The Mysterious Affair at Styles
by
Agatha Christie
Part 5 out of 5
and whilst there I, apparently accidentally, knocked over the
table in question, but found that, as I had expected, Monsieur
Hastings had heard no sound at all. This confirmed my belief
that Mrs. Cavendish was not speaking the truth when she declared
that she had been dressing in her room at the time of the
tragedy. In fact, I was convinced that, far from having been in
her own room, Mrs. Cavendish was actually in the deceased's room
when the alarm was given."
I shot a quick glance at Mary. She was very pale, but smiling.
"I proceeded to reason on that assumption. Mrs. Cavendish is in
her mother-in-law's room. We will say that she is seeking for
something and has not yet found it. Suddenly Mrs. Inglethorp
awakens and is seized with an alarming paroxysm. She flings out
her arm, overturning the bed table, and then pulls desperately at
the bell. Mrs. Cavendish, startled, drops her candle, scattering
the grease on the carpet. She picks it up, and retreats quickly
to Mademoiselle Cynthia's room, closing the door behind her. She
hurries out into the passage, for the servants must not find her
where she is. But it is too late! Already footsteps are echoing
along the gallery which connects the two wings. What can she do?
Quick as thought, she hurries back to the young girl's room, and
starts shaking her awake. The hastily aroused household come
trooping down the passage. They are all busily battering at Mrs.
Inglethorp's door. It occurs to nobody that Mrs. Cavendish has
not arrived with the rest, but--and this is significant--I can
find no one who saw her come from the other wing." He looked at
Mary Cavendish. "Am I right, madame?"
She bowed her head.
"Quite right, monsieur. You understand that, if I had thought I
would do my husband any good by revealing these facts, I would
have done so. But it did not seem to me to bear upon the
question of his guilt or innocence."
"In a sense, that is correct, madame. But it cleared my mind of
many misconceptions, and left me free to see other facts in their
true significance."
"The will!" cried Lawrence. "Then it was you, Mary, who
destroyed the will?"
She shook her head, and Poirot shook his also.
"No," he said quietly. "There is only one person who could
possibly have destroyed that will--Mrs. Inglethorp herself!"
"Impossible!" I exclaimed. "She had only made it out that very
afternoon!"
"Nevertheless, mon ami, it was Mrs. Inglethorp. Because, in no
other way can you account for the fact that, on one of the
hottest days of the year, Mrs. Inglethorp ordered a fire to be
lighted in her room."
I gave a gasp. What idiots we had been never to think of that
fire as being incongruous! Poirot was continuing:
"The temperature on that day, messieurs, was 80 degrees in the
shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she
wished to destroy something, and could think of no other way.
You will remember that, in consequence of the War economics
practiced at Styles, no waste paper was thrown away. There was
therefore no means of destroying a thick document such as a will.
The moment I heard of a fire being lighted in Mrs. Inglethorp's
room, I leaped to the conclusion that it was to destroy some
important document--possibly a will. So the discovery of the
charred fragment in the grate was no surprise to me. I did not,
of course, know at the time that the will in question had only
been made this afternoon, and I will admit that, when I learnt
that fact, I fell into a grievous error. I came to the
conclusion that Mrs. Inglethorp's determination to destroy her
will arose as a direct consequence of the quarrel she had that
afternoon, and that therefore the quarrel took place after, and
not before the making of the will.
"Here, as we know, I was wrong, and I was forced to abandon that
idea. I faced the problem from a new standpoint. Now, at 4
o'clock, Dorcas overheard her mistress saying angrily: 'You need
not think that any fear of publicity, or scandal between husband
and wife will deter me." I conjectured, and conjectured rightly,
that these words were addressed, not to her husband, but to Mr.
John Cavendish. At 5 o'clock, an hour later, she uses almost the
same words, but the standpoint is different. She admits to
Dorcas, 'I don't know what to do; scandal between husband and
wife is a dreadful thing.' At 4 o'clock she has been angry, but
completely mistress of herself. At 5 o'clock she is in violent
distress, and speaks of having had a great shock.
"Looking at the matter psychologically, I drew one deduction
which I was convinced was correct. The second 'scandal' she
spoke of was not the same as the first--and it concerned herself!
"Let us reconstruct. At 4 o'clock, Mrs. Inglethorp quarrels with
her son, and threatens to denounce him to his wife--who, by the
way, overheard the greater part of the conversation. At 4.30,
Mrs. Inglethorp, in consequence of a conversation on the validity
of wills, makes a will in favour of her husband, which the two
gardeners witness. At 5 o'clock, Dorcas finds her mistress in a
state of considerable agitation, with a slip of paper--'a
letter,' Dorcas thinks--in her hand, and it is then that she
orders the fire in her room to be lighted. Presumably, then,
between 4.30 and 5 o'clock, something has occurred to occasion a
complete revolution of feeling, since she is now as anxious to
destroy the will, as she was before to make it. What was that
something?
"As far as we know, she was quite alone during that half-hour.
Nobody entered or left that boudoir. What then occasioned this
sudden change of sentiment?
"One can only guess, but I believe my guess to be correct. Mrs.
Inglethorp had no stamps in her desk. We know this, because
later she asked Dorcas to bring her some. Now in the opposite
corner of the room stood her husband's desk--locked. She was
anxious to find some stamps, and, according to my theory, she
tried her own keys in the desk. That one of them fitted I know.
She therefore opened the desk, and in searching for the stamps
she came across something else--that slip of paper which Dorcas
saw in her hand, and which assuredly was never meant for Mrs.
Inglethorp's eyes. On the other hand, Mrs. Cavendish believed
that the slip of paper to which her mother-in-law clung so
tenaciously was a written proof of her own husband's infidelity.
She demanded it from Mrs. Inglethorp who assured her, quite
truly, that it had nothing to do with that matter. Mrs.
Cavendish did not believe her. She thought that Mrs. Inglethorp
was shielding her stepson. Now Mrs. Cavendish is a very resolute
woman, and, behind her mask of reserve, she was madly jealous of
her husband. She determined to get hold of that paper at all
costs, and in this resolution chance came to her aid. She
happened to pick up the key of Mrs. Inglethorp's despatch-case,
which had been lost that morning. She knew that her
mother-in-law invariably kept all important papers in this
particular case.
"Mrs. Cavendish, therefore, made her plans as only a woman driven
desperate through jealousy could have done. Some time in the
evening she unbolted the door leading into Mademoiselle Cynthia's
room. Possibly she applied oil to the hinges, for I found that
it opened quite noiselessly when I tried it. She put off her
project until the early hours of the morning as being safer,
since the servants were accustomed to hearing her move about her
room at that time. She dressed completely in her land kit, and
made her way quietly through Mademoiselle Cynthia's room into
that of Mrs. Inglethorp."
He paused a moment, and Cynthia interrupted:
"But I should have woken up if anyone had come through my room?"
"Not if you were drugged, mademoiselle."
"Drugged?"
"Mais, oui!"
"You remember"--he addressed us collectively again--"that through
all the tumult and noise next door Mademoiselle Cynthia slept.
That admitted of two possibilities. Either her sleep was
feigned--which I did not believe--or her unconsciousness was
indeed by artificial means.
"With this latter idea in my mind, I examined all the coffee-cups
most carefully, remembering that it was Mrs. Cavendish who had
brought Mademoiselle Cynthia her coffee the night before. I took
a sample from each cup, and had them analysed--with no result. I
had counted the cups carefully, in the event of one having been
removed. Six persons had taken coffee, and six cups were duly
found. I had to confess myself mistaken.
"Then I discovered that I had been guilty of a very grave
oversight. Coffee had been brought in for seven persons, not
six, for Dr. Bauerstein had been there that evening. This
changed the face of the whole affair, for there was now one cup
missing. The servants noticed nothing, since Annie, the
housemaid, who took in the coffee, brought in seven cups, not
knowing that Mr. Inglethorp never drank it, whereas Dorcas, who
cleared them away the following morning, found six as usual--or
strictly speaking she found five, the sixth being the one found
broken in Mrs. Inglethorp's room.
"I was confident that the missing cup was that of Mademoiselle
Cynthia. I had an additional reason for that belief in the fact
that all the cups found contained sugar, which Mademoiselle
Cynthia never took in her coffee. My attention was attracted by
the story of Annie about some 'salt' on the tray of coco which
she took every night to Mrs. Inglethorp's room. I accordingly
secured a sample of that coco, and sent it to be analysed."
"But that had already been done by Dr. Bauerstein," said Lawrence
quickly.
"Not exactly. The analyst was asked by him to report whether
strychnine was, or was not, present. He did not have it tested,
as I did, for a narcotic."
"For a narcotic?"
"Yes. Here is the analyst's report. Mrs. Cavendish administered
a safe, but effectual, narcotic to both Mrs. Inglethorp and
Mademoiselle Cynthia. And it is possible that she had a mauvais
quart d'heure in consequence! Imagine her feelings when her
mother-in-law is suddenly taken ill and dies, and immediately
after she hears the word 'Poison'! She has believed that the
sleeping draught she administered was perfectly harmless, but
there is no doubt that for one terrible moment she must have
feared that Mrs. Inglethorp's death lay at her door. She is
seized with panic, and under its influence she hurries
downstairs, and quickly drops the coffee-cup and saucer used by
Mademoiselle Cynthia into a large brass vase, where it is
discovered later by Monsieur Lawrence. The remains of the coco
she dare not touch. Too many eyes are upon her. Guess at her
relief when strychnine is mentioned, and she discovers that after
all the tragedy is not her doing.
"We are now able to account for the symptoms of strychnine
poisoning being so long in making their appearance. A narcotic
taken with strychnine will delay the action of the poison for
some hours."
Poirot paused. Mary looked up at him, the colour slowly rising
in her face.
"All you have said is quite true, Monsieur Poirot. It was the
most awful hour of my life. I shall never forget it. But you
are wonderful. I understand now----"
"What I meant when I told you that you could safely confess to
Papa Poirot, eh? But you would not trust me."
"I see everything now," said Lawrence. "The drugged coco, taken
on top of the poisoned coffee, amply accounts for the delay."
"Exactly. But was the coffee poisoned, or was it not? We come to
a little difficulty here, since Mrs. Inglethorp never drank it."
"What?" The cry of surprise was universal.
"No. You will remember my speaking of a stain on the carpet in
Mrs. Inglethorp's room? There were some peculiar points about
that stain. It was still damp, it exhaled a strong odour of
coffee, and imbedded in the nap of the carpet I found some little
splinters of china. What had happened was plain to me, for not
two minutes before I had placed my little case on the table near
the window, and the table, tilting up, had deposited it upon the
floor on precisely the identical spot. In exactly the same way,
Mrs. Inglethorp had laid down her cup of coffee on reaching her
room the night before, and the treacherous table had played her
the same trick.
"What happened next is mere guess work on my part, but I should
say that Mrs. Inglethorp picked up the broken cup and placed it
on the table by the bed. Feeling in need of a stimulant of some
kind, she heated up her coco, and drank it off then and there.
Now we are faced with a new problem. We know the coco contained
no strychnine. The coffee was never drunk. Yet the strychnine
must have been administered between seven and nine o'clock that
evening. What third medium was there--a medium so suitable for
disguising the taste of strychnine that it is extraordinary no
one has thought of it?" Poirot looked round the room, and then
answered himself impressively. "Her medicine!"
"Do you mean that the murderer introduced the strychnine into her
tonic?" I cried.
"There was no need to introduce it. It was already there--in
the mixture. The strychnine that killed Mrs. Inglethorp was the
identical strychnine prescribed by Dr. Wilkins. To make that
clear to you, I will read you an extract from a book on
dispensing which I found in the Dispensary of the Red Cross
Hospital at Tadminster:
"'The following prescription has become famous in text books:
Strychninae Sulph . . . . . . gr.I
Potass Bromide . . . . . . . 3vi Aqua
ad . . . . . . . . . . . 3viii Fiat
Mistura
This solution deposits in a few hours the greater part of the
strychnine salt as an insoluble bromide in transparent crystals.
A lady in England lost her life by taking a similar mixture: the
precipitated strychnine collected at the bottom, and in taking
the last dose she swallowed nearly all of it!"
"Now there was, of course, no bromide in Dr. Wilkins'
prescription, but you will remember that I mentioned an empty box
of bromide powders. One or two of those powders introduced into
the full bottle of medicine would effectually precipitate the
strychnine, as the book describes, and cause it to be taken in
the last dose. You will learn later that the person who usually
poured out Mrs. Inglethorp's medicine was always extremely
careful not to shake the bottle, but to leave the sediment at the
bottom of it undisturbed.
"Throughout the case, there have been evidences that the tragedy
was intended to take place on Monday evening. On that day, Mrs.
Inglethorp's bell wire was neatly cut, and on Monday evening
Mademoiselle Cynthia was spending the night with friends, so that
Mrs. Inglethorp would have been quite alone in the right wing,
completely shut off from help of any kind, and would have died,
in all probability, before medical aid could have been summoned.
But in her hurry to be in time for the village entertainment Mrs.
Inglethorp forgot to take her medicine, and the next day she
lunched away from home, so that the last--and fatal--dose was
actually taken twenty-four hours later than had been anticipated
by the murderer; and it is owing to that delay that the final
proof--the last link of the chain--is now in my hands."
Amid breathless excitement, he held out three thin strips of
paper.
"A letter in the murderer's own hand-writing, mes amis! Had it
been a little clearer in its terms, it is possible that Mrs.
Inglethorp, warned in time, would have escaped. As it was, she
realized her danger, but not the manner of it."
In the deathly silence, Poirot pieced together the slips of paper
and, clearing his throat, read:
"'Dearest Evelyn:
'You will be anxious at hearing nothing. It is all right--only
it will be to-night instead of last night. You understand.
There's a good time coming once the old woman is dead and out of
the way. No one can possibly bring home the crime to me. That
idea of yours about the bromides was a stroke of genius! But we
must be very circumspect. A false step----'
"Here, my friends, the letter breaks off. Doubtless the writer
was interrupted; but there can be no question as to his identity.
We all know this hand-writing and----"
A howl that was almost a scream broke the silence.
"You devil! How did you get it?"
A chair was overturned. Poirot skipped nimbly aside. A quick
movement on his part, and his assailant fell with a crash.
"Messieurs, mesdames," said Poirot, with a flourish, "let me
introduce you to the murderer, Mr. Alfred Inglethorp!"
CHAPTER XIII.
POIROT EXPLAINS
"Poirot, you old villain," I said, "I've half a mind to strangle
you! What do you mean by deceiving me as you have done?"
We were sitting in the library. Several hectic days lay behind
us. In the room below, John and Mary were together once more,
while Alfred Inglethorp and Miss Howard were in custody. Now at
last, I had Poirot to myself, and could relieve my still burning
curiosity.
Poirot did not answer me for a moment, but at last he said:
"I did not deceive you, mon ami. At most, I permitted you to
deceive yourself."
"Yes, but why?"
"Well, it is difficult to explain. You see, my friend, you have
a nature so honest, and a countenance so transparent,
that--enfin, to conceal your feelings is impossible! If I had
told you my ideas, the very first time you saw Mr. Alfred
Inglethorp that astute gentleman would have--in your so
expressive idiom--'smelt a rat'! And then, bon jour to our
chances of catching him!"
"I think that I have more diplomacy than you give me credit for."
"My friend," besought Poirot, "I implore you, do not enrage
yourself! Your help has been of the most invaluable. It is but
the extremely beautiful nature that you have, which made me
pause."
"Well," I grumbled, a little mollified. "I still think you might
have given me a hint."
"But I did, my friend. Several hints. You would not take them.
Think now, did I ever say to you that I believed John Cavendish
guilty? Did I not, on the contrary, tell you that he would almost
certainly be acquitted?"
"Yes, but----"
"And did I not immediately afterwards speak of the difficulty of
bringing the murderer to justice? Was it not plain to you that I
was speaking of two entirely different persons?"
"No," I said, "it was not plain to me!"
"Then again," continued Poirot, "at the beginning, did I not
repeat to you several times that I didn't want Mr. Inglethorp
arrested _now_? That should have conveyed something to you."
"Do you mean to say you suspected him as long ago as that?"
"Yes. To begin with, whoever else might benefit by Mrs.
Inglethorp's death, her husband would benefit the most. There
was no getting away from that. When I went up to Styles with you
that first day, I had no idea as to how the crime had been
committed, but from what I knew of Mr. Inglethorp I fancied that
it would be very hard to find anything to connect him with it.
When I arrived at the chateau, I realized at once that it was
Mrs. Inglethorp who had burnt the will; and there, by the way,
you cannot complain, my friend, for I tried my best to force on
you the significance of that bedroom fire in midsummer."
"Yes, yes," I said impatiently. "Go on."
"Well, my friend, as I say, my views as to Mr. Inglethorp's guilt
were very much shaken. There was, in fact, so much evidence
against him that I was inclined to believe that he had not done
it."
"When did you change your mind?"
"When I found that the more efforts I made to clear him, the more
efforts he made to get himself arrested. Then, when I discovered
that Inglethorp had nothing to do with Mrs. Raikes and that in
fact it was John Cavendish who was interested in that quarter, I
was quite sure."
"But why?"
"Simply this. If it had been Inglethorp who was carrying on an
intrigue with Mrs. Raikes, his silence was perfectly
comprehensible. But, when I discovered that it was known all
over the village that it was John who was attracted by the
farmer's pretty wife, his silence bore quite a different
interpretation. It was nonsense to pretend that he was afraid of
the scandal, as no possible scandal could attach to him. This
attitude of his gave me furiously to think, and I was slowly
forced to the conclusion that Alfred Inglethorp wanted to be
arrested. Eh bien! from that moment, I was equally determined
that he should not be arrested."
"Wait a minute. I don't see why he wished to be arrested?"
"Because, mon ami, it is the law of your country that a man once
acquitted can never be tried again for the same offence. Aha!
but it was clever--his idea! Assuredly, he is a man of method.
See here, he knew that in his position he was bound to be
suspected, so he conceived the exceedingly clever idea of
preparing a lot of manufactured evidence against himself. He
wished to be arrested. He would then produce his irreproachable
alibi--and, hey presto, he was safe for life!"
"But I still don't see how he managed to prove his alibi, and yet
go to the chemist's shop?"
Poirot stared at me in surprise.
"Is it possible? My poor friend! You have not yet realized that
it was Miss Howard who went to the chemist's shop?"
"Miss Howard?"
"But, certainly. Who else? It was most easy for her. She is of
a good height, her voice is deep and manly; moreover, remember,
she and Inglethorp are cousins, and there is a distinct
resemblance between them, especially in their gait and bearing.
It was simplicity itself. They are a clever pair!"
"I am still a little fogged as to how exactly the bromide
business was done," I remarked.
"Bon! I will reconstruct for you as far as possible. I am
inclined to think that Miss Howard was the master mind in that
affair. You remember her once mentioning that her father was a
doctor? Possibly she dispensed his medicines for him, or she may
have taken the idea from one of the many books lying about when
Mademoiselle Cynthia was studying for her exam. Anyway, she was
familiar with the fact that the addition of a bromide to a
mixture containing strychnine would cause the precipitation of
the latter. Probably the idea came to her quite suddenly. Mrs.
Inglethorp had a box of bromide powders, which she occasionally
took at night. What could be easier than quietly to dissolve one
or more of those powders in Mrs. Inglethorp's large sized bottle
of medicine when it came from Coot's? The risk is practically
nil. The tragedy will not take place until nearly a fortnight
later. If anyone has seen either of them touching the medicine,
they will have forgotten it by that time. Miss Howard will have
engineered her quarrel, and departed from the house. The lapse
of time, and her absence, will defeat all suspicion. Yes, it was
a clever idea! If they had left it alone, it is possible the
crime might never have been brought home to them. But they were
not satisfied. They tried to be too clever--and that was their
undoing."
Poirot puffed at his tiny cigarette, his eyes fixed on the
ceiling.
"They arranged a plan to throw suspicion on John Cavendish, by
buying strychnine at the village chemist's, and signing the
register in his hand-writing.
"On Monday Mrs. Inglethorp will take the last dose of her
medicine. On Monday, therefore, at six o'clock, Alfred
Inglethorp arranges to be seen by a number of people at a spot
far removed from the village. Miss Howard has previously made up
a cock and bull story about him and Mrs. Raikes to account for
his holding his tongue afterwards. At six o'clock, Miss Howard,
disguised as Alfred Inglethorp, enters the chemist's shop, with
her story about a dog, obtains the strychnine, and writes the
name of Alfred Inglethorp in John's handwriting, which she had
previously studied carefully.
"But, as it will never do if John, too, can prove an alibi, she
writes him an anonymous note--still copying his hand-writing
--which takes him to a remote spot where it is exceedingly
unlikely that anyone will see him.
"So far, all goes well. Miss Howard goes back to Middlingham.
Alfred Inglethorp returns to Styles. There is nothing that can
compromise him in any way, since it is Miss Howard who has the
strychnine, which, after all, is only wanted as a blind to throw
suspicion on John Cavendish.
"But now a hitch occurs. Mrs. Inglethorp does not take her
medicine that night. The broken bell, Cynthia's absence--
arranged by Inglethorp through his wife--all these are wasted.
And then--he makes his slip.
"Mrs. Inglethorp is out, and he sits down to write to his
accomplice, who, he fears, may be in a panic at the nonsuccess of
their plan. It is probable that Mrs. Inglethorp returned earlier
than he expected. Caught in the act, and somewhat flurried he
hastily shuts and locks his desk. He fears that if he remains in
the room he may have to open it again, and that Mrs. Inglethorp
might catch sight of the letter before he could snatch it up. So
he goes out and walks in the woods, little dreaming that Mrs.
Inglethorp will open his desk, and discover the incriminating
document.
"But this, as we know, is what happened. Mrs. Inglethorp reads
it, and becomes aware of the perfidy of her husband and Evelyn
Howard, though, unfortunately, the sentence about the bromides
conveys no warning to her mind. She knows that she is in
danger--but is ignorant of where the danger lies. She decides to
say nothing to her husband, but sits down and writes to her
solicitor, asking him to come on the morrow, and she also
determines to destroy immediately the will which she has just
made. She keeps the fatal letter."
"It was to discover that letter, then, that her husband forced
the lock of the despatch-case?"
"Yes, and from the enormous risk he ran we can see how fully he
realized its importance. That letter excepted, there was
absolutely nothing to connect him with the crime."
"There's only one thing I can't make out, why didn't he destroy
it at once when he got hold of it?"
"Because he did not dare take the biggest risk of all--that of
keeping it on his own person."
"I don't understand."
"Look at it from his point of view. I have discovered that there
were only five short minutes in which he could have taken it--the
five minutes immediately before our own arrival on the scene, for
before that time Annie was brushing the stairs, and would have
seen anyone who passed going to the right wing. Figure to
yourself the scene! He enters the room, unlocking the door by
means of one of the other doorkeys--they were all much alike. He
hurries to the despatch-case--it is locked, and the keys are
nowhere to be seen. That is a terrible blow to him, for it means
that his presence in the room cannot be concealed as he had
hoped. But he sees clearly that everything must be risked for
the sake of that damning piece of evidence. Quickly, he forces
the lock with a penknife, and turns over the papers until he
finds what he is looking for.
"But now a fresh dilemma arises: he dare not keep that piece of
paper on him. He may be seen leaving the room--he may be
searched. If the paper is found on him, it is certain doom.
Probably, at this minute, too, he hears the sounds below of Mr.
Wells and John leaving the boudoir. He must act quickly. Where
can he hide this terrible slip of paper? The contents of the
waste-paper-basket are kept and in any case, are sure to be
examined. There are no means of destroying it; and he dare not
keep it. He looks round, and he sees--what do you think, mon
ami?"
I shook my head.
"In a moment, he has torn the letter into long thin strips, and
rolling them up into spills he thrusts them hurriedly in amongst
the other spills in the vase on the mantle-piece."
I uttered an exclamation.
"No one would think of looking there," Poirot continued. "And he
will be able, at his leisure, to come back and destroy this
solitary piece of evidence against him."
"Then, all the time, it was in the spill vase in Mrs.
Inglethorp's bedroom, under our very noses?" I cried.
Poirot nodded.
"Yes, my friend. That is where I discovered my 'last link,' and
I owe that very fortunate discovery to you."
"To me?"
"Yes. Do you remember telling me that my hand shook as I was
straightening the ornaments on the mantel-piece?"
"Yes, but I don't see----"
"No, but I saw. Do you know, my friend, I remembered that
earlier in the morning, when we had been there together, I had
straightened all the objects on the mantel-piece. And, if they
were already straightened, there would be no need to straighten
them again, unless, in the meantime, some one else had touched
them."
"Dear me," I murmured, "so that is the explanation of your
extraordinary behaviour. You rushed down to Styles, and found it
still there?"
"Yes, and it was a race for time."
"But I still can't understand why Inglethorp was such a fool as
to leave it there when he had plenty of opportunity to destroy
it."
"Ah, but he had no opportunity. I saw to that."
"You?"
"Yes. Do you remember reproving me for taking the household into
my confidence on the subject?"
"Yes."
"Well, my friend, I saw there was just one chance. I was not
sure then if Inglethorp was the criminal or not, but if he was I
reasoned that he would not have the paper on him, but would have
hidden it somewhere, and by enlisting the sympathy of the
household I could effectually prevent his destroying it. He was
already under suspicion, and by making the matter public I
secured the services of about ten amateur detectives, who would
be watching him unceasingly, and being himself aware of their
watchfulness he would not dare seek further to destroy the
document. He was therefore forced to depart from the house,
leaving it in the spill vase."
"But surely Miss Howard had ample opportunities of aiding him."
"Yes, but Miss Howard did not know of the paper's existence. In
accordance with their prearranged plan, she never spoke to Alfred
Inglethorp. They were supposed to be deadly enemies, and until
John Cavendish was safely convicted they neither of them dared
risk a meeting. Of course I had a watch kept on Mr. Inglethorp,
hoping that sooner or later he would lead me to the hiding-place.
But he was too clever to take any chances. The paper was safe
where it was; since no one had thought of looking there in the
first week, it was not likely they would do so afterwards. But
for your lucky remark, we might never have been able to bring him
to justice."
"I understand that now; but when did you first begin to suspect
Miss Howard?"
"When I discovered that she had told a lie at the inquest about
the letter she had received from Mrs. Inglethorp."
"Why, what was there to lie about?"
"You saw that letter? Do you recall its general appearance?"
"Yes--more or less."
"You will recollect, then, that Mrs. Inglethorp wrote a very
distinctive hand, and left large clear spaces between her words.
But if you look at the date at the top of the letter you will
notice that 'July 17th' is quite different in this respect. Do
you see what I mean?"
"No," I confessed, "I don't."
"You do not see that that letter was not written on the 17th, but
on the 7th--the day after Miss Howard's departure? The '1' was
written in before the '7' to turn it into the '17th'."
"But why?"
"That is exactly what I asked myself. Why does Miss Howard
suppress the letter written on the 17th, and produce this faked
one instead? Because she did not wish to show the letter of the
17th. Why, again? And at once a suspicion dawned in my mind.
You will remember my saying that it was wise to beware of people
who were not telling you the truth."
"And yet," I cried indignantly, "after that, you gave me two
reasons why Miss Howard could not have committed the crime!"
"And very good reasons too," replied Poirot. "For a long time
they were a stumbling-block to me until I remembered a very
significant fact: that she and Alfred Inglethorp were cousins.
She could not have committed the crime single-handed, but the
reasons against that did not debar her from being an accomplice.
And, then, there was that rather over-vehement hatred of hers! It
concealed a very opposite emotion. There was, undoubtedly, a tie
of passion between them long before he came to Styles. They had
already arranged their infamous plot--that he should marry this
rich, but rather foolish old lady, induce her to make a will
leaving her money to him, and then gain their ends by a very
cleverly conceived crime. If all had gone as they planned, they
would probably have left England, and lived together on their
poor victim's money.
"They are a very astute and unscrupulous pair. While suspicion
was to be directed against him, she would be making quiet
preparations for a very different denouement. She arrives from
Middlingham with all the compromising items in her possession.
No suspicion attaches to her. No notice is paid to her coming
and going in the house. She hides the strychnine and glasses in
John's room. She puts the beard in the attic. She will see to
it that sooner or later they are duly discovered."
"I don't quite see why they tried to fix the blame on John," I
remarked. "It would have been much easier for them to bring the
crime home to Lawrence."
"Yes, but that was mere chance. All the evidence against him
arose out of pure accident. It must, in fact, have been
distinctly annoying to the pair of schemers."
"His manner was unfortunate," I observed thoughtfully.
"Yes. You realize, of course, what was at the back of that?"
"No."
"You did not understand that he believed Mademoiselle Cynthia
guilty of the crime?"
"No," I exclaimed, astonished. "Impossible!"
"Not at all. I myself nearly had the same idea. It was in my
mind when I asked Mr. Wells that first question about the will.
Then there were the bromide powders which she had made up, and
her clever male impersonations, as Dorcas recounted them to us.
There was really more evidence against her than anyone else."
"You are joking, Poirot!"
"No. Shall I tell you what made Monsieur Lawrence turn so pale
when he first entered his mother's room on the fatal night? It
was because, whilst his mother lay there, obviously poisoned, he
saw, over your shoulder, that the door into Mademoiselle
Cynthia's room was unbolted."
"But he declared that he saw it bolted!" I cried.
"Exactly," said Poirot dryly. "And that was just what confirmed
my suspicion that it was not. He was shielding Mademoiselle
Cynthia."
"But why should he shield her?"
"Because he is in love with her."
I laughed.
"There, Poirot, you are quite wrong! I happen to know for a fact
that, far from being in love with her, he positively dislikes
her."
"Who told you that, mon ami?"
"Cynthia herself."
"La pauvre petite! And she was concerned?"
"She said that she did not mind at all."
"Then she certainly did mind very much," remarked Poirot. "They
are like that--les femmes!"
"What you say about Lawrence is a great surprise to me," I said.
"But why? It was most obvious. Did not Monsieur Lawrence make
the sour face every time Mademoiselle Cynthia spoke and laughed
with his brother? He had taken it into his long head that
Mademoiselle Cynthia was in love with Monsieur John. When he
entered his mother's room, and saw her obviously poisoned, he
jumped to the conclusion that Mademoiselle Cynthia knew something
about the matter. He was nearly driven desperate. First he
crushed the coffee-cup to powder under his feet, remembering that
_she_ had gone up with his mother the night before, and he
determined that there should be no chance of testing its
contents. Thenceforward, he strenuously, and quite uselessly,
upheld the theory of 'Death from natural causes'."
"And what about the 'extra coffee-cup'?"
"I was fairly certain that it was Mrs. Cavendish who had hidden
it, but I had to make sure. Monsieur Lawrence did not know at
all what I meant; but, on reflection, he came to the conclusion
that if he could find an extra coffee-cup anywhere his lady love
would be cleared of suspicion. And he was perfectly right."
"One thing more. What did Mrs. Inglethorp mean by her dying
words?"
"They were, of course, an accusation against her husband."
"Dear me, Poirot," I said with a sigh, "I think you have
explained everything. I am glad it has all ended so happily.
Even John and his wife are reconciled."
"Thanks to me."
"How do you mean--thanks to you?"
"My dear friend, do you not realize that it was simply and solely
the trial which has brought them together again? That John
Cavendish still loved his wife, I was convinced. Also, that she
was equally in love with him. But they had drifted very far
apart. It all arose from a misunderstanding. She married him
without love. He knew it. He is a sensitive man in his way, he
would not force himself upon her if she did not want him. And,
as he withdrew, her love awoke. But they are both unusually
proud, and their pride held them inexorably apart. He drifted
into an entanglement with Mrs. Raikes, and she deliberately
cultivated the friendship of Dr. Bauerstein. Do you remember the
day of John Cavendish's arrest, when you found me deliberating
over a big decision?"
"Yes, I quite understood your distress."
"Pardon me, mon ami, but you did not understand it in the least.
I was trying to decide whether or not I would clear John
Cavendish at once. I could have cleared him--though it might
have meant a failure to convict the real criminals. They were
entirely in the dark as to my real attitude up to the very last
moment--which partly accounts for my success."
"Do you mean that you could have saved John Cavendish from being
brought to trial?"
"Yes, my friend. But I eventually decided in favour of 'a
woman's happiness'. Nothing but the great danger through which
they have passed could have brought these two proud souls
together again."
I looked at Poirot in silent amazement. The colossal cheek of
the little man! Who on earth but Poirot would have thought of a
trial for murder as a restorer of conjugal happiness!
"I perceive your thoughts, mon ami," said Poirot, smiling at me.
"No one but Hercule Poirot would have attempted such a thing! And
you are wrong in condemning it. The happiness of one man and one
woman is the greatest thing in all the world."
His words took me back to earlier events. I remembered Mary as
she lay white and exhausted on the sofa, listening, listening.
There had come the sound of the bell below. She had started up.
Poirot had opened the door, and meeting her agonized eyes had
nodded gently. "Yes, madame," he said. "I have brought him back
to you." He had stood aside, and as I went out I had seen the
look in Mary's eyes, as John Cavendish had caught his wife in his
arms.
"Perhaps you are right, Poirot," I said gently. "Yes, it is the
greatest thing in the world."
Suddenly, there was a tap at the door, and Cynthia peeped in.
"I--I only----"
"Come in," I said, springing up.
She came in, but did not sit down.
"I--only wanted to tell you something----"
"Yes?"
Cynthia fidgeted with a little tassel for some moments, then,
suddenly exclaiming: "You dears!" kissed first me and then
Poirot, and rushed out of the room again.
"What on earth does this mean?" I asked, surprised.
It was very nice to be kissed by Cynthia, but the publicity of
the salute rather impaired the pleasure.
"It means that she has discovered Monsieur Lawrence does not
dislike her as much as she thought," replied Poirot
philosophically.
"But----"
"Here he is."
Lawrence at that moment passed the door.
"Eh! Monsieur Lawrence," called Poirot. "We must congratulate
you, is it not so?"
Lawrence blushed, and then smiled awkwardly. A man in love is a
sorry spectacle. Now Cynthia had looked charming.
I sighed.
"What is it, mon ami?"
"Nothing," I said sadly. "They are two delightful women!"
"And neither of them is for you?" finished Poirot. "Never mind.
Console yourself, my friend. We may hunt together again, who
knows? And then----"
THE END
Back to Full Books
|