Volume 1 of The Marble Faun Or The Romance of Monte Beni
Part 4 out of 4
Miriam's hand was within his, he lifted that along with it. "I have a
great weight here!" said he. The fancy struck Miriam (but she drove it
resolutely down) that Donatello almost imperceptibly shuddered, while, in
pressing his own hand against his heart, he pressed hers there too.
"Rest your heart on me, dearest one!" she resumed. "Let me bear all its
weight; I am well able to bear it; for I am a woman, and I love you! I
love you, Donatello! Is there no comfort for you in this avowal? Look at
me! Heretofore you have found me pleasant to your sight. Gaze into my
eyes! Gaze into my soul! Search as deeply as you may, you can never see
half the tenderness and devotion that I henceforth cherish for you. All
that I ask is your acceptance of the utter self-sacrifice (but it shall be
no sacrifice, to my great love) with which I seek to remedy the evil you
have incurred for my sake!"
All this fervor on Miriam's part; on Donatello's, a heavy silence.
"O, speak to me!" she exclaimed. "Only promise me to be, by and by, a
"Happy?" murmured Donatello. "Ah, never again! never again!"
"Never? Ah, that is a terrible word to say to me!" answered Miriam. "A
terrible word to let fall upon a woman's heart, when she loves you, and is
conscious of having caused your misery! If you love me, Donatello, speak
it not again. And surely you did love me?"
"I did," replied Donatello gloomily and absently.
Miriam released the young man's hand, but suffered one of her own to lie
close to his, and waited a moment to see whether he would make any effort
to retain it. There was much depending upon that simple experiment.
With a deep sigh--as when, sometimes, a slumberer turns over in a troubled
dream Donatello changed his position, and clasped both his hands over his
forehead. The genial warmth of a Roman April kindling into May was in the
atmosphere around them; but when Miriam saw that involuntary movement and
heard that sigh of relief (for so she interpreted it), a shiver ran
through her frame, as if the iciest wind of the Apennines were blowing
"He has done himself a greater wrong than I dreamed of," thought she, with
unutterable compassion. "Alas! it was a sad mistake! He might have had
a kind of bliss in the consequences of this deed, had he been impelled to
it by a love vital enough to survive the frenzy of that terrible moment,
mighty enough to make its own law, and justify itself against the natural
remorse. But to have perpetrated a dreadful murder (and such was his
crime, unless love, annihilating moral distinctions, made it otherwise) on
no better warrant than a boy's idle fantasy! I pity him from the very
depths of my soul! As for myself, I am past my own or other's pity."
She arose from the young man's side, and stood before him with a sad,
commiserating aspect; it was the look of a ruined soul, bewailing, in him,
a grief less than what her profounder sympathies imposed upon herself.
"Donatello, we must part," she said, with melancholy firmness. "Yes;
leave me! Go back to your old tower, which overlooks the green valley you
have told me of among the Apennines. Then, all that has passed will be
recognized as but an ugly dream. For in dreams the conscience sleeps, and
we often stain ourselves with guilt of which we should be incapable in our
waking moments. The deed you seemed to do, last night, was no more than
such a dream; there was as little substance in what you fancied yourself
doing. Go; and forget it all!"
"Ah, that terrible face!" said Donatello, pressing his hands over his
eyes. "Do you call that unreal?"
"Yes; for you beheld it with dreaming eyes," replied Miriam. "It was
unreal; and, that you may feel it so, it is requisite that you see this
face of mine no more. Once, you may have thought it beautiful; now, it
has lost its charm. Yet it would still retain a miserable potency' to
bring back the past illusion, and, in its train, the remorse and anguish
that would darken all your life. Leave me, therefore, and forget me."
"Forget you, Miriam!" said Donatello, roused somewhat from his apathy of
"If I could remember you, and behold you, apart from that frightful visage
which stares at me over your shoulder, that were a consolation, at least,
if not a joy."
"But since that visage haunts you along with mine," rejoined Miriam,
glancing behind her, "we needs must part. Farewell, then! But if
ever--in distress, peril, shame, poverty, or whatever anguish is most
poignant, whatever burden heaviest--you should require a life to be given
wholly, only to make your own a little easier, then summon me! As the
case now stands between us, you have bought me dear, and find me of little
worth. Fling me away, therefore! May you never need me more! But, if
otherwise, a wish--almost an unuttered wish will bring me to you!"
She stood a moment, expecting a reply. But Donatello's eyes had again
fallen on the ground, and he had not, in his bewildered mind and
overburdened heart, a word to respond.
"That hour I speak of may never come," said Miriam. "So
"Farewell," said Donatello.
His voice hardly made its way through the environment of unaccustomed
thoughts and emotions which had settled over him like a dense and dark
cloud. Not improbably, he beheld Miriam through so dim a medium that she
looked visionary; heard her speak only in a thin, faint echo.
She turned from the young man, and, much as her heart yearned towards him,
she would not profane that heavy parting by an embrace, or even a pressure
of the hand. So soon after the semblance of such mighty love, and after
it had been the impulse to so terrible a deed, they parted, in all outward
show, as coldly as people part whose whole mutual intercourse has been
encircled within a single hour.
And Donatello, when Miriam had departed, stretched himself at full length
on the stone bench, and drew his hat over his eyes, as the idle and
light-hearted youths of dreamy Italy are accustomed to do, when they lie
down in the first convenient shade, and snatch a noonday slumber. A
stupor was upon him, which he mistook for such drowsiness as he had known
in his innocent past life. But, by and by, he raised himself slowly and
left the garden. Sometimes poor Donatello started, as if he heard a
shriek; sometimes he shrank back, as if a face, fearful to behold, were
thrust close to his own. In this dismal mood, bewildered with the
novelty of sin and grief, he had little left of that singular resemblance,
on account of which, and for their sport, his three friends had
fantastically recognized him as the veritable Faun of Praxiteles.
MIRIAM AND HILDA
On leaving the Medici Gardens Miriam felt herself astray in the world; and
having no special reason to seek one place more than another, she suffered
chance to direct her steps as it would. Thus it happened, that, involving
herself in the crookedness of Rome, she saw Hilda's tower rising before
her, and was put in mind to climb to the young girl's eyry, and ask why
she had broken her engagement at the church of the Capuchins. People
often do the idlest acts of their lifetime in their heaviest and most
anxious moments; so that it would have been no wonder had Miriam been
impelled only by so slight a motive of curiosity as we have indicated.
But she remembered, too, and with a quaking heart, what the sculptor had
mentioned of Hilda's retracing her steps towards the courtyard of the
Palazzo Caffarelli in quest of Miriam herself. Had she been compelled to
choose between infamy in the eyes of the whole world, or in Hilda's eyes
alone, she would unhesitatingly have accepted the former, on condition of
remaining spotless in the estimation of her white-souled friend. This
possibility, therefore, that Hilda had witnessed the scene of the past
night, was unquestionably the cause that drew Miriam to the tower, and
made her linger and falter as she approached it.
As she drew near, there were tokens to which her disturbed mind gave a
sinister interpretation. Some of her friend's airy family, the doves,
with their heads imbedded disconsolately in their bosoms, were huddled in
a corner of the piazza; others had alighted on the heads, wings, shoulders,
and trumpets of the marble angels which adorned the facade of the
neighboring church; two or three had betaken themselves to the Virgin's
shrine; and as many as could find room were sitting on Hilda's window-sill.
But all of them, so Miriam fancied, had a look of weary expectation and
disappointment, no flights, no flutterings, no cooing murmur; something
that ought to have made their day glad and bright was evidently left out
of this day's history. And, furthermore, Hilda's white windowcurtain was
closely drawn, with only that one little aperture at the side, which
Miriam remembered noticing the night before.
"Be quiet," said Miriam to her own heart, pressing her hand hard upon it.
"Why shouldst thou throb now? Hast thou not endured more terrible things
Whatever were her apprehensions, she would not turn back. It might
be--and the solace would be worth a world--that Hilda, knowing nothing of
the past night's calamity, would greet her friend with a sunny smile, and
so restore a portion of the vital warmth, for lack of which her soul was
frozen. But could Miriam, guilty as she was, permit Hilda to kiss her
cheek, to clasp her hand, and thus be no longer so unspotted from the
world as heretofore
"I will never permit her sweet touch again," said Miriam, toiling up the
staircase, "if I can find strength of heart to forbid it. But, O! it
would be so soothing in this wintry fever-fit of my heart. There can be
no harm to my white Hilda in one parting kiss. That shall be all!"
But, on reaching the upper landing-place, Miriam paused, and stirred not
again till she had brought herself to an immovable resolve.
"My lips, my hand, shall never meet Hilda's more," said she.
Meanwhile, Hilda sat listlessly in her painting-room. Had you looked into
the little adjoining chamber, you might have seen the slight imprint of
her figure on the bed, but would also have detected at once that the white
counterpane had not been turned down. The pillow was more disturbed; she
had turned her face upon it, the poor child, and bedewed it with some of
those tears (among the most chill and forlorn that gush from human sorrow)
which the innocent heart pours forth at its first actual discovery that
sin is in the world. The young and pure are not apt to find out that
miserable truth until it is brought home to them by the guiltiness of some
trusted friend. They may have heard much of the evil of the world, and
seem to know it, but only as an impalpable theory. In due time, some
mortal, whom they reverence too highly, is commissioned by Providence to
teach them this direful lesson; he perpetrates a sin; and Adam falls anew,
and Paradise, heretofore in unfaded bloom, is lost again, and dosed
forever, with the fiery swords gleaming at its gates.
The chair in which Hilda sat was near the portrait of Beatrice Cenci,
which had not yet been taken from the easel. It is a peculiarity of this
picture, that its profoundest expression eludes a straightforward glance,
and can only be caught by side glimpses, or when the eye falls casually
upon it; even as if the painted face had a life and consciousness of its
own, and, resolving not to betray its secret of grief or guilt, permitted
the true tokens to come forth only when it imagined itself unseen. No
other such magical effect has ever been wrought by pencil.
Now, opposite the easel hung a looking-glass, in which Beatrice's face and
Hilda's were both reflected. In one of her weary, nerveless changes of
position, Hilda happened to throw her eyes on the glass, and took in both
these images at one unpremeditated glance. She fancied--nor was it
without horror--that Beatrice's expression, seen aside and vanishing in a
moment, had been depicted in her own face likewise, and flitted from it as
"Am I, too, stained with guilt?" thought the poor girl, hiding her face
in her hands.
Not so, thank Heaven! But, as regards Beatrice's picture, the incident
suggests a theory which may account for its unutterable grief and
mysterious shadow of guilt, without detracting from the purity which we
love to attribute to that ill-fated girl. Who, indeed, can look at that
mouth,--with its lips half apart, as innocent as a babe's that has been
crying, and not pronounce Beatrice sinless? It was the intimate
consciousness of her father's sin that threw its shadow over her, and
frightened her into a remote and inaccessible region, where no sympathy
could come. It was the knowledge of Miriam's guilt that lent the same
expression to Hilda's face.
But Hilda nervously moved her chair, so that the images in the glass
should be no longer Visible. She now watched a speck of sunshine that
came through a shuttered window, and crept from object to object,
indicating each with a touch of its bright finger, and then letting them
all vanish successively. In like manner her mind, so like sunlight in its
natural cheerfulness, went from thought to thought, but found nothing that
it could dwell upon for comfort. Never before had this young, energetic,
active spirit known what it is to be despondent. It was the unreality of
the world that made her so. Her dearest friend, whose heart seemed the
most solid and richest of Hilda's possessions, had no existence for her
any more; and in that dreary void, out of which Miriam had disappeared,
the substance, the truth, the integrity of life, the motives of effort,
the joy of success, had departed along with her.
It was long past noon, when a step came up the staircase. It had passed
beyond the limits where there was communication with the lower regions of
the palace, and was mounting the successive flights which led only to
Hilda's precincts. Faint as the tread was, she heard and recognized it.
It startled her into sudden life. Her first impulse was to spring to the
door of the studio, and fasten it with lock and bolt. But a second
thought made her feel that this would be an unworthy cowardice, on her own
part, and also that Miriam- only yesterday her closest friend had a right
to be told, face to face, that thenceforth they must be forever strangers.
She heard Miriam pause, outside of the door. We have already seen what
was the latter's resolve with respect to any kiss or pressure of the hand
between Hilda and herself. We know not what became of the resolution. As
Miriam was of a highly impulsive character, it may have vanished at the
first sight of Hilda; but, at all events, she appeared to have dressed
herself up in a garb of sunshine, and was disclosed, as the door swung
open, in all the glow of her remarkable beauty. The truth was, her heart
leaped conclusively towards the only refuge that it had, or hoped. She
forgot, just one instant, all cause for holding herself aloof. Ordinarily
there was a certain reserve in Miriam's demonstrations of affection, in
consonance with the delicacy of her friend. To-day, she opened her arms
to take Hilda in.
"Dearest, darling Hilda!" she exclaimed. "It gives me new life to see
Hilda was standing in the middle of the room. When her friend made a
step or two from the door, she put forth her hands with an involuntary
repellent gesture, so expressive that Miriam at once felt a great chasm
opening itself between them two. They might gaze at one another from the
opposite side, but without the possibility of ever meeting more; or, at
least, since the chasm could never be bridged over, they must tread the
whole round of Eternity to meet on the other side. There was even a
terror in the thought of their meeting again. It was as if Hilda or
Miriam were dead, and could no longer hold intercourse without violating a
Yet, in the wantonness of her despair, Miriam made one more step towards
the friend whom she had lost. "Do not come nearer, Miriam!" said Hilda.
Her look and tone were those of sorrowful entreaty, and yet they
expressed a kind of confidence, as if the girl were conscious of a
safeguard that could not be violated.
"What has happened between us, Hilda?" asked Miriam. "Are we not
"No, no!" said Hilda, shuddering.
"At least we have been friends," continued Miriam. "I loved you dearly!
I love you still! You were to me as a younger sister; yes, dearer than
sisters of the same blood; for you and I were so lonely, Hilda, that the
whole world pressed us together by its solitude and strangeness. Then,
will you not touch my hand? Am I not the same as yesterday?"
"Alas! no, Miriam!" said Hilda.
"Yes, the same, the same for you, Hilda," rejoined her lost friend. "Were
you to touch my hand, you would find it as warm to your grasp as ever. If
you were sick or suffering, I would watch night and day for you. It is in
such simple offices that true affection shows itself; and so I speak of
them. Yet now, Hilda, your very look seems to put me beyond the limits of
"It is not I, Miriam," said Hilda; "not I that have done this."
"You, and you only, Hilda," replied Miriam, stirred up to make her own
cause good by the repellent force which her friend opposed to her. "I am
a woman, as I was yesterday; endowed with the same truth of nature, the
same warmth of heart, the same genuine and earnest love, which you have
always known in me. In any regard that concerns yourself, I am not
changed. And believe me, Hilda, when a human being has chosen a friend
out of all the world, it is only some faithlessness between themselves,
rendering true intercourse impossible, that can justify either friend in
severing the bond. Have I deceived you? Then cast me off! Have I
wronged you personally? Then forgive me, if you can. But, have I sinned
against God and man, and deeply sinned? Then be more my friend than ever,
for I need you more."
"Do not bewilder me thus, Miriam!" exclaimed Hilda, who had not forborne
to express, by look and gesture, the anguish which this interview
inflicted on her. "If I were one of God's angels, with a nature incapable
of stain, and garments that never could be spotted, I would keep ever at
your side, and try to lead you upward. But I am a poor, lonely girl, whom
God has set here in an evil world, and given her only a white robe, and
bid her wear it back to Him, as white as when she put it on. Your
powerful magnetism would be too much for me. The pure, white atmosphere,
in which I try to discern what things are good and true, would be
discolored. And therefore, Miriam, before it is too late, I mean to put
faith in this awful heartquake which warns me henceforth to avoid you."
"Ah, this is hard! Ah, this is terrible!" murmured Miriam, dropping her
forehead in her hands. In a moment or two she looked up again, as pale as
death, but with a composed countenance: "I always said, Hilda, that you
were merciless; for I had a perception of it, even while you loved me best.
You have no sin, nor any conception of what it is; and therefore you are
so terribly severe! As an angel, you are not amiss; but, as a human
creature, and a woman among earthly men and women, you need a sin to
"God forgive me," said Hilda, "if I have said a needlessly cruel word!"
"Let it pass," answered Miriam; "I, whose heart it has smitten upon,
forgive you. And tell me, before we part forever, what have you seen or
known of me, since we last met?"
"A terrible thing, Miriam," said Hilda, growing paler than before.
"Do you see it written in my face, or painted in my eyes?" inquired
Miriam, her trouble seeking relief in a half-frenzied raillery. "I would
fain know how it is that Providence, or fate, brings eye-witnesses to
watch us, when we fancy ourselves acting in the remotest privacy. Did all
Rome see it, then? Or, at least, our merry company of artists? Or is it
some blood-stain on me, or death-scent in my garments? They say that
monstrous deformities sprout out of fiends, who once were lovely angels.
Do you perceive such in me already? Tell me, by our past friendship, Hilda,
all you know."
Thus adjured, and frightened by the wild emotion which Miriam could not
suppress, Hilda strove to tell what she had witnessed.
"After the rest of the party had passed on, I went back to speak to you,"
she said; "for there seemed to be a trouble on your mind, and I wished to
share it with you, if you could permit me. The door of the little
courtyard was partly shut; but I pushed it open, and saw you within, and
Donatello, and a third person, whom I had before noticed in the shadow of
a niche. He approached you, Miriam. You knelt to him! I saw Donatello
spring upon him! I would have shrieked, but my throat was dry. I would
have rushed forward, but my limbs seemed rooted to the earth. It was like
a flash of lightning. A look passed from your eyes to Donatello's--a
look"--"Yes, Hilda, yes!" exclaimed Miriam, with intense eagerness. "Do
not pause now! That look?"
"It revealed all your heart, Miriam," continued Hilda, covering her eyes
as if to shut out the recollection; "a look of hatred, triumph, vengeance,
and, as it were, joy at some unhoped-for relief."
"Ah! Donatello was right, then," murmured Miriam, who shook throughout
all her frame. "My eyes bade him do it! Go on, Hilda."
"It all passed so quickly, all like a glare of lightning," said Hilda,
"and yet it seemed to me that Donatello had paused, while one might draw a
breath. But that look! Ah, Miriam, spare me. Need I tell more?"
"No more; there needs no more, Hilda," replied Miriam, bowing her head, as
if listening to a sentence of condemnation from a supreme tribunal. "It
is enough! You have satisfied my mind on a point where it was greatly
disturbed. Henceforward I shall be quiet. Thank you, Hilda."
She was on the point of departing, but turned back again from the
"This is a terrible secret to be kept in a young girl's bosom," she
observed; "what will you do with it, my poor child?"
"Heaven help and guide me," answered Hilda, bursting into tears; "for the
burden of it crushes me to the earth! It seems a crime to know of such a
thing, and to keep it to myself. It knocks within my heart continually,
threatening, imploring, insisting to be let out! O my mother!--my mother!
Were she yet living, I would travel over land and sea to tell her this
dark secret, as I told all the little troubles of my infancy. But I am
alone--alone! Miriam, you were my dearest, only friend. Advise me what
This was a singular appeal, no doubt, from the stainless maiden to the
guilty woman, whom she had just banished from her heart forever. But it
bore striking testimony to the impression which Miriam's natural
uprightness and impulsive generosity had made on the friend who knew her
best; and it deeply comforted the poor criminal, by proving to her that
the bond between Hilda and herself was vital yet.
As far as she was able, Miriam at once responded to the girl's cry for
"If I deemed it good for your peace of mind," she said, "to bear testimony
against me for this deed in the face of all the world, no consideration of
myself should weigh with me an instant. But I believe that you would
find no relief in such a course. What men call justice lies chiefly in
outward formalities, and has never the close application and fitness that
would be satisfactory to a soul like yours. I cannot be fairly tried and
judged before an earthly tribunal; and of this, Hilda, you would perhaps
become fatally conscious when it was too late. Roman justice, above all
things, is a byword. What have you to do with it? Leave all such
thoughts aside! Yet, Hilda, I would not have you keep my secret imprisoned
in your heart if it tries to leap out, and stings you, like a wild,
venomous thing, when you thrust it back again. Have you no other friend,
now that you have been forced to give me up?"
"No other," answered Hilda sadly.
"Yes; Kenyon!" rejoined Miriam.
"He cannot be my friend," said Hilda, "because--because--I have fancied
that he sought to be something more."
"Fear nothing!" replied Miriam, shaking her head, with a strange smile.
"This story will frighten his new-born love out of its little life, if
that be what you wish. Tell him the secret, then, and take his wise and
honorable counsel as to what should next be done. I know not what else to
"I never dreamed," said Hilda,--"how could you think it?--of betraying you
to justice. But I see how it is, Miriam. I must keep your secret, and
die of it, unless God sends me some relief by methods which are now beyond
my power to imagine. It is very dreadful. Ah! now I understand how the
sins of generations past have created an atmosphere of sin for those that
follow. While there is a single guilty person in the universe, each
innocent one must feel his innocence tortured by that guilt. Your deed,
Miriam, has darkened the whole sky!"
Poor Hilda turned from her unhappy friend, and, sinking on her knees in a
corner of the chamber, could not be prevailed upon to utter another word.
And Miriam, with a long regard from the threshold, bade farewell to this
doves' nest, this one little nook of pure thoughts and innocent
enthusiasms, into which she had brought such trouble. Every crime
destroys more Edens than our own!
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