The Home Book of Verse, Volume 2
by
Burton Egbert Stevenson
Part 3 out of 18
In white, to find her lover;
The grass grew proud beneath her feet,
The green elm-leaves above her: -
Meet we no angels, Pansie?
She said, "We meet no angels now";
And soft lights streamed upon her;
And with white hand she touched a bough;
She did it that great honor: -
What! meet no angels, Pansie?
O sweet brown hat, brown hair, brown eyes,
Down-dropped brown eyes, so tender!
Then what said I? - gallant replies
Seem flattery, and offend her: -
But, - meet we no angels, Pansie?
Thomas Ashe [1836-1889]
TO DAPHNE
Like apple-blossoms, white and red;
Like hues of dawn, which fly too soon;
Like bloom of peach, so softly spread;
Like thorn of May and rose of June -
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
That pretty rose, which comes and goes
Like April sunshine in the sky,
I can command it when I choose -
See how it rises if I cry:
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
Ah! when it lies round lips and eyes,
And fades away, again to spring,
No lover, sure, could ask for more
Than still to cry, and still to sing:
Oh, sweet! oh, fair! beyond compare,
Are Daphne's cheeks,
Are Daphne's blushing cheeks, I swear.
Walter Besant [1836-1901]
"GIRL OF THE RED MOUTH"
Girl of the red mouth,
Love me! Love me!
Girl of the red mouth,
Love me!
'Tis by its curve, I know,
Love fashioneth his bow,
And bends it - ah, even so!
Oh, girl of the red mouth, love me!
Girl of the blue eye,
Love me! Love me!
Girl of the dew eye,
Love me!
Worlds hang for lamps on high;
And thought's world lives in thy
Lustrous and tender eye -
Oh, girl of the blue eye, love me!
Girl of the swan's neck,
Love me! Love me!
Girl of the swan's neck,
Love me!
As a marble Greek doth grow
To his steed's back of snow,
Thy white neck sits thy shoulder so, -
Oh, girl of the swan's neck, love me!
Girl of the low voice,
Love me! Love me!
Girl of the sweet voice,
Love me!
Like the echo of a bell, -
Like the bubbling of a well, -
Sweeter! Love within doth dwell, -
Oh, girl of the low voice, love me!
Martin MacDermott [1823-1905]
THE DAUGHTER OF MENDOZA
O lend to me, sweet nightingale,
Your music by the fountain,
And lend to me your cadences,
O river of the mountain!
That I may sing my gay brunette,
A diamond spark in coral set,
Gem for a prince's coronet -
The daughter of Mendoza.
How brilliant is the morning star,
The evening star how tender, -
The light of both is in her eyes,
Their softness and their splendor.
But for the lash that shades their light
They were too dazzling for the sight,
And when she shuts them, all is night -
The daughter of Mendoza.
O ever bright and beauteous one,
Bewildering and beguiling,
The lute is in thy silvery tones,
The rainbow in thy smiling;
And thine, is, too, o'er hill and dell,
The bounding of the young gazelle,
The arrow's flight and ocean's swell -
Sweet daughter of Mendoza!
What though, perchance, we no more meet, -
What though too soon we sever?
Thy form will float like emerald light
Before my vision ever.
For who can see and then forget
The glories of my gay brunette -
Thou art too bright a star to set,
Sweet daughter of Mendoza!
Mirabeau Bonaparte Lamar [1798-1859]
"IF SHE BE MADE OF WHITE AND RED"
If she be made of white and red,
As all transcendent beauty shows;
If heaven be blue above her head,
And earth be golden, as she goes:
Nay, then thy deftest words restrain;
Tell not that beauty, it is vain.
If she be filled with love and scorn,
As all divinest natures are;
If 'twixt her lips such words are born,
As can but Heaven or Hell confer:
Bid Love be still, nor ever speak,
Lest he his own rejection seek.
Herbert P. Horne [1864-
THE LOVER'S SONG
Lend me thy fillet, Love!
I would no longer see:
Cover mine eyelids close awhile,
And make me blind like thee.
Then might I pass her sunny face,
And know not it was fair;
Then might I hear her voice, nor guess
Her starry eyes were there.
Ah! banished so from stars and sun -
Why need it be my fate?
If only she might dream me good
And wise, and be my mate!
Lend her thy fillet, Love!
Let her no longer see:
If there is hope for me at all,
She must be blind like thee.
Edward Rowland Sill [1841-1887]
"WHEN FIRST I SAW HER"
When first I saw her, at the stroke
The heart of nature in me spoke;
The very landscape smiled more sweet,
Lit by her eyes, pressed by her feet;
She made the stars of heaven more bright
By sleeping under them at night;
And fairer made the flowers of May
By being lovelier than they.
O, soft, soft, where the sunshine spread,
Dark in the grass I laid my head;
And let the lights of earth depart
To find her image in my heart;
Then through my being came and went
Tones of some heavenly instrument,
As if where its blind motions roll
The world should wake and be a soul.
George Edward Woodberry [1855-1930]
MY APRIL LADY
When down the stair at morning
The sunbeams round her float,
Sweet rivulets of laughter
Are rippling in her throat;
The gladness of her greeting
Is gold without alloy;
And in the morning sunlight
I think her name is Joy.
When in the evening twilight
The quiet book-room lies,
We read the sad old ballads,
While from her hidden eyes
The tears are falling, falling,
That give her heart relief;
And in the evening twilight,
I think her name is Grief.
My little April lady,
Of sunshine and of showers
She weaves the old spring magic,
And breaks my heart in flowers!
But when her moods are ended,
She nestles like a dove;
Then, by the pain and rapture,
I know her name is Love.
Henry Van Dyke [1852-1933]
THE MILKMAID
A New Song To An Old Tune
Across the grass I see her pass;
She comes with tripping pace, -
A maid I know, - and March winds blow
Her hair across her face; -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
The March winds blow. I watch her go:
Her eye is brown and clear;
Her cheek is brown, and soft as down,
(To those who see it near!) -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
What has she not that those have got, -
The dames that walk in silk!
If she undo her kerchief blue,
Her neck is white as milk.
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Let those who will be proud and chill!
For me, from June to June,
My Dolly's words are sweet as curds -
Her laugh is like a tune; -
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Break, break to hear, O crocus-spear!
O tall Lent-lilies flame!
There'll be a bride at Easter-tide,
And Dolly is her name.
With a hey, Dolly! ho, Dolly!
Dolly shall be mine,
Before the spray is white with May,
Or blooms the eglantine.
Austin Dobson [1840-1921]
SONG
This peach is pink with such a pink
As suits the peach divinely;
The cunning color rarely spread
Fades to the yellow finely;
But where to spy the truest pink
Is in my Love's soft cheek, I think.
The snowdrop, child of windy March,
Doth glory in her whiteness;
Her golden neighbors, crocuses,
Unenvious praise her brightness!
But I do know where, out of sight,
My sweetheart keeps a warmer white.
Norman Gale [1862-
IN FEBRUARY
My Lady's birthday crowns the growing year;
A flower of Spring before the Spring is here;
To sing of her and this fair day to keep
The very Loves forsake their Winter sleep;
Where'er she goes their circling wings they spread,
And shower celestial roses o'er her head.
I, too, would chant her worth and dare to raise
A hymn to what's beyond immortal praise.
Go, little verse, and lay in vesture meet
Of poesy, my homage at her feet.
Henry Simpson [1868-
"LOVE, I MARVEL WHAT YOU ARE"
Love, I marvel what you are!
Heaven in a pearl of dew,
Lilies hearted with a star -
All are you.
Spring along your forehead shines
And the summer blooms your breast.
Graces of autumnal vines
Round you rest.
Birds about a limpid rose
Making song and light of wing
While the warm wind sunny blows, -
So you sing.
Darling, if the little dust,
That I know is merely I,
Have availed to win your trust,
Let me die.
Trumbull Stickney [1874-1904]
BALLADE OF MY LADY'S BEAUTY
Squire Adam had two wives, they say,
Two wives had he for his delight;
He kissed and clypt them all the day,
And clypt and kissed them all the night.
Now Eve like ocean foam was white,
And Lilith, roses dipped in wine,
But though they were a goodly sight,
No lady is so fair as mine.
To Venus some folk tribute pay,
And Queen of Beauty she is hight,
And Sainte Marie the world doth sway,
In cerule napery bedight.
My wonderment these twain invite,
Their comeliness it is divine;
And yet I say in their despite,
No lady is so fair as mine.
Dame Helen caused a grievous fray,
For love of her brave men did fight,
The eyes of her made sages fey
And put their hearts in woeful plight.
To her no rhymes will I indite,
For her no garlands will I twine;
Though she be made of flowers and light,
No lady is so fair as mine.
L'ENVOI
Prince Eros, Lord of lovely might,
Who on Olympus doth recline,
Do I not tell the truth aright?
No lady is so fair as mine.
Joyce Kilmer [1886-1918]
URSULA
I see her in the festal warmth to-night,
Her rest all grace, her motion all delight.
Endowed with all the woman's arts that please,
In her soft gown she seems a thing of ease,
Whom sorrow may not reach or evil blight.
To-morrow she will toil from floor to floor
To smile upon the unreplying poor,
To stay the tears of widows, and to be
Confessor to men's erring hearts . . . ah me!
She knows not I am beggar at her door.
Robert Underwood Johnson [1853-
VILLANELLE OF HIS LADY'S TREASURES
I took her dainty eyes, as well
As silken tendrils of her hair:
And so I made a Villanelle!
I took her voice, a silver bell,
As clear as song, as soft as prayer;
I took her dainty eyes as well.
It may be, said I, who can tell,
These things shall be my less despair?
And so I made a Villanelle!
I took her whiteness virginal
And from her cheeks two roses rare:
I took her dainty eyes as well.
I said: "It may be possible
Her image from my heart to tear!"
And so I made a Villanelle!
I stole her laugh, most musical:
I wrought it in with artful care;
I took her dainty eyes as well;
And so I made a Villanelle.
Ernest Dowson [1867-1900]
SONG
Love, by that loosened hair
Well now I know
Where the lost Lilith went
So long ago.
Love, by those starry eyes
I understand
How the sea maidens lure
Mortals from land.
Love, by that welling laugh
Joy claims his own
Sea-born and wind-wayward
Child of the sun.
Bliss Carman [1861-1929]
SONG
O, like a queen's her happy tread,
And like a queen's her golden head!
But O, at last, when all is said,
Her woman's heart for me!
We wandered where the river gleamed
'Neath oaks that mused and pines that dreamed,
A wild thing of the woods she seemed,
So proud, and pure, and free!
All heaven drew nigh to hear her sing,
When from her lips her soul took wing;
The oaks forgot their pondering,
The pines their reverie.
And O, her happy, queenly tread,
And O, her queenly golden head!
But O, her heart, when all is said,
Her woman's heart for me!
William Watson [1858-1935]
ANY LOVER, ANY LASS
Why are her eyes so bright, so bright,
Why do her lips control
The kisses of a summer night,
When I would love her soul?
God set her brave eyes wide apart
And painted them with fire;
They stir the ashes of my heart
To embers of desire.
Her lips so tenderly are wrought
In so divine a shape,
That I am servant to my thought
And can no wise escape.
Her body is a flower, her hair
About her neck doth play;
I find her colors everywhere,
They are the pride of day.
Her little hands are soft, and when
I see her fingers move
I know in very truth that men
Have died for less than love.
Ah, dear, live, lovely thing! my eyes
Have sought her like a prayer;
It is my better self that cries
"Would she were not so fair!"
Would I might forfeit ecstasy
And find a calmer place,
Where I might undesirous see
Her too desired face:
Nor find her eyes so bright, so bright,
Nor hear her lips unroll
Dream after dream the lifelong night,
When I would love her soul.
Richard Middleton [1882-1911]
SONGS ASCENDING
Love has been sung a thousand ways -
So let it be;
The songs ascending in your praise
Through all my days
Are three.
Your cloud-white body first I sing;
Your love was heaven's blue,
And I, a bird, flew carolling
In ring on ring
Of you.
Your nearness is the second song;
When God began to be,
And bound you strongly, right or wrong,
With his own thong,
To me.
But oh, the song, eternal, high,
That tops these two! -
You live forever, you who die,
I am not I
But you.
Witter Bynner [1881-
SONG
"Oh! Love," they said, "is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down." -
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.
"Oh! Love," they said, and "Love," they said,
"The gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!" -
But Tragedy is not for me;
And I'm content to be gay.
So whenever I spied a Tragic Lady,
I went another way.
And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they'd never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.
Rupert Brooke [1887-1915]
SONG
How do I love you?
I do not know.
Only because of you
Gladly I go.
Only because of you
Labor is sweet,
And all the song of you
Sings in my feet.
Only the thought of you
Trembles and lies
Just where the world begins -
Under my eyes.
Irene Rutherford McLeod [1891-
TO. . . IN CHURCH
If I was drawn here from a distant place,
'Twas not to pray nor hear our friend's address,
But, gazing once more on your winsome face,
To worship there Ideal Loveliness.
On that pure shrine that has too long ignored
The gifts that once I brought so frequently
I lay this votive offering, to record
How sweet your quiet beauty seemed to me.
Enchanting girl, my faith is not a thing
By futile prayers and vapid psalm-singing
To vent in crowded nave and public pew.
My creed is simple: that the world is fair,
And beauty the best thing to worship there,
And I confess it by adoring you.
Alan Seeger [1888-1916]
AFTER TWO YEARS
She is all so slight
And tender and white
As a May morning.
She walks without hood
At dusk. It is good
To hear her sing.
It is God's will
That I shall love her still
As He loves Mary.
And night and day
I will go forth to pray
That she love me.
She is as gold
Lovely, and far more cold.
Do thou pray with me,
For if I win grace
To kiss twice her face
God has done well to me.
Richard Aldington [1892-
PRAISE
Dear, they are praising your beauty,
The grass and the sky:
The sky in a silence of wonder,
The grass in a sigh.
I too would sing for your praising,
Dearest, had I
Speech as the whispering grass,
Or the silent sky.
These have an art for the praising
Beauty so high.
Sweet, you are praised in a silence,
Sung in a sigh.
Seumas O'Sullivan [1879-
PLAINTS AND PROTESTATIONS
"FORGET NOT YET"
The Lover Beseecheth His Mistress
Not To Forget His Steadfast Faith
And True Intent
Forget not yet the tried intent
Of such a truth as I have meant:
My great travail so gladly spent,
Forget not yet!
Forget not yet when first began
The weary life ye know, since when
The suit, the service, none tell can;
Forget not yet!
Forget not yet the great assays,
The cruel wrong, the scornful ways,
The painful patience in delays,
Forget not yet!
Forget not! O, forget not this! -
How long ago hath been, and is,
The mind that never meant amiss -
Forget not yet!
Forget not then thine own approved,
The which so long hath thee so loved,
Whose steadfast faith yet never moved:
Forget not this!
Thomas Wyatt [1503?-1542]
FAWNIA
From "Pandosto"
Ah! were she pitiful as she is fair,
Or but as mild as she is seeming so,
Then were my hopes greater than my despair,
Then all the world were heaven, nothing woe.
Ah! were her heart relenting as her hand,
That seems to melt even with the mildest touch,
Then knew I where to seat me in a land
Under wide heavens, but yet there is not such.
So as she shows she seems the budding rose,
Yet sweeter far than is an earthly flower;
Sovereign of beauty, like the spray she grows;
Compassed she is with thorns and cankered flower.
Yet were she willing to be plucked and worn,
She would be gathered, though she grew on thorn.
Ah! when she sings, all music else be still,
For none must be compared to her note;
Ne'er breathed such glee from Philomela's bill,
Nor from the morning-singer's swelling throat.
Ah! when she riseth from her blissful bed
She comforts all the world as doth the sun,
And at her sight the night's foul vapor's fled;
When she is set the gladsome day is done.
O glorious sun, imagine me the west,
Shine in my arms, and set thou in my breast!
Robert Greene [1560?-1592]
THE PASSIONATE SHEPHERD TO HIS LOVE
Come live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dales and fields,
Or woods or steepy mountain yields.
And we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.
And I will make thee beds of roses
And a thousand fragrant posies;
A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle.
A gown made of the finest wool
Which from our pretty lambs we pull;
Fair-lined slippers for the cold,
With buckles of the purest gold.
A belt of straw and ivy-buds
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my Love.
The shepherd swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me and be my Love.
Christopher Marlowe [1564-1593]
THE NYMPH'S REPLY TO THE PASSIONATE SHEPHERD
If all the world and love were young,
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee, and be thy Love.
But Time drives flocks from field to fold;
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complains of cares to come.
The flowers do fade, and wanton fields
To wayward Winter reckoning yields:
A honey tongue, a heart of gall,
Is fancy's spring, but sorrow's fall.
Thy gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies,
Soon break, soon wither, - soon forgotten,
In folly ripe, in reason rotten.
Thy belt of straw and ivy-buds,
Thy coral clasps and amber studs, -
All these in me no means can move
To come to thee and be thy Love.
But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee and be thy Love.
Walter Raleigh [1552?-1618]
"WRONG NOT, SWEET EMPRESS OF MY HEART"
Wrong not, sweet empress of my heart,
The merit of true passion,
With thinking that he feels no smart,
That sues for no compassion.
Silence in love bewrays more woe
Than words, though ne'er so witty:
A beggar that is dumb, you know,
May challenge double pity.
Then wrong not, dearest to my heart,
My true, though secret passion;
He smarteth most that hides his smart,
And sues for no compassion.
Walter Raleigh [1552?-1618]
TO HIS COY LOVE
I pray thee, leave, love me no more,
Call home the heart you gave me!
I but in vain that saint adore
That can but will not save me.
These poor half-kisses kill me quite -
Was ever man thus served:
Amidst an ocean of delight
For pleasure to be starved!
Show me no more those snowy breasts
With azure riverets branched,
Where, whilst mine eye with plenty feasts,
Yet is my thirst not stanched;
O Tantalus, thy pains ne'er tell!
By me thou art prevented:
'Tis nothing to be plagued in Hell,
But thus in Heaven tormented.
Clip me no more in those dear arms,
Nor thy life's comfort call me,
O these are but too powerful charms,
And do but more enthral me!
But see how patient I am grown
In all this coil about thee:
Come, nice thing, let my heart alone,
I cannot live without thee!
Michael Drayton [1563-1631]
HER SACRED BOWER
Where she her sacred bower adorns,
The rivers clearly flow,
The groves and meadows swell with flowers,
The winds all gently blow.
Her sun-like beauty shines so fair,
Her spring can never fade:
Who then can blame the life that strives
To harbor in her shade?
Her grace I sought, her love I wooed;
Her love thought to obtain;
No time, no toil, no vow, no faith,
Her wished grace can gain.
Yet truth can tell my heart is hers
And her will I adore;
And from that love when I depart,
Let heaven view me no more!
Her roses with my prayers shall spring;
And when her trees I praise,
Their boughs shall blossom, mellow fruit
Shall strew her pleasant ways.
The words of hearty zeal have power
High wonders to effect;
O, why should then her princely ear
My words or zeal neglect?
If she my faith misdeems, or worth,
Woe worth my hapless fate!
For though time can my truth reveal,
That time will come too late.
And who can glory in the worth
That cannot yield him grace?
Content in everything is not,
Nor joy in every place.
But from her Bower of Joy since I
Must now excluded be,
And she will not relieve my cares,
Which none can help but she;
My comfort in her love shall dwell,
Her love lodge in my breast,
And though not in her bower, yet I
Shall in her temple rest.
Thomas Campion [ ? -1619]
TO LESBIA
After Catullus
My sweetest Lesbia, let us live and love,
And though the sager sort our deeds reprove,
Let us not weigh them. Heaven's great lamps do dive
Into their west, and straight again revive:
But soon as once set is our little light,
Then must we sleep one ever-during night.
If all would lead their lives in love like me,
Then bloody swords and armor should not be;
No drum nor trumpet peaceful sleeps should move,
Unless alarm came from the Camp of Love:
But fools do live and waste their little light,
And seek with pain their ever-during night.
When timely death my life and fortune ends,
Let not my hearse be vexed with mourning friends;
But let all lovers, rich in triumph, come
And with sweet pastimes grace my happy tomb:
And, Lesbia, close up thou my little light,
And crown with love my ever-during night.
Thomas Campion [ ? -1619]
"LOVE ME OR NOT"
Love me or not, love her I must or die;
Leave her or not, follow her needs must I.
O that her grace would my wished comforts give!
How rich in her, how happy should I live!
All my desire, all my delight should be
Her to enjoy, her to unite to me;
Envy should cease, her would I love alone:
Who loves by looks, is seldom true to one.
Could I enchant, and that it lawful were,
Her would I charm softly that none should hear;
But love enforced rarely yields firm content:
So would I love that neither should repent.
Thomas Campion [ ? -1619]
"THERE IS NONE, O NONE BUT YOU"
There is none, O none but you,
That from me estrange the sight,
Whom mine eyes affect to view,
And chained ears hear with delight.
Other beauties others move:
In you I all graces find;
Such is the effect of Love,
To make them happy that are kind.
Women in frail beauty trust,
Only seem you fair to me:
Still prove truly kind and just,
For that may not dissembled be.
Sweet, afford me then your sight,
That, surveying all your looks,
Endless volumes I may write,
And fill the world with envied books:
Which, when after-ages view,
All shall wonder and despair, -
Woman, to find a man so true,
Or man, a woman half so fair!
Thomas Campion [ ? -1619]
OF CORINNA'S SINGING
When to her lute Corinna sings,
Her voice revives the leaden strings,
And doth in highest notes appear,
As any challenged echo clear:
But when she doth of mourning speak,
E'en with her sighs, the strings do break.
And as her lute doth live or die,
Led by her passion, so must I!
For when of pleasure she doth sing,
My thoughts enjoy a sudden spring:
But if she doth of sorrow speak,
E'en from my heart the strings do break.
Thomas Campion [ ? -1619]
"WERE MY HEART AS SOME MEN'S ARE"
Were my heart as some men's are, thy errors would not move me;
But thy faults I curious find, and speak because I love thee:
Patience is a thing divine, and far, I grant, above me.
Foes sometimes befriend us more, our blacker deeds objecting,
Than the obsequious bosom-guest with false respect affecting:
Friendship is the Glass of Truth, our hidden stains detecting.
When I use of eyes enjoy, and inward light of reason,
Thy observer will I be and censor, but in season:
Hidden mischief to conceal in State and Love is treason.
Thomas Campion [ ? -1619]
"KIND ARE HER ANSWERS"
Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers
From their own music when they stray.
All her free favors
And smooth words wing my hopes in vain.
O, did ever voice so sweet but only feign?
Can true love yield such delay,
Converting joy to pain?
Lost is our freedom
When we submit to women so:
Why do we need 'em
When, in their best, they work our woe?
There is no wisdom
Can alter ends by fate prefixed.
O, why is the good of man with evil mixed?
Never were days yet called two
But one night went betwixt.
Thomas Campion [ ? -1619]
TO CELIA
From "The Forest"
Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.
I sent thee late a rosy wreath,
Not so much honoring thee
As giving it a hope that there
It could not withered be;
But thou thereon didst only breathe,
And sent'st it back to me;
Since when it grows, and smells, I swear,
Not of itself but thee!
Ben Jonson [1573?-1637]
SONG
From "The Forest"
O, do not wanton with those eyes,
Lest I be sick with seeing;
Nor cast them down, but let them rise,
Lest shame destroy their being.
O, be not angry with those fires,
For then their threats will kill me;
Nor look too kind on my desires,
For then my hopes will spill me.
O, do not steep them in thy tears,
For so will sorrow slay me;
Nor spread them as distract with fears;
Mine own enough betray me.
Ben Jonson [1573?-1637]
SONG
Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the Devil's foot;
Teach me to hear mermaid's singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.
If thou be'st born to strange sights,
Things invisible go see,
Ride ten thousand days and nights
Till Age snow white hairs on thee;
Thou, when thou return'st, wilt tell me
All strange wonders that befell thee,
And swear
No where
Lives a woman true and fair.
If thou find'st one, let me know;
Such a pilgrimage were sweet.
Yet do not; I would not go,
Though at next door we might meet.
Though she were true when you met her,
And last till you write your letter,
Yet she
Will be
False, ere I come, to two or three.
John Donne [1573-1631]
THE MESSAGE
Send home my long-strayed eyes to me,
Which, O! too long have dwelt on thee:
But if from you they've learned such ill,
To sweetly smile,
And then beguile,
Keep the deceivers, keep them still.
Send home my harmless heart again,
Which no unworthy thought could stain:
But if it has been taught by thine
To forfeit both
Its word and oath,
Keep it, for then 'tis none of mine.
Yet send me back my heart and eyes,
For I'll know all thy falsities;
That I one day may laugh, when thou
Shalt grieve and mourn -
Of one the scorn,
Who proves as false as thou art now.
John Donne [1573-1631]
SONG
Ladies, though to your conquering eyes
Love owes his chiefest victories,
And borrows those bright arms from you
With which he does the world subdue,
Yet you yourselves are not above
The empire nor the griefs of love.
Then rack not lovers with disdain,
Lest Love on you revenge their pain:
You are not free because you're fair:
The Boy did not his Mother spare.
Beauty's but an offensive dart:
It is no armor for the heart.
George Etherege [1635?-1691]
TO A LADY ASKING HIM HOW LONG HE WOULD LOVE HER
It is not, Celia, in our power
To say how long our love will last;
It may be we within this hour
May lose those joys we now do taste:
The Blessed, that immortal be,
From change in love are only free.
Then since we mortal lovers are,
Ask not how long our love will last;
But while it does, let us take care
Each minute be with pleasure passed:
Were it not madness to deny
To live because we're sure to die?
George Etherege [1635?-1691]
TO AENONE
What conscience, say, is it in thee,
When I a heart had one,
To take away that heart from me,
And to retain thy own?
For shame or pity now incline
To play a loving part;
Either to send me kindly thine,
Or give me back my heart.
Covet not both; but if thou dost
Resolve to part with neither,
Why, yet to show that thou art just,
Take me and mine together!
Robert Herrick [1591-1674]
TO ANTHEA, WHO MAY COMMAND HIM ANYTHING
Bid me to live, and I will live
Thy Protestant to be;
Or bid me love, and I will give
A loving heart to thee.
A heart as soft, a heart as kind,
A heart as sound and free
As in the whole world thou canst find,
That heart I'll give to thee.
Bid that heart stay, and it will stay
To honor thy decree;
Or bid it languish quite away,
And 't shall do so for thee.
Bid me to weep, and I will weep,
While I have eyes to see;
And having none, yet will I keep
A heart to weep for thee.
Bid me despair, and I'll despair,
Under that cypress tree;
Or bid me die, and I will dare
E'en death, to die for thee.
Thou art my life, my love, my heart,
The very eyes of me;
And hast command of every part,
To live and die for thee.
Robert Herrick [1591-1674]
THE BRACELET: TO JULIA
Why I tie about thy wrist,
Julia, this silken twist;
For what other reason is't
But to show thee how, in part,
Thou my pretty captive art?
But thy bond-slave is my heart:
'Tis but silk that bindeth thee,
Snap the thread and thou art free;
But 'tis otherwise with me;
I am bound and fast bound, so
That from thee I cannot go;
If I could, I would not so.
Robert Herrick [1591-1674]
TO THE WESTERN WIND
Sweet western wind, whose luck it is,
Made rival with the air,
To give Perenna's lip a kiss,
And fan her wanton hair:
Bring me but one, I'll promise thee,
Instead of common showers,
Thy wings shall be embalmed by me,
And all beset with flowers.
Robert Herrick [1591-1674]
TO MY INCONSTANT MISTRESS
When thou, poor Excommunicate
From all the joys of Love, shalt see
The full reward and glorious fate
Which my strong faith shall purchase me,
Then curse thine own Inconstancy.
A fairer hand than thine shall cure
That heart which thy false oaths did wound;
And to my soul a soul more pure
Than thine shall by Love's hand be bound,
And both with equal glory crowned.
Then shalt thou weep, entreat, complain
To Love, as I did once to thee:
When all thy tears shall be as vain
As mine were then: for thou shalt be
Damned for thy false Apostasy.
Thomas Carew [1598?-1639?]
PERSUASIONS TO ENJOY
If the quick spirits in your eye
Now languish and anon must die;
If every sweet and every grace
Must fly from that forsaken face:
Then, Celia, let us reap our joys
Ere Time such goodly fruit destroys.
Or, if that golden fleece must grow
For ever free from aged snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade:
Then fear not, Celia, to bestow
What, still being gathered, still must grow.
Thus either Time his sickle brings
In vain, or else in vain his wings.
Thomas Carew [1598?-1639?]
MEDIOCRITY IN LOVE REJECTED
Give me more love, or more disdain:
The torrid, or the frozen zone
Bring equal ease unto my pain;
The temperate affords me none:
Either extreme, of love or hate,
Is sweeter than a calm estate.
Give me a storm; if it be love,
Like Danae in that golden shower,
I'll swim in pleasure; if it prove
Disdain, that torrent will devour
My vulture-hopes; and he's possessed
Of heaven, that's but from hell released.
Then crown my joys, or cure my pain:
Give me more love, or more disdain.
Thomas Carew [1598?-1639?]
THE MESSAGE
Ye little birds that sit and sing
Amidst the shady valleys,
And see how Phillis sweetly walks
Within her garden-alleys;
Go, pretty birds, about her bower;
Sing, pretty birds, she may not lower;
Ah me! methinks I see her frown!
Ye pretty wantons, warble.
Go tell her through your chirping bills,
As you by me are bidden,
To her is only known my love,
Which from the world is hidden.
Go, pretty birds, and tell her so,
See that your notes strain not too low,
For still methinks I see her frown;
Ye pretty wantons, warble.
Go tune your voices' harmony
And sing, I am her lover;
Strain loud and sweet, that every note
With sweet content may move her:
And she that hath the sweetest voice,
Tell her I will not change my choice:
- Yet still methinks I see her frown!
Ye pretty wantons, warble.
O fly! make haste! see, see, she falls
Into a pretty slumber!
Sing round about her rosy bed
That waking she may wonder:
Say to her, 'tis her lover true
That sendeth love to you, to you!
And when you hear her kind reply,
Return with pleasant warblings.
Thomas Heywood [ ? -1650?]
"HOW CAN THE HEART FORGET HER"
At her fair hands how have I grace entreated
With prayers oft repeated!
Yet still my love is thwarted:
Heart, let her go, for she'll not be converted -
Say, shall she go?
O no, no, no, no, no!
She is most fair, though she be marble-hearted.
How often have my sighs declared my anguish,
Wherein I daily languish!
Yet still she doth procure it:
Heart, let her go, for I cannot endure it -
Say, shall she go?
O no, no, no, no, no!
She gave the wound, and she alone must cure it.
But shall I still a true affection owe her,
Which prayers, sighs, tears do show her,
And shall she still disdain me?
Heart, let her go, if they no grace can gain me -
Say, shall she go?
O no, no, no, no, no!
She made me hers, and hers she will retain me.
But if the love that hath and still doth burn me
No love at length return me,
Out of my thoughts I'll set her:
Heart, let her go, O heart I pray thee, let her!
Say, shall she go?
O no, no, no, no, no!
Fixed in the heart, how can the heart forget her?
Francis Davison [fl. 1602]
TO ROSES IN THE BOSOM OF CASTARA
Ye blushing virgins happy are
In the chaste nunnery of her breasts -
For he'd profane so chaste a fair,
Whoe'er should call them Cupid's nests.
Transplanted thus how bright ye grow!
How rich a perfume do ye yield!
In some close garden cowslips so
Are sweeter than in the open field.
In those white cloisters live secure
From the rude blasts of wanton breath! -
Each hour more innocent and pure,
Till you shall wither into death.
Then that which living gave you room,
Your glorious sepulcher shall be.
There wants no marble for a tomb
Whose breast hath marble been to me.
William Habington [1605-1654]
TO FLAVIA
'Tis not your beauty can engage
My wary heart;
The sun, in all his pride and rage,
Has not that art;
And yet he shines as bright as you,
If brightness could our souls subdue.
'Tis not the pretty things you say,
Nor those you write,
Which can make Thyrsis' heart your prey:
For that delight,
The graces of a well-taught mind,
In some of our own sex we find.
No, Flavia, 'tis your love I fear;
Love's surest darts,
Those which so seldom fail him, are
Headed with hearts:
Their very shadows make us yield;
Dissemble well, and win the field!
Edmund Waller [1606-1687]
"LOVE NOT ME FOR COMELY GRACE"
Love not me for comely grace,
For my pleasing eye or face;
Nor for any outward part,
No, nor for a constant heart:
For these may fail or turn to ill,
So thou and I shall sever.
Keep, therefore, a true woman's eye,
And love me still, but know not why;
So hast thou the same reason still
To doat upon me ever.
Unknown
"WHEN, DEAREST, I BUT THINK OF THEE"
When, dearest, I but think of thee,
Methinks all things that lovely be
Are present, and my soul delighted:
For beauties that from worth arise
Are, like the grace of deities,
Still present with us, though unsighted.
Thus while I sit and sigh the day
With all his borrowed lights away,
Till night's black wings do overtake me,
Thinking on thee, thy beauties then,
As sudden lights do sleepy men,
So they by their bright rays awake me.
Thus absence dies, and dying proves
No absence can subsist with loves
That do partake of fair perfection:
Since in the darkest night they may
By their quick motion find a way
To see each other by reflection.
The waving sea can with each flood
Bathe some high promont that hath stood
Far from the main up in the river:
O think not then but love can do
As much! for that's an ocean too,
Which flows not every day, but ever!
John Suckling [1609-1642]
or Owen Felltham [1602?-1668]
A DOUBT OF MARTYRDOM
O for some honest lover's ghost,
Some kind unbodied post
Sent from the shades below!
I strangely long to know
Whether the noble chaplets wear
Those that their mistress' scorn did bear
Or those that were used kindly.
For whatsoe'er they tell us here
To make those sufferings dear,
'Twill there, I fear, be found
That to the being crowned
To have loved alone will not suffice,
Unless we also have been wise
And have our loves enjoyed.
What posture can we think him in
That, here unloved, again
Departs, and's thither gone
Where each sits by his own?
Or how can that Elysium be
Where I my mistress still must see
Circled in other's arms?
For there the judges all are just,
And Sophonisba must
Be his whom she held dear,
Not his who loved her here.
The sweet Philoclea, since she died,
Lies by her Pirocles his side,
Not by Amphialus.
Some bays, perchance, or myrtle bough
For difference crowns the brow
Of those kind souls that were
The noble martyrs here:
And if that be the only odds
(As who can tell?), ye kinder gods,
Give me the woman here!
John Suckling [1609-1642]
TO CHLOE
Who For His Sake Wished Herself Younger
Chloe, why wish you that your years
Would backwards run till they meet mine,
That perfect likeness, which endears
Things unto things, might us combine?
Our ages so in date agree,
That twins do differ more than we.
There are two births; the one when light
First strikes the new awakened sense;
The other when two souls unite,
And we must count our life from thence:
When you loved me and I loved you
Then both of us were born anew.
Love then to us new souls did give
And in those souls did plant new powers;
Since when another life we live,
The breath we breathe is his, not ours:
Love makes those young whom age doth chill,
And whom he finds young keeps young still.
Love, like that angel that shall call
Our bodies from the silent grave,
Unto one age doth raise us all;
None too much, none too little have;
Nay, that the difference may be none,
He makes two, not alike, but one.
And now since you and I are such,
Tell me what's yours, and what is mine?
Our eyes, our ears, our taste, smell, touch,
Do, like our souls, in one combine;
So, by this, I as well may be
Too old for you, as you for me.
William Cartwright [1611-1643]
"I'll NEVER LOVE THEE MORE"
My dear and only Love, I pray
This little world of thee
Be governed by no other sway
Than purest monarchy;
For if confusion have a part,
Which virtuous souls abhor,
And hold a synod in thy heart,
I'll never love thee more.
Like Alexander I will reign,
And I will reign alone;
My thoughts did evermore disdain
A rival on my throne.
He either fears his fate too much,
Or his deserts are small,
That dares not put it to the touch
To gain or lose it all.
But I must rule and govern still,
And always give the law,
And have each subject at my will
And all to stand in awe.
But 'gainst my batteries if I find
Thou kick, or vex me sore,
As that thou set me up a blind,
I'll never love thee more!
Or in the empire of thy heart,
Where I should solely be,
If others do pretend a part
And dare to vie with me,
Or if committees thou erect,
And go on such a score,
I'll laugh and sing at thy neglect,
And never love thee more.
But if thou wilt be faithful, then,
And constant of thy word,
I'll make thee glorious by my pen
And famous by my sword;
I'll serve thee in such noble ways
Were never heard before;
I'll crown and deck thee all with bays,
And love thee evermore.
James Graham [1612-1650]
TO ALTHEA, FROM PRISON
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fettered to her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free -
Fishes that tipple in the deep
Know no such liberty.
When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
Richard Lovelace [1618-1658]
WHY I LOVE HER
'Tis not her birth, her friends, nor yet her treasure,
Nor do I covet her for sensual pleasure,
Nor for that old morality
Do I love her, 'cause she loves me.
Sure he that loves his lady 'cause she's fair,
Delights his eye, so loves himself, not her.
Something there is moves me to love, and I
Do know I love, but know not how, nor why.
Alexander Brome [1620-1666]
TO HIS COY MISTRESS
Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honor turn to dust,
And into ashes all my lust:
The grave's a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
Andrew Marvell [1621-1678]
A DEPOSITION FROM BEAUTY
Though when I loved thee thou wert fair,
Thou art no longer so;
These glories all the pride they wear
Unto opinion owe.
Beauties, like stars, in borrowed luster shine;
And 'twas my love that gave thee thine.
The flames that dwelt within thine eye
Do now with mine expire;
Thy brightest graces fade and die
At once with my desire.
Love's fires thus mutual influence return;
Thine cease to shine, when mine to burn.
Then, proud Celinda, hope no more
To be implored or wooed,
Since by thy scorn thou dost restore
Thy wealth my love bestowed:
And thy despised disdain too late shall find
That none are fair but who are kind.
Thomas Stanley [1625-1678]
"LOVE IN THY YOUTH, FAIR MAID"
Love in thy youth, fair maid, be wise,
Old Time will make thee colder,
And though each morning new arise,
Yet we each day grow older.
Thou as heaven art fair and young,
Thine eyes like twin stars shining;
But ere another day be sprung,
All these will be declining;
Then winter comes with all his fears,
And all thy sweets shall borrow;
Too late then wilt thou shower thy tears,
And I, too late, shall sorrow.
Unknown
TO CELIA
When, Celia, must my old day set,
And my young morning rise
In beams of joy so bright as yet
Ne'er blessed a lover's eyes?
My state is more advanced than when
I first attempted thee:
I sued to be a servant then,
But now to be made free.
I've served my time faithful and true,
Expecting to be placed
In happy freedom, as my due,
To all the joys thou hast:
Ill husbandry in love is such
A scandal to love's power,
We ought not to misspend so much
As one poor short-lived hour.
Yet think not, sweet, I'm weary grown,
That I pretend such haste;
Since none to surfeit e'er was known
Before he had a taste:
My infant love could humbly wait
When, young, it scarce knew how
To plead; but grown to man's estate,
He is impatient now.
Charles Cotton [1630-1687]
TO CELIA
Not, Celia, that I juster am
Or better than the rest!
For I would change each hour, like them,
Were not my heart at rest.
But I am tied to very thee
By every thought I have;
Thy face I only care to see,
Thy heart I only crave.
All that in woman is adored
In thy dear self I find -
For the whole sex can but afford
The handsome and the kind.
Why then should I seek further store,
And still make love anew?
When change itself can give no more,
'Tis easy to be true!
Charles Sedley [1639-1701]
A SONG
My dear mistress has a heart
Soft as those kind looks she gave me;
When with love's restless art,
And her eyes, she did enslave me.
But her constancy's so weak,
She's so wild and apt to wander,
That my jealous heart would break
Should we live one day asunder.
Melting joys about her move,
Killing pleasures, wounding blisses;
She can dress her eyes in love,
And her lips can arm with kisses.
Angels listen when she speaks;
She's my delight, all mankind's wonder;
But my jealous heart would break
Should we live one day asunder.
John Wilmot [1647-1680]
LOVE AND LIFE
All my past life is mine no more;
The flying hours are gone,
Like transitory dreams given o'er,
Whose images are kept in store
By memory alone.
The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phillis, is only thine.
Then talk not of inconstancy,
False hearts, and broken vows;
If I by miracle can be
This live-long minute true to thee,
'Tis all that Heaven allows.
John Wilmot [1647-1680]
CONSTANCY
I cannot change as others do,
Though you unjustly scorn;
Since that poor swain that sighs for you
For you alone was born.
No, Phillis, no; your heart to move
A surer way I'll try;
And, to revenge my slighted love,
Will still live on, will still live on and die.
When, killed with grief, Amyntas lies,
And you to mind shall call
The sighs that now unpitied rise,
The tears that vainly fall -
That welcome hour that ends this smart,
Will then begin your pain;
For such a faithful tender heart
Can never break, can never break in vain.
John Wilmot [1647-1680]
SONG
Too late, alas! I must confess,
You need not arts to move me;
Such charms by nature you possess,
'Twere madness not to love ye.
Then spare a heart you may surprise,
And give my tongue the glory
To boast, though my unfaithful eyes
Betray a tender story.
John Wilmot [1647-1680]
SONG
Come, Celia, let's agree at last
To love and live in quiet;
Let's tie the knot so very fast
That time shall ne'er untie it.
Love's dearest joys they never prove,
Who free from quarrels live;
'Tis sure a god like part of love
Each other to forgive.
When least I seemed concerned I took
No pleasure, nor had rest;
And when I feigned an angry look,
Alas! I loved you best.
Say but the same to me, you'll find
How blest will be our fate;
Sure to be grateful, to be kind,
Can never be too late.
John Sheffield [1648-1721]
THE ENCHANTMENT
I did but look and love awhile,
'Twas but for one half-hour;
Then to resist I had no will,
And now I have no power.
To sigh and wish is all my ease;
Sighs which do heat impart
Enough to melt the coldest ice,
Yet cannot warm your heart.
O would your pity give my heart
One corner of your breast,
'Twould learn of yours the winning art,
And quickly steal the rest.
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