingers pull it into ringlets -
Long and lovely ringlets. She will understand.
Wilful are his ways and full of merry mischief;
If he prove unruly, lay the blame on me.
Never did I chide him for his noise or riot,
Smiled upon his folly, glad his joy to see.
Each eve shall I come beside his bed so lowly;
"Hush-a-by, my baby," softly shall I sing,
So, if he be frightened, full of sleep and anger,
The song he loved shall reach him and sure comfort bring.
Lord, if in my praying, Thou shouldst hear me weeping,
Ever was I wayward, always full of tears,
Take no heed of this grief. Sweet the gift Thou gavest
All the cherished treasure of those golden years.
Do not, therefore, hold me to Thy will ungrateful:
Soon I shall stand upright, smiling, strong, and brave,
With a son in heaven the sad earth forgetting,
But 'tis lonely yet, Lord, by the little grave.
Oh, 'tis lonely, lonely, by the little grave!
Dora Sigerson Shorter [1862-1918]
DA LEETLA BOY
Da spreeng ees com'; but oh, da joy
Eet ees too late!
He was so cold, my leetla boy,
He no could wait.
I no can count how manny week,
How manny day, dat he ees seeck;
How manny night I seet an' hold
Da leetla hand dat was so cold.
He was so patience, oh, so sweet!
Eet hurts my throat for theenk of eet;
An' all he evra ask ees w'en
Ees gona com' da spreeng agen.
Wan day, wan brighta sunny day,
He see, across da alleyway,
Da leetla girl dat's livin' dere
Ees raise her window for da air,
An' put outside a leetla pot
Of - w'at-you-call? - forgat-me-not.
So smalla flower, so leetla theeng!
But steell eet mak' hees hearta seeng:
"Oh, now, at las', ees com' da spreeng!
Da leetla plant ees glad for know
Da sun ees com' for mak' eet grow.
So, too, I am grow warm and strong."
So lika dat he seeng hees song.
But, ah! da night com' down an' den
Da weenter ees sneak back agen,
An' een da alley all da night
Ees fall da snow, so cold, so white,
An' cover up da leetla pot
Of - w'at-you-call? - forgat-me-not.
All night da leetla hand I hold
Ees grow so cold, so cold, so cold!
Da spreeng ees com'; but, oh, da joy
Eet ees too late!
He was so cold, my leetla boy,
He no could wait.
Thomas Augustin Daly [1871-
ON THE MOOR
I
I met a child upon the moor
A-wading down the heather;
She put her hand into my own,
We crossed the fields together.
I led her to her father's door -
A cottage midst the clover.
I left her - and the world grew poor
To me, a childless rover.
II
I met a maid upon the moor,
The morrow was her wedding.
Love lit her eyes with lovelier hues
Than the eve-star was shedding.
She looked a sweet good-bye to me,
And o'er the stile went singing.
Down all the lonely night I heard
But bridal bells a-ringing.
III
I met a mother on the moor,
By a new grave a-praying.
The happy swallows in the blue
Upon the winds were playing.
"Would I were in his grave," I said,
"And he beside her standing!"
There was no heart to break if death
For me had made demanding.
Cale Young Rice [1872-
EPITAPH OF DIONYSIA
Here doth Dionysia lie:
She whose little wanton foot,
Tripping (ah, too carelessly!)
Touched this tomb, and fell into 't.
Trip no more shall she, nor fall.
And her trippings were so few!
Summers only eight in all
Had the sweet child wandered through.
But, already, life's few suns
Love's strong seeds had ripened warm.
All her ways were winning ones;
All her cunning was to charm.
And the fancy, in the flower,
While the flesh was in the bud,
Childhood's dawning sex did dower
With warm gusts of womanhood.
Oh what joys by hope begun,
Oh what kisses kissed by thought,
What love-deeds by fancy done,
Death to endless dust hath wrought!
Had the fates been kind as thou,
Who, till now, was never cold,
Once Love's aptest scholar, now
Thou hadst been his teacher bold;
But, if buried seeds upthrow
Fruits and flowers; if flower and fruit
By their nature fitly show
What the seeds are, whence they shoot,
Dionysia, o'er this tomb,
Where thy buried beauties be,
From their dust shall spring and bloom
Loves and graces like to thee.
Unknown
FOR CHARLIE'S SAKE
The night is late, the house is still;
The angels of the hour fulfil
Their tender ministries, and move
From couch to couch in cares of love.
They drop into thy dreams, sweet wife,
The happiest smile of Charlie's life,
And lay on baby's lips a kiss,
Fresh from his angel-brother's bliss;
And, as they pass, they seem to make
A strange, dim hymn, "For Charlie's sake."
My listening heart takes up the strain,
And gives it to the night again,
Fitted with words of lowly praise,
And patience learned of mournful days,
And memories of the dead child's ways.
His will be done, His will be done!
Who gave and took away my son,
In "the far land" to shine and sing
Before the Beautiful, the King,
Who every day doth Christmas make,
All starred and belled for Charlie's sake.
For Charlie's sake I will arise;
I will anoint me where he lies,
And change my raiment, and go in
To the Lord's house, and leave my sin
Without, and seat me at his board,
Eat, and be glad, and praise the Lord.
For wherefore should I fast and weep,
And sullen moods of mourning keep?
I cannot bring him back, nor he,
For any calling, come to me.
The bond the angel Death did sign,
God sealed - for Charlie's sake, and mine.
I'm very poor - this slender stone
Marks all the narrow field I own;
Yet, patient husbandman, I till
With faith and prayers, that precious hill,
Sow it with penitential pains,
And, hopeful, wait the latter rains;
Content if, after all, the spot
Yield barely one forget-me-not -
Whether or figs or thistles make
My crop, content for Charlie's sake.
I have no houses, builded well -
Only that little lonesome cell,
Where never romping playmates come,
Nor bashful sweethearts, cunning-dumb -
An April burst of girls and boys,
Their rainbowed cloud of glooms and joys
Born with their songs, gone with their toys;
Nor ever is its stillness stirred
By purr of cat, or chirp of bird,
Or mother's twilight legend, told
Of Horner's pie, or Tiddler's gold,
Or fairy hobbling to the door,
Red-cloaked and weird, banned and poor,
To bless the good child's gracious eyes,
The good child's wistful charities,
And crippled changeling's hunch to make
Dance on his crutch, for good child's sake.
How is it with the child? 'Tis well;
Nor would I any miracle
Might stir my sleeper's tranquil trance,
Or plague his painless countenance:
I would not any seer might place
His staff on my immortal's face,
Or lip to lip, and eye to eye,
Charm back his pale mortality.
No, Shunamite! I would not break
God's stillness. Let them weep who wake.
For Charlie's sake my lot is blest:
No comfort like his mother's breast,
No praise like hers; no charm expressed
In fairest forms hath half her zest.
For Charlie's sake this bird's caressed
That death left lonely in the nest;
For Charlie's sake my heart is dressed,
As for its birthday, in its best;
For Charlie's sake we leave the rest
To Him who gave, and who did take,
And saved us twice, for Charlie's sake.
John Williamson Palmer [1825-1906]
"ARE THE CHILDREN AT HOME?"
Each day, when the glow of sunset
Fades in the western sky,
And the wee ones, tired of playing,
Go tripping lightly by,
I steal away from my husband,
Asleep in his easy-chair,
And watch from the open doorway
Their faces fresh and fair.
Alone in the dear old homestead
That once was full of life,
Ringing with girlish laughter,
Echoing boyish strife,
We two are waiting together;
And oft, as the shadows come,
With tremulous voice he calls me,
"It is night! are the children home?"
"Yes, love!" I answer him gently,
"They're all home long ago;" -
And I sing, in my quivering treble,
A song so soft and low,
Till the old man drops to slumber,
With his head upon his hand,
And I tell to myself the number
At home in the better land.
At home, where never a sorrow
Shall dim their eyes with tears!
Where the smile of God is on them
Through all the summer years!
I know, - yet my arms are empty,
That fondly folded seven,
And the mother-heart within me
Is almost starved for heaven.
Sometimes, in the dusk of evening,
I only shut my eyes,
And the children are all about me,
A vision from the skies:
The babes whose dimpled fingers
Lost the way to my breast,
And the beautiful ones, the angels,
Passed to the world of the blest.
With never a cloud upon them,
I see their radiant brows;
My boys that I gave to freedom, -
The red sword sealed their vows!
In a tangled Southern forest,
Twin brothers bold and brave,
They fell; and the flag they died for,
Thank God! floats over their grave.
A breath, and the vision is lifted
Away on wings of light,
And again we two are together,
All alone in the night.
They tell me his mind is failing,
But I smile at idle fears;
He is only back with the children,
In the dear and peaceful years.
And still, as the summer sunset
Fades away in the west,
And the wee ones, tired of playing,
Go trooping home to rest,
My husband calls from his corner,
"Say, love, have the children come?"
And I answer, with eyes uplifted,
"Yes, dear! they are all at home."
Margaret Sangster [1838-1919]
THE MORNING-GLORY
We wreathed about our darling's head
The morning-glory bright;
Her little face looked out beneath,
So full of life and light,
So lit as with a sunrise,
That we could only say,
"She is the morning-glory true,
And her poor types are they."
So always from that happy time
We called her by their name,
And very fitting did it seem -
For, sure as morning came,
Behind her cradle bars she smiled
To catch the first faint ray,
As from the trellis smiles the flower
And opens to the day.
But not so beautiful they rear
Their airy cups of blue,
As turned her sweet eyes to the light,
Brimmed with sleep's tender dew;
And not so close their tendrils fine
Round their supports are thrown,
As those dear arms whose outstretched plea
Clasped all hearts to her own.
We used to think how she had come,
Even as comes the flower,
The last and perfect added gift
To crown Love's morning hour;
And how in her was imaged forth
The love we could not say,
As on the little dewdrops round
Shines back the heart of day.
We never could have thought, O God,
That she must wither up,
Almost before a day was flown,
Like the morning-glory's cup;
We never thought to see her droop
Her fair and noble head,
Till she lay stretched before our eyes,
Wilted, and cold, and dead!
The morning-glory's blossoming
Will soon be coming round -
We see the rows of heart-shaped leaves
Upspringing from the ground;
The tender things the winter killed
Renew again their birth,
But the glory of our morning
Has passed away from earth.
O Earth! in vain our aching eyes
Stretch over thy green plain!
Too harsh thy dews, too gross thine air
Her spirit to sustain;
But up in groves of Paradise
Full surely we shall see
Our morning-glory beautiful
Twine round our dear Lord's knee.
Maria White Lowell [1821-1855]
SHE CAME AND WENT
As a twig trembles, which a bird
Lights on to sing, then leaves unbent,
So is my memory thrilled and stirred; -
I only know she came and went.
As clasps some lake, by gusts unriven,
The blue dome's measureless content,
So my soul held that moment's heaven; -
I only know she came and went.
As, at one bound, our swift spring heaps
The orchards full of bloom and scent,
So clove her May my wintry sleeps; -
I only know she came and went.
An angel stood and met my gaze,
Through the low doorway of my tent;
The tent is struck, the vision stays; -
I only know she came and went.
Oh, when the room grows slowly dim,
And life's last oil is nearly spent,
One gush of light these eyes will brim,
Only to think she came and went.
James Russell Lowell [1819-1891]
THE FIRST SNOW-FALL
The snow had begun in the gloaming,
And busily all the night
Had been heaping field and highway
With a silence deep and white.
Every pine and fir and hemlock
Wore ermine too dear for an earl,
And the poorest twig on the elm-tree
Was ridged inch deep with pearl.
From sheds new-roofed with Carrara
Came Chanticleer's muffled crow,
The stiff rails softened to swan's-down,
And still fluttered down the snow.
I stood and watched by the window
The noiseless work of the sky,
And the sudden flurries of snow-birds,
Like brown leaves whirling by.
I thought of a mound in sweet Auburn
Where a little headstone stood;
How the flakes were folding it gently,
As did robins the babes in the wood.
Up spoke our own little Mabel,
Saying, "Father, who makes it snow?"
And I told of the good All-father
Who cares for us here below.
Again I looked at the snow-fall,
And thought of the leaden sky
That arched o'er our first great sorrow,
When that mound was heaped so high.
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